DAUMIER HonoreABAA
94 résultats
04953Paris: Léopold Pannier et Cie. 1841. An Exceptionally Rare Daumier Album<br/>Seven Series Complete Containing Fifty Humorous Lithographs<br/><br/>DAUMIER Honoré illustrator. Variétés Drolatiques. Vulgarités. - Les Musiciens de Paris. - Proverbes de famille. - Proverbes et Maximes. - La Peche. - La Journée du Celibataire. - Les Saltimbanques. 50 Planches. Paris: Léopold Pannier et Cie. 1841. <br/><br/>Vulgarités. 10 plates DR 905-914<br/>Les Musiciens de Paris. 6 plates DR 919-924<br/>Proverbes de famille. 2 plates DR 797-798<br/>Proverbes et Maximes. 12 plates DR 803-814<br/>La Peche. 7 plates DR 815-821<br/>La Journée du Celibataire. 12 plates DR 607-618<br/>Les Saltimbanques. 1 plate DR 620<br/><br/>Total 50 plates complete.<br/><br/>"Pannier published a separate album with the title "Variétés Drolatiques" par Daumier Paris 1 vol. in-4° demi chagr. It contains the following complete seriessur blanc bringing the total of prints to 50:Vulgarités Musiciens de Paris Proverbes de Famille Proverbes et Maximes La Pêche Journée du Célibataire und Les Saltimbanques."<br/><br/>This album can be considered rare." Daumier Register.<br/><br/>OCLC locates just three of the plates from Proverbes Maximes. Nos. 6 9 and 11 all at Washington University OR USA. We located just one copy at auction - sold between October 1898 and July 1899!!!<br/><br/>The only plate that appears in the Armand Hammer Daumier collection is the second plate of La Peche p.67<br/><br/>Bound together with:<br/><br/>Exceedingly Rare Daumier Histoire Ancienne <br/>Complete with Fifty Superb Lithographs<br/><br/>DAUMIER Honoré. illustrator. PHILIPON Charles. Histoire Ancienne. Paris: Chez Aubert 1841-1843. <br/><br/>Folio 13 3/16 x 10 inches; 335 x 254 mm. Fifty superb lithograph plates. Some intermittent mainly marginal foxing.<br/><br/>Together 100 fine lithograph plates containing two of Daumier's rarest suites both complete.<br/><br/>Contemporary quarter dark brown morocco over marbled boards spine with four raised bands ruled in blind and lettered in gilt marbled end-papers.<br/><br/>A near fine and complete example of two of Honoré Daumier's finest and rarest works.<br/><br/>There is only one copy of Histoire Ancienne located in libraries and institutions worldwide The Bibliotheque Nationale de France.<br/><br/>"This series of 50 lithos on characters in ancient history and mythology appeared between 1841 and 1843. Daumier's irreverent satirizing of the sacred characters in Greek and Roman mythology contributed to the Romantic attack upon the Classical school in the continuing battle waged in the theater literature and the arts. Philipon's contrived poems as captions to the series contain many veiled allusions to Louis-Philippe and individuals in his reign." <br/><br/>Plate no. 22. "Le Baptême D'Achille." The baptism of Achilles; As one tempers a weapon of war Thetis wishing to make a hero of her brat dipped him in the Styx as soon as he saw the light which proves that a bath is good for all purposes. - On the Influence of Baths poem by Mr. Vigier. Deltail # 946.<br/><br/>Plate no. 46. "La Mère des Gracques." The mother of the Gracchi: One day when a gay lady was shamelessly praising her jewels which were worth a few cents this Roman mother showing her two young sons the hope of the country said "Behold my only jewels!" - Plutarch. Deltail # 970. This well-known story provided Daumier the chance to portray two typical Frenchwomen with typical unruly children. Deltail # 970.<br/><br/>Plate no. 47. "Pygmalion." O triumph of the arts! What was your amazement great sculptor when you saw your marble come to life and in a chaste and gentle manner slowly bow down to ask you for a pinch of snuff. - Count Siméon. Deltail # 971.<br/>Charles F. Ramus editor. Daumier 120 Great Lithographs<br/><br/>Histoire Ancienne is a series consisting of 50 numbered lithographs DR. 925-974 which appeared in the Charivari between December 1841 and January 1843. Between December 1841 and January 1843 Honoré Daumier in the Charivari published a series devoted to ancient history: fifty plates to antique themes seventeen of which illustrating the Iliad the Odyssey and Telemachus of Fenelon. "Alone without scientific mission Daumier traveled Greece drawing where a beautiful feeling attached him crying where a touching tradition was waiting. Drawing day and night he finally found the original Greek sense." says the satirical newspaper. The cartoonist wants to infuse "life movement privacy anything that lacked" the Greek hero petrified by ancient sculpture. Some illustrations comic relief reminiscent of Greek tombstones Daumier modernized by the effects of perspective or shortcuts. For each board a comment from a few to a "translation" of Homer crazy "light poetry" underline the ironic look worn by Daumier on antiquity.<br/><br/>"A quarrel between painters of the classic and romantic schools had fully flared up. Delacroix asked the "loaded" question: "Qui me délivrera des Grecs et des Romains" Who redeems us from the Greeks and Romans. Daumier succeeded to answer it his own way by showing historic personalities such as Hercules Pygmalion or Agamemnon in absurd situations. It was his method to put history into perspective.<br/><br/>In December 1841 the Charivari announced the arrival of this series as follows: "We have sent Monsieur Daumier to Greece alone and without any scientific support. He worked day and night to reveal the Greek soul of the past. Daumier brings antiquity back to us".<br/><br/>The lithographs of the series "Histoire Ancienne" were published between 1841 and 1843. Daumier was far ahead of his time when he started as one of the first to show how relative the importance of Greek and Roman Mythology can be in a modern world. The admirers of ancient history especially in Arts however were not dissipated easily. It would take another 15 years until Baudelaire in literature and Offenbach in music de-mystified the "old Greeks" and removed the centuries old dust from them." The Daumier Registry<br/><br/>Deltail. Catalogue raisonné de l'oeuvre lithographées de Honoré Daumier 925-974; Beraldi Les Graveurs du XIX siècle V p. 126; Ramus p. 126. Paris: Léopold Pannier et Cie., 1841 unknown books
0257<br/><br/>Daumier Honore. Un rappel de chanteuse scene de haute comedie. Paris: Martine 1857. Original lithograph on paper newspaper print on verso as issued. D2905 iii of 3. HD 1427; D2905. 10 3/4 x 8" with margins. Matted. Very good condition. From Croquis Dramatiques. Printed by Destouches. unknown books
11581845. Hand color lithograph published on white wove paper sur blanc. Delteil 1132 ii. Plate 45 the suite "Les Beaux Jours de la Vie". 12¾ x 9¼ sheet size. unknown books
401758From the Collection of Arthur & Charlotte Vershbow. Vulgarités. Paris: Aubert n.d. 1841-42. 10 lithographs 354 x 262 mm and smaller. D.905-914. La Chasse. Paris: Aubert for Pannier n.d. 1843-44. 12 lithographs 354 x 267 mm and smaller. D.1072-1083. Both suites are assembled sets some prints formerly bound or framed some with gilt edges. Occasional chipping at edges occasional soiling. Boxed with: A collection of 32 lithographs by Daumier mostly taken from "La Caricature" including one colored. Included is the scarce "La Tentation" D.101 state I Daumier's parody of David Teniers le jeune's "La Tentation de Saint Antoine.". <br/><br/> unknown books
1920401776Paris: Jules Meynal 1920. From the Collection of Arthur & Charlotte Vershbow. Letterpress title and 36 wood-engravings loose as issued in four cloth portfolios each print with Schmied's chopmark and numbered in pencil "2/25" tipped to mount and matted. Overall 475 x 328 mm. SCARCE LIMITED EDITION number 2 of 25 copies on Chine monté there were also 75 copies on Japon the plates printed by François-Louis Schmied from Daumier's original blocks. The blocks were distributed to the subscribers whitened in such a way as to prevent future impressions. <br/><br/> Jules Meynal hardcover books
1160Published on newsprint from "Le Charivari". 14 ¾ x 10. From "Les Baigneurs"The Bathers. Lithograph. Delteil 782 Vol. III. unknown books
1836296442Paris: Chez Aubert 1836. hardcover. Lithograph with original hand coloring. 10 x 13 1/4 inches. Plate 23. Some scuffs foxing and toning on left of image and margins but luminous coloring.<br/><br/> Text below in French."Example: Buy a new process it doesn't matter which or whether it's good or bad buy it for 600F 500F 25F for as little as possible. Create 500'000F worth of shares as many as possible. Make out monster advertisements monster posters monster promises. Make the capital pocket it put the key under the door file your bankruptcy papers that's to say the company's papers. that's the end of that little game. You then go on to another." From the rare album of 100 caricatures called Caricaturana Les Cent Robert-Macaire.This collaboration with Philipon takes aim at French society through satire behind the vehicle of invented swindler Robert Macaire.<br/><br/> Chez Aubert unknown books
1836296440Paris: Chez Aubert 1836. hardcover. Lithograph with original hand coloring. 10 x 13 1/4 inches. Plate 69. Some scuffs foxing and toning on margins but luminous coloring.<br/><br/> The caption below the image is in French and translates to: "Be careful !! If you are asked for the Racahout of the Arabs for the fattening of all kinds of sultanas the Nafé from Arabia for breastfeeding children of all ages the Kaïffa of orient for gastritis and corns on the feet Théobrome for vomiting Amandine Indostane Osman-Iglou Paraguay-Roux Creosote Chocolate with Salep hypocras White Mustard for black moods toothaches and size deviations Colossal Cabbage Seed you will take in this bag always in the same do not go wrong !!! and you serve it in powder paste liquor or seed depending on your idea. Either farina gruel or the origins of hot chocolate. From the rare album of 100 caricatures called Caricaturana Les Cent Robert-Macaire. This collaboration with Philipon takes aim at French society through satire behind the vehicle of invented swindler Robert Macaire.<br/><br/> Chez Aubert unknown books
18331153Dec. 5 1833. Hand-colored lithograph printed on white wove paper Sur Blanc. Lithograph with contemporary hand coloring. Delteil 73 as pub. in La Caricature No.161 pl. 337 & 338. 13 ¼ x 17 3/8 with full margins. Chez Aubert, La Caricature books
18331221833. Lithograph with contemporary hand coloring sur blanc. Dec. 5 1833. Ref: Delteil 73 as published in La Caricature No. 161 pl. 337 and 338. 131.4mm x173.8mm. 13 x17. With full margins. Chez Aubert, La Caricature books
2510Litrhograph in black.D. 2827ii. From Emotions Champetres. 210 x 253mm. On sur Blanc. In Fine condition. unknown books
1840401753Paris: Aubert 1840. From the Collection of Arthur & Charlotte Vershbow. 12mo 140 x 89 mm. Numerous illustrations in text by Daumier and Janet-Lange. Original printed wrappers. Tear to spine. FIRST EDITION. Vicaire VI:621. <br/><br/> Aubert unknown books
11561840. Hand colored lithograph printed on white wove paper sur blanc. Delteil 639 ii. Plate 16 from the suite "Moeurs Conjugales". 13 x 9¾ sheet size. unknown books
11521859. Printed on white wove paper Sur blanc. Delteil 3169 iii. 8 x 10¾. From" Ces Bons Autrichiens". unknown books
02253Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs<br/>including Forty-Five by Honoré Daumier and Forty-Two by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840.<br/><br/>First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others.<br/><br/>Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books
04829Paris: Chez Aubert 1839. With 50 Hand-Colored Lithographs<br/>including Nine by Honoré Daumier and Fifteen by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839<br/><br/>Volume II only of 3. First edition. Quarto 10 3/8 x 8 1/8 inches; 265 x 207 mm. i-ii half-title verso blank iii-iv title verso blank v-vi Table 200 pp. With 50 numbered 51-100 hand-colored lithographs heightened with gum arabic by Honoré Daumier nine Gavarni fifteen Frédéric Bouchot seventeen Benjamin i.e. Benjamin Roubaud four Bourdet three Grandville one and Edme-Jean Pigal one. Heavy spotting in places but mainly to text leaves. Plates generally clean.<br/><br/>Publisher's silk patterned paper over boards covers decoratively stamped in gilt smooth spine decoratively stamped and titled in gilt. Rebacked with the original spine laid down. With the engraved bookplate of author and collector Jaques Robiquet on front paste-down. <br/><br/>A reasonably priced album containing fine hand-colored lithographs of Bouchot Daumier & Gavarni etc. etc.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books
1841316512Paris: Beauger et Cie 1841. First edition. 350 wood-engraved vignettes by Granville Gavarni Daumier Traviès Lécurieux and Monnier. iv 395 pp. 8vo. Contemporary full red pebbled morocco gilt a.e.g. Head of spine and joint repaired foxing dampstain to top margin and portion of text still an attractive copy in a contemporary French romantic binding. Bookplate. First edition. 350 wood-engraved vignettes by Granville Gavarni Daumier Traviès Lécurieux and Monnier. iv 395 pp. 8vo. "Rare en belle condition importante par son texte sur Paris et par son illustration due à une belle pléiade d'artistes" Carteret. Carteret III pp. 297-8 Beauger et Cie unknown books
1967231642Paris: Editions Vilo 1967. hardcover. near fine/very good. Edited by Andre Sauret. Illustrated with 60 black & white plates. 161 pages tall 4to beige linen d.w. Paris: Editions Vilo 1967. Near fine. in a very good dust wrapper.<br/><br/> Editions Vilo unknown books
1960107838Belin 1960. hardcover. very good/good. Mit einer Einfuhrung von W. Eggert. Illustrated 4to d.w.; dust wrapper torn. Berlin 1960.<br/><br/> unknown books
1277774New York: Pantheon Books Inc n.d. As is; Bilingual French and English; Folio; G/no-DJ; Blue spine with gilded text; Hardcover containing large envelope of loose plates and a softcover pamphlet; Boards have considerable spotting and scuffs. Spine sunned spine edges chipped. Corners heavily chipped and bumped. Front pastedown has dedication and date in black ink at top and bottom; Envelope has several closed tears at edges a few creases and a few small spots. Pastedowns envelope plates and pamphlet age toned. Pamphlet has light rubbing and edge wear interior clean. 1277774. Rockville Non-Retail Listings. Pantheon Books, Inc unknown books
35507Daumier Honore. Married Life. New York: Pantheon Books n.d. 24 wide-margined 9-3/4" x 14-1/4" black-and-white plates and 8-page booklet housed in gilt-stamped portfolio with cloth boards. Wear to extremities of portfolio reinforcement tape to spine. Ex-library. Typewritten title to spine card pocket to rear pastedown of portfolio small institution stamps to margins of plates. $20. unknown books
73186DAUMIER Honore. MARRIED LIFE Twenty-Four Lithographs. New York: Pantheon ND c. 194-. 4to. portfolio gray cloth decorated in gilt containing 8 stapled pp. text and 24 loose plates. Light toning to edges of plates with a creased lower corner to the first two light foxing to outside of text and inside of portfolio the exerior cloth of which is soiled and worn. Good plus. unknown books
11571840. Hand color lithograph on white wove paper sur blanc. Delteil 642 iii. Plate 19 as published for "Moeurs Conjugales". 13 x 9¾ sheet size. unknown books
1151Printed on white wove paper Sur blanc. From "Ces Bons Autrichiens" 1859. Delteil 3161 iii. 8 x 10½. Light foxing in image. unknown books
42928Lincoln MA: De Cordova Museum. 8vo pp. 11. Illustrated. Paper wraps. Published to accompany an exhibition. Cover little soiled o/w VG. Some of Daumier's political cartoons with commentary. De Cordova Museum unknown books
