Postcard - Mucha - Mucha, AlphonseBiblio.com
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189814589AB1898. Paris F. Champenois 1898 85 : 135 cm. Original colour lithograph by Alphonse Mucha. Postcard of one of Mucha's most famous posters. Here reduced to postcard size but still very well to recognize. On the reverse side imprinted Postkarte - CARTE POSTALE -Post card. Union postale universelle and in 8 different languages. This is perhaps one of Mucha's best-known advertising poster. This poster established the iconic image of the 'Mucha woman' with her swirls of exaggeratedly abundant hair. 'JOB' is a trademark for the Joseph Badou Company manufacturing cigarette papers. In this poster Mucha placed the prominent female figure against a background featuring job monograms. Holding a lighted cigarette in her hand the woman leans her head backward sensually and rising smoke forms an arabesque interwining with her hair and the company logo. - Upper right edge a bit demaged the image perfect. unknown
1898137391898 P., 1900, 1 revue in-4° (307 x 236 mm), brochée sous couverture illustrée en vert et rouge, paginé 37 à 48 + couvertures.Extérieur : Bel état. Intérieur : Cahiers dégrafés, bel état par ailleurs. Pliure centrale verticale sur l'ensemble, correspondant très certainement à l'envoi postal d'origine.
1899GF358111899 Paris - Paul Boutigny - 1899 - 1900 - Ensemble de 31 revues in 4 reliées en un volume demi toile bleue à coins - pièce de titre endomagée - très bon état intérieur -
189879250Cartonnage d'éditeur pleine percaline verte. Titre à la chinoise doré sur le dos. Plat supérieur illustré d'un dessin signé de Steinlen représentant un coq chantant en noir et rouge devant le titre"Cocorico" écrit en doré. Le présent exemplaire est ici en deux volumes : numéros 1 à 24 pour 1898-1899 ; numéros 25 à 44 pour 1900. (Les couvertures en couleurs et les annonces sont reliées in-fine pour le premier volume).
19000037327Paris: F. Champenois & H. Piazza et Cie 1900. First Edition. Hardcover Hardcover. Near Fine Condition. 31cm x 22cm. vi 80 2 pages 1 original pencil and watercolour drawing and 86 leaves being a double suite of the plates most printed on both sides. Signed Vermorel half blue leather inlay design of bells and roses to spine marbled papered boards top edge gilt marbled endpapers. Text is in French. Copy No. 1 of 10 on Japon containing an original Mucha drawing. Emile Gebhart's three medieval tales: Les trois rois La derniere nuit de Judas and Alleluia! presented in one of the great illustrated books of the Art Nouveau period. Alphonse Mucha provided the complete decorative programme: cover design title-page decoration limitation page colophon and 78 individual headpiece compositions with elaborate floral borders enclosing the text each hand-coloured by au pochoir. This copy No. 1 contains an original full-page mixed-media drawing in pencil and watercolour on Japon signed 'Mucha' at lower right depicting a young woman in flowing drapery and broad knotted sash her hair loose to her waist beneath a patterned headband in profile with her hands raised to her collarbone a detailed study for the main figure featured in the vignette on page 69. Also bound in are a complete suite in colour on Japon of the 78 borders and vignettes and the three designs for the title limitation and colophon together with a second state in black on China paper. The original wrappers and prospectus are retained. The prospectus established a hierarchy of 252 copies in five categories of which the ten copies on Japon with original watercolours priced at 550 francs each ranked only below the unique parchment and satin copies priced at 1000 and 800 francs both entirely reworked by the artist and above 25 further copies on Japon without watercolour and 215 copies on velin de Rives. The prospectus also noted explicitly that trade discount on the watercolour copies excluded "the cost of the watercolour executed by the artist" formally distinguishing the value of the Mucha original from that of the book at the point of publication. Provenance: Acquired in 1947 by Albert Quesnot 1882-1954 first violinist with the Paris Opera thence by descent retained in the family home until 2026 when acquired at auction in Paris. Fresh to the market after nearly eighty years of unbroken family ownership. Text is in French. Minor tanning to fore-edge of marbled papered boards. Very minor rubbing to fore-edge of upper board near crown corner. Offsetting to flyleaf facing original upper wrapper. Upper wrapper fore-edge very slightly cropped . Category: Art & Design; Foreign Language::French; French Language; Fine Bindings. Inventory No: 0037327. BZDB407 Art & Design; Foreign Language::French; French Language; Fine Bindings. Unbranded Emile Gebhart; Alphonse Mucha Cloches de Noel et de Paques F. Champenois & H. Piazza et Cie hardcover
190012233Paris, Calmann-Lévy, 1900 ; petit in-8, demi-veau fauve à coins légèrement marbré, dos lisse décoré de fleurons "art nouveau" dans un triple encadrement de filet doré, tête dorée, plats illustrés en couleurs conservés (reliure de l'époque) ; (6), 188, (4) pp., 13 compositions en couleurs de Mucha, dont 7 hors-texte et une à la couverture, rehaussée à l'or.
190031592Paris, Calmann-Lévy, 1900. Un volume In-8° (19,5 x 14 cm) ; (3) ff.(faux-titre, titre et dédicace) -188 pp.-(2) ff. Gravure en couleurs sur la couverture repêtée en noir et blanc sur la page de titre. Demi-maroquin poli rouge à coins, dos à 4 nerfs richement orné d'encadrements dorés et de pointillés dorés sur les nerfs, tête dorée, auteur titre en lettres dorées, (couvertures et dos conservés). Reliure signée.
190018191Paris CALMANN LEVY 1900 1 Illustrations de MUCHA. Paris, Calmann Lévy, 1900, in-8, demi-basane beige ornée d'un fin décor composé de triple filets en pointillés dorés se terminant par un motif orientalisant, titre doré sur le dos, tête dorée, couverture conservée, 188 pp.
1900YRG-388In-8 demi cuir à coins verts, dos à cinq nerfs, titre doré, 188 pages. Intérieur frais. Édition originale publiée avec les aquarelles de Mucha et tiré sur vélin satiné exemplaire frais, marge extérieur légèrement jaunie. Reliure postérieure, dos non conservé. CALMANN LÉVY.Paris.
190015531Paris, Calmann Lévy, 1900. In-8 de [8]-188-[4] pages, demi-maroquin brun, dos à nerfs, couvertures conservées.
190021937Paris, Calmann Lévy, 1900. In-8 de [8]-188-[4] pages, demi-maroquin marron à coins, dos à nerfs, premier plat de couverture illustrée conservée. Étiquette du relieur E. Reymond à Lausanne.
19005901900 Paris, Calmann Lévy, 1900 ; in-8 de [3] ff., 188 pp., [2] ff., demi-maroquin rouge, dos à nerfs, tête mouchetée, non rogné (reliure de l'époque).
19001904112 Illustrations en couleurs de Alphonse Mucha, dont 5 têtes-de-chapitre, et 7 hors-texte.Édition originalesur beau papier. Paris, Calmann Lévy, éditeur - 1900 -188 pages.Très belle reliure demi maroquin vert à coins. Dos à 4 nerfs, avec titre et auteur dorés. Tête dorée sur témoins, non rogné. Date en pied. Couverture illustrée et dos conservés. Pas de rousseur. Parfait état. Format in-8°(21x15).
190081385Paris: Calmann Lévy 1900. Fine. Calmann Lévy Paris 1900 14.50 x 21 cm relié Calmann Lévy Paris 1900 145 x 21 cm half morocco First edition with 13 original illustrations by Alfons Mucha the cover 7 hors-text and 5 banners one of 50 numbered copies on China paper the tirage de tête deluxe copies. Binding in half orange morocco gilt date at the foot of the spine frame of black fillets on the marbled paper boards endpapers in the same marbled paper illustrated covers and spine preserved contemporary binding signed Champs-Stroobants. Pleasant attractively set copy including as stipulated in the print justification its double series of engravings: in colour and line drawings. Calmann Lévy hardcover
190081385Calmann Lévy | Paris 1900 | 14.50 x 21 cm | relié
19003136<p>Limited Edition. VG Hardcover. 1 of 150 copies of Nobel laureate Anatole France's novel Clio illustrated by Art Nouveau artist Alphonse Mucha. Edge wear and wear to tips and spine. Top edge in gilt. Decorative endpapers. Solid and square.<br /><br />Edition limitée. VG Relié. 1 des 150 exemplaires du roman Clio d'Anatole France illustré par l'artiste Art Nouveau Alphonse Mucha. Usure des pointes et de la colonne vertébrale. Bord supérieur en doré. Papiers décoratifs. Solide et carré. Frais d'expédition supplémentaires pour les commandes à l'extérieur des États-Unis.<br /><br />J'ai utilisé un traducteur en ligne de l'anglais au français. Veuillez pardonner toute erreur dans la traduction française.</p> Calmann Levy hardcover
190062141900 Paris Calmann levy éditeur 1900 In8 relié demi maroquin havane à coins dos à 2 nerfs titre frappé couvertures conservées 188 pages couverture et cul de lampe illustrés par mucha
1900186798Calmann Levy Pairs, Calmann-Levy, 1900. In-8 relié pleine basane maroquinée bleue à coins, dos à nerfs soulignés se pointillés dorés, tiire doré, date en queue, fleurs stylisées rouges et dorées. Filet doré sur les plats, tête dorée. Couverture illustrée entièrement conservée. 188 pages ornées de 12 compositions de Mucha reproduites en couleurs, dont 7 à pleine page, 5 têtes-de-chapitre et 7 hors-texte. Superbe édition illustrée avec art par Alphonse Mucha (18601939), figure emblématique du style Art Nouveau. Louvrage témoigne de la rencontre entre deux grands noms du tournant du siècle : Anatole France, écrivain académicien, fin analyste de la société et de la pensée de son temps, prix Nobel de littérature en 1921 ; Alphonse Mucha, affichiste de génie dont le travail avec Sarah Bernhardt et ses compositions décoratives ont marqué limaginaire de la Belle Époque. Bel exemplaire.
19001807PARIS. CHAMPENOIS. VERS 1900. CARTE POSTALE FORMAT 14 X 9 CENTIMETRES. LITHOGRAPHIE EN COULEURS SIGNEE. HORIZONTAL FORMAT. THE IMAGE IS ENCLOSED IN A DOUBLE LINE FRAME AND OCCUPIES ABOUT 1/4 TH OF THE CARD ON THE LEFT. THE CARD HAS THE IMAGE WITHIN A CURVED INNER FRAME WITH A SMALL DECORATIVE PANEL ABOVE : LADY WITH BROWN HAIR IN BLUE DRESS; FACING TO THE RIGHT. VIERGE, NON ECRITE, N'A PAS VOYAGE. QUELQUES FINES ROUSSEURS EPARSES SUR LA PARTIE RESERVEE A LA CORRESPONDANCE, PETITES TRACES HABITUELLES D'ALBUM AUX ANGLES, SINON BEL ETAT.
1900182551900 LA PLUME 1900 IN4 broche,couverture illustre,12p.+ table,350 reproduction en noir,d’affiches par tous les maitres de l’epoque,avec les dimensions.numero complet,tres rare
1900662771900 Paris, Editions de la Plume, 1899, in huit, 132 pp, broché, état usagé, couverture protégée de papier cristal ,intérieur frais,
1899662761899 Paris, Editions de la Plume, 1899, in huit, 30 pp, broché, état usagé, légers manques à la couverture qui est détachée ,intérieur frais,
1897201455<p>F. Simacek 1897. First Edition. Hardcover. Very Good. Mucha Alphonse. Full green cloth boards with gilt lettering & decoration 10" x 7-1/4" brown endpapers 124 pp. plate and in-text illustrations. Binding slightly visible at center-fold illustration but VG to Near Fine. Jiri Mucha gives a great account of this book in his 1989 biography "Alphonse Maria Mucha: His Life and Art". Mucha was worried about illustrating a historical book--where would he find the costumes After he read the manuscript he realized all these people could be more or less nude--nude models were easy to come by.</p> F. Simacek hardcover
189773919Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1897 23.50 x 33 cm une feuille ""Salomé"" - Original lithograph on China paper - L'Estampe Moderne L'Estampe Moderne Imprimerie Champenois for C H Masson & H Piazza Paris june 1897 subject: 23.5 x 33 cm plate: 40.8 x 55 cm one leaf and one guard Rare original black and white lithograph by Alphonse Mucha for L'Estampe Moderne series number 2 published in June 1897. One of the 50 grand luxe proofs printed on China paper with wide margins signed and dated by the artist in the plate. Embossed stamp of the publisher showing a child in profile to lower margin laid down on a leaf of vélin paper with the numbered stamp of the tirage de luxe to verso occasional spotting to margins not touching image blank guard. A magnificent monthly French publication that appeared between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs that unlike those in other magazines like Les Maîtres de l'Affiche and as is stipulated on the guard sheets were specially made by each artist for the magazine. There are thus 100 prints that appeared in total covering the major artistic currents of the late 19th Century: Symbolism Art Nouveau the Pre-Raphaelites Orientalists and the Belle époque. Each fascicule of four prints was printed in 2000 copies and sold for 3.50F with 100 on Japan paper sold at 10F. Henri Piazza also planned a very luxurious secret printing of 50 copies on Japan paper with wide margins and 50 in black and white on China paper at the considerable price of 30F. This well-sized print is superbly printed in colors on the most prestigious of papers: Japan. Thick creamy satin and with a nice sheen it contributes to making each page a work of art in itself. Its absorptive qualities for ink and its affinity for colors make it the ideal support for these lovely lithographs. The interest of French collectors for artistic posters grew from the beginning of the 1890s. Octave Uzanne invented a term for this growing interest: affichomanie or poster mania. The poster originally not rare and posted up in the streets of the capital thus became a work of art and its ephemeral background became precious and essential for conservation. Piazza decided to extract the poster from its advertising role and to elevate it to a form of art similarly to luxury illustrated artists' books. He thus put together a prestigious collection of entirely original works by the most fashionable European artists of the age: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. He also included in this project a Czech artist freshly arrived in Paris Alfonse Mucha who has only recently become active in France but who has immediately carved out for himself the affection of the public. Like in his posters which everyone knows and covets he shows us here the varied resources of his multifaceted talents as accomplished draughstman decorator and colorist from the notes printed on the guard for Salomé. The two first special numbers of the review were in fact dedicated to him and were given to all the subscribers for all twelve annual numbers of L'Estampe moderne as well as the famous illustration of the covers. A fine signed plate by the master of Art nouveau. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189773918Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris s. d. Juin 1897 23.50 x 33 cm une feuille et une serpente Salomé Original lithograph on papier japon L'Estampe ModerneL'Estampe Moderne Imprimerie Champenois for C. H. Masson & H. Piazza Paris June 1897 subject: 23.5 x 33 cm plate: 40.8 x 55 cm one leaf and one captioned silk tissue Rare Alphonse Mucha color lithograph heightened with gold for L'Estampe Moderne series number 2 published in June 1897. One of 50 grand luxe proofs printed on papier japon with wide margins signed by the artist in the plate publisher's stamp to lower margin de luxe printing numbered stamp to verso upper margin slightly sunned; the plate itself preceded by a silk tissue with the name of the artist title a poem and a caption. L'Estampe moderne was a magnificent monthly French publication published between May 1897 and April 1899. It included unpublished chromolithographs specially made by each artist for the magazine as mentioned on the protective silk tissue over each plate unlike other publications such as Les Maîtres de l'Affiche. 100 prints were published in total covering major artistic movements of the late 19th-century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle époque'. 2000 copies were printed of each fascicule containing four prints and sold for 3.50F. 100 copies were printed on papier japon for 10F. Henri Piazza also planned a very luxurious secret printing of 50 copies on papier japon with wide margins and 50 in black and white on papier chine at the considerable price of 30F. This well-sized print is superbly printed in colors on the most prestigious of papers: japon. Thick creamy satin and with a nice sheen it contributes to making each page a work of art in itself. Its qualities of absorption and its affinity for colors make it the ideal support for these lovely lithographs. The interest of French collectors for artistic posters grew from the beginning of the 1890s. Octave Uzanne invented a term for this new form of collection: affichomanie' or poster mania. The initially common poster displayed in the streets of Paris became a work of art and its ephemeral material became precious and made to last. Piazza decided to separate the poster from its advertising role and to elevate it to a form of art similarly to luxury illustrated artists' books. He put together a prestigious collection of entirely original artworks by the most fashionable European artists: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. He also included in this project a Czech artist freshly arrived in Paris Alfonse Mucha who has only recently become active in France but immediately carved out for himself the affection of the public. Like his posters which everyone knows and covets he shows us here the varied resources of his multifaceted talents as accomplished draughstman decorator and colorist from the notes printed on the silk protective paper of Salomé. The two first special numbers of the journal were in fact dedicated to him and were given to all the subscribers for all twelve annual numbers of L'Estampe moderne as well as the famous illustration of the covers. A fine signed plate by the master of Art nouveau. Imprimerie Champenoispour CH. MassonH. Piazza unknown
