94 résultats
1162Published on newsprint Le Charivari. 14 ¾ x 10. Un Nouvell Connaissance. Lithograph. From Les Beaux Jours de la Vie. D. 1176 ii/ii. April 18 1846. Un Jour d'eclipse. Lithograph. From Actualities. c.1845. unknown books
18571821857. Sur Blanc. Lithograph. As published in Le Charivari. D. 2967 ii. Prov: unidentified collector's stamp on verso. Image: 8¼ x 10. Margins: 10 x 13½. Detouches books
04761Paris: Charivari and Martinet 1859. The Moroccan Sultan Monsieur Prudhomme a Stereotypical Bourgeois and the Chinese Emperor<br/>Thirty Fine Humorous Lithographs by Honoré Daumier<br/><br/>DAUMIER Honoré. Album des Charges du Jour. 30 Lithographies par H. Daumier. Paris: Au Bureau du Charivari.et chez Martinet 1859-60. <br/><br/>First edition. Oblong folio 10 3/8 x 13 5/16 inches; 264 x 338 mm. Lithographed pictorial title-page and thirty wonderful plates lithographed by Destouches. Some light foxing to a few plates mainly on the verso. <br/><br/>Publisher's pictorial lithographed yellow paper wrappers spine very slightly chipped at extremities otherwise fine.<br/>A Wonderful example.<br/><br/>This scarce album contains thirty fine and humorous lithographs by Daumier which had previously appeared in the Le Charivari in the series: Actualités En Chine Croquis de Chasse Ces Bons Parisiens and Emotions Nautiques. The three figures featured on the front cover and the title-page are: the Moroccan sultan Mr. Prudhomme a stereotypical bourgeois and the Chinese emperor.<br/><br/>OCLC locates just two copies in libraries and institutions worldwide New York Public Library NY USA & The Morgan Library & Museum NY USA.<br/><br/>The Plates:<br/>1. - Dire que nous v'la Parisiens!. <br/>Unbelievable. we are Parisians now too! DR #3235; Actualités<br/><br/>2. Mr. Prudhomme - Mon fils rappelle toi ce jour mémorable où tu as vu démolir à jamais le mur d'octroi. rappelle-toi que tôt ou tard la philosophie produit de la raison humaine; renversera de même les barrières des préjugés sociaux!. Le Petit Adolphe- Oui papa!. mais dis donc. papa . pourquoi qu'on les reconstruit un peu plus loin. <br/>Mr. Prudhomme - My son remember that memorable day when you saw the wall of the grant being demolished forever . remember that sooner or later philosophy product of human reason; will also reverse the barriers of social prejudice! . Little Adolphe- Yes dad! . but say so . dad . why do we rebuild them a little further .<br/>DR #10945; Actualités 141<br/><br/>3. Le Diamant Magnétiseur. Nouveau divertissement des soirées. - ou manière de s'amuser et de se faire loucher en société sans se fâcher.<br/>The Diamond Hypnotist.<br/>A new pastime at evening parties - or how to have fun and get someone to squint without getting into trouble. <br/>DR #3227; Actualités 134<br/><br/>4. Une Application Utile du Diamant Magnétiseur. <br/>- Ma femme est bien magnétisée!. je peux filer tranquillement pour le bal de l'opéra. dors bien bobonne!.<br/>Practical Application for a Diamond Hypnotist. <br/>My wife is hypnotized. now I can quietly leave for the opera ball. sleep well my dear! DR #3230; Actualités 140<br/><br/>5. Toujours les merveilles du diamant magnétiseur. - ou manière en société de faire prendre aux dames des poses non moins fatigantes que disgracieuses.<br/>More marvels from the diamond hypnotist. Or how to make the ladies pose in society in exhausting and not very gracious positions. DR #3228; Actualités 137<br/><br/>6. - Mon ami. viens donc voir ces jolis diamants!. <br/>- Ne regarde pas cela. imprudente!. ça te ferait loucher!!.<br/>- My dear come and have a look at these beautiful diamonds! <br/>- Don't even look at them you careless woman. they'll make you cross-eyed! DR #3229; Actualités 138<br/><br/>7. La Chiromancie Nouveau Passe Temps Des Bons Parisiens. <br/>- Adélaïde. j'ai beau chercher. je ne me trouve pas la petite ligne qui annonce une longue vie. mon Dieu!. dois-je donc mourir à la fleur de l'âge!.<br/>Palmistry New Parisian Pastime. <br/>- Adelaide. no matter how intensely I am searching I simply cannot find the line for long life. oh my God must I die in the prime of my days! DR #3240; Actualités 142<br/><br/>8. - Ah! Théophile. j'en apprends de belles sur ton compte. d'après le livre de Mr. Desbarolles je vois que tu as dans la main la ligne du libertinage!. - Ah!. bah.<br/>- Ah Théophile what ghastly things I am reading about you. According to the book by Mr. Desbarolles I can tell that you have in your palm the lines of a libertinage!. - Oh well. DR #3241; Ces Bons Parisiens 1<br/><br/>9. L'empereur du maroc consultant le celèbre sorcier desbarolles.<br/>- Voici une petite ligne qui m'indique que vous êtes destiné à recevoir une grande raclée!.<br/>The Emperor of Morocco in consultation with the Famous Magician Desbarolles.<br/>- This small line here indicates to me that you are going to get a royal thrashing! DR #3225<br/><br/>10. À Tanger<br/>- Sublime Majesté! . . . . . voici les Espagnols qui arrivent . . . . . je crois aller au devant de vos désirs afin de leur inspirer du respect . de déployer votre auguste parasol ! . <br/>- Laisse-moi donc tranquille Belboul avec mon parasol . . . . en ce moment-ci j'aimerais mieux avoir un Pare-à -balle ! . . . . . . <br/>In Tangiers.<br/>- Sublime Majesty. the Spanish are coming. in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! <br/>- Leave me alone with your umbrella Belboul. I would rather like to have an umbrella protecting me from their bullets. DR #3223<br/><br/>11. Le Cid se mettant aussi en campagne pour aller combattre les Maures.<br/>El Cid also takes to the field to fight against the Moors. DR #3233<br/><br/>12. Combat singulier entre le Cid et l'Empereur du Maroc.<br/>A unusual battle between El Cid and the emperor of Morocco. DR #3234<br/><br/>13. Un parasol dans une position difficile.<br/>An umbrella in a difficult position. DR #3224<br/><br/>14. - Voilà un vent qui va joliment contrarier le débarquement des Espagnols!. <br/>- Oui. mais c'est aussi un bien fichu temps pour mon parasol .<br/>- This wind will give the Spanish a hard time when disembarking. <br/>- Sure but look at what it is doing at my umbrella! DR #3226<br/><br/>15. - Dire que c'est là ce que les Français appellent des chinois!.<br/>Strange. this is what the French call "Chinois". DR #3120<br/><br/>16. - Ils vont être bien attrapés ces européens!. ils ont des canons qui sont terribles parce qu'ils sont rayés moi j'ai eu l'excellente idée de faire rayer tous mes soldats!.<br/>These Europeans will be quite surprised. they are using "rifled cannons" . thus I had the clever idea to add "rifles" stripes to the uniforms of my soldiers. DR #3118<br/><br/>17. Patrouille chinoise en reconnaissance.<br/>Chinese reconnaissance unit in action. DR #3117<br/><br/>18. - Tiens regarde cette caisse. elle renferme les envoyés Américains qui se rendent à Pékin!. <br/>- On dirait que cette voiture contient des animaux curieux. <br/>- Ma foi! s'ils sont curieux. tant pis pour eux car ils ne voient pas beaucoup le pays qu'ils traversent!<br/>- Look at that box - it contains the American envoys on the way to Peking! <br/>- Anyone would say it was a coach full of curious animals. <br/>- Well if they are curious so much the worse for them for they can't see much of the country they are travelling through. DR #3114<br/><br/>19. Arrivée à Pékin des ambassadeurs Américains.<br/>Arrival of the American Ambassador in Beijing. DR #3115<br/><br/>20. L'envoyé américain obtenant une audience de l'Empereur de la Chine.<br/>The Emperor of China receives the American Ambassador. DR #3116<br/><br/>21. - Tchinn-tchinn. tu m'apportes une bonne nouvelle!. je t'accorde l'insigne honneur de baiser l'auguste poussière de mes augustes souliers!.<br/>Tchinn Tchinn. you are bringing me good news! As a special sign of grace I will allow you to kiss the sublime dust of my sublime shoes! DR #3119<br/><br/>22. La Chine se civilisant.<br/>- Voyons. attention!. voici la théorie européenne. les yeux à quinze pas de distance et que le pied qui est à terre vienne rejoindre vivement celui qui est en l'air.<br/>China on its way to become civilized.<br/>Attention!. this is European theory now. the eyes must look fifteen feet ahead. . the foot on the ground must quickly join the one in the air. DR #3124<br/><br/>23. Fonctionnaires chinois veillant au salut de l'empire ! .<br/>Chinese civil servants diligently guarding over the welfare of the nation. DR #3123<br/><br/>24. -Tenez je viens de tuer un magnifique coq de bruyère!. <br/>-Mais malheureux!. c'est le coq Brahma de la ferme voisine. un coq qui vous coûtera peut-être plus de trente francs. sans compter les coups de fourche!.<br/>- Look! I just killed this magnificent grouse! . <br/>- Poor you! That is the rooster of the farm next door. That cock will cost you more than thirty francs not counting the pitchfork jabs! DR #3216<br/><br/>25. - Eh! bien. as-tu l'intention de rester là . <br/>- Non certes!. je t'attendais pour que tu me transportes sur ton dos jusqu'au village. <br/>- Merci à une lieue et demie d'ici!!. es-tu fou. <br/>- Allons!. voyons mon ami. fais comme si tu avais tué un chevreuil et que tu sois obligé de le rapporter chez toi!.<br/>- What about it. are you planning to stay here all day <br/>- Surely not. I thought you were going to carry me to the next village! <br/>- You must be joking. one and a half leagues. you must be crazy! <br/>- Oh come on. just pretend I were a stag you shot you would have had to carry him too. DR #3217<br/><br/>26. - Eh! bien. allons-nous continuer notre chasse malgré le vilain temps . . . . . <br/>- Non ! du tout . . . . . il pleut . . . . le gibier craint autant la pluie que nous . . . . il ne pourra manquer de venir se mettre à l'abri dans cette chaumière et nous allons en prendre beaucoup ! . . . . . .<br/>- Now what Are we going to continue hunting during the rain <br/>- Not at all! The animals are just as afraid of the rain as we are. They might not be able to find this shelter and we would end up losing too many of them! DR #3215<br/><br/>27. Mr. Prudhomme. - Comment . . . flots impudents ! . . . . . vous ne savez donc pas qui vous portez en ce moment que vous vous montrez si hardis à mon égard . . . . mer audacieuse! . . . apprends que comme Xerxès je pourrais te faire fouetter ! . . . . . <br/>Mme. Prudhomme Toute tremblante. - Oh! . . . mon ami . . . . . je t'en supplie ! . . . . ne lui dis pas d'insolences tu la mettrais en colère et elle serait capable de nous engloutir! . . . . .<br/>Mr. Prudhomme: - Obnoxious waves. don't you know whom you are carrying in this moment. oh audacious. know I shall like Xerxes whip you terribly. <br/>Mme Prudhomme: shivering of fear - Pray my dear friend do not offend the sea any longer. you might wake its fury and it might devour us completely! DR #3218<br/><br/>28. Les Eunuques Réformés par le Bey de Tunis.<br/>- Qu'allons-nous devenir. nous voilà mis à pied!. <br/>- Nous n'avons plus qu'à nous faire cochers de Constantinople!.<br/>Eunuchs reformed by the Bey of Tunis.<br/>- What's going to become of us. we have been fired. <br/>- The only thing we can do is go to Constantinople and become coachmen. DR #3237<br/><br/>29. Le nouveau costume des cochers turcs à Constantinople - Ni hommes ni femmes. tous eunuques!. <br/>Extrait de la nouvelle ordonnance.<br/>The new uniform of the Turkish coachmen in Constantinople. neither male nor female. all eunuchs. <br/>from the new ordinances. DR #3238<br/><br/>30. Une position difficile. - Tiraillé entre la civilisation et le parti rétograde.<br/>A difficult position. <br/>Torn between civilization and the conservative party. DR #3221. Paris: Charivari and Martinet, 1859 unknown books
04977Paris: Aux Bureaux du Charivari 1871. Thirty-Nine Wonderfully Satiric Images by Daumier & Cham<br/>of the Siege of Paris by the Prussian army in the Winter of 1870-1871<br/><br/>CHAM pseudonym of Amédée de Noé. DAUMIER Honoré. Album du Siége Par Cham et Daumier. Recueil de Caricatures publiées pendant Le Siege dans Le Charivari. Paris: Aux Bureaux du Charivari 1871. <br/><br/>First edition. Large quarto 12 x 9 5/8 inches; 305 x 244 mm. Pictorial lithograph title-page Cham and thirty-nine fine lithograph plates ten of which are by Honoré Daumier and the rest by Cham. <br/><br/>Publisher's red pebbled cloth over boards front cover lettered in gilt marbled endpapers. <br/><br/>Thirty-nine wonderfully satiric images of the siege of Paris by the Prussian army in the winter of 1870-1871 originally published in Le Charivari and reprinted as an album in 1871 with a new image used for the title page.<br/><br/>OCLC locates just sixteen copies in libraries and institutions worldwide nine in the USA four in the Netherlands two in Germany and one in Australia ten of these appear to be bound without the pictorial title. It would seem that this volume was only issued with uncolored plates.<br/><br/>"For many of Daumier's admirers his lithographs of 1870-1871 represent the peak of his achievement. They are in his last style massive stripped down direct which speaks as nothing else could for this tragic period in France's history. <br/><br/>The Siege of Paris - that took place from 19th September 1870 to 28th January 1871 and the consequent capture of the city by Prussian force - culminated in France's defeat in the Franco-Prussian War and the establishment of both the German Empire and the Paris Commune - the radical socialist anti-religious and revolutionary government that ruled Paris from 18th March to 28th May 1871. The Franco-Prussian War had led to the capture of Emperor Napoleon III in September 1870 the collapse of the Second French Empire and the beginning of the Third Republic.<br/><br/>The Plates:<br/><br/>1. Pictorial title-page Cham<br/>2. Modes Parisiennes en prévision du bombardment Cham 112<br/>3. Le bombardment Cham 5<br/>4. La valeur Prussienne n'attendant pas le nombre des années Cham 8<br/>5. Ceci a tué cela Daumier 3845<br/>6. Plus de Gaz Cham 127<br/>7. Préparant les éntrennes pour son peuple Cham <br/>8. Pour ne pas être bléssé je n'ai qu'a mettre ce plastron Oui monsieur en ayant soin bien entendu de ne pas sortir de chez vous Cham 107<br/>9. Un paysage en 1870 Daumier 3828<br/>10. Laissez appuyer moâ sur le bras à vôs! Fallait pas me laisser amputer Cham 129<br/>11. T'allais jamais à l'Église autrefois Pour le pain bénit on ne fait pas la queue Cham 18<br/>12. Tu t'es mis un faux ventre! Pour faire des sorties pour montrer à l'ennemi que nous avons beaucoup de vivres Cham 106<br/>13. Les animaux du jardin des plantes faisant queue comme tout le monde pour avoir leur viande Cham 110<br/>14. Square Napoléon Daumier 3824<br/>15. Je me suis mis dans les volontaires! Animal! Tu n'as pas 35 ans! On va dire que nous ne sommes pas mariés! Cham 121<br/>16. Ce pauvre Henri IV voyant emmener son cheval chez le boucher Cham 130<br/>17. Épouvantée de l'héritage Daumier 3838<br/>18. Madame Putois j/aurais tout de même jamais cru que vous tueriez votre chien pour nous en faire manger - Il a bien fallu. il était enrage! Cham 17<br/>19. Maintenant j'adore les gens grêlés ils me rappellent le gruyere! Cham 120<br/>20. Plus de viande! Allons donc! Cham 123<br/>21. Rationnement du pain - un monsieur allant diner en ville Cham 16<br/>22. Les Nouveaux Gardiens de Paris Cham 111<br/>23. Six heures et demie - les chevaux de Madame la Marquise sont sur la table Cham 104<br/>24. Le danger de manger de la souris est qu'ensuite votre chat ne coure après Cham 119<br/>25. On aurait pu profiter de passage du ballon-poste pour surprendre l'ennemi Cham 96<br/>26. L'empire c'est la paix Daumier 3814<br/>27. Ils auront beau emporter les pendules ils n'empêcheront pas l'heure de la vengeance de sonner Cham 138<br/>28. Nous ne nous serions jamais doutés tout de même que nous naviguerions un jour sur ce vaisseau-là Daumier 3819<br/>29. Le nouveau char de la victoire Daumier 3849<br/>30. Le revers de la médaille de Sainte-Hélène Cham 108<br/>31. Soldats! Il fait très froid; mais si l'on est content de vous on donnera un paletot fourré. au maréchal Fritz Cham 122<br/>32. La queue pour la viande de rats Cham 124<br/>33. Pauvre France!. le tronc est foudroyé mais les raciness tiennent bon! Daumier 3843<br/>34. Tant bis! Il aurait brobablement ennuyé blu tard les enfants de Fritz Cham 6<br/>35. J'ai besoin de quitter Paris - Pour rejoinder votre femme - Au contraire; voila cinq mois qu'elle ne m'a pas quitté Cham 27<br/>36. L'unité allemande Daumier 3831<br/>37. Les Prussiens m'ont donné un cigare! - C'est bien le moins alors qu'un Francais te donne aussi quelque chose Cham 28<br/>38. Aveugle! C'est triste mais c'est encore de la chance dans ce moment-ci! Cham 22<br/>39. Moi je suis ravitaillé!. le rests m'est égal Daumier 3851<br/>40. Après le Siége Cham 113<br/><br/>"Particularly to be noted are his bitter reflections on the legend which Charlet Bellangé Raffet and their imitators had helped to create. The desolate battleground of "The empire means peace" no. 26 offers an ironic commentary on an epigram uttered by Napoleon III in 1852. His "Square Napoleon" no. 14 displays the gravestones of those for whose death the Emperor has been responsible beginning with the Boulevard Monmartre in the winter of 1851 and ending with Sedan in 1870. In Cham's "The reverse of the Saint Helena medal" no. 30 indeed the country's disaster is attributed specifically to Napoleon Bonaparte as well as to Napoleon III. Daumier's first plate for 1871 showing France "Appalled by her heritage" no. 17 is bleak indeed but a later design offers a gleam of hope: "Poor France!. The trunk blasted but the roots hold fast" no. 33.<br/><br/>It should be mentioned that Cham's contributions to this album though trivial in comparison with Daumier's monumental compositions are by no means negligible. He provides the detail that Daumier omitted. The horrors of the bombardment are recorded in his plates but so too is the black humor of Parisian life during the siege. For example he shows the population pursuing food in any form - horses cats rats even a large woman regarded with speculation by an impudent boy: "No more meat! - Let's go then!" no. 20.<br/><br/>The plates included in Album du siège were transferred to zinc for engraving by Gillot's process rather than printed directly from Daumier's lithographic stones." Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 p. 245. Paris: Aux Bureaux du Charivari, 1871 unknown books
19837987NY: Vilo Inc. Publisher. Near Fine in Near Fine dust jacket. 1983. Hardcover. One hundred black and white plates. Preface catalogue and notes by Jean Adhemar. First edition. Small scrape to cloth along the bottom edge of the boards else fine in a near fine small closed tear at the top of the rear flap fold dust jacket. . Vilo Inc., Publisher hardcover books
1982029813Paris-Gembloux: Duculot 1982. Légendes originales de Charles Philipon. Textes de Margot Berthold et de Thomas W. Gaehtgens. 220p. b/w illus. original stiff wrappers. Duculot unknown books
04944Paris: Chez Aubert et Cie 1839. An Exceptionally Rare Original Hand-Colored Copy<br/><br/>DAUMIER Honoré illustrator. PHILIPON Charles. Les Cent et Un Robert-Macaire composés et dessinés par M. H. Daumier sur les Idées et les Légendes de M. Ch. Philipon réduits et lithographiés par MM; Texte par MM. Maurice Alhoy et Louis Huart. Paris: Chez Aubert et Cie 1839. <br/><br/>First Quarto Edition Hand Colored Issue. Two quarto volumes bound in one. 10 3/8 x 8 inches; 264 x 203 mm. viii 200 1 1 blank 4 advertisements ; viii 202 1 1 blank 4 advertisements pp. With 101 magnificent hand-colored lithographed plates heightened with gum Arabic. A few text leaves with toning some light scattered foxing which generally only affects the blank plate margins still a very good copy of the excessively rare hand-colored issue.<br/><br/>Contemporary red chagrin over silk paper boards stamped in gilt. Smooth spines decoratively tooled and lettered in gilt all edges gilt. Front pastedowns with the engraved bookplate of "AM". <br/><br/>"Les Robert-Macaire remains Daumier's best-known series.Baudelaire chose it along with Histoire ancienne for specific discussion in his essay on French caricaturists and Carteret accorded it a place in his bibliography. Its contemporary popularity was immense. As an album it was published by Aubert in an edition of 2500 copies a far larger number than for any other series. Yet so persistent was the demand that 600 two-volume sets of reduced copies called Les cent-et-un Robert-Macaire were published in 1839.When politics became a forbidden topic in Le charivari where Caricaturana Les Robert-Macaire first appeared Daumier and Philipon turned to social satire. If they could not attack Louis Philippe directly they could at least show the kind of society that flourished under his gross and venal regime. Taking the flamboyant and florid swindler Macaire from the character that Frédérick Lemaître had created in a hack melodrama called L'Auberge des adrets they showed him and his inseparable companion the dejected and meager Bertrand ranging through all kinds of commercial enterprise in the stock market in the banks in the courts and in dozens of other public settings never failing to find eager dupes. Macaire is equally persuasive in the encounters of private life where no situation finds him at a loss for an appropriate flower of sentiment.Though Daumier's designs are superb in themselves particularly in the variety of supple and telling poses.that he conceives for Macaire and Bertrand they would be incomplete without the unfailing wit and point of Philipon's captions" Ray The Art of the French Illustrated Book pp. 234-236.<br/><br/>"These reduced and for the most part reversed copies of Daumier's lithographs apparently drawn by Menut Alophe are greatly inferior to the originals. Unlike Caricaturana the series is not often found colored" Ray The Art of the French Illustrated Book p. 236.<br/><br/>Carteret III p.187. Ray The Art of the French Illustrated Book 162. Vicaire III cols. 31-32 under Alhoy and V cols. 572-573 under Philipon. Paris: Chez Aubert et Cie, , 1839 unknown books
02254Paris: Chez Aubert & Cie. 1850. Love These Children!<br/> But the Joys and Sweets of Fatherhood<br/>Are Extremely Scarce<br/><br/>DAUMIER Honoré. Henri-Daniel Plattel. Jules Platier. Ces Amours d'enfans. Joies et Douceurs de la Paternité. Paris: Aubert & Cie n.d. ca. 1850. <br/><br/>Oblong octavo. Hand-colored lithographed title by Auguste Belin and sixteen hand-colored lithographed plates heightened with gum arabic eight by Daumier the remaining by Plattel or Platier. 16 pp. at rear as Aubert catalog.<br/><br/>Publishers blind-stamped leather-grain red cloth over boards spine lettered in gilt "121" in gilt to upper cover. <br/>A very clean. bright and fine copy.<br/><br/>Reversed restrikes from the Aubert series Croquis D'Expressions 100 lithographed prints originally appearing in Le Charivari 1838-1839 fifty-five of which were executed by Daumier the remainder by Henri-Daniel Plattel and Jules Platier. All artist signatures have been removed and the hand-coloring is far more bright and vivid than the original issue prints that we have seen.<br/><br/>Croquis D'Expressions was never formally collected by Chez Aubert into an album. There are no copies of this later issue by Aubert collected under this new title in institutional holdings worldwide nor auction records. <br/><br/>The Plates with Daumier Registry # where applicable:<br/><br/>1. Est-il gentil notre bibi! il a déja un petit air scélérat le gueux! Daumier DR #470.<br/>2. Crie donc mátin!.égosille toi donc. et que çca finisse.ne pas fermer l'oeil pour un méchant moutard!.le diable emporte es enfans je n'en veux plus Daumier DR# 467.<br/>3. Oh! ce Chérubin comme il dort gentiment! Tiens Gustave c'est ton portrait tout craché! Daumier DR# 513.<br/>4. Allons bon les voilá tous trois partis.travaillez donc au milieu de ce charivari.chiens d'enfans! Daumier DR# 491.<br/>5. Vous allex voir!.vous allez voir ça va arréter le sang comme avec la main!! Daumier DR# 497.<br/>6. Oui ma chére laissez-moi lui donner cette petite soupe aux choux et vous verrez que ça lui vaudra mieux que tous leux drogues de médicine Plattel or Platier.<br/>7. Hein! quelle jolie tournure!///faudra en faire in avocat pas vrai.ou ben un grand artiste. Plattel or Platier.<br/>8. Puisuq tu es si riche ma tante vent bien t'epouser quoi que tu es bien laid et que tu n'as pas d'esprit du tout.c'est égal à ma tante.n'est ce pas ma tante Daumier DR# 505.<br/>9. Appuyez fort gna rien de meyeur our les coupe ou les tombres as pas peur Guguste ca te guérira ti va voir Daumer DR# 492.<br/>10. Tenez vous un peu tranquilles mes enfans vous finiriez peut-etre par ennuyer monsieur.Plattel or Platier.<br/>11. Le Maitre: Qu entendez vous par l'axe d'un cercle. Plattel or Platier.<br/>12. Lolo qu'aime tu mieux de ton papa ou de la maman - J'aime mieux les confitures Daumier DR# 500.<br/>13. C'est vrai aussi vous la contrariez toujours cet enfant! Plattel or Platier.<br/>14. Y disait comme ça: ton vieux grigou de père nous l'avons bien mis dedans. Plattel or Platier.<br/>15. Allons bon! tu me fais porter le petit porter ton cabas tu me fais mouller.tu gardes le parapluie et tute plains Plattel or Platier.<br/>16. Comment méchant vous pleurez vous criez toute la nuit.voulez vous bien vous taire et faire une petite risette à papa.Plattel or Platier. Paris: Chez Aubert & Cie., 1850 unknown books
18471801847. Sur Blanc. Lithograph with contemporary hand-coloring. D. 1527iii/iii. From Les Bons Bourgeois. Plate 51. Image: 10½ x 8½. Margins: 13 x 10 . Chez Aubert books
176Sur Blanc. Lithograph from Scénes d'Ateliers as published in Le Charivari. Image: 10 x 8½. Margins: 15 x 10. Some soiling folds. unknown books
1962142484Williamstown MA: Sterling and Francine Clark Art Institute 1962. First edition. Softcover. Exhibition catalog for a show that ran June 1962. Exhibit Nineteen. Includes 22 black and white illustrations. A very good copy in wrappers that are very lightly soiled. Sterling and Francine Clark Art Institute unknown books
199237612New York: Metropolian Museum of Art / Harry N. Abrams 1992. First Edition. Quarto 28.5cm.; publisher's cloth in pictorial dust jacket; xii268pp.; illus. Jacket a bit shelf worn a few tiny soil spots to upper panel old price stickers to upper flap and pastedown else Near Fine in Very Good jacket. Metropolian Museum of Art / Harry N. Abrams unknown books
19921342388New York: Metropolitan Museum of Art 1992. Hardcover. Quarto; VG-; Hardcover; Spine blue with gold print; Slipcase in blue cloth with illustrated pastedown light shelfwear but clean and strong; Boards in blue cloth with gold print clean and strong; Text block clean and tight; "Published in conjunction with the exhibition held at the Stadelsche Kunstinstitut and Stadtische Galerie Frankfurt November 17 1992-January 17 1993 and at the Metropolitan Museum of Art New York February 26-May 2 1993"- title page verso; xii 268 pages frontispiece illustrated chiefly b&w. Shelf: Drawings & Etchings <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1342388. FP New Rockville Stock. Metropolitan Museum of Art hardcover books
1979142482Washington D.C.: The Corcoran Gallery of Art 1979. First edition. Softcover. 16 pages. Supplement catalog for a show that ran September 21 through December 18 1979. Includes 12 black and white illustrations. A very good copy in stapled wrappers with some wear. The Corcoran Gallery of Art unknown books
637Los Angeles. The Armand Hammer Foundation. 1979. 4to. In paper wraps. 244pp. The collection of the Armand Hammer Foundation. Stiff pictorial wrappers. 240 pp 157 illustrations 7 in color bibliography. The collection of the Armand Hammer Foundation. The bulk of the material including virtually all the lithographs was assembled by George Longstreet whose collection was purchased by Hammer as a promised gift to the LACMA that never materialized. Freitag 2083 unknown books
199937610Paris: Vilo Publishing 1999. First English Language Edition. Folio 31cm.; publisher's boards in pictorial dust jacket; 189pp.; illus. throughout. Upper jacket panel a bit soiled light shelf wear; Fine in Very Good or better jacket. Vilo Publishing unknown books
19471312137Geneve: Editions d'Art Albert Skira 1947. Softcover. Quarto; G; Paperback; Spine folded sheet; Actually a portfolio containing unbound art prints with a brief text by Paul Valery; Cover is cream with black print slight shelfwear small stain to upper right edge; Text block has spotting to the edges of some leaves on which colored plated are fastened small stain to upper right front edge prints are clean and bright; Text in French; 5 pages of text 6 leaves of colored plates. <br /> Shelf: French Art. 1312137. FP New Rockville Stock. Editions d'Art Albert Skira unknown books
1923217324Paris: H. Floury 1923. First edition. 4 colour and over over 100 monochrome plates. 202 pp. 1 vols. 4to. Bound in half dark morocco gilt spine about fine. First edition. 4 colour and over over 100 monochrome plates. 202 pp. 1 vols. 4to. Freitag no. 2071 H. Floury unknown books
1952646921952. DAUMIER Honore. GOBIN Maurice. DAUMIER SCULPTEUR 1808-1879. Avec un catalogue raisonne et illustre de l'oevre sculpte. Geneve: Pierre Cailler Editeur 1952. Numerous illustrations printed on glossy stock. 336 pp. 4to. white paper wrappers. Bookplate. Despite a chipped and torn glassine wrapper the book is clean and crisp. Fine. unknown books
196913414Greenwich CT: New York Graphic Society 1969. 4to. Cloth dust jacket. Very good copy of this standard work on Daumier's sculptures. New York Graphic Society unknown books
196934717Cambridge: Fogg Art Musuem Harvard University 1969. First Edition. Wrapper issue. Quarto 27.75cm.; publisher's black pictorial card wrappers; xiii1265pp.; photographic illus. throughout. Some light shelf wear general minor cockling from exposure to damp else Very Good and sound. Warmly inscribed and signed on title page at a later date 1999 by Wasserman. Fogg Art Musuem, Harvard University unknown books
195828705Cleveland: World Publishing Company n.d. ca. 1958. Paperback. Very good. Folio 32 cm. Blue folder with gilt titling and full color print "Coming out of School 1852." Six full color 24 x 30 cm prints by Daumier including "Coming Back from Market" "The Bath" "The Print Fanciers" "The Hurdy-Gurdy Players" "The Reader" and "The Third-class Compartment." Includes a brief essay on Doumier's artistry notes on the plates and a chronology of his life. Printed in Switzerland by Skira Color Studios. Cover shows edge wear fading and staining plates in near fine condition with only minor wear at edges not effecting art. Skira became world famous for publishing original works by Pablo Picasso Henri Matisse Man Ray and the legendary magazine Minotaure directed by Andrè Breton and Paul Eluard. "The 1950s and 1960s stand out for the publisher’s great international success. The famous Grand Books are born with their applied plates reproduced and printed at unbelievably high standards." Skira dot net World Publishing Company paperback books
198148056NY: Rizzoli 1981. First US edition. 4to. 329 pp w/notes indexes and bibliography. Fine in fine dust jacket and publisher’s near fine light cardstock slipcase. NY: Rizzoli unknown books
1933217249Paris: Maurice le Garrec 1933. One of 550 copies. 991 illustrations. 2 vols. 4to. Printed wrappers largely unopened. Some minor creasing to wrapper edges else Fine. One of 550 copies. 991 illustrations. 2 vols. 4to. Maurice le Garrec unknown books
199944359Ottawa: National Gallery of Canada 1999. First Edition. Quarto 31cm x 24.5cm. Yellow paper boards hardcover with titling in blue-gray on cover and spine; pictorial dustjacket; 600pp; illus. Near Fine copy; slight shelf wear to bottom corner tips; slight soiling to bottom textblock corner else clean and tight. Very Good dustwrapper; a 2cm tear to bottom corner back panel flap; chipping to upper spine panel else clean and sound. This volume exploring the work and life of French printmaker caricaturist and painter Honoré-Victorin Daumier was published in conjunction with the exhibition "Daumier" organized by the NAtional Gallery of Canada Ottawa; the Réunion des Musées Nationaux and the Musée d'Orsay Paris; and The Phillips Collection Washington DC in 1999-2000. Hundreds of reproductions in b&w and color. National Gallery of Canada unknown books
