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2008DADAX0847830926Brand: Rizzoli 2008-11-11. First Edition. hardcover. New. 11.75x1.00x12.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Rizzoli hardcover
200822400<p>Cecily Brown creates lush visceral canvases based on a combination of figuration and abstraction. Her technical proficiency has earned her comparisons to Lucian Freud Willem de Kooning and Francis Bacon yet it is her unique ability to convey the pleasurable and fleeting aspects of sensation that drive her work.Cecily Brown rapidly rose to success in the late 1990's and was credited with having contributed to the resurgence of painting at the turn of the millennium. With a visual repertoire indebted as much to the classical themes of the old masters as to porn magazines and Hollywood films Brown's paintings challenge traditional interpretations and compel us to reconsider the act of painting from a decidedly feminine viewpoint.</p><p>This is a brand new copy.</p> Rizzoli hardcover
1317Grand in 8 pleie toile rouge d’éditeur.Titre au dos,scène animée dorée avec titre(un homme en habit et chapeau regarde une estampe)sur le premier plat.Librairie artistique H .Launette 1885.Les fac-similés sont en pleine page(E de Beaumont,G Doré,J Bracquemont,J.P Laurens,Puvis de Chavannes …)rousseurs en début et fin de volume,petites décolorations en marge extérieure du premier plat de couverture,petites mouillure angle supérieur droit aux premières pages.
186347258Hetzel | Paris 1863 | 31 x 43 cm | une feuille
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186347269Paris: Hetzel 1863. Fine. Hetzel Paris 1863 43 x 21 cm une feuille First edition. Wood engraving signed in the plate by the artist. Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition. Gustave Doré first traveled to Spain in 1855 in the company of Théophile Gautier and publisher Paul Dalloz. In 1861 responding to a commission from the journal Le Tour du monde he returned there with Baron Jean Charles Davillier a knowledgeable Hispanophile who would recount their journey in his Voyage en Espagne. Doré went there primarily with a view to illustrating Don Quixote: ""Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a parcourus et remplis de ses exploits et faire ainsi une chose qui aura son parfum local"" ""I am therefore going to the homeland of this illustrious hidalgo to study all the places he has traveled through and filled with his exploits and thus create something that will have its local flavor"". Gustave Doré would thus conduct several working sessions with Louis Viardot translator of Cervantes' text. Cervantes' novel ranks among the most illustrated narratives in European literature but Doré wanted to surpass his predecessors Tony Johannot Grandville Daumier. Upon its publication in 1863 the work would be the subject of unanimous praise notably from Emile Zola: ""On appelle ça illustrer un ouvrage : moi je prétends que c'est le refaire. Au lieu d'un chef-d'oeuvre l'esprit humain en compte deux"" ""They call that illustrating a work: I claim that it's remaking it. Instead of one masterpiece the human spirit now counts two"". See our other engravings by Gustave Doré Gustave Doré L'Imaginaire au pouvoir Musée d'Orsay 2014 Virtual exhibition on Gustave Doré on the Gallica website Hetzel unknown
