775 résultats
000471Paris: Maison Martinet 7 - Arnauld de Vredde 60. Soft cover. Very Good/not applicable. CHAM. 23x17 cm. - Not bound. - All profusely illustrated with title vignette. and 56- 60 cartoons and croquis. - Some of the pamphlets have a few partially darkened and detaches pages. Link to additional photos available on request. <br/> <br/> Maison Martinet (7) - Arnauld de Vredde (60 paperback
04875Paris: Maison Martinet 1856. Three of Cham's Rarest Works with Sixty Wonderful Hand-Colored Lithograph Plates<br /> <br /> CHAM pseudonym of Charles Amédée de Noé. Three complete works bound together in one volume - L'Art d'engraisser et de Maigrir a Volonté. & Mr. Papillon & Pincez-moi à la Campagne!!<br /> <br /> First editions. Folio 12 11/16 x 9 7/8 inches; 326 x 251 mm. Three pictorial hand colored lithograph title-pages and a total of sixty hand colored lithograph plates heightened with gum arabic. Plates lithographed by Fernique & Destouches.<br /> <br /> Bound together in late nineteenth century olive green buckram over boards marbled endpapers. Spine a little rubbed the plates bright and fresh with superb hand-coloring.<br /> <br /> The Art of Gaining Weight and The Art of Losing Weight<br /> Twenty Highly Amusing Multi-Image Hand Colored Lithograph Plates by Cham<br /> <br /> CHAM Pseudonym of Charles Amédée de Noé. L'Art d'Engraisser et de Maigrir a Volonté. The art of gaining and losing weight with willpower. Paris: Maison Martinet 1857. <br /> <br /> Pictorial hand colored lithograph title-page and twenty hand colored lithograph plates heightened with gum Arabic and containing seventy-nine images. Plates lithographed by Fernique.<br /> <br /> A highly amusing album depicting the adventures of the very thin Mr. Lesec who wants to gain weight and the rather plump Mr. Legras who wants to lose weight. Both Mr. Lesec and Mr. Legras are getting married and there is much going on in their households. They leave jointly for Algeria and go lion hunting. this adventure unfortunately causes Mr. Legras to gain weight and Mr. Lesec to lose several kilos. The same thing happens during a subsequent adventure with a camel. Unfortunately the two friends leave Algeria for Italy then for Turkey Crimea India where they live multiple adventures that leave them in their respective physical states. They both decide to return to France Mr Legras dies from being severely overweight - and the very depressed Mr Lesec just gets thinner and thinner and eventually also dies.<br /> <br /> Somewhat scarce with OCLC locating just four colored copies in libraries and institutions worldwide: The Morgan Library & Museum NY; University of Chicago IL; Boston Public Library MA; Victoria & Albert Museum London UK. There are also two other 'uncolored' copies: Kunstbiblio Staatliche Museen Zu Berlin Germany & National Library of Poland Biblioteka Naro Poland.<br /> <br /> <br /> Mr. Papillon's Highly Amusing Voyage Around the World <br /> Love and Romance in Various Countries<br /> <br /> CHAM Pseudonym of Charles Amédée de Noé. Mr. Papillon ou L'Amour Autour du Monde. Paris: Maison Martinet 1856. <br /> <br /> Pictorial hand-colored lithograph title-page and twenty hand-colored lithograph plates heightened with gum Arabic and containing sixty-eight amusing images. The plates clean and fresh with superb hand coloring. Plates lithographed by Fernique.<br /> <br /> Mr. Papillon's highly amusing voyage around the world depicting love and romance in different countries.<br /> <br /> Rare. OCLC locates just one copy in libraries and institutions worldwide: Bibliotheque Nationale de France.<br /> <br /> <br /> Pinch Me I'm In the Country!!<br /> Now Get Me Out of Here<br /> The Scarcest Cham of All<br /> <br /> CHAM pseud. of Amédée de Noé. Pincez-moi a la campagne!! Paris: Maison Martinet n.d. c. 1860. <br /> <br /> Pictorial hand-colored lithographed title-page and twenty hand-colored lithographed plates heightened with gum Arabic and containing eighty-six humorous scenes with captions. Plates lithographed by Destouches.<br /> <br /> Original quarter green pebble-cloth over green grained-paper boards with blindstamped decoration and gilt lettering. <br /> <br /> Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156.<br /> <br /> In the ninety-seven years since 1923 that ABPC has been recording auction results not a single copy of this work has fallen under the hammer. All albums by Cham are scarce; the volume under notice is extremely so. Only eight copies survive in institutional holdings worldwide.<br /> <br /> The gently amusing trials of an urban gentleman preparing for a vacation in the French countryside and the hilarious tribulations once he arrives. In essence Woody Allen leaves Manhattan for the Catskills and copes with nature and rural life.<br /> <br /> CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" <br /> Ray The Art of the French Illustrated Book pp. 155-156. Paris: Maison Martinet, 1856 unknown
187574140Paris 1875. Fine. Paris 1875 11.50 x 17 cm une feuille Affectionate autograph letter signed one and a half pages 32 lines from Cham addressed to his friend Alexandre Dumas fils thanking him fraternally for the fruitful administrative steps undertaken by the latter in favor of obtaining the ribbon of the Legion of Honor for his fellow caricaturist: In this missive filled with surprised modesty and discretion Cham shows himself to be both proud and gently mocking of decorations. He never ceases to praise the affection and gratitude he feels for his friend. ""Ce 11 Fev. 1875 Mon cher ami C'est atroce ! Me voilà décoré ! Jusqu'à la fin de mes jours ! et c'est de votre faute ! Par le plus grand des hasards j'ai appris que vous aviez écrit une lettre de quatre pages au ministre. Le tout me concernant et appelant sur moi le ruban ! Sans rien dire à personne ! et sans vous dénoncer une fois le coup terminé et réussi. Que penser d'un pareil homme Où trouver assez de reconnaissance pour le remercier d'un pareil traits Je forme immédiatement une société au capital d'une reconnaissance énorme qui puisse acquitter ma dette envers vous. Ce n'est pas une croix qui honore un homme ce sont des amis comme vous. Vous devez comprendre ce que j'éprouve pour vous après un coup pareil. Bien affectueusement et merci je ne vous dis que ça ! Cham. Mes respectueux hommages à madame Dumas. Je porte mon ruban en rosette ça fait très bien."" ""February 11 1875 My dear friend It's atrocious! Here I am decorated! Until the end of my days! and it's your fault! By the greatest chance I learned that you had written a four-page letter to the minister. All concerning me and calling for the ribbon upon me! Without saying anything to anyone! and without denouncing yourself once the deed was done and successful. What to think of such a man Where to find enough gratitude to thank him for such a gesture I immediately form a company with the capital of enormous gratitude that can settle my debt to you. It is not a cross that honors a man it is friends like you. You must understand what I feel for you after such a deed. Most affectionately and thank you that's all I say to you! Cham. My respectful regards to Madame Dumas. I wear my ribbon as a rosette it looks very good."" unknown
188267259Paris: Chez Calmann Lévy 1882. Fine. Chez Calmann Lévy Paris 1882 22 x 31 cm relié Illustrated edition with 1000 drawings by Cham. Publisher's binding in full red cloth signed Magnier. Spine slightly faded headcaps rubbed scratch on one of the leading edges. Chez Calmann Lévy hardcover
186540489Paris: Arnauld de Vresse 1865. Fine. Arnauld de Vresse Paris s. d. circa 1865 18 x 25 cm broché First edition. A pale dampstain to head of the first few pages otherwise a handsome copy. Arnauld de Vresse unknown
187040487Paris: Arnaud de Vresse 1870. Fine. Arnaud de Vresse Paris s. d. circa 1870 18.50 x 24.50 cm broché First edition. A small trace of angular fold not serious to head of upper cover. A good copy. Arnaud de Vresse unknown
185440350Paris: Victor Lecou 1854. Fine. Victor Lecou Paris 1854-1855 12 x 18.50 cm 2 volumes reliés Edition illustrated with 200 in-text vignettes by Cham. Half Russian green morocco bindings spines with four raised bands decorated with gilt compartments enhanced with gilt and blind typographical motifs gilt dates at foot gilt fillets on marbled paper boards marbled endpapers and pastedowns top edges gilt. Foxing bookseller's description label pasted on an endpaper of the first volume. Provenance: from the library of Henri Monnier with his bookplate pasted on the verso of the front boards. Victor Lecou hardcover
185540189Paris: Aubert & Cie 1855. Fine. Aubert & Cie Paris s. d. circa 1855 10 x 13 cm broché First edition. Illustrated pamphlet with 27 color caricatures. Two small lacks at head and foot of spine light interior foxing stains and two minute holes to rear cover. Rare. Aubert & Cie unknown
185540190Paris: Aubert & Cie 1855. Fine. Aubert & Cie Paris s. d. circa 1855 10 x 13 cm broché First edition. Booklet illustrated with 27 black caricatures. Two small lacks at head and foot of spine light interior foxing. Rare. Aubert & Cie unknown
187040488Paris: Arnauld de Vresse 1870. Fine. Arnauld de Vresse Paris s. d. circa 1870 18 x 25 cm broché First edition. A good copy. Arnauld de Vresse unknown
EEzz3583Paris Arnauld de Vresse ca. 1850. gr.-4° lithograph. Titelbl. u. 20 num. lithogr. Taf. türkisgrauer OPpbd. lithogr. bedruckt Titelei gold gedr. Rü. u. Kanten berieben Einbd. stellenw. fleckig innen sehr gut. Seltenes frühes Album von Cham. Nicht bei Sander. - Zeigt mittels einer Reise die nationalen Eigenheiten u. sozialen Zustände in Belgien Holland Rußland England Irland und Schottland. Paris, Arnauld de Vresse (ca. 1850). unknown
18488973<p>Hand-colored lithograph highlighted with gum arabic. Plate No. 153. Minor foxing and tearing to edges see image. Scarce.</p><p>13.75 x 10.75 in</p> Aubert & Cie.
1871299797Paris.: Aux Bureaux Du Charivari. No date but 1871. 1st Edition. Rebacked with a plain paper spine with the original wrappers. Very good rebacked with a plain paper spine. 32x24.5x0.7 cm. Satirical lithograph drawings illustrating the siege of Paris during the Franco-Prussian war in 1870-1871. weight: 1.0 lb. Lithograph illustrated title page by Cham 19 additional illustrations by Cham and 10 by Daumier. Aux Bureaux Du Charivari. unknown
18488970<p>Hand-colored lithograph highlighted with gum arabic. Minor foxing to edges and creases to corners see image. Scarce.</p><p>10.75 x 13.75 in</p> Aubert & Cie.
18488971<p>Hand-colored lithograph highlighted with gum arabic. Minor foxing to edges and a stain to left bottom corner see image. Scarce.</p><p>10.75 x 13.75 in</p> Aubert & Cie.
18478972<p>Hand-colored lithograph highlighted with gum arabic. Plate No. 20. Minor foxing to edges see image. Stain to rear not affecting front. Scarce.</p><p>10.5 x 13.75 in</p> Aubert & Cie.
185085595Michel Lévy frères | Paris 1850 | 17.50 x 26.50 cm | relié
185085595Paris: Michel Lévy frères 1850. Fine. Michel Lévy frères Paris 1850 17.50 x 26.50 cm relié Illustrated edition with 20 hors-texte plates as well as numerous drawings in the text by Cham. Half-green morocco-grained shagreen binding smooth spine decorated with gilt romantic arabesques six gilt fillets at head and tail of spine spine with some rubbing green cardboard boards with epidermures endpapers and pastedowns of marbled paper corners slightly bumped contemporary romantic binding. Foxing. Michel Lévy frères hardcover
18501278863Paris: Au Bureau du Journal le Charivari 1850's. 8vo.; VG; 3/4 bound in brown leather spine paneled with burgundy label and gilt lettering; repaired with original spine rebacked new label new endpapers; marbled boards; wear to corners rubbing to boards spine; some age-toning to pages; three of the images have been cut out of the Revue Du Salon De 1853.<br /> <br /> <p>NOTE: Shelved in Locked Annex Area ND-HV Column. 1278863. FP New Rockville Stock. Au Bureau du Journal le Charivari unknown
277371868-1879 .1000 gravures .Introduction pat Ludovic Halévy . 1880 . Editions Calmann Lévy , Grand in 8°relié pleine percaline de l'éditeur illustrée .349 pp.Chaque page anopistographe est illustrée de six dessins humoristiques légendés .
74Paris, Aux bureaux du Charivari, sans date (1871?).In 4,broché.Exemplaire incomplet .Etat correct. Rousseurs habituelles et quelques taches dans les marges.
185440350Victor Lecou | Paris 1854-1855 | 12 x 18.50 cm | 2 volumes reliés
45533Lettre-préface d'Alexandre Dumas fils. Paris : Plon, 1884. Un volume broché (12,8x19,2 cm), XVI et 284 pages. Avec un portrait de Cham en frontispice : eaux-forte par Le Rat et 16 hors texte (dessins et fac-similé) dont 2 planches en couleurs. Timbres humides de bibliothèque en page de titre et en dernière page de garde ("Fonds Gaëtan Sanvoisin" - "sorti des inventaires"). Bon état.
36962Paris : Arnauld de Vresse, sans date (1866) - album de 16 pages imprimées recto seul comprenant 15 planches de 60 vignettes en noir et légendées - bon état -
185029283Michel Levy frèreS Paris, Michel Levy frèreS 1850. In-4 relié demi-basane noire de 625 pages. Dos lisse avec titre doré. 1 feuillet blanc, faux titre, titre. Illustrations par CHAM, 1 feuillet blanc. Mouillure angulaire. Bon état.