137 résultats
1945247881945 Gouache et collage, 21 x 13.5 cm, (1945).
194519238(1945) Une maquette préparatoires à la gouache, 21 x 13.5 cm, en couleurs. (1945).
1938229381938 Gouache sur papier titrée, 1938, 21 x 21 cm, encadrée.
197013081(1970) 1 Livre d'or du restaurant parisien "Chez Louisette" des années 1960-1970, in-12, pleine basane noire, tranches dorées.
1922NL-02453<p><strong>Jaussen & Savignac's iconic plate atlas of Islamic desert architecture.</strong></p><p>Antoine Jaussen and Raphaël Savignac were French Dominican scholars whose early 20th-century expeditions to northern Arabia significantly contributed to the establishment of archaeological and epigraphic studies of the region. Working under the auspices of the <em>École Biblique</em> in Jerusalem they combined rigorous fieldwork with detailed documentation producing extensive photographic records architectural surveys and numerous transcriptions of ancient inscriptions. Their multi-volume <em>Mission archéologique en Arabie</em> 19091922 remains a landmark publication in the history of Middle Eastern archaeology offering some of the earliest systematic studies of Nabataean sites and early Islamic monuments. The work continues to serve as a vital reference for historians archaeologists and art historians alike.</p><p><em>The atlas volume for Les châteaux arabes</em></p><p>Neatline is pleased to present the atlas from the third volume of <em>Mission archéologique en Arabie</em> 1922. This is devoted entirely to the famed Umayyad <strong>"desert castles" </strong>of northern Arabia presentday Jordan and was published by Paul Geuthner of Paris in two parts: a text volume and the present atlas. The text volume 134 pages contains 21 illustrations mostly photographs while the atlas volume comprises 58 loose plates. These plates contain detailed site and building plans cross-sections and elevations as well as photographic views of interiors exteriors and decorative elements including fountains columns and carved motifs.</p><p>The atlas plates from <em>Les châteaux arabes </em>include the earliest published photographs of Qusayr 'Amra Qasr Tûba and Qasr al-Kharana sites previously known only from rough sketches Saba Farès-Drappeau <em>Revue des mondes musulmans et de la Méditerranée</em> 89-90: 325-30.Of the three the most famous is undoubtedly Qusayr 'Amra: a small 8thcentury "pleasure palace" with a domed audience hall and an attached ceremonial bathhouse. Qusayr 'Amra is an exceptionally well-preserved Umayyad desert castle notable for the elaborate painted frescoes that decorate the walls and ceilings of the reception hall and <em>hammam</em>. Jaussen and Savignac's plates capture these unique interior spaces long before later restorations and damages changed them considerably.</p><p>The atlas generally provides new measured plans alongside extensive pictorial documentation for these critical sites. The authors explain in the associated text volume that they found earlier descriptions of al-Kharana and Qasr Tûba to be faulty and unreliable and thus have ventured to re-describe them in their entirety. The atlas plates remain a valuable archive for these monuments which in many cases have suffered from later renovations or alterations.</p><p><strong>Context is Everything</strong></p><p><em>The French archaeological mission in Arabia</em></p><p><em>Mission archéologique en Arabie III</em> was the culmination of a series of French scholarly expeditions organized by the Dominican scholars of the <em>École Biblique</em> in Jerusalem and sponsored by the <em>Société des Fouilles Archéologiques</em> and the French Institute of Oriental Archaeology IFAO. The surveys were part of the <em>École Biblique's</em> program to document antiquities in the Hijaz and Transjordan which was an ambitious and pioneering endeavor in Middle Eastern archaeology at the time. Jaussen and Savignac conducted fieldwork in the Arabian Peninsula in 1907 1909 and 1910 compiling some of the first systematic maps site plans and inscription indices from North Arabia. It was in effect the first truly archaeological survey of the region.</p><p>The first two volumes 1909 and 1914 reported on Mada'in Slih Hegra and al-'Ul focusing on Nabataean inscriptions and classical-period sites. A supplemental ethnographic appendix published alongside Volume II records the customs of the Bedouin observed during those trips. The third volume originally intended for simultaneous publication was delayed by World War I. When it was finally issued in 1922 it completed the series by documenting the early Islamic palaces <em>qusur</em> encountered by Jaussen and Savignac on their expeditions.</p><p><em>The importance of early documentation</em></p><p>The so-called Desert Castles <em>al-qusr al-</em><em></em><em>arabiyya</em> are a network of palaces and fortresses built by the Umayyad caliphs in the late 7th and 8th centuries CE primarily in eastern Jordan and southern Syria. They combine classical Roman Byzantine and Persian influences with early Islamic art. Their purposes varied significantly with palaces like Qusayr 'Amra serving mostly representational functions Qasr al-Kharana functioning more as a caliphal hunting lodge in the desert and forts like Qasr Hallabat serving more defensive purposes. After the Umayyad dynasty was toppled in 750 CE most <em>qusr</em> were abandoned and fell into ruin. In many cases only fragments of walls mosaics or inscriptions survive today. Early 20th-century records are consequently critical. Jaussen and Savignac's 1922 publication preserves details that might otherwise have been lost. It is widely acknowledged that Qusayr 'Amra's interior frescoes of hunting scenes musicians and zodiac motifs are among the finest examples of early Islamic "secular" art. The plates of the 1922 volume capture these decorations decades before modern conservation began.</p><p><em>Concluding remarks</em></p><p><em>Mission archéologique en Arabie III </em>represents the final installment of a groundbreaking French scholarly mission dedicated to the desert architecture of the first Islamic dynasty. The five-volume corpus to which it belongs was an unprecedented accomplishment at the time. Few Western scholars had explored these remote landscapes since Charles Doughty 1876 or Alois Musil 190107. By using modern photography and careful surveying techniques Jaussen and Savignac not only brought these remote places to European audiences but also set new scientific standards for the documentation of cultural heritage.</p><p>The atlas volume of <em>Les châteaux arabes</em> provides an irreplaceable visual baseline for anyone interested in how early Muslim elites shaped and used the desert.</p><p>Cartographers:</p><p><strong>Antoine-Joseph "Antonin" Jaussen</strong> 18711962 and <strong>Antoine-Raphaël Savignac</strong> 18741951 were French Dominican friars of the <em>École Biblique</em> in Jerusalem. Jaussen born in Ardèche in 1871 became a pioneer in Arabian ethnography and early Islamic archaeology. He mastered Arabic and became fascinated by Bedouin culture and in 1907 he wrote <em>"Coutumes des Arabes au pays de Moab</em>." Savignac four years younger was renowned as a Semitic epigrapher and an experienced photographer. Both were trained under Père Marie-Joseph Lagrange at the Jerusalem school and had been colleagues since 1893.</p><p>Jaussen and Savignac jointly led the French expeditions to Northern Arabia in 1907 1909 and 1910. With Ottoman permission they journeyed to Mada'in Slih Hegra Tayma Al-'Ul and beyond. On these desert treks Jaussen kept detailed diaries and studied the local tribes while Savignac documented the monuments and archaeology they came across with large-format photography. The result was the five-volume <em>Mission archéologique en Arabie</em> published between 1909 and 1922.</p><p>Condition Description</p><p>Wear along spine.</p>
194566590Paris [Saint-Maurice d'Etelan] Gallimard [chez l'auteur] 1945 1 vol. broché in-8, broché, sous couverture rempliée, non paginé. Édition originale de ce recueil de petits contes absurdes, dont des "Portraits d'ancêtres" consacrés à dix écrivains proches de Pierre Bettencourt. Comme le suggère son titre, le poète-typographe multiplie les supercheries dans cette publication attribuée à une autrice anglo-saxonne inconnue, préfacée et traduite par le pape de l'existentialisme, couronnée par l'Académie française et par la Société d'encouragement du bien, ornée de 3 compositions en couleurs de l'affichiste Savignac, etc. Au colophon, on peut lire que "ce volume, le quatrième de la collection "littérature de choc" publiée aux Éditions de la Nouvelle Revue française sous la direction de Maurice Thorez, a été achevé d'imprimer à Dijon le 20 avril 1945 sur les presses de Maurice Darantiere." S'ensuit une justification tout aussi fantaisiste, cette édition n'ayant été tirée qu'à 200 exemplaires sur Arches (Imbert, 18). En belle condition.
194566590Paris [Saint-Maurice d'Etelan] Gallimard [chez l'auteur] 1945 1 vol. broché in-8, broché, sous couverture rempliée, non paginé. Édition originale de ce recueil de petits contes absurdes, dont des "Portraits d'ancêtres" consacrés à dix écrivains proches de Pierre Bettencourt. Comme le suggère son titre, le poète-typographe multiplie les supercheries dans cette publication attribuée à une autrice anglo-saxonne inconnue, préfacée et traduite par le pape de l'existentialisme, couronnée par l'Académie française et par la Société d'encouragement du bien, ornée de 3 compositions en couleurs de l'affichiste Savignac, etc. Au colophon, on peut lire que "ce volume, le quatrième de la collection "littérature de choc" publiée aux Éditions de la Nouvelle Revue française sous la direction de Maurice Thorez, a été achevé d'imprimer à Dijon le 20 avril 1945 sur les presses de Maurice Darantiere." S'ensuit une justification tout aussi fantaisiste, cette édition n'ayant été tirée qu'à 200 exemplaires sur Arches (Imbert, 18). En belle condition.
2000224252000 Sérigraphie, signée dans la planche en bas à droite, titrée, numérotée, 2000, 90 x 119 cm.
1938225691938 Gouache sur papier, (1938), 23 x 10.7 cm (maquette gouachée), 23 x 23.4 cm (format de la feuille).
1978474BG1978. Paris Union Centrale des Arts 1978. Farblitographie auf Papier. Bildgrösse: 109 x 75 cm. Leichte Gebrauchsspuren an den Seiten. unknown
1978474BGParis, Union Centrale des Arts 1978. Farblitographie auf Papier. Bildgrösse: 109 x 75 cm.
194584805Couverture souple rempliée. Illustré de 4 gravures originales hors texte en couleurs de SAVIGNAC.
194563523Saint-Maurice-d'Ételan soit disant Paris: Pierre Bettencourtfaussement Gallimard 1945. Fine. Pierre Bettencourt faussement Gallimard Saint-Maurice-d'Ételan soit disant Paris 1945 en réalité circa 1947 16 x 25.50 cm broché WHITE Lilian pseud. for BETTENCOURT Pierre illustration by SAVIGNAC Raymond Midi à 14h Here for Ever Gallimard Pierre Bettencourt Paris Saint-Maurice d'Etelan 1945 16 x 255 cm original wrappers First edition of 200 copies printed on Arches paper. The book is illustrated with 3 original compositions in color by Savignac. A deception by Pierre Bettencourt the work is supposedly illustrated by Jean Hugo and translated by Jean-Paul Sartre the statement of publisher author translator illustrator and printing is false. The spine and cover lightly and marginally sunned a little stain on the foot of the first cover the interior is in a good condition. $ 380 [ Pierre Bettencourt](faussement) Gallimard unknown
194563523[ Pierre Bettencourt] (faussement) Gallimard | [Saint-Maurice-d'Ételan] (soit disant) Paris 1945 (en réalité circa 1947) | 16 x 25.50 cm | broché
1990pw1008Toppan 1990. Mint. Large 117cm x 160cm 63" x 46"From "The rare 100 Best Posters From Europe and the United States poster set" published by Toppan Press in Japan. This was a continuation of Toppan's "The Best 100 Japanese Posters" 200 sets were printed to be distributed to museums and educational institutions around the world these are pristine reproductions by the top printing company in Japan. We are selling each of the posters individually. <br /> <br /> Savignac reinterpreted Cinzano's Zebra mascot in the 1950s. Toppan unknown
194556503Paris Éditions de la Nouvelle France, coll. "Chamois" 1945 1 vol. Relié in-12, cartonnage éditeur, jaquette 224 pp. Édition originale ornée d'un frontispice et de 24 bandeaux en noir par Savignac. Excellent exemplaire enrichi d'un bel envoi autographe signé de l'auteur au journaliste Georges Lupo, assorti d'un sonnet inédit sur le thème de l'artiste maudit, intitulé "Amour de l'art" et daté de septembre 1948.
194556503Paris Éditions de la Nouvelle France, coll. "Chamois" 1945 1 vol. Relié in-12, cartonnage éditeur, jaquette 224 pp. Édition originale ornée d'un frontispice et de 24 bandeaux en noir par Savignac. Excellent exemplaire enrichi d'un bel envoi autographe signé de l'auteur au journaliste Georges Lupo, assorti d'un sonnet inédit sur le thème de l'artiste maudit, intitulé "Amour de l'art" et daté de septembre 1948.
1990283211990 Une lithographie Originale en couleurs , Format : 65 centimètres de haut par 49 centimètres de large, sur papier blanc, signature autographe manuscrite au crayon en bas à droite, sous la gravure : SAVIGNAC, et noté en bas à gauche sous la gravure : Foire de Dijon,
1947215201947 1 Paris, Desfossés, 1947, in-4, broché, couverture lithographiée et signée Savignac, 128 pages.
198031546Laprairie Marcel Broquet 1980
1933ABE-1746135447122SOPHOCLE, FRAGMENT D'ANTIGONE ESSAI DE MISE EN PAGE PAR CASSANDRE-FERNAND FLEURET: GUS BOFA, 10 PAGES-BERTRAND GUEGAN: CLEMENT MAROT EDITEUR-MAURICE TABARD: NOTES SUR LA SOLARISATION-MAX JACOB: FEUILLETS INUTILES-JEAN GALLOTTI: L'INVENTION DE L'IMPRIMERIE EN CHINE-J.POUTERMAN: "BABAR" REFLEXIONS SUR UN LIVRE D'ENFANTS-MARCEL JACNO: LE "FILM" NOUVEAU CARACTERE DE TITRE-EDOUARD DOLLEANS: DAUMIER 1933-JACQUES ARNNA: AUTOGRAPHES DE VENDEENS ET CHOUANS-D.GALANIS: LA GEOMETRIE DU COMPAS-JEAN BRULLER: L'OEIL DU BIBLIOPHILE-HORS TEXTE: EAU FORTE INEDITE DE GUS BOFA, DESSIN DE GUS BOFA POUR "MALAISES", FEUILLET INUTILE PAR JACQUES MARET, COUVERTURE DE "BABAR" PAR JEAN DE BRUNHOFF, LITHOGRAPHIE DE DAUMIER, PHOTOGRAPHIE PAR STEINER-(400D)
1909100090443Ernest Leroux 1909 in4. 1909. Cartonné. illustrations en noir et blanc et en couleurs
1931R300086353GOUNOUILHOU. 1931. In-4. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur frais. XVI + 231 pages - plats désolidarisés - dos manquant - quelques planches en noir et blanc.. . . . Classification Dewey : 908.447-Régionalisme : Aquitaine
1976R300274612Sirey. 1976. In-4. Broché. Etat passable, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 176 pages. Couv. légèrement tachée. 2e plat légèrement plié.. . . . Classification Dewey : 342-Droit administratif, constitutionnel, public
1976__9027930147Mouton De Gruyter 1976. Paperback. New. 206 pages. Russian language. 9.50x6.00x0.75 inches. Mouton De Gruyter paperback