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186279652Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Rare and light worming to margins not affecting the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was before and as will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent character that they have a grandiose quality that renews the aspect of these humble tales and restores to them their original wonder that predates Perrault himself."" Hetzel unknown
186279673Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Two scratches in the margin a small tear in the upper margin without loss and very rare worming not touching the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like none before and like none to come. . I can only say that these drawings seem very beautiful to me richly and opulently executed having a grandiose character that renews the aspect of these humble tales and restores their original wonder that predates even Perrault."" Hetzel unknown
186279655Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jean Delduc on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862. Very rare foxing in the margin not affecting the design. These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the scene to the smallest details that generate terrifying realism thanks to the technique called ""tinted wood"". He uses India ink or gouache previously diluted as the ""wash"" technique requires. For Perrault's tales the eleven best engravers of the time were called upon to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Tales is essential; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was until now and like there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent style that they have a grandiose character which renews the aspect of these humble tales and restores to them their first marvelous quality anterior to Perrault himself."" Hetzel unknown
186279653Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jules Fagnion on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Excellent condition. These illustrations of the Contes are considered the most successful treatment of this text: Gustave Doré presents an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique called ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were commissioned to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is essential; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there has never been until now and as there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their first wonder prior to Perrault himself."" Hetzel unknown
1973106261973 6 volumes, pleine reliure rouge style "Art Nouveau" (full binding) petit in-quarto présentée avec un étui recouvert d'un tissu de soie grenat (with the case covered with a silk fabric), dos long (spine without raised band) - décoration florale stylisée exécutée aux filets courbes or et mates (stylized floral decoration carried out with the curves nets gold and matt) - pièce de titre sur fond noir (label of title), sur les plats : tissu de velours grenat (on the cover : velvet fabric) et décoration florale stylisée exécutée aux filets courbes or et mates (stylized floral decoration carried out with the curves nets gold and matt) avec sur le premier plat une pièce de laiton incrustée et gravée en relief (and on the front cover part of brass encrusted and engraved in relief), tête dorée (top edge gilt) - tranches lisses (edges smooth), tirage limité (limited edition), 12 illustrations hors-texte en couleurs par volume : "Aphrodite" illustrations de Pierre Letellier - "Les Aventures du Roi Pausole" illustrations de Raymond Brenot - "Les Chansons de Bilitis" illustrations d'Amandine Doré - "Psyché " illustrations de Guilly Joffrin - "Poèmes libres" illustrations de Hilaire - "La Femme et le Pantin" illustrations de Grau-Sala, 1973 à Paris les Editions de l'Ibis,
197266899Paris Editions de l'Ibis 1972 6 vol. relié 6 vol. in-4, reliure cuir éditeur, dos à nerfs ornés de pièces de titre grenat et de motifs et frises dorés en encadrement, têtes dorées, étuis bordés. Bonne édition illustrée, soigneusement typographiée en noir avec ornementations et titres en couleurs. Chaque volume est illustré de 12 compositions hors-texte lithographiées en couleurs par Pierre Letellier (Aphrodite), Raymond Brenot (Les Aventures du roi Pausole), Amandine Doré (Les Chansons de Bilitis), Guily Joffrin (Psyché), Hilaire (Poèmes libres) et Grau Sala (La Femme et le pantin). Exemplaire sur vélin chiffon de Lana. Série bien conservée.
197266899Paris Editions de l'Ibis 1972 6 vol. relié 6 vol. in-4, reliure cuir éditeur, dos à nerfs ornés de pièces de titre grenat et de motifs et frises dorés en encadrement, têtes dorées, étuis bordés. Bonne édition illustrée, soigneusement typographiée en noir avec ornementations et titres en couleurs. Chaque volume est illustré de 12 compositions hors-texte lithographiées en couleurs par Pierre Letellier (Aphrodite), Raymond Brenot (Les Aventures du roi Pausole), Amandine Doré (Les Chansons de Bilitis), Guily Joffrin (Psyché), Hilaire (Poèmes libres) et Grau Sala (La Femme et le pantin). Exemplaire sur vélin chiffon de Lana. Série bien conservée.
0713431873.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
9971492156.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987I4528Singapore : White Lotus 1987. Paperback. Good/no dj. 1.00. Dore Henry. Chinese Customs White Lotus paperback
1987180566Singapore: Graham Brash Publishers 1987. xxx 223p. very good in wraps with minor rubbing; reprint of the classic work by the Jesuit Sinologist. Graham Brash Publishers unknown books
1989232358Singapore: Graham Brash Publishers 1989. Reprint. hardcover. very good. Facsimile edition. Translated from the French with notes historical and explanatory by M. Kennelly. Illustrated in black and white. 223 pages 8vo pictorial boards. Singapore: Graham Brash Publishers 1989. A very good copy.<br/><br/> Graham Brash Publishers unknown books
1988__0822308630Duke University Press Books 1988. Hardcover. New. 224 pages. 9.50x6.25x0.75 inches. Duke University Press Books hardcover
A9780822308638Hardback. New. hardcover
29949167like new. unknown
29949167-nnew. unknown
0822308630.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1930413591930. Paris, Hachette, 1930. Format 11x16,5 cm, reliure dos toile, 160 pages. La couverture est un peu usee, avec les coins tapes mais le livre est intact et tres frais. Bon etat.
201318385<p>new oversize hc expedited shipping not available--GUSTAVE DORE'</p> Bnf hardcover
1970CAV-12Maeght Editeur - Chroniques de l'Art Vivant Ferce sur Sarthe, France 1970 Book Condition, Etat : Bon broché, sous couverture imprimée éditeur, illustrée d'un poing tenant un éclair grand In-4 1 vol. - 32 pages
2003100150775CERF 2003 96 pages in8. 2003. Broché. 96 pages. Cet ouvrage collectif dirigé par Joseph Doré propose une étude en trois parties de la christologie. Il retrace la genèse de la réflexion sur la nature du Christ à travers les écrits apostoliques son développement par les Pères de l'Église et les conciles et propose enfin une synthèse dogmatique contemporaine. Il s'agit de la quatrième édition de ce parcours théologique
1876031244Stockton California: Henry Eshbach 1876. 1st Edition . Hardcover. Near Fine. 49 Pp. No Title Page Dedication Page "To My Children These Lines Are Affectionately Dedicated By Their Mother 1876". Poetry 1850'S-1870' Many Of Which Are Memorial Many Others Inscribed To Her Friends Who Are Named In Full. Pebbled Green Cloth Embossed And Gilt Gilt Title "Christmas Greetings" Pinpoint Frays At Three Tips. Very Old Ink Inscription "To Mrs. Dore With The Compliments Of Mrs. Hale". No Identifiable Example In Worldcat. The Printer Henry Eshbach Was A Swiss Born 1850 Who Emigrated To Stockton Where He Engaged In Printing. <br/> <br/> Henry Eshbach hardcover
200383204Gallery. New. 2003. Paperback. 0944680704 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Unpaginated 21 color plates 1 photo portrait 4to. -- with a bonus offer-- . Gallery paperback
71-4953New York: Hirschl & Adler Modern 1984. 4to. 48 pp. Soft Cover. Color and black and white plates throughout. Very Good minor edge wear.Provenance: From the collection of UC Berkeley art historian Peter Selz 1919 - 2019. New York: Hirschl & Adler Modern, 1984. paperback
71-0613NY NY.: Robert Miller Gallery 2003. 4to. 70 pp. Soft Cover. Color illustrations throughout. Very Good. Minor shelf wear.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. NY, NY.: Robert Miller Gallery, 2003. paperback