185 résultats
192517670Munchen und Leipzig: Georg Muller und Hans Von Weber c 1925. Second edition. Hardcover. Very Good. 4 Volumes each 5 1/4 x 8 inches. Second edition with the plates of the 1767 edition 1st was 1913 these not dated but circa 1925. Text in German. Condition is Very Good; Rubbing and soiling to the spines text and illustrations are perfect with no toning foxing stains markings etc. bindings are tight. STK Georg Muller und Hans Von Weber hardcover
1017325103.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
028261804X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
FORT674054The Franklin Library. Used - Very Good. Two volume set 2 Volumes. The Franklin Library unknown
79720Couverture rigide. Bon/1751. in-8. Paris 1751 in-8 333pp reliure plein veau d'époque Quelques défauts mineurs sinon très bel exemplaire! unknown
176191771Constantinople Istanbul Paris: s. n. 1761. Fine. s. n. Constantinople Istanbul Paris 1761 9.8 x 17 cm Relié First edition at one time attributed to Bernard Le Bouyer de Fontenelle on the loves of a shepherd of illustrious lineage: Mirtil son of Venus and Adonis. Complete copy with its engraved title page by Louis Legrand and its six plates drawn by Hubert François Gravelot and engraved by Louis Legrand. Half marbled calf binding spine with five raised bands decorated with dotted gilt fillets five compartments richly gilt with fillets and fleurons pebble-pattern marbled paper boards red edges pastedowns and endpapers also in pebble-pattern marbled paper pastiche binding in fine condition. A few discreet marginal dampstains. ""Let no beauty trust in a lover's vows; let none flatter herself that truth dictates his words. A prose poem in six cantos in which according to the anonymous author 'only Love Beauty and the Graces have been portrayed.' It opens thus: 'Venus still wept over the sad fate of the hunter Adonis.' Involuntarily 'Calypso could not be consoled for the departure of Ulysses.' comes to mind. One might take it for an imitation of 'Télémaque.' It is rather a pastiche of the 'Temple de Gnide' on which most productions of this then so widespread genre were modelled."" Jules Le Petit Édouard Rouveyre ""Bibliographie raisonnée et pratique. Guide du libraire-antiquaire et du bibliophile"" 1885 our own translation s. n. hardcover
51-2094Londres i.e. Paris: Pierre Prault: 1757-1761. 5 volumes bound in blue quarter smooth morocco demi chagrin and marbled boards and endpapers; spine lettered and decorated in gilt. 8vo. 13 x 21 cm. Printed on Dutch laid paper Hollande. A high point of 18th Century book illustration. Cohen p.70; Brunet I p.1007. The imprint is false actually published in Paris by Pierre Prault. Text in French using the same illustrations as the Itlalian text version of the same year. Illustrated throughout with engravings after Gravelot Boucher Cochin and Eisen engraved by Aliamet Baquoy Flipart Legrand Lemire Lempereur and others; including a portrait of Boccaccio by Gravelot; chapter heads vignettes; 110 plates collated 22 per volume most with tissue guards. Leather discolored; wear to spine ends edges and corners; boards rubbed; remnant of book plate front pastedowns; occasional light to moderate foxing even tanning of text pages but plates very clean with a small number in light pencil in upper leading corners of wide margins; occasional light to moderate offset to text pages from vignettes chapter heads. Binding is tight.Ouvrage composé d'un portrait de 5 frontispices 110 gravures et 97 culs de lampe par Gravelot Boucher et Eisen. Londres (i.e., Paris: Pierre Prault): 1757-1761. hardcover
1738263095N.p. 1738. Each signed possibly in anoher hand lower left in ink "Gravelot". 1 vols. 9.3 x 7.4 cm. The two matted together and framed. Both drawing slightly toned but very good. Each signed possibly in anoher hand lower left in ink "Gravelot". 1 vols. 9.3 x 7.4 cm. The first illustration of a Monkey addressing a Lion and a Wolf is almost certainly from Gravelot's English period 1733-1746 and could well be a preliminary sketch for Gay's FABLES; yet the second drawing depicting a female figure driving a chariot displays an allegorical style reminiscent in style and theme to his illustratons for ICONOLOGIE PAR FIGURES ca. 1789. unknown
In-16 gr. (mm. 194x112), p. pelle bazana coeva (con abras.), decoraz. e titolo oro su tassello al dorso, tagli rossi, pp. XXVIII,369, ornato da un fleuron in forma di lira al frontesp. e da 4 deliziose vignette inc. all'acquaforte da Choffard. Il volume è illustrato da una antiporta e 4 bellissime tavole fuori testo, su disegni di Le Prince e Gravelot, inc. in rame da noti artisti. Vi sono contenuti anche: "L'Abenaki, Sara Th.., Ziméo. Contes / Pièces fugitives / Fables orientales". "Prima edizione". Cfr. Cohen,925 - Lewine,490 - Boissais-Deleplanque,159 - Brunet,V,52 e Graesse,VI,225 citano solo ediz. a partire dal 1775. Questo poema, che consacrò Jean-François Saint-Lambert (1716-1803) maestro della poesia didascalica, ebbe tanto successo da essere ristampato più volte, anche nell'Ottocento. Solo lievi uniformi ingialliture, una carta con antico restauro per strappo, altrimenti esemplare ben conservato.
