(Daumier, Honore) Fontainas, AndreBiblio.com
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1924217323Paris: aux Édition G. Crès et Cie 1924. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Bound in three quarter dark morocco gilt spine about fine. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Freitag no. 2071 aux Édition G. Crès et Cie unknown
191879235Muenchen:: Verlag der Marees-Gesellschaft 1918. First edition. publisher's printed wrappers text; plates laid into publisher's portfolio. The mats to the plates and preliminary leaf slightly tanned; portfolio spotted; plates very attractive. . Large folio. 13 only of 15 matted plates lacking Pl. 6 and 9; some in color. Verlag der Marees-Gesellschaft, unknown
05423Paris: Au Bureau du Journal le Charivari 1857. Thirty Amusing Wood-Cut Illustrations by Honoré Daumier<br /> <br /> DAUMIER Honoré. Croquis Variés. Paris: Au Bureau du Journal le Charivari 1857.<br /> <br /> First edition. Small quarto 9 1/2 x 7 1/8 inches; 241 x 181 mm. 16 leaves including vignette title-page all printed on one side only. Thirty amusing wood-cut illustrations. Some foxing throughout as is usual.<br /> <br /> Publisher's pale green printed wrappers with advertisements on rear. Complete with the publisher's glassine wrapper. Apart from the usual foxing a remarkable survival of this very fragile little book.<br /> <br /> First edition of this collection of plates by the famous illustrator writer sculptor. French lithographer and caricaturist Honoré Daumier Marseilles February 26 1808 - Valmondois February 10 1879 famous for his satirical cartoons targeting the political figures of the time. Daumier from a very young age demonstrated a propensity for drawing. In 1825 he was an apprentice of Beliard lithography starting to collaborate then with the humorous newspaper "La Silhouette" demonstrating right from the start all his satirical verve. Among the first tables that he created one caused a stir. In it the caricaturist opposed the glorious Napoleonic tricolor to the restored Bourbon flag. Daumier's political commitment did not stop at paper but he took an active part in the revolutionary uprisings which overthrew the monarchy of Charles X in July 1830. During the uprisings he was also hit by a bullet. In 1835 he began his collaboration with the famous satirical newspaper directed by Charles Philipon and Gabriel Aubert "La Caricature" which gave him fame and visibility but also various problems which also led him to be imprisoned for a too ferocious cartoon towards Louis Philippe I of France formerly Louis-Philippe Duke of Orléans. Dumier in the following years became one of the most famous illustrators of France collaborating with newspapers such as Le Charivari and La Chronique de Paris newspaper founded in 1836 by Balzac who also used the caricaturist for the images of some of his works and illustrating classic works and contemporary novels achieving enormous success. Uncommon in this first edition. Paris: Au Bureau du Journal le Charivari, 1857 unknown
18368974<p>Hand-colored lithograph highlighted with gum arabic. Plate No. 20. Stain to bottom left corner and crease to upper right corner see image. Scarce.</p><p>10.5 x 13.75 in 27 x 35 cm</p><p>DR #345</p> Aubert et de Junca
18378975<p>Hand-colored lithograph highlighted with gum arabic. Plate No. 13. Stain to bottom left corner and minor foxing see image. Scarce.</p><p>10.5 x 13.75 in 27 x 35 cm</p><p>DR #338</p> Aubert et de Junca
51-6779Frankfurt: Querschnitt-Verlag A.G. 1923. 4to. 18.5 x 25cm. Original boards. and linen spine.One of 400 numbered copies. Cover by Fernand LeÌger.OCLC Number / Unique Identifier:950242019.Physical Description:XXII 256 p. : ill. ; 257 x 187 cm.Der Querschnitt 1921–31The magazine ‘Der Querschnitt’ was launched by Alfred Flechtheim. It captured the zeitgeist and combined contemporary art literature sport and more. Initially it was published by the Verlag der Galerie Flechtheim and from 1923 by the Querschnitt-Verlag. In 1924 it switched to Propyläen-Verlag. The number of issues varied from year to year. During the first four years a year book was also published in addition. After the April issue 1931 the editor and publisher Hermann von Wedderkop left ‘Der Querschnitt’. The issues that followed had no connection whatsoever with Alfred Flechtheim. Frankfurt: Querschnitt-Verlag A.G., 1923. hardcover
184272622Paris: Maison Martinet 1842. Fine. Maison Martinet Paris 1842 37 x 24.50 cm une feuille Original lithograph in second state colored and gum arabic highlights created for the journal La Caricature. Delteil 422. Paper slightly yellowed otherwise handsome copy. Maison Martinet unknown
184572646Paris: Chez Aubert 1845. Fine. Chez Aubert Paris 1845 26.50 x 35.10 cm une feuille Original black and white lithograph in second state created for Le Charivari and printed on heavy paper. Delteil 2232. Light foxing throughout the plate. Chez Aubert unknown
183774649Paris: Chez Aubert 1837. Fine. Chez Aubert Paris s. d. 1837 27.20 x 35.20 cm une feuille Original black and white lithograph created for Le Charivari and printed on heavy paper. Delteil 1039 Some foxing tear to upper margin not affecting the image and caption slightly faded at lower left. Chez Aubert unknown
18384946Paris: Aubert & Cie. 1838. First edition First state. This is the rarest version of this caricature with the title below and the Aubert imprint to the left but without the header title "La Caricature provisoire" second state or the title "Les 12 Mois" third state. It is also without the number 1. to the top right that appears on the later imprints. Signed h.D. in the plate. A very good clean impression with a little foxing only. The fold to the centre as called for on this edition. Verso is blank but for slight foxing. A very nice copy of this rare Daumier engraving. 16.5cm x 22.5cm. Cat.Rais.: Delteil 551 . Première édition premier état. Il s'agit de la version la plus rare de cette caricature avec le titre en bas et l'empreinte d'Aubert à gauche mais sans le titre d'en-tête "La Caricature provisoire" deuxième état ni le titre "Les 12 Mois" troisième état. Il n'y a pas non plus le chiffre 1 en haut à droite qui apparaît sur les tirages ultérieurs. Signé h.D. dans la planche. Très bonne impression propre avec seulement quelques rousseurs. La pliure est au centre comme prévu dans cette édition. Le verso est vierge à l'exception d'une légère rousseur. Un très bel exemplaire de cette rare gravure de Daumier. 16.5cm x 22.5cm. Cat.Rais. : Delteil 551 Aubert & Cie. unknown
18377241837. Lithograph. 325mm by 255mm sheet. Plate 57 from the Robert Macaire 'Caricaturana' series. <br /> 'Confound it Mr. Dentist you have pulled out two good teeth and have left the two bad ones' Robert Macaire aside 'The devil' aloud 'No doubt and for good reasons there is always time to extract the bad ones ; as to the others they would have decayed and caused you pain. A false set will never make you suffer and it is of a better kind ; people wear nothing but that now'.From a series of lithographs that show the character Robert Macaire in a variety of guises. Macaire originally a character in a play is a swindler who takes on a number of professions such as journalist librarian and so on always ruthlessly pursuing personal gain. Macaire's character symbolised the mood in France at the time of the July Monarchy of the 1830s and 1840s when wealthy financiers and company owners dominated politics and looked after their own interests at the expense of others. In this print Macaire is in the guise of a dentist. CONDITION : There is some discolouration at the bottom of the sheet and a little in the title area. Some toning to the edges of the sheet. unknown
184472717Paris: Chez Aubert 1844. Fine. Chez Aubert Paris 1844 34 x 26.20 cm une feuille Original black and white lithograph in second state executed for Le Charivari and printed on heavy paper. Delteil 2739 Light foxing throughout the plate. Chez Aubert unknown
184472725Paris: Chez Aubert 1844. Fine. Chez Aubert Paris 1844 34.40 x 26.20 cm une feuille Original lithograph in black and white second state created for Le Charivari and printed on heavy paper. Delteil 2730 Good copy despite some pale marginal foxing. Chez Aubert unknown
184472726Paris: Chez Aubert 1844. Fine. Chez Aubert Paris 1844 25.80 x 34 cm une feuille Original lithograph in black and white second state created for Le Charivari and printed on heavy paper. Delteil 2727 Pale foxing throughout the plate. Chez Aubert unknown
184772715Paris: Chez Aubert 1847. Fine. Chez Aubert Paris 1847 34.80 x 26.70 cm une feuille Original lithograph in black and white and in second state created for Le Charivari and printed on heavy paper. Delteil 660 Good copy despite some marginal foxing. Chez Aubert unknown
184272714Paris: Chez Aubert 1842. Fine. Chez Aubert Paris 1842 36 x 27 cm une feuille Original lithograph in black and white and in second state created for Le Charivari and printed on heavy paper. Delteil 649 Good copy despite some pale marginal foxing. Chez Aubert unknown
1839L062911Chez Aubert et Cie Editeurs Du Musee Pour Rire 1839. First Edition. Leather Binding. Good/No Jacket. 4to - over 9¾" - 12" tall. Wear to extremities chiefly to spine edges and corners; spine splitting at edges; some soiling rubbing and browning to covers chiefly to edges and corners; previous owner's ink inscription on front attached endpaper; tape reinforcement to inner hinges at top and lower edges; slight internal browning and/or foxing chiefly to preliminaries and edges; generally unaffecting plates. ca. 125 pages including plates; unpaginated. Text in French. Spine title: Robert-Macaire. Second part of the pictorial depiction of the title gentleman of many talents including lawyer quacksalver mesmerist etc; numbers 51 to 101 in the series this copy lacks plate 68 and substitutes a duplicate copy of the text and illustration for plate 96 in its place. Bound in half brown morocco over green heavy stock boards gilt-stamped and decorated spine and covers plain endpapers all edges trimmed. Scarce in any condition. One volume only; sold 'as is'.Daumier Honore illustrator; 49 of 50 Engraved Illustrations / Plates. Chez Aubert et Cie, Editeurs Du Musee Pour Rire unknown
1992BN134576Editions Michèle Trinckvel 1992. 1992. La Chasse et La Pêche. Préface de Paul Vialar. Catalogue et Notices de Jacqueline Armingeat. <br/><br/>La Chasse et La Pêche. Préface de Paul Vialar. Catalogue et Notices de Jacqueline Armingeat. Honoré Daumier Editions Michèle Trinckvel unknown
1992BN254742Stuttgart : Hatje 1992. 1992. Honoré Daumier Zeichnungen : Ausstellung in der Graphischen Sammlung des Städelschen Kunstinstitutes und der Städtischen Galerie Frankfurt am Main 17. November 1992 bis 17. Januar 1993 und im Metropolitan Museum New York 26. Februar bis 2. Mai 1993. Colta Ives . Mit Beitr. von Judith Wechsler und Klaus Herding. Übers. Manuela Müller-Windisch und Martin Windisch <br/><br/>Honoré Daumier Zeichnungen : Ausstellung in der Graphischen Sammlung des Städelschen Kunstinstitutes und der Städtischen Galerie Frankfurt am Main 17. November 1992 bis 17. Januar 1993 und im Metropolitan Museum New York 26. Februar bis 2. Mai 1993. Colta Ives . Mit Beitr. von Judith Wechsler und Klaus Herding. Übers. Manuela Müller-Windisch und Martin Windisch Ives Colta Feller und Honoré Daumier Stuttgart : Hatje unknown
RGW19289AHand-coloured lithograph heightened with gum arabic reverse blank some spotting on surround unknown
184574676Paris: Chez Aubert 1845. Fine. Chez Aubert Paris s. d. 1845 24.60 x 33.50 cm une feuille Original black and white lithograph second state created for Le Charivari and printed on heavy paper. Signed on plate. Delteil 1857 Some foxing to the left margin. Chez Aubert unknown
184274681Paris: Chez Aubert 1842. Fine. Chez Aubert Paris s. d. 1842 25.50 x 33.50 cm une feuille Original lithograph in black and white in the second state created for Le Charivari and printed on heavy paper. Signed on the plate. Delteil 2101 Some foxing. Chez Aubert unknown
185572535Paris: Maison Martinet 1855. Fine. Maison Martinet Paris s. d. 1855 33.60 x 25 cm une feuille Original lithograph in first state in colors and gum arabic created for the series entitled L'Exposition universelle. Delteil 1767. Very handsome copy free from all foxing and with brilliant colors. Maison Martinet unknown
184672568Paris: Chez Aubert 1846. Fine. Chez Aubert Paris 1846 24.80 x 32.70 cm une feuille Original black and white lithograph created for Le Charivari and printed on thick paper. Delteil 876. Handsome copy despite some minimal marginal worming. Chez Aubert unknown
184472716Paris: Chez Aubert 1844. Fine. Chez Aubert Paris 1844 25.80 x 33.80 cm une feuille Original black and white lithograph in second state executed for Le Charivari and printed on heavy paper. Delteil 2722 Light foxing throughout the plate. Chez Aubert unknown
