321 résultats
1871299797Paris.: Aux Bureaux Du Charivari. No date but 1871. 1st Edition. Rebacked with a plain paper spine with the original wrappers. Very good rebacked with a plain paper spine. 32x24.5x0.7 cm. Satirical lithograph drawings illustrating the siege of Paris during the Franco-Prussian war in 1870-1871. weight: 1.0 lb. Lithograph illustrated title page by Cham 19 additional illustrations by Cham and 10 by Daumier. Aux Bureaux Du Charivari. unknown
1861105887Paris : Maison Martinet 1861 - 1863 - 1870. 250x185mm. reliure dՎpoque demi-maroquin avec titre et auteur dorÂŽs au dos ˆ cinq nerfs. Plats et garde papier marbrÂŽ. Couvertures supÂŽrieure et infÂŽrieure conservÂŽes. Belle reliure. Ex-libris. Envoi de Cham au Duc de Mass sur le haut de la premiÂre couverture. Bel exemplaire. 674 Maison Martinet unknown
EEzz3583Paris Arnauld de Vresse ca. 1850. gr.-4° lithograph. Titelbl. u. 20 num. lithogr. Taf. türkisgrauer OPpbd. lithogr. bedruckt Titelei gold gedr. Rü. u. Kanten berieben Einbd. stellenw. fleckig innen sehr gut. Seltenes frühes Album von Cham. Nicht bei Sander. - Zeigt mittels einer Reise die nationalen Eigenheiten u. sozialen Zustände in Belgien Holland Rußland England Irland und Schottland. Paris, Arnauld de Vresse (ca. 1850). unknown
2005Adhya-9780387208589SPRINGER 2005. Hardcover. New. SPRINGER hardcover
2005Adhya-9780387208589SPRINGER 2005. Hardcover. New. SPRINGER hardcover
188477455Paris: Librairie Plon 1884. Fine. Librairie Plon Paris 1884 13 x 19 cm relié First edition of this monograph on the caricaturist Cham with a preface by Alexandre Dumas Fils illustrated with sixteen compositions and facsimiles hors-texte two in color. Autograph inscription signed by the author: ""Offerte à la tombola par l'auteur Félix Ribeyre"" ""Offered to the raffle by the author Félix Ribeyre"". Contemporary half brown morocco binding spine with five raised bands compartments decorated with gilt tools depicting quills and pencil holders gilt date at foot marbled paper boards combed paper endpapers and pastedowns covers preserved top edge gilt on deckled edges. Some light rubbing to upper joint. Scattered foxing more pronounced in places. Our copy is expanded with an autograph letter signed by Cham. Librairie Plon hardcover
1875055599Paris: 27 Mars 1875 1875. Soft cover. Very Good. Original chromo-lithograph caricature from the album of 'Chargeons les Russes' which collaborated with French engraver Daumier. Print size: Folio 34x25 cm. glued on a paper sized: 43x33 cm. Signed on the bottom corner by pencil as 'Cham'. Text is in French: 'Le Cosaque: Mon honoeur est engage je ne retirerai ma main qu'avec votre foulardet tout ce que vous avez dans votre poche!'. Ottoman and Russian soldiers in front of the 'Provinces Danubiennes' signboard. With Autograph letter signed 'Cham' in 1875 March 27 to an unknown friend. 1 p. Size: 14105 cm. In French. Cham was raised by a family who wished for him to attend a polytechnic school he instead attended painting workshops hosted by Nicolas Charlet and Paul Delaroche and began work as a cartoonist. He eventually took up the pseudonym of "Cham". In 1839 he published his first book Monsieur Lajaunisse which began a career that would span 40000 drawings. In 1843 he began to be published in newspapers like Le Charivari a publication where he was staff for thirty years. Later works included Proudhon en voyage and Histoire comique de l'Assemblée nationale. He wrote several comic plays towards the end of his life. "Mon cher ami de noce et festin Mardi. Qu'il y long temps que je n'ai en le plaisir de vous voir! Triste! Triste! Trei a vous. A Samedi soir 27 Mars 1875.". i.e. "My dear friend wedding and feast Tuesday. How long it has been since I have had the pleasure of seeing you! Sad! Sad! To you. To Saturday evening March 27 18 75.". <br/> <br/> 27 Mars [[18]75] paperback
04620Paris: Chez Aubert & Cie. 1846. A Satirical View of the French in Algeria <br /> <br /> CHAM pseudonym of Amédée de Noé. À la guerre comme à la guerre. Variantes lithographiques sur le thême bien connu: Ah! quel plaisir d'être soldat. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. <br /> <br /> First edition. Oblong folio 10 1/4 x 13 1/8 inches; 260 x 334 mm. Twenty-seven of thirty-one hand-colored lithographed plates heightened with gum Arabic presenting a satirical view of the life of the French contingent in Algeria. Publisher's sixteen page catalog bound in at end. Bound without the pictorial title-page and plates 1 29 & 30. Ten plates with short lower marginal tears.<br /> <br /> Twentieth century tan cloth over boards red morocco spine label lettered in gilt. A very good albeit incomplete example.<br /> <br /> The plates:<br /> <br /> 2. Au diable les chevaux arabes!<br /> 3. Quelle chance!!<br /> 4. Pour faire un bon pot-au-feu.<br /> 5. V'là soixante lieues d'avalées!<br /> 6. Ces gueux d'arabes.<br /> 7. Dites donc caporal.<br /> 8. Une visite sous la tente.<br /> 9. Encore quinze lieues à faire.<br /> 10. Une razzia.<br /> 11. C'est fort drôle conscrit!.<br /> 12. Un héritage flambé.<br /> 13. Allons bon!.<br /> 14. Gueux de sauvages!<br /> 15. Y a des gens qui ont du bonheur!<br /> 16. Il est bon d'avoir des amis.<br /> 17. C'est une flêche empoisonnée.<br /> 18. En toute chose il ne faut jamais considérer la faim.<br /> 19. Qué beau pays!!!<br /> 20. Est-ce que tu attends l'omnibus.<br /> 21. Pauvres camarades!<br /> 22. Cristi! V'la mon paletot qui se déchire!<br /> 23. Y a pas de bon sens!<br /> 24. Cher papa et chère maman.<br /> 25. Mon Général.<br /> 26. C'est un coup superbe!<br /> 27. Un petit homme a grandes passions.<br /> 28. Marche de nuit.<br /> <br /> <br /> CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" <br /> Ray The Art of the French Illustrated Book pp. 155-156. Paris: Chez Aubert & Cie., 1846 unknown
185823179PRIMERA EDICION .- Paris: Maison Martinet Hautecoeur frères ca. 1858.- 1 h. 20 folios de láminas litográficas en negro la portada con 2 figuras en cada lámina y leyendas al pie de cada dibujo grabadas solamente en la cara anterior; Folio mayor 345 x 26 cm; Texto en francés; Cartoné Ed.- La obra constituye una graciosa visión satírica y crítica de los viajes en diligencia y ferrocarril en aquella época. MUY RARO. Encuadernación original ligeramente fatigada con roces en las esquinas y pequeños desperfectos en la cabeza y pie de la lomera. El interior en muy buen estado salvo algunas motas de óxido. CUENTOS AVENTURAS LEYENDAS LITERATURA INFANTIL CÓMICS HUMORISMO. Livre en français Maison Martinet hardcover
186023178PRIMERA EDICION .- Paris: Maison Martinet Lith. Fernique ca. 1860.- 1 h. 20 folios de láminas litográficas en negro la portada con 4 figuras cada lámina y leyendas al pie de cada dibujo grabadas solamente en la cara anterior; Folio mayor 345 x 26 cm; Texto en francés; Cartoné Ed.- Simpática historieta de dos personajes Mr. Lesec y Mr. Legras que hacen dietas contrapuestas el uno para engordar y el otro para adelgazar. ESTE ALBUM ES DE LOS MAS RAROS Y DIFICILES DEL AUTOR NO FIGURANDO EN EL "CATALLOGUE COLLECTIF DE FRANCE - BIBLIOTHEQUE NATIONALE DE FRANCE". La encuadernación original de la edición se encuentra con algunos deterioros en las esquinas y la lomera a la que le falta un pequeño trozo al pie de la misma. El interior en perfecto estado. CUENTOS AVENTURAS LEYENDAS LITERATURA INFANTIL CÓMICS HUMORISMO. Livre en français Maison Martinet, Lith. Fernique hardcover
184638691Paris: Chez Aubert / Le Charivari 1846. Cham. First and only edition. A COMPLETE SET OF THIS RARE AND IMPORTANT SUITE OF SATIRICAL LITHOGRAPHS BY CHAM devoted to British and Irish manners. Complete with lithographed title-page and 15 numbered lithographs by Cham on fine wove paper with lithographed advertisement by Belin at the end. Folio. IN THE ORIGINAL BOARDS WITH THE LITHOGRAPHED TITLE-PAGE REPEATED ON THE COVER. A bit of wear and soiling to boards. Internally a few specks of faint marginal foxing but otherwise FINE AND BRIGHT. Very rare especially in such pristine state. <br/><br/> Chez Aubert / Le Charivari hardcover
18502091202133206397Lang Levy et cie. 1850. Soft Cover. Fine. Volume: 1 Lang Levy et cie. paperback
186023177PRIMERA EDICON.- Paris: Maison Martinet Lith. Ch. Fernique ca. 1860.- 1 h. 18 p. de planchas litográficas en negro por una sola cara con texto al pie de cada figura la portada que tambien lleva una litografía; Folio mayor 345 x 26 cm; Texto en francés; Enc. en Cartoné Editorial.- PRECIOSO ALBUM DE LITOGRAFIAS DE ESTE AFAMADO DIBUJANTE Y HUMORISTA FRANCES. La encuadernación es la original con algunas rozaduras y una pequeña falta en la cabeza de la lomera. El interior en excelente estado. CUENTOS AVENTURAS LEYENDAS LITERATURA INFANTIL CÓMICS HUMORISMO. Livre en français Maison Martinet hardcover
05354Paris: Maison Martinet / Hautecoeur Frères 1860. Oh What Fun To Travel! Not<br /> In Twenty Scarce Lithographs<br /> <br /> CHAM pseudonym of Amédée de Noé. Ah quel plaisir de voyager! Paris: Maison Martinet / Hautecoeur Frères n.d. ca. 1860. <br /> <br /> First edition. Folio 13 3/4 x 10 1/4 inches; 349 x 261 mm. Pictorial lithographed title and twenty lithographed plates with sixty-two humorous scenes with captions limning the downside to travel. <br /> <br /> Publishers dark blue patterned cloth front cover decoratively lettered in gilt spine slightly faded. A few plates with light mainly marginal foxing. Plate numbers 1 7 8 14 & 17 with partial and minimal coloring. An excellent example of a rather scarce Cham title.<br /> <br /> Only eight copies in institutional holdings worldwide. No copies have come to auction since ABPC began indexing results in 1923.<br /> <br /> Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.'<br /> <br /> Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. Paris: Maison Martinet / Hautecoeur Frères, 1860 unknown
1J8110Maison Martinet Hautecoeur Paris um 1855. 40 Lithographien auf 20 Tafeln sowie eine Titel-Lithographie original illustrierter Pappband 34 cm x 26 cm quart Kanten berieben u. bestoßen / etwas fleckig / oberer Einbanddeckel lose / Seiten teils stockfleckig / Name auf Vorsatz. unknown
06003Paris: Chez Aubert 1847. A Fine Album of Fifty Lithographs - Including Twelve by Honoré Daumier <br /> and Seventeen by Achille Devéria<br /> <br /> DAUMIER Honoré. CHAM pseudonym of Amédée de Noé. VERNIER Charles. La Nouvelle Lanterne Magique. Dessins par tous les Artistes. Paris: Chez Aubert ca. 1847-1850. <br /> <br /> Large quarto 11 3/4 x 9 1/4 inches; 298 x235 mm. Fifty lithograph plates on forty-nine sheets plates 28 & 29 on one double-sided plate. Several plates with varying amounts of foxing BUT the twelve Daumier plates generally clean.<br /> <br /> Publisher's printed yellow glazed boards expertly rebacked with the original spine laid down corners a little worn. Bookplate of Bernard Mamy and ink signature five times of Paul Gresset on front paste-down.<br /> <br /> Summary of the Artists:<br /> Daumier: 12; Devéria: 17; Lasalle: 3; Cham: 2; Levilly: 2; Vernier: 1; Berr: 1; Charlet: 1; Madau: 1; Provost: 1; Menut: 1; Grenier: 1; J.David: 1; Victor Dolly: 1; Deroy: 1; not identified: 4.<br /> <br /> The Plates:<br /> <br /> 1. Il est devenu pro-pri-é-taire! Daumier DR 1494<br /> He has become a LAAAAND-LOOOOORD!<br /> 2. Papa contemplant l'image de son image. Daumier DR 1516<br /> Papa admiring the image of his image.<br /> 3. - Tiens ma femme v'là mo portrait au Daguerrèotype que je te rapporte de Paris.<br /> - Pourquoi donc est-ce tu nàs pas aussi fair faire le mien pendant que tu y étas. égoiste va!. Daumier DR 1504<br /> - Here my wife is my daguerreotype portrait which I brought back for you from Paris. <br /> - Why didn't you have mine done while you were there. get lost you egotist!<br /> 4. Le Billet de Logement. Allai suivai.allai marchai vous n'y êtes point.suivai tout drait tout au bout de la grand sente vous tournerai su vot main draite puis tout drait un petit quart d'heure. Charlet<br /> The Housing Ticket. Let's follow.let's walk you're not there.let's follow everything straight to the end of the big path you'll turn on your right hand then everything would take a quarter of an hour.<br /> 5. Les Jeunes Gens d'Aujourd'Hui Sont Bien Peu Attentifs. Madau<br /> Young People Today Are Very Inattentive.<br /> 6. Café de Basse Normandie. Grenier<br /> Lower Normandy Coffee.<br /> 7. Study Made Easy. Collection of Heads by W.D. No. 49. <br /> 8. - Mais viens donc.mauvais sujet!. Daumier DR 1524<br /> But come on then you rake.<br /> 9. Un Malheur domestique. Daumier DR 1534<br /> A domestic calamity.<br /> 10. Que Dieu Vous Garde Belle Dame. Devéria<br /> May God keep you beautiful lady.<br /> 11. Entrée Dans Milan. Le 14 mai la division Masséna se présenta aux portes de Milan; le lendemain le general Bonaparte fit son entrée solennelle dans cette capitale. <br /> Entry into Milan. On May 14 Masséna's division presented itself at the gates of Milan; the next day General Bonaparte made his solemn entry into this capital.<br /> 12. L'aumone. J. David<br /> Alms.<br /> 13. Le Départ Pour Le Bal. Psiché et l'amour. Daumier DR 1535<br /> Departure for the ball. Psyche and Cupid.<br /> 14. Untitled.<br /> 15. - Il parait qu'on vient de revoir le serpent de mer dans le mer des Indes ! . . . . <br /> - Est-il dieu possible ! . . . . . <br /> - Mais certainement que c'est dieu possible puisque je te dis c'est imprimé dans le Constitutionnel . . . ainsi ! . . Daumier DR 1496<br /> - It seems that the sea serpent has reappeared in the Indian Ocean!. <br /> - Oh my God. is it possible!. <br /> - Of course it's possible if I tell you that it has been printed like that in the Constitutional!.<br /> 16. Arcueil. Deroy<br /> Arcueil.<br /> 17. - Mais si ma femme je t'assure que monsieur dessine un paysage. n'est-ce pas monsieur que vous dessinez un paysage. Daumier DR 1499<br /> But of course my dear I can assure you Monsieur is painting a landscape. isn't that so Monsieur You are painting a landscape.<br /> 18. Ce que le bourgeois est convenu de nommer une petite distraction. Daumier DR 1490<br /> What the bourgeoisie calls a slight distraction.<br /> 19. Au nouvel an visite obligée à la tante Rabourdin. Daumier DR 1522<br /> An indispensable New Year's visit at aunt Rabourdin's.<br /> 20. Consolation. A. Menut<br /> Consolation.<br /> 21. Les Mille et un Croquis. Sujets Variès par C. Lassalle. Lassalle<br /> The Thousand and One Sketches. Various Subjects by C. Lassalle.<br /> 22. - Je crois que j'ai entendu chanter un hibou. qu'est-ce que ça peut bien m'annoncer. Daumier DR 1518<br /> I believe I heard an owl. I am just wondering what this might mean for me.<br /> 23. Costume d'Hoster Role de l'Ecorché. Levilly<br /> Hoster Costume Role of the Flayed Man.<br /> 24. Caporal Suisse Sous Louis XV. Vernier<br /> Swiss Corporal under Louis XV.<br /> 25. Les Fleurs. Devéria<br /> The Flowers.<br /> 26. Un château en Espagne. Daumier DR 1512<br /> Building castles in the air.<br /> 27. Adolescence. Devéria<br /> Adolescence.<br /> 28. L' Année Prochaine. La Mer sera grosse. Plusieurs personnes souffriront beaucoup de cette grossesse. Le puits de Grenelle se joindra à le mer de Marmara et la Russie deviendra une province de la Banlieue. L'année prochaine Mr. Mulot fera des puits de tous les monuments publics la ville de Paris ne sera plus qu'une borne-fontaine. A force de changer le costume de l'Infanterie elle n'en conservera plus du tout le Capitaine d'habillement fera ses fournitures dans les vignes: ce sera beau comme l'Antique. Cham<br /> Next Year. The Sea will be big. Many people will suffer greatly from this pregnancy. The Grenelle well will join the Sea of Marmara and Russia will become a province of the Suburbs. Next year Mr. Mulot will make wells of all the public monuments the city of Paris will be nothing more than a fountain. By dint of changing the Infantry's costume it will no longer keep any at all the Captain of Clothing will make his supplies in the vineyards: it will be as beautiful as the Antique.<br /> 29. L' Année Prochaine. Les restaurateurs à 18 sous fourniront 18 plats et 4 desserts ou trouvera le moyen de faire de la soupe à la tortue avec des tiges de bottes. Melle. Garnerin ira dans la lune y porter des adresses de restaurants à 18 sous. Les chemins de fer continueront à faire concurrence à la Bataille de la Moskowa les condamnés à mort seront envoyés en wagon. Cham<br /> Next Year. The 18-cent restaurateurs will provide 18 dishes and 4 desserts or will find a way to make turtle soup with boot uppers. Melle. Garnerin will go to the moon to bring addresses of 18-cent restaurants. The railways will continue to compete with the Battle of Borodino the condemned to death will be sent by wagon.<br /> 30. Une Mere. Devéria<br /> A Mother.<br /> 31. Vue intérieure du grand salon et de l'une des galleries. Provost<br /> Interior view of the great hall and one of the galleries.<br /> 32. La Famille du Marin. The Sailor's Family. Devéria<br /> The Sailor's Family.<br /> 33. Petit Abbé. Berr<br /> Little Abbot.<br /> 34. La Corbeille de Mariage. Devéria<br /> The Wedding Basket.<br /> 35. Le Coin du Feu. Devéria<br /> The Fireside.<br /> 36. Une Prétentieuse. Devéria<br /> A Pretentious One.<br /> 37. Esclave Chinoise. Mille et Une Nuits. Porte St. Martin. Victor Dolly<br /> Chinese Slave. A Thousand and One Nights. Porte St. Martin.<br /> 38. Croquis Chinois par Lassalle. Lassalle<br /> Chinese sketches by Lassalle.<br /> 39. La Jardinière. Devéria<br /> The Gardener.<br /> 40. Le Bouquet. The Nosegay. Devéria<br /> The Nosegay.<br /> 41. Lisa Vous Mettrez Cette Lettre à la Poste. Devéria<br /> Lisa You will put this letter in the post.<br /> 42. The Venetian Coquet. Devéria<br /> The Venetian Coquet.<br /> 43. Les Fruits. Devéria<br /> The Fruits.<br /> 44. Le Petit Farceur. Devéria<br /> The Little Prankster.<br /> 45. Les Mille et un Croquis. Sujets Variès par Lassalle. Lassalle<br /> The Thousand and One Sketches. Various Subjects by Lassalle.<br /> 46. Viens on Nous Attend. Devéria<br /> Come on we are waiting.<br /> 47. Le Réveil. Devéria<br /> The Awakening.<br /> 48. Le Sommeil. Devéria<br /> Sleep.<br /> 49. Untitled.<br /> 50. Les Mille et un Croquis. Sujets Variés par Lassalle. Lassalle<br /> The Thousand and One Sketches. Various Subjects by Lassalle. Paris: Chez Aubert, 1847 unknown
184247668Paris.: Chez Aubert et Cie. 1842 – 1843. Original publisher's cream boards with elaborate pictorial titles later cloth spine and corners; boards somewhat dusty. 2 vols. Folio. 352 x 278 mm. Half-title for each part with 'Table des Matières' verso printed title for each part with vignettes by Grandville 48 livraisons each of 4 leaves of text and illustration recto and verso livraison nos. 25 30 34 41 and 46 with text printed in red four double-numbers of 8 leaves in vol. II illustrated throughout in monochrome by various artists see below with more than 1400 vignettes and plates. A fine copy of Philipon's profusely illustrated satirical magazine.It is a testament to Philipon's tireless satirical efforts that after the problems he experienced in editing La Caricature - constant harassment by the authorities numerous arrests and prosecutions - he could continue to publish and in a similar vein. Announced in the first livraison as consisting of a prospective 96 livraisons publication was curtailed after only 48. The illustrators used include several principally Grandville and Daumier employed by La Caricature as well as many making their names for the first time. Illustrators included as mentioned on the title pages Cham Daumier Dollet Eustache Forest Gavarni Grandville Eugène Lami Lorentz Plattier Tromolet Vernier and others. Literary contributors included Philipon himself as well as Bourget P. Borel Cham L. Huart Lorentz and Marco Sainte-Hilaire.' . important et d'un réel intérêt.' Carteret.'Les folies les plus courtes sont les meilleures; nous avons craint que la nôtre fût trouvée trop longue et nous l'avons arrêtée court.' Philipon announcing the cessation of publication of the magazine after 48 issues.Carteret III 426. Chez Aubert et Cie. hardcover
1858118971858. Paris Maison Martinet s.d. circa 1858 - Paris / Bruxelles Maison Martinet / Jules GÂŽruzel s.d. Un vol. in-4 354 x 253 mm non paginÂŽ. Reliure postÂŽrieure de pleine percaline grÂge jansÂŽniste dos lisse tranches mouchetÂŽes. Edition originale rare pour chacun de ces deux volumes. Premier tirage des 35 dont page de titre planches lithographiÂŽes signÂŽes de Cham dans la plaque figurant 1 ˆ 2 sujets par page. ''Son gožt naturel pour le dessin lui fait frÂŽquenter les ateliers des peintres Nicolas-Toussaint Charlet et de Paul Delaroche. Sous leur influence Cham se spÂŽcialise dans la caricature. Il publie tout d'abord un album Monsieur Lajaunisse puis collabore au journal Le Charivari lui donnant pendant trente-six ans l'essentiel de sa production. Son gožt de l'absurde fait de lui un des grands humoristes de ce journal. Ses dessins valent non seulement par le tracÂŽ simple et fort inspirÂŽ sans doute par HonorÂŽ Daumier mais aussi par l'esprit et par les lÂŽgendes qui les accompagnent.'' Absent du Fonds franÂais ainsi que de la B.n.F. Quelques rares t‰ches affectant les marges dont une planche est cependant davantage pourvue. Page de titre du second ouvrage ici absente. En outre une planche semble faire dÂŽfaut ˆ ce mÂme volume. Rare. b42961 unknown
04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career<br /> <br /> CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. <br /> <br /> First edition. Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. <br /> <br /> Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown
16-3570Paris: Le Charivari 1864. Folio with 143 of 182 issues. Qtr. calf and marbled boards. Includes the original printings of two of Daumier's celebrated series Croquis de Chasse and En Chemin de fer . Delteil 3296-3302 and 3304-330933e année 2e semestre du 1er juill. au 31 décembre 1864 un seul numéro pour les 16 et 17 août idem pour les 2 et 3 oct. manquent les 16 21 25 juill. 6 7 8 21 25 août 11 14 16 21 à 28 30 sept. 6 26 29 oct. 6 11 15 17 22 24 25 28 29 30 nov. 2 7 15 17 21 déc. soit 143 sur 182 numéros de 4 pages reliés à l'époque en un vol. in-folio en demi-veau violine dos lisse coins émoussés qq. taches brunes pliures brunissures qq. déchirures sans manques. Fondé le 1er déc. 1832 par Charles Philipon comme un journal d'opposition républicaine à la Monarchie de Juillet le journal satirique à vocation distractive s'affirma au cours de son histoire tantôt radical conservateur républicain ou encore anti-clérical. Ses auteurs les plus notables furent notamment Taxile Delord ou encore Agenor Altaroche et ses caricaturistes les plus marquants furent entre autres Philipon Nadar Gustave Doré Henri Rochefort Cham et Honoré Daumier. En baisse d'audience le journal disparait en 1937. Paris: Le Charivari, 1864. hardcover
57953Aux Bureaux du Journal Amusant du Musee Francais-Anglais et des Modes Parisiennes 1856 4 volumes In-4 3200pp. illustr. nombreuses gravures couvertures colorisees reliures demi-cuir de l'époque dos plats ornes usures d'usage sur les reliures tete de collection complete des 400 premiers numeros details et photos sur demande Nb-0271 unknown
31871Paris France: Maison Martinet. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - ND Circa 1863 . 16 pages. -- with a bonus offer-- . Maison Martinet paperback
191653019Atlanta: Atlanta University Press 1916. First edition. Fine. Rare installment of this important and influential scholarly series including W.E.B. Du Bois's essay "Races of Men." The Atlanta University Publications was a numbered series of monographs published by Atlanta University with text and other content drawn from information presented at the annual Conferences for the Study of Negro Problems. As University president Horace Bumstead explained the series' origins: "One was the inauguration for the first time in any American college of a thoroughly scientific study of the conditions of Negro life covering all its most important phases and resulting in a score of annual Atlanta University Publications conceded to be the highest authority" quoted in Morris 91. Gathering speeches studies and other data from that annual event the university issued these groundbreaking sociological annuals until 1917 when publication was halted for financial reasons. Taken as a whole the Atlanta University series presented the most comprehensive sociological study of Black America available at the time and covered topics pertaining to African American health economics culture discrimination education family life and the like. In his autobiography Du Bois who edited most of the volumes and contributed much of the text wrote of the series' importance: "For 13 years we poured forth a series of studies; limited incomplete only partially conclusive and yet so much better done than any other attempt of the sort in the nation that they gained attention throughout the world." <br /> <br /> This installment includes works by Frederick H. Means "A Review of the Atlanta University Conferences and Social Studies" Felix von Luschan "Anthropological View of Race" Franklin P. Mall "Anatomical Characters of the Human Brain" R.S. Woodworth "Racial Differences in Mental Traits" W.I. Thomas "The Mind of the Savage" Franz Boas "Old African Civilizations" and "Race Problems in the United States" and Alexander F. Chamberlain "The Contribution of the Negro to Human Civilization". <br /> <br /> All titles in this series are now scarce with most copies either purchased for libraries or discarded and are rare in this condition. A beautiful example from this pioneering scholarly project. 8.75'' x 6''. Original brown printed wrappers. 108 pages. Atlanta University Publications No. 20. Trace wear. Else bright sharp and sound. Atlanta University Press unknown
06030Paris: Chez Arnauld De Vresse 1851. A Fine Selection of Sixteen Hand Colored Lithographs from Five of Cham's Best Albums<br /> <br /> CHAM pseudonym of Amédée de Noé. Album Varié par M.M. Cham Daumier Gavarni et autres Dessinateurs du Charivari. Paris: Chez Arnauld De Vresse ca. 1851.<br /> <br /> Folio 12 7/8 x 10 inches; 327 x 254 mm. Lithograph title-page and sixteen fine hand colored lithograph plates all heightened with gum arabic. Plate numbers 5 and 8 are duplicates.<br /> <br /> Publisher's quarter red roan over printed yellow glazed boards front cover neatly repaired at lower corner. With the bookplate of Bernard Mamy on front paste-down.<br /> <br /> This is a slightly later published assembly of hand colored lithographs by Cham from five of his works: Nos Gentils Hommes 1846; Turlupinades ca. 1850; Moeurs Britanniques ca. 1850; Souvenirs de Garnison ca. 1850 and Moeurs Algeriennes 1844.<br /> <br /> The Plates:<br /> <br /> 1. Palsambleu Quél Bon Petit Chic!! - Voilà une rosière comme nous les aimons nous autres gentils-hommes!<br /> Palsambleu What a Good Little Chic!! - Here is a rose garden as we like them us other gentlemen!<br /> <br /> 2. Le Pas Gymnastique. - Je ne suis pas purpris qu'on fasse son chemin dans ce corps. Quand on court si fort on ne doit pas manquer d'arriver.<br /> The Gymnastic Step. - I am not surprised that one makes one's way in this body. When one runs so hard one must not fail to arrive.<br /> <br /> 3. L'Invalide De Chelsea. - Waterloo Waterloo! Mais mon brave homme voici deux heures que vous me rabâchez la même Victoire.à ce compte là combine un Français mettrait-il donc de temps à vous raconteur ses victoires.<br /> The Chelsea Invalid. - Waterloo Waterloo! But my good man for two hours you have been harping on about the same Victory. at that rate how long would a Frenchman take to tell you about his victories.<br /> <br /> 4. Tiens Tiens Elle Était Pressée C'tte Lettre Qué qu'aurait dit ça y a quinze jours qué traine dans ma loge.<br /> Well Well Was That Letter In A Hurry What would that have said it's been lying around in my dressing room for two weeks now.<br /> <br /> 5. Ah! Vous Êtes Ambitieux! Comment! Après quatre ans de surnumérariat vous n'étes pas content!. prenez y garde Mossieu je n'aime pas les intrigans.<br /> Ah! You are ambitious! What! After four years of being a surplus you are not happy!. be careful sir I do not like schemers.<br /> <br /> 6. Oui J'ai Quitté Le Service. - Dans la cavalerie je faisais un métier de cheval l'artillerie est toujours près de ses pieces quant aux équipages ça ne m'allait pas je déteste la train.pour le genie. - Oh! Le genie t'es trop béte pour en avoir c'est clair!.<br /> Yes I Left the Service. - In the cavalry I had a horse job the artillery is always near its pieces as for the crews it didn't suit me I hate the train.for the engineers. - Oh! The engineers you're too stupid to have any that's clear!.<br /> <br /> 7. Non Vous Ne Vous Trompez Pas! C'est bien ici que demeure Mademoiselle Caroline que lui voulez vous je suis son frère.<br /> No you are not mistaken! This is where Miss Caroline lives what do you want from her I am her brother.<br /> <br /> 8. Ah! Vous Êtes Ambitieux! Comment! Après quatre ans de surnumérariat vous n'étes pas content!. prenez y garde Mossieu je n'aime pas les intrigans. DUPLICATE of #5<br /> Ah! You are ambitious! What! After four years of being a surplus you are not happy!. be careful sir I do not like schemers.<br /> <br /> 9. Le Péage Du Turn-Pike. 3 pences! Allons bon!.j'ai oublié ma bourse.je n'avais plus que dix pas pour arriver et il faut que je retourne chez moi à quatre lieues d'ici!.<br /> The Turn-Pike Toll. 3pence! Come come!.I forgot my purse.I had only ten paces to go and I must go home four leagues from here!.<br /> <br /> 10. M'est avis Jean Piarre que ce beau Monchieu qu'tire le villageen plan est un donneux de sort.y vient p'f ensorceller nos vaches bé sur.attends! attends!.<br /> It seems to me Jean Piarre that this handsome Monchieu who draws the village plan is a spell giver. he comes to bewitch our cows of course. wait! wait!.<br /> <br /> 11. Baragouin Brittannique. Godem! Oha! Frenchman ridiculous costume comical very good Oh Ah! Oh!<br /> British gibberish. Godem! Oha! Frenchman ridiculous comical costume very good Oh Ah! Oh!<br /> <br /> 12. Mœurs Algeriennes. Chinoiseries Turques. Mon tigre a décidement le spleen voilà huit jours qu'il est d'une humeur de dogue faites-moi le plaisir d'entrer dans sa cage et tachez de l'amuser il y va de votre téte. Un aveugle turc.<br /> Algerian customs. Turkish chinoiserie. My tiger is definitely feeling down he has been in a dog-like mood for eight days do me the pleasure of entering his cage and try to amuse him it is up to you. A blind Turk.<br /> <br /> 13. Ces Gueux D'Arabes. - C'est dur tout de méme qu'ils ne veulent pas nous laisser tranquilles chez nous.<br /> Those Arab Beggars. - It's hard all the same that they don't want to leave us alone at home.<br /> <br /> 14. Cap'taine! Y vous va joliment le costume de pekin!. - Oui je suis un peu chiqué n'est-ce pas.hein j'en suis pour plus de 40 francs!.<br /> Captain! The Peking costume suits you well!. - Yes I am a bit squeamish aren't I. eh I'm looking at more than 40 francs!.<br /> <br /> 15. Enfin J'en Tiens Un!. Ils dissent que c'est une maladie qui court une cholerine une bétise. C'est parbleu! Bien le cholera le vrai cholera!. C'est un cas magnifique!!.<br /> Finally I Have One!. They say it's a disease that's running around cholera a stupidity. Oh my! Cholera real cholera!. It's a magnificent case!!.<br /> <br /> 16. Foi De Carrossier. Un homme d'une position aussi élevée que la votre doit avoir la voiture la plus basse possible.<br /> Coachbuilder's Faith. A man of such high position as yours must have the lowest possible car. Paris: Chez Arnauld De Vresse, 1851 unknown
16-3571Paris: Le Charivari 1870. Folio with 261 of 262 issues. 20th Century qtr. simili morocco and boards. Includes the original printings of many of Daumier's celebrated lithographs including the Franco-Prussian War Delteil 3757-381139e année du 1er janv. au 24 sept. 1870 soit 261 sur 262 numéros reliés en demi-toile brune à coins dos lisse reliure moderne ensemble lavé un seul numéro pour les 2 et 3 janv. les 2 et 3 mars les 18 et 19 avr. les 6 et 7 juin les 16 et 17 août manque 31 mars ; des numéros de mai sont mal classés. « Fondé le 1er déc. 1832 par Charles Philipon comme un journal d'opposition républicaine à la Monarchie de Juillet le journal satirique à vocation distractive s'affirma au cours de son histoire tantôt radical conservateur républicain ou encore anti-clérical. Ses auteurs les plus notables furent notamment Taxile Delord ou encore Agenor Altaroche et ses caricaturistes les plus marquants furent entre autres Philipon Nadar Gustave Doré Henri Rochefort Cham et Honoré Daumier. En baisse d'audience le journal disparait en 1937. Paris: Le Charivari, 1870 hardcover
