Ashton, Dore; Bartelik, MarekBiblio.com
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1996Q-1555951228Hudson Hills 1996-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Hudson Hills hardcover
1996061413New York NY: Hudson Hills Press 1996. Book. Very Good. Hardcover. Signed by Authors. 108 pages 4to. SIGNED and inscribed by Ursula von Rydingsvard on half-title page: "To ---- with affection admiration Ursula". Minor shelfwear to DJ: light scuffing along edges moderate spine fade. DJ in mylar. Tightly bound no marks. Volume is in Very Good conditin. Hudson Hills Press Hardcover
1996110713Hudson Hills 1996-10-01. Hardcover. Like New. 10x10x0. Brand new gift quality hardcover in jacket oversized and overweight. First edition. A46 Please email for photos. Hudson Hills hardcover
1996DADAX1555951228Brand: Hudson Hills 1996-10-01. First Edition. hardcover. New. 10.26x0.71x10.16. Buy with confidence. Excellent Customer Service & Return policy. Brand: Hudson Hills hardcover
19969008996New York: Hudson Hills Press 1996. 1st. Hardcover. Book fine Dust jacket fine. Bound in publisher's original cloth with the front cover stamped in blind and the spine stamped in gilt. <br/><br/> Hudson Hills Press hardcover
1985129753New York: Pantheon Books 1985. First stated. Softcover. VG several creases on cover one on spine. Silver wraps. xii 302 pp. "A sequel to Goldwater and Treves's classic Artists on Art . lets us see modern art through the eyes of those who created it. Ashton brings together statements by over two hundred of the foremost modern artists from all over the Western world describing their views of art and their own work. Their words range in date from the turn of the century till today and shed light on the major movements of the era from Dada to Pop expressionism to minimalism."--Back cover. Pantheon Books paperback
19761755335016Viking Books 1976. First Edition. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket in good condition. First edition. Minor shelf and handling wear overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Viking Books hardcover
197665431New York: The Viking Press 1976. First edition. Very Good in Good dust jacket. 26 x 21 cm. Royal octavo. 206pp. White and black boards in dust jacket. First edition with First Published in 1976 on copyright page and no additional printings noted. Illustrated throughout. Piece out of front of jacket chiping to edges of the jacket. Toning to the tops of the boards. The Viking Press unknown
19969008996New York: Hudson Hills Press 1996. 1st. Hardcover. Book fine Dust jacket fine. Bound in publisher's original cloth with the front cover stamped in blind and the spine stamped in gilt. <br/><br/> Hudson Hills Press hardcover books
1983Embry 186960Oxford 1983. First edition first printing. Faint wear still fine in near fine dust jacket with two short closed tears in mylar cover. Oxford, 1983. First edition, first printing. unknown books
198884302Washington:: Smithsonian Institution Press. Near Fine in Near Fine dust jacket. 1988. Hardcover. 0874742080 . Color and black and white illustrations. First edition. Near fine in a near fine dust jacket. . Smithsonian Institution Press, hardcover books
198768144Ann Arbor: UMI Research Press 1987. First edition. xix 526 pp. Light foxing along top edge else near fine in near fine dust jacket. Donald Kuspit provides both a foreword and a preface. A volume in the “Contemporary American Art Critics Series.†Ann Arbor: UMI Research Press unknown books
196228738Boston: Atlantic Monthly 1962. First edition. 265 pp w/index. Long non-authorial gift inscription to front free endpaperelse near fine in very good dust jacket with some light rubbing and a sunned spine. Boston: Atlantic Monthly unknown books
1994146387New York: Independent Curators Incorporated 1994. from a run of 7500. Paperback. Fine. Red color-illus. card wraps with white lettering on red spine. 95 pp. full of bw images. Catalogue from the touring exhibition of monumental statues of Soviet leaders and history instigated by Komar & Melmid. Includes essays by 7 experts a checklist of the works and very brief biographical information about each artist represented. The focal point of the exhibition/catalogue is "to leave the statues at their sites and transform them through art into history lessons." Upon the dissolution of the USSR many statues of the Soviet leaders were either destroyed or taken to statue graveyards as in Budapest. Kolmar & Melamid propose creative changes/additions such as putting an enormous pigeon on Lenin's head or wrapping a noose around another's neck and leaving him dangling for all to see. A vicarious retaliation of sorts and a creative entree to a history lesson necessary for some aspects of Soviet life not to be repeated. An excellent catalogue. Independent Curators Incorporated paperback books
1965175629Northampton MA: Smith College Museum of Art 1965. First edition. Softcover. Exhibition catalog for a show that ran at Smith College April 8 through May 2 1965 and then traveled to The Hayden Gallery at MIT for May 10 through June 16 1965. Text by Ashton and De Kooning. Includes 28 black and white illustrations and 1 photograph of de Kooning by Rudolph Burckhardt checklist selected bibliography and list of previous exhibitions. A close to near fine copy in stapled wrappers with some very minor wear and a small sticker shadow to the front cover. Smith College Museum of Art unknown books
19654028Northampton Massachusetts: Smith College Museum of Art 1965. Softcover. VG. Grey wraps with color illustration and black lettering. 44 pp. 29 bw plates. Catalogue from the exhibition of April to May 1985 at Smith College and MIT. Essays by Dore Ashton and Willem de Kooning reprinted article entitled The Renaissance and Order. Extensive selected bibliography; chronology and catalogue listing of 37 works. Uncommon. Smith College Museum of Art unknown books
1994176340New York: The Painting Center 1994. Paperback. VG. Beige wraps with black lettering. 27 unnumbered pages. Color illustrations. Catalogue of an exhibition from February 15 to March 5 1994 at The Painting Center in New York. Includes bibliographical references. The Painting Center paperback books
1995177209New York: Da Capo Press 1995. Softcover. VG. Signed Copy. foxing to textblock fore-edge; pgs clean & bright. tight binding. glued pictorial wraps w/ white printing. 208 pgs w/ color illustrations. Artist's signature & inscription to title page. A lavishly illustrated monograph of the New York artist and founder of The Ten Group. Da Capo Press unknown books
1978164189Akron: Akron Art Institute 1978. Softcover. VG- water stains on front and back cover light rubbing/soiling. White softcover with color illustration and black lettering. 45 pp. Color and BW illustrations. Catalogue from a traveling exhibition from May 7- November 26 1978. The exhibitoin was displayed at the Akron Art Institute the Columbus Gallery of Fine Arts the North Carolina Museum of Art and the Currier Gallery of Art. Akron Art Institute unknown books
1983171897Buffalo NY and New York: Albright-Knox Art Gallery - Abbeville Press Publishers 1983. First edition. Oblong softcover. 154 pages. Published on the occasion of an exhibition that started in Buffalo and went on to Los Angeles San Francisco Seattle Washington D.C. and New York. Introduction by Robert T. Buck. Essays by Jack D. Flam and Dore Ashton. Includes 80 color and 15 black and white photographs. A very good plus copy in wrappers with some minor wear. Internally a clean copy. Albright-Knox Art Gallery - Abbeville Press Publishers unknown books
1993160162New York: The Solomon R. Guggenheim Foundation 1993. Softcover. As New. Light gray and illustrated wraps with black lettering 334 pp. many BW and color illus. Issued in conjunction with a 1993 exhibition of drawings and metal sculptures rendered by Pablo Picasso as well as selections from other artists: Julio Gonzalez Alexander Calder Alberto Giacometti and David Smith. With essays by Dore Ashton and Francisco Calvo Serraller. Includes chronologies for all of the artists a bibliography examples of their own writings and many illustrations. Much to see here. The Solomon R. Guggenheim Foundation unknown books
1970158681New York: Harry N. Abrams 1970. First edition. Oblong hardcover. First printing. Text by Dore Ashton. Includes 187 illustrations of which 52 are tipped in color plates. A tight close to near fine copy with a small spor to the top of the page edges and some very minor wear to the base of the boards in a fine dust jacket. A nice copy of what remains one of the best monographs on Lindner. Harry N. Abrams unknown books
19834391000001Buffalo NY: Albright-Knox Art Gallery 1983. Paperback. VG-. Soiling on covers and spine. Some pencil and pen marks inside. Red and white wraps. 154 pp. 15 bw 80 color plates. Exhibition held at Albright-Knox Art Gallery Oct. 1 to Nov. 27 1983 and five other locations through Feburary 1985. Catalogue lists 93 works. Chronology selected exhibitions bibliography. Essays by Jack D. Flam and Dore Ashton. Introduction by Robert T. Buck. Terrific plates. Albright-Knox Art Gallery paperback books
1959154021New York: Andre Emmerich 1959. Limited. hardcover. very good. Photographs by Lee Boltin. Thin 8vo leather backed marbled boards. N.Y.: Andre Emmerich Gallery 1959. Limited First Edition.<br/><br/> An anthology of poems and objects of art of the pre-Columbian past. Of 1500 copies printed this is one of 50 signed by each of the contributing poets each on a separate blank page. The poets include Theodore Roethke W. Carlos Williams W.S. Merwin Octavio Paz Louise Bogan & C. Day Lewis. This is No XVI and is additionally inscribed by Andre Emmerich. Corners rubbed otherwise fine.<br/><br/> Andre Emmerich unknown books
1985281439New York: Pantheon 1985. First. hardcover. fine/near fine. Illus. 8vo 1/2 silver cloth d.w. New York: Pantheon Books 1985. Fine in near fine dust wrapper.<br/><br/> Pantheon unknown books
