266 résultats
18364107Paris: Imprimerie A. Pinard for Désirée Eymery 1836. 8vo 128 x 207 mm. 71 pages engraved frontispiece engraved title with vignette and 8 engraved plates each with four scenes all engravings hand-colored under the publisher's direction. Fifth and sixth plates in wrong order; some light foxing to text front free endpaper creased. Original illustrated publisher's buff boards the etched illustrations showing at center of front cover a proscenium on a pedestal bearing the title the closed curtain painted with a female figure and flanked by female statues surrounded by a neo-Renaissance border of swirling tendrils floral swags chinoiserie grotesques and two pairs of nymphs; at center of back cover a ship within a cartouche edged with wheat sheaves and arrows other vignettes on smooth spine covers bowed and somewhat soiled front hinge weak front free endpaper creased.<br/><br/>Only Edition of an entertaining and instructive tale within a tale for older children boys. Four cousins gather during their winter holiday and at the end of a long day of play talk turns to their futures. All four harbor outsized ambitions in four different areas - art the marine commerce and the law vying for who will be the most powerful minister of state. Having overheard their chatter their hostess the mother of two of the boys plans a show for Carnival that will relieve them of their naiveté without she hopes dampening their enthusiasm. <br/><br/>Enter the Biorama a large box with moving figures a pun on the "diorama" invented by Daguerre and Charles Marie Bouton in 1822 operated by an assistant while an older cousin disguised as an elderly Italian narrates the moral tale "Les Petits Ambitieux." Four magic talismans are given by a Venetian sorcerer to a quartet of youngsters with analogous interests to our boys. One embarks upon the hardscrabble life of an artist another becomes a sailor flouting his father's wish that he attend the naval academy the third enrolls as a law student and the fourth enters the world of business at the lowest rung as a grocery assistant. All undergo hardships temptations and trials from poverty to the jealousy of their peers through which they are guided by their magic talismans which invariably counsel patience charity and kindness to one's fellows assiduous study and respect of one's superiors. Their life stories contain lessons in history art geography commerce and even chemistry the businessman owns a sugar refinery as well as glimpses of social corruption worthy of Balzac. The crucial episodes in each character's career are illustrated in 32 engraved sceneseight per character set four apiece within ornamental borders on the hand-colored plates representing the scenes of the Biorama.<br/><br/>With guidance from their talismans the young men eventually attain the summits of their chosen professions but only after many years of struggle. At the end the magic ingredients of the talismans are revealed to be nothing more than "good sense" and the source of their wisdom is found . in the "Bibliothèque d'Education" Quai Voltaire founded by the publisher Désirée Eymery daughter of Alexis. <br/><br/>Adélaïde Esther Charles d'Abillon de Savignac daughter of aristocrats who lost their fortune in the Revolution was a rebel against the social norms of her class refusing to marry and supporting herself as a teacher. She elaborated her own child-centered pedagogy and became a prolific author of children's books that combined like this one instruction and fun. A proponent of women's education she was a contributing journalist to a number of periodicals for girls and women. <br/><br/>In this copy the title is dated 1836 as in the BnF copy. The Cotsen copy the only other copy located appears to be undated: cf. A Catalogue of the Cotsen Children's Library 5071 illus. See A. Gorse article A. de Savignac Plumes et pinceaux: discours de femmes sur l'art en Europe 1750-1850 2012 online (Imprimerie A. Pinard for) Désirée Eymery unknown books
19236Deux maquettes préparatoires à la gouache, 21 x 13.5cm, en couleurs, avec vignette imprimée en couleurs contrecollée au centre, (1945).
182812733Paris, librairie de Gide Fils, s. d. [1828]. 4 fascicules in-12. Cartonnage blanc, titre gravé orné d'un encadrement historié en couleurs illustré de jeux, instruments de musique et guirlande de fleurs. Ils sont présentés dans une boite à compartiments cartonnée de papier vert, gravure rehaussée en couleurs contrecollée sur le couvercle, avec un listel de papier gaufré doré en encadrement. 22,5 x 17,5 x 2 cm.
1945247881945 Gouache et collage, 21 x 13.5 cm, (1945).
194519238(1945) Une maquette préparatoires à la gouache, 21 x 13.5 cm, en couleurs. (1945).
1938229381938 Gouache sur papier titrée, 1938, 21 x 21 cm, encadrée.
2003x-0849310997CRC Pr I Llc 2003. Hardcover. New. 1st edition. 552 pages. 10.00x7.00x1.00 inches. CRC Pr I Llc hardcover
14057<p>EDITION ORIGINALE COMPLÈTE, seul le premier volume est une réédition à l'identique de 1982. Mission archéologique en Arabie. Edition complète: Tome I: Mars-Mai 1907. De Jérusalem au Hedjaz Médain-Saleh.Tome II:El-'Ela, D'Hégra à Teima Harrah de Tebouk. Supplément au Tome II: Coutumes des Fuquarâ. Tome III: les châteaux arabes de Qeseir 'Amra, Harâneh et Tûba.</p> Paris, T.II à VI: 1914-1922, Tome I: rééd.1982. Geuthner 502 p.et 34 planches,153 planches ss chemise,690 p.,93 p.,134 p. et 14 fig.,58 planches en feuillets,6 vol.brochés. 20 x 28,5
197013081(1970) 1 Livre d'or du restaurant parisien "Chez Louisette" des années 1960-1970, in-12, pleine basane noire, tranches dorées.
ria9780849310997_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This unique up-to-date reference covers the role of phosphonates in traditional and modern organic syntheses. It includes 600 reaction schemes. hardcover
605590Le Caire, IFAO, 1997. 3 Tomes + un Atlas en 5 vol. in-4 brochés sous jaquettes ill., XIV-507, XV-689-98pp., 134 pp, illustrés respectivement de: 228 fig. dont des plans et XXXIV planches in-fine en noir + 57 fig + 21 fig. Le vol. d'Atlas comprend CLIII planches en noir hors-texte dont plusieurs dépliantes. (Réimpression de l'éd. de Paris, Ernest Leroux, 1907).
1922NL-02453<p><strong>Jaussen & Savignac's iconic plate atlas of Islamic desert architecture.</strong></p><p>Antoine Jaussen and Raphaël Savignac were French Dominican scholars whose early 20th-century expeditions to northern Arabia significantly contributed to the establishment of archaeological and epigraphic studies of the region. Working under the auspices of the <em>École Biblique</em> in Jerusalem they combined rigorous fieldwork with detailed documentation producing extensive photographic records architectural surveys and numerous transcriptions of ancient inscriptions. Their multi-volume <em>Mission archéologique en Arabie</em> 19091922 remains a landmark publication in the history of Middle Eastern archaeology offering some of the earliest systematic studies of Nabataean sites and early Islamic monuments. The work continues to serve as a vital reference for historians archaeologists and art historians alike.</p><p><em>The atlas volume for Les châteaux arabes</em></p><p>Neatline is pleased to present the atlas from the third volume of <em>Mission archéologique en Arabie</em> 1922. This is devoted entirely to the famed Umayyad <strong>"desert castles" </strong>of northern Arabia presentday Jordan and was published by Paul Geuthner of Paris in two parts: a text volume and the present atlas. The text volume 134 pages contains 21 illustrations mostly photographs while the atlas volume comprises 58 loose plates. These plates contain detailed site and building plans cross-sections and elevations as well as photographic views of interiors exteriors and decorative elements including fountains columns and carved motifs.</p><p>The atlas plates from <em>Les châteaux arabes </em>include the earliest published photographs of Qusayr 'Amra Qasr Tûba and Qasr al-Kharana sites previously known only from rough sketches Saba Farès-Drappeau <em>Revue des mondes musulmans et de la Méditerranée</em> 89-90: 325-30.Of the three the most famous is undoubtedly Qusayr 'Amra: a small 8thcentury "pleasure palace" with a domed audience hall and an attached ceremonial bathhouse. Qusayr 'Amra is an exceptionally well-preserved Umayyad desert castle notable for the elaborate painted frescoes that decorate the walls and ceilings of the reception hall and <em>hammam</em>. Jaussen and Savignac's plates capture these unique interior spaces long before later restorations and damages changed them considerably.</p><p>The atlas generally provides new measured plans alongside extensive pictorial documentation for these critical sites. The authors explain in the associated text volume that they found earlier descriptions of al-Kharana and Qasr Tûba to be faulty and unreliable and thus have ventured to re-describe them in their entirety. The atlas plates remain a valuable archive for these monuments which in many cases have suffered from later renovations or alterations.</p><p><strong>Context is Everything</strong></p><p><em>The French archaeological mission in Arabia</em></p><p><em>Mission archéologique en Arabie III</em> was the culmination of a series of French scholarly expeditions organized by the Dominican scholars of the <em>École Biblique</em> in Jerusalem and sponsored by the <em>Société des Fouilles Archéologiques</em> and the French Institute of Oriental Archaeology IFAO. The surveys were part of the <em>École Biblique's</em> program to document antiquities in the Hijaz and Transjordan which was an ambitious and pioneering endeavor in Middle Eastern archaeology at the time. Jaussen and Savignac conducted fieldwork in the Arabian Peninsula in 1907 1909 and 1910 compiling some of the first systematic maps site plans and inscription indices from North Arabia. It was in effect the first truly archaeological survey of the region.</p><p>The first two volumes 1909 and 1914 reported on Mada'in Slih Hegra and al-'Ul focusing on Nabataean inscriptions and classical-period sites. A supplemental ethnographic appendix published alongside Volume II records the customs of the Bedouin observed during those trips. The third volume originally intended for simultaneous publication was delayed by World War I. When it was finally issued in 1922 it completed the series by documenting the early Islamic palaces <em>qusur</em> encountered by Jaussen and Savignac on their expeditions.</p><p><em>The importance of early documentation</em></p><p>The so-called Desert Castles <em>al-qusr al-</em><em></em><em>arabiyya</em> are a network of palaces and fortresses built by the Umayyad caliphs in the late 7th and 8th centuries CE primarily in eastern Jordan and southern Syria. They combine classical Roman Byzantine and Persian influences with early Islamic art. Their purposes varied significantly with palaces like Qusayr 'Amra serving mostly representational functions Qasr al-Kharana functioning more as a caliphal hunting lodge in the desert and forts like Qasr Hallabat serving more defensive purposes. After the Umayyad dynasty was toppled in 750 CE most <em>qusr</em> were abandoned and fell into ruin. In many cases only fragments of walls mosaics or inscriptions survive today. Early 20th-century records are consequently critical. Jaussen and Savignac's 1922 publication preserves details that might otherwise have been lost. It is widely acknowledged that Qusayr 'Amra's interior frescoes of hunting scenes musicians and zodiac motifs are among the finest examples of early Islamic "secular" art. The plates of the 1922 volume capture these decorations decades before modern conservation began.</p><p><em>Concluding remarks</em></p><p><em>Mission archéologique en Arabie III </em>represents the final installment of a groundbreaking French scholarly mission dedicated to the desert architecture of the first Islamic dynasty. The five-volume corpus to which it belongs was an unprecedented accomplishment at the time. Few Western scholars had explored these remote landscapes since Charles Doughty 1876 or Alois Musil 190107. By using modern photography and careful surveying techniques Jaussen and Savignac not only brought these remote places to European audiences but also set new scientific standards for the documentation of cultural heritage.</p><p>The atlas volume of <em>Les châteaux arabes</em> provides an irreplaceable visual baseline for anyone interested in how early Muslim elites shaped and used the desert.</p><p>Cartographers:</p><p><strong>Antoine-Joseph "Antonin" Jaussen</strong> 18711962 and <strong>Antoine-Raphaël Savignac</strong> 18741951 were French Dominican friars of the <em>École Biblique</em> in Jerusalem. Jaussen born in Ardèche in 1871 became a pioneer in Arabian ethnography and early Islamic archaeology. He mastered Arabic and became fascinated by Bedouin culture and in 1907 he wrote <em>"Coutumes des Arabes au pays de Moab</em>." Savignac four years younger was renowned as a Semitic epigrapher and an experienced photographer. Both were trained under Père Marie-Joseph Lagrange at the Jerusalem school and had been colleagues since 1893.</p><p>Jaussen and Savignac jointly led the French expeditions to Northern Arabia in 1907 1909 and 1910. With Ottoman permission they journeyed to Mada'in Slih Hegra Tayma Al-'Ul and beyond. On these desert treks Jaussen kept detailed diaries and studied the local tribes while Savignac documented the monuments and archaeology they came across with large-format photography. The result was the five-volume <em>Mission archéologique en Arabie</em> published between 1909 and 1922.</p><p>Condition Description</p><p>Wear along spine.</p>
194566590Paris [Saint-Maurice d'Etelan] Gallimard [chez l'auteur] 1945 1 vol. broché in-8, broché, sous couverture rempliée, non paginé. Édition originale de ce recueil de petits contes absurdes, dont des "Portraits d'ancêtres" consacrés à dix écrivains proches de Pierre Bettencourt. Comme le suggère son titre, le poète-typographe multiplie les supercheries dans cette publication attribuée à une autrice anglo-saxonne inconnue, préfacée et traduite par le pape de l'existentialisme, couronnée par l'Académie française et par la Société d'encouragement du bien, ornée de 3 compositions en couleurs de l'affichiste Savignac, etc. Au colophon, on peut lire que "ce volume, le quatrième de la collection "littérature de choc" publiée aux Éditions de la Nouvelle Revue française sous la direction de Maurice Thorez, a été achevé d'imprimer à Dijon le 20 avril 1945 sur les presses de Maurice Darantiere." S'ensuit une justification tout aussi fantaisiste, cette édition n'ayant été tirée qu'à 200 exemplaires sur Arches (Imbert, 18). En belle condition.
194566590Paris [Saint-Maurice d'Etelan] Gallimard [chez l'auteur] 1945 1 vol. broché in-8, broché, sous couverture rempliée, non paginé. Édition originale de ce recueil de petits contes absurdes, dont des "Portraits d'ancêtres" consacrés à dix écrivains proches de Pierre Bettencourt. Comme le suggère son titre, le poète-typographe multiplie les supercheries dans cette publication attribuée à une autrice anglo-saxonne inconnue, préfacée et traduite par le pape de l'existentialisme, couronnée par l'Académie française et par la Société d'encouragement du bien, ornée de 3 compositions en couleurs de l'affichiste Savignac, etc. Au colophon, on peut lire que "ce volume, le quatrième de la collection "littérature de choc" publiée aux Éditions de la Nouvelle Revue française sous la direction de Maurice Thorez, a été achevé d'imprimer à Dijon le 20 avril 1945 sur les presses de Maurice Darantiere." S'ensuit une justification tout aussi fantaisiste, cette édition n'ayant été tirée qu'à 200 exemplaires sur Arches (Imbert, 18). En belle condition.
2000224252000 Sérigraphie, signée dans la planche en bas à droite, titrée, numérotée, 2000, 90 x 119 cm.
1938225691938 Gouache sur papier, (1938), 23 x 10.7 cm (maquette gouachée), 23 x 23.4 cm (format de la feuille).
37287Karcher - Dufournet 68 x 276 cm d'origine en deux parties unknown
1978474BG1978. Paris Union Centrale des Arts 1978. Farblitographie auf Papier. Bildgrösse: 109 x 75 cm. Leichte Gebrauchsspuren an den Seiten. unknown
1978474BGParis, Union Centrale des Arts 1978. Farblitographie auf Papier. Bildgrösse: 109 x 75 cm.
194584805Couverture souple rempliée. Illustré de 4 gravures originales hors texte en couleurs de SAVIGNAC.
194563523Saint-Maurice-d'Ételan soit disant Paris: Pierre Bettencourtfaussement Gallimard 1945. Fine. Pierre Bettencourt faussement Gallimard Saint-Maurice-d'Ételan soit disant Paris 1945 en réalité circa 1947 16 x 25.50 cm broché WHITE Lilian pseud. for BETTENCOURT Pierre illustration by SAVIGNAC Raymond Midi à 14h Here for Ever Gallimard Pierre Bettencourt Paris Saint-Maurice d'Etelan 1945 16 x 255 cm original wrappers First edition of 200 copies printed on Arches paper. The book is illustrated with 3 original compositions in color by Savignac. A deception by Pierre Bettencourt the work is supposedly illustrated by Jean Hugo and translated by Jean-Paul Sartre the statement of publisher author translator illustrator and printing is false. The spine and cover lightly and marginally sunned a little stain on the foot of the first cover the interior is in a good condition. $ 380 [ Pierre Bettencourt](faussement) Gallimard unknown
194563523[ Pierre Bettencourt] (faussement) Gallimard | [Saint-Maurice-d'Ételan] (soit disant) Paris 1945 (en réalité circa 1947) | 16 x 25.50 cm | broché
1990pw1008Toppan 1990. Mint. Large 117cm x 160cm 63" x 46"From "The rare 100 Best Posters From Europe and the United States poster set" published by Toppan Press in Japan. This was a continuation of Toppan's "The Best 100 Japanese Posters" 200 sets were printed to be distributed to museums and educational institutions around the world these are pristine reproductions by the top printing company in Japan. We are selling each of the posters individually. <br /> <br /> Savignac reinterpreted Cinzano's Zebra mascot in the 1950s. Toppan unknown
2024BN314413Dalloz 2024. 2024. Hardcover. Code général de la fonction publique 2024 annoté et commenté. 3e éd. <br/><br/>Code général de la fonction publique 2024 annoté et commenté. 3e éd. Jean-Charles Savignac Jérôme Michel Fabienne Lambolez Suzanne Sprungard et Christelle De Gaudemont Dalloz hardcover
69-3627Paris France: Bibliotheque Nationale 1988. 60 x 40 cm. Offset Color Lithograph. Very Good. Paris, France: Bibliotheque Nationale, 1988 unknown