Honore DAUMIERBiblio.com
239 résultats
183774785Paris: Chez Aubert Galerie Vero-dodat 1837. Fine. Chez Aubert Galerie Vero-dodat Paris s. d. 1837 26.20 x 34.60 cm une feuille Original lithograph heightened in colors and gum arabic highlights in first state for Le Charivari printed on heavy paper. Delteil 1019 Plate uniformly shaded. Chez Aubert, Galerie Vero-dodat unknown
184774665Paris: Chez Aubert 1847. Fine. Chez Aubert Paris s. d. 1847 24.80 x 32.80 cm une feuille Original black and white lithograph created for Le Charivari and printed on thick paper. Signed in the plate. Delteil 888 Some light foxing. Chez Aubert unknown
1888287477Paris: Maison Quantin - Compagnie Generale d'Impression et d'Edition 1888. Hardcover. 109p. profuse b&w reproductions in a variety of media plus the promised five color lithos simple colorwork not layered as called for hardbound in 11x8 inch dark red morocco over marbled green boards beautifully tooled spine with raised bands devices and titling gilt abraded joints pervasive light foxing within terminal signature is detached but not damaged badly broken hinges with casing nearly detached from textblock. Professional attentions would benefit item and its readership otherwise just be cautious when going through. The V. Hugo singleton is a curiosity quite a ferocious style; the Daumier are splendid; all inclusions are worthwhile and unusual. As is. Maison Quantin - Compagnie Generale d'Impression et d'Edition hardcover
184077055Paris: Léon Curmer 1840. Fine. Léon Curmer Paris 1840-1842 18 x 26.50 cm 11 volumes reliés Les Français peints par eux-mêmes. Encyclopédie morale du dix-neuvième siècle Le Prisme with Les Anglais peints par eux-mêmes The French painted by themselves The English painted by themselves Léon Curmer Paris 1840-1842 18 x 265 cm 11 volumes in half morocco First edition one of the grand papier deluxe copies with two states of the illustrations for the 8 volumes of Les Français peints par eux-mêmes: one in black on tinted paper and one enhanced by hand using the so-called coloris gommé technique with watercolour and varnish on white paper. Les Anglais peints par eux-mêmes includes the engravings in black. No deluxe copies in colour have been made for this rare set of Les Français. Bound in half brown morocco spine in five compartments enhanced with stipple engraving and double gilt panels richly decorated with gilt floral motifs framing a mosaic medallion of green morocco with a gilt rose stamped in the center cartouches at the top decorated with a gilt garland framing the place and publication date some light minor rubbing on some compartments gilt fillets on the marbled paper boards comb-patterned endpapers top edges gilt. Elegant late nineteenth century bindings signed Durvand-Thiret. Complete with all engravings along with added engravings i.e. 930 engravings including 415 in colour. Title pages dated 1841 for all volumes of Les Français except for volume 5 of Les Parisiens and volume 3 of La Province dated 1842. Les Français peints par eux-mêmes has 415 engravings in black including that of Napoleon on horseback instead of the 405 announced and 415 in colour including a double page map of France in volume III of the Province. The English volume illustrated by Kenny Meadous is complete with 100 plates in black. This unique set contains in total almost a thousand black and coloured engravings and more than 1500 in-text illustrations. Famous gallery of woodcut portraits depicting the social classes of the 19th century by the greatest artists of the time: Gavarni Daumier Delacroix Grandville Johannot Bellangé Charlet Daubigny etc. The portraits are all accompanied by original texts from the most famous Romantic authors including: Balzac Nodier Gautier Nerval Gozlan Janin Karr etc. Scarce foxing affecting mainly the Prism and the Anglais. The texts and illustrations of the book paint a lively picture of inhabitants and their trade in metropolitan France and its colonies. It sets the tone for panoramic literature a new genre coined by Walter Benjamin in Charles Baudelaire. A lyric poet at the height of capitalism. In addition to these portraits of the Français the contribution of a whole areopagus of great and small authors and illustrators S. Le Men La 'littérature panoramique' dans la genèse de la Comédie Humaine: Balzac et Les Français peints par eux-mêmes L'Année balzacienne 2002/1 No. 3 CAIRN includes some of the most renowned authors and cartoonists of the time each of whom made an original creation for the project. This protean fresco was directed by editor Léon Curmer already known for the publishing success of Paul et Virginie between 1836 and 1838. Curmer is represented here by an article L'éditeur in volume IV written by Elias Regnault. The latter takes example in Louis-Sebastien Mercier's Tableau de Paris published in 1781 whose vision is even further extended by the representation of French provinces in Les Français. Thanks to Curmer the work finds an even deeper meaning: the editor has widened his frame and instead of letting a few fleeting portraits get lost in the immense daily whirlwind that engulfs all things he has sought to bring together the most salient physiognomies of that time. S. Le Men Ibid. Curmer selected the authors and illustrators closest to the ones they depict: It is therefore a question of calling upon authors and illustrators who are wel Léon Curmer hardcover
1839105952Paris : Chez Aubert et Cie. 1839. 290x240mm. typographie Lacrampe et Ce. en feuillet sou cartable toil. Rousseurs marginales. 879 Chez Aubert et Cie. unknown
1839177581839. S.l. Paris au Bureau du Journal pour rire s.d. 1839. Un fort vol. au format pt in-4 258 x 173 mm de 1 f. n.fol. et 100 planches lithographiÂŽes brochÂŽ. Ensemble complet de ses 100 planches lithographiÂŽes. Elles sont d'un tirage aux noirs profonds. ''Cette trÂs rare ÂŽdition est une rÂŽduction des lithographies de Daumier publiÂŽes dans le Charivari de 1836 ˆ 1838 parue avant l'ÂŽdittion en 2 volumes in-4 ÂŽditÂŽs la mÂme annÂŽe''. in Catalogue Ferraton. Ouvrage ici conservÂŽ dans sa rare condition originelle : brochÂŽ sous couvertures vertes avec une composition au premier plat reprise en page de titre. L'exemplaire proposÂŽ comporte quelques variantes comparativement ˆ celui dÂŽcrit par Vicaire : nulle mention d'ÂŽditeur sur la page de titre rÂŽalisÂŽe par CÂŽlestin Nanteuil le nom de l'imprimeur appara”t ici en marge infÂŽrieure gauche des lithographies et non ˆ droite. Enfin le titre ''Robert-Macaire'' figure ici en marge supÂŽrieure. ''Caricaturana Les Cent et un Robert Macaire la sÂŽrie de cent lithographies consacrÂŽe au personnage imaginaire de Robert Macaire rÂŽsume ˆ elle seule lÕanalyse amÂre et dÂŽsabusÂŽe de Daumier sur ses contemporains. Macaire dÂŽsigne en effetun affairiste profiteur de toute situation dÂŽnuÂŽ de tout sens moral. En lui donnant une image par voie de presse Charles Philipon et Daumier auteurs respectifs des lÂŽgendes et des dessins sÕattachent ˆ dÂŽnoncer la malhonnÂtetÂŽ de la sociÂŽtÂŽ du XIXe siÂcle. Cette entreprise remporte immÂŽdiatement un grand succÂs auprÂs du public. Outre la publication ordinaire sur les pages du Charivari 1836-1838 lÕimprimeur Aubert met en circulation les albums de la sÂŽrie complÂte des lithographies ainsi que plusieurs ÂŽditions du livre Les Cent et Un Robert Macaire avec des copies rÂŽduites des illustrations de Daumier. Messieurs et DamesÊ! à crie Macaire interpellant la foule afin de lui vendre des actions aux gains improbables dans une mise en scÂne assez pittoresque. Il appara”t trÂs ˆ lÕaise lÕÃil bandÂŽ et revÂtu ˆ la maniÂre du bohÂŽmien romantique accompagnÂŽ dans sa harangue de la grosse caisse du fidÂle et dupe Bertrand. Dans les autres planches de la sÂŽrie Macaire pratique au mieux son art dÕescroquerie dans les mÂŽtiers de la bourgeoisie arrivisteÊ: journaliste notaire mÂŽdecin avocat et mÂme ÇÊschismatiqueÊÈ avec le propos farfelu de fonder une nouvelle religion.'' in Exposition Daumier ˆ la BibliothÂque municipale de Lyon. Carteret III Le TrÂŽsor du bibliophile romantique et moderne p. 187 - Vicaire VI Manuel du libraire et de l'amateur de livres du XIXÂme siÂcle 573 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme siÂcle p. 354 pour l'ÂŽdition publiÂŽe chez Aubert. Marge des plats lÂŽgÂrement effrangÂŽe et prÂŽsentant par ailleurs quelques trÂs lÂŽgÂres dÂŽchirures. La derniÂre planche prÂŽsente un ÂŽclat altÂŽrÂŽ en sa partie supÂŽrieure. Infime manque angulaire affectant trois planches. Quelques claires rousseurs dans le corps d'ouvrage davantage marquÂŽes aux premiers feuillets. Du reste ensemble en belle condition. b42961 unknown
1840119423Chez Aubert et Cie, éditeurs du Musée Pour Rire, Galerie Véro-Dodat, Paris, 1840. [3] Bl., 8 S., [103] Bl. ; 27 x 21,5 cm ; Pp. ;
1839211531839. Paris chez Aubert et Cie / Galerie VÂŽro-Dodat 1839. 2 tomes reliÂŽs en 1 fort vol. au format in-4 282 x 223 mm non paginÂŽ. Reliure de l'ÂŽpoque de demi-veau glacÂŽ cerise dos ˆ nerfs ornÂŽ de filets gras ˆ froid filets maigres dorÂŽs filets en pointillÂŽs dorÂŽs sur les nerfs titre dorÂŽ tranches mouchetÂŽes. Ensemble complet de ses 2 parties reliÂŽes en un volume ainqi que de ses 101 jolies planches lithographiÂŽes. ''Caricaturana Les Cent et un Robert Macaire la sÂŽrie de cent lithographies consacrÂŽe au personnage imaginaire de Robert Macaire rÂŽsume ˆ elle seule lÕanalyse amÂre et dÂŽsabusÂŽe de Daumier sur ses contemporains. Macaire dÂŽsigne en effetun affairiste profiteur de toute situation dÂŽnuÂŽ de tout sens moral. En lui donnant une image par voie de presse Charles Philipon et Daumier auteurs respectifs des lÂŽgendes et des dessins sÕattachent ˆ dÂŽnoncer la malhonnÂtetÂŽ de la sociÂŽtÂŽ du XIXe siÂcle. Cette entreprise remporte immÂŽdiatement un grand succÂs auprÂs du public. Outre la publication ordinaire sur les pages du Charivari 1836-1838 lÕimprimeur Aubert met en circulation les albums de la sÂŽrie complÂte des lithographies ainsi que plusieurs ÂŽditions du livre Les Cent et Un Robert Macaire avec des copies rÂŽduites des illustrations de Daumier. Messieurs et DamesÊ! à crie Macaire interpellant la foule afin de lui vendre des actions aux gains improbables dans une mise en scÂne assez pittoresque. Il appara”t trÂs ˆ lÕaise lÕÃil bandÂŽ et revÂtu ˆ la maniÂre du bohÂŽmien romantique accompagnÂŽ dans sa harangue de la grosse caisse du fidÂle et dupe Bertrand. Dans les autres planches de la sÂŽrie Macaire pratique au mieux son art dÕescroquerie dans les mÂŽtiers de la bourgeoisie arrivisteÊ: journaliste notaire mÂŽdecin avocat et mÂme ÇÊschismatiqueÊÈ avec le propos farfelu de fonder une nouvelle religion.'' in Exposition Daumier ˆ la BibliothÂque municipale de Lyon. Carteret III Le TrÂŽsor du bibliophile romantique et moderne p. 187 - Vicaire VI Manuel du libraire et de l'amateur de livres du XIXÂme siÂcle 573 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme siÂcle p. 354. Angles ÂŽlimÂŽs. Dos lÂŽgÂrement passÂŽ et frottÂŽ. Feuillets parfois oxydÂŽs. Rousseurs ou t‰ches claires dans le corps d'ouvrage davantage prononcÂŽes sur quelques feuillets. Infime dÂŽchirure en marge d'un feuillet. Du reste bonne condition. b42961 unknown
18392991Paris: Aubert et Cie 1839. Robert Macaire is an unscrupulous fictional character who appears in a number of French plays films and other works of art. A series of images was drawn by Daumier and appeared first in the Charivari from 1836 to 1838. These were collected in to the book Les Cent et Un Robert-Macaire and this is creation number 85 Robert-Macaire aux carreaux with a small area of text underneath in French. Comes under passe partout perfect for framing. 265 x 210 mm 10½ x 8¼ inches. Robert Macaire est un personnage de fiction sans scrupules qui apparaît dans un certain nombre de pièces de théâtre de films et d'autres œuvres d'art français. Une série d'images a été dessinée par Daumier et est apparue pour la première fois dans le Charivari de 1836 à 1838. Celles-ci ont été rassemblées dans le livre Les Cent et Un Robert-Macaire et c'est la création numéro 85 Robert-Macaire aux carreaux avec une petite zone de texte en dessous en français. Livré sous passe partout parfait pour l'encadrement. 265 x 210 mm 10½ x 8¼ pouces. Aubert et Cie unknown
1839L062911Chez Aubert et Cie Editeurs Du Musee Pour Rire 1839. First Edition. Leather Binding. Good/No Jacket. 4to - over 9¾" - 12" tall. Wear to extremities chiefly to spine edges and corners; spine splitting at edges; some soiling rubbing and browning to covers chiefly to edges and corners; previous owner's ink inscription on front attached endpaper; tape reinforcement to inner hinges at top and lower edges; slight internal browning and/or foxing chiefly to preliminaries and edges; generally unaffecting plates. ca. 125 pages including plates; unpaginated. Text in French. Spine title: Robert-Macaire. Second part of the pictorial depiction of the title gentleman of many talents including lawyer quacksalver mesmerist etc; numbers 51 to 101 in the series this copy lacks plate 68 and substitutes a duplicate copy of the text and illustration for plate 96 in its place. Bound in half brown morocco over green heavy stock boards gilt-stamped and decorated spine and covers plain endpapers all edges trimmed. Scarce in any condition. One volume only; sold 'as is'.Daumier Honore illustrator; 49 of 50 Engraved Illustrations / Plates. Chez Aubert et Cie, Editeurs Du Musee Pour Rire unknown
1840012049Paris: Aubert et Cie. Quarto. Two volumes bound in one. 101 numbered lithographic plates each with three pages of text. Half title title page wood engraving signifying the volume number and two-page catalog beginning each volume and list of tables and concluding page for each volume at the end. Covers detached spine missing some leaves foxed small area of dampstain in the corner of some pages Fair. All lithograph plates present. . Fair. Hardcover. 1840. Aubert et Cie hardcover
1839B6738Paris: Aubert et Cie Lacrampe. 1839. Binding: Loose leaves of plates only. Notes: Text in French.<br>Honoré Daumier 1808 – 1879 was a French painter sculptor and printmaker whose many works offer commentary on the social and political life in France from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. He earned a living throughout most of his life producing caricatures and cartoons of political figures and satirizing the behavior of his countrymen in newspapers and periodicals for which he became well known in his lifetime and is still known today. He was a republican democrat who attacked the bourgeoisie the church lawyers and the judiciary politicians and the monarchy. He was jailed for several months in 1832 after the publication of Gargantua a particularly offensive and discourteous depiction of King Louis-Philippe. Daumier was also a serious painter loosely associated with realism. Size: Quarto 252x190 mm Illustration: 100 plates with title and table. Lacking plate #83. Category: Book Caricatures; Aubert et Cie, Lacrampe. unknown
183982651Paris: Chez Aubert & Cie 1839. Fine. Chez Aubert & Cie Paris 1839 21 x 27.50 cm 2 tomes en un volume relié First edition illustrated with 101 lithographs by Daumier and 2 frontispieces by Nanteuil. Each issue contains 3 pages of text and one captioned lithograph. The volumes dated 1840 are reprints. These lithographs were originally published separately from 1836 to 1838 and were reduced in size for this volume. Contemporary half calf binding with lavender tint. Smooth spine decorated with mirror rococo tooling. Spine uniformly darkened. Joints cracked. One scratch on the upper cover. Evidence of rubbing. Lithograph 36 has a repaired tear running lengthwise across the entire page. Very light scattered foxing. Small dampstain to lower margin of lithographs 48 to 57. Paper generally somewhat browned. Satire of society through the character of Robert Macaire an unscrupulous businessman Chez Aubert & Cie unknown
1844P4896Paris: Aubert & Cie. 1844. Very Good. Notes: Caricature of a man a politician talking to a peasant family. Image Size : 218x178 mm 8.58x7.01 Inches Platemark Size : Paper Size : Coloring: Black & White Medium: Lithograph On Newsprint With Text on verso Categories: Caricatures; Aubert & Cie. unknown
1847P5230Paris: d' Aubert & Cie. c.1847. Very Good. Image Size : Platemark Size : Paper Size : 340x258 mm 13.39x10.16 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Caricatures; Medical; d' Aubert & Cie. unknown
1840P4904Paris: Le Charivari c.1840. Very Good. Image Size : Platemark Size : Paper Size : 296x223 mm 11.65x8.78 Inches Coloring: Black & White Medium: Lithograph Categories: Caricatures; Le Charivari unknown
183978943BB1839 . Paris: Bureau du J.al du Rire 1839. Gr.-8°. 100 Originallithographien auf Taf. Titelblatt-Lithographie von Célestin Nanteuil. Halbfranz. Einband mit 2 handkolorierten Darstellungen ländlicher Szenen in Japan auf Leinwand. Rücken mit rotem Schild und Goldschrift Zierleisten und floralem Muster. altersmässig gebräunt; minim stockfleckig; auf Vorsatz eingeklebte Beschreibung des Besitzers; 2 Taf. lose; Einband etwas beschabt; Kanten berieben; Ecken bestossen; Rücken verblichen Honoré Daumier 1808-1879 französischer Maler Bildhauer Grafiker und Karikaturist. unknown
1841217800Paris: L. Curmer 1841. First edition. Illustrated by Daumier Gagniet Gavarni Grandeville Malapeau Meissonier. Pauquet. Penguilly Raymond Pelez Trimolet. 480 pp. 1 vols. 4to. Bound in contemporary half tan calf spine gilt marbled boards. Spine slightly faded and rubbed some light scattered foxing; Very Good. First edition. Illustrated by Daumier Gagniet Gavarni Grandeville Malapeau Meissonier. Pauquet. Penguilly Raymond Pelez Trimolet. 480 pp. 1 vols. 4to. L. Curmer unknown
184138553Paris: L. Curmer Editeur 1841. First edition. Hardcover. Very Good. 7 x 11 in. Half black calf with matbled paper boards. Condition is VERY GOOD ; some splitting to joints at upper front. Corners and spine ends worn edges worn covers clean. Front hinge a touch loose but binding is soild. Text has some mild to moderate foxing. Text in French. RGR. L. Curmer Editeur hardcover
18441791844. Sur Blanc. Lithograph. From Les Etrangers à Paris pl. 16. D. 1287 ii/ii. Image: 8 x 7½. Margins: 13¾ x 10¼. Some foxing. Aubert
18395976Paris: Chez Aubert 1839-40. First edition. 27 cm; 3 volumes in two. 150 lithographs including 45 by Daumier among them 27 from "Croquis d'expression" and 42 by Gavarni. Half titles present. Plates not colored in. Bound in recent green crushed morocco over marbled boards ruled in gilt; spines titled in gilt. Marbled edges. Endleaves foxed; some scattered toning. Overall a clean copy. References: Ray #164 "one of the freshest and most attractive of romantic illustrated books"; Carteret III 426-27. <br /> <br /><br />The great Parisian caricaturists of the mid-19th-century: Daumier Gavarni Grandville Travies and others represented with original lithographs illustrating short prose pieces by Alhoy Huart and Philipon. Chez Aubert hardcover
18394726Chez Aubert 1839 Three volumes bound in one. First Edition. 4to 11 x 8.75 inches 150 b/w lithographic plates Bound in three-quarter calf and marbled paper boards spine lettered and decorated in gilt. Light scattered foxing throughout with occasional spots of minor soiling leather binding rubbed and worn at extremities corners scuffed with tearing to surface of the leather ¼-inch tear to the upper edge of front joint. Hardcover. Very Good. Chez Aubert hardcover
