434 résultats
Mm 270x320 Volume in copertina rigida rilegata in tela, sovraccoperta originale, custodia protettiva; 143 pagine profusamente illustrate in nero nel testo. Copia pari al nuovo; spedizione in 24 ore dalla conferma dell'ordine.
Firenze, 1977-78, in-8, br., pp. 56. (Sul tema: “La personalità e l'opera di F. Brunelleschi, nella realtà fiorentina tra il XIV e XV secolo”).
in 8 (27x20) brossura; Fotografie e tavole a colori; pp.122; Ottimo
Cm. 24,2, x 22,8, legatura in seta nera edit. con scritte in oro, cofanetto rigido nero decorato, pag. 93 (3). Edizione curata da Laura Casalis. Collana Iconographia. Ottimo esemplare.
(Mm. 194x122), datato Firenze 20 Nov: 907 e firmato “Aroun-al-Rascid (Brunelleschi)”. Sotto il disegno (pure manoscritto) “L’assiette au Beurre / 27 settembre 1902”. Disegno, eseguito dall’artista, che riproduce la caricatura di Mascagni pubblicata sul N. 78 (Settembre 1902) della rivista francese di satira politica “L’Assiette au Beurre” (numero speciale dedicato alla musica e titolato “Nos Musiciens”, interamente realizzato con 16 tavole a colori a piena pagina dal grande Brunelleschi, al tempo attivo a Parigi con lo pseudonimo di Aroun al Rascid). Molto ben conservato.
Inc. in rame con fini tocchi all'acquerello. Dimensioni della lastra mm.260x330, foglio di mm. 375x495. Sulla lastra in basso a sin. 'Brunelleschi pinx.' a destra 'H. Reidel sc.' al centro 'Copyright by Journal des Dames et des Modes, 1914'. Elegante scena che ritrae Brighella con il cappello in mano in atto di riverenza. Una piccola macchiolina di circa 5mm. sulla parte incisa peraltro perfetto stato. (Per notizie sull'A. cfr. G. Ercoli "Umberto Brunelleschi. Liberty e Art Deco nell'opera grafica", Firenze 1978)
Inc. in rame finemente colorata a pochoir da Umberto Brunelleschi. Dimensioni della lastra mm.255x330, foglio con marg. bianchi in barbe mm. 380x480. Sulla lastra in basso a sin. 'Brunelleschi pinx.' a destra 'H. Reidel sc.' al centro 'Copyright by Journal des Dames et des Modes, 1914'. Elegante scena che ritrae Trivellino con una rosa in mano, affacciato a un balcone. Una piccola macchiolina di circa 5mm. sulla parte incisa peraltro perfetto stato. (Per notizie sull'A. cfr. G. Ercoli "Umberto Brunelleschi. Liberty e Art Deco nell'opera grafica", Firenze 1978)
In-4° (cm. 27,5x23,3), pp. 96 + 8 meravigliose TAVOLE A COLORI oro e argento f.t. (serigrafie?) del mitico pittore, illustratore, decoratore, scultore e scenografo Umberto BRUNELLESCHI (Montemurlo 1879 - Parigi 1949). Cartone telato edit. con tit. e grandi decorazioni a fiorami in oro e nero su fondo verdazzurro ai piatti, corretto rinforzo in tela al dorso, piatti appena scoloritise no in eccellenti condizioni. Uno dei più raffinati libri illustrati per l'infanzia, capolavoro art déco.
206Paris: Mornay. 1st Edition. Soft cover. Fine. LIMITED EDITION one of only 468 numbered copies on Holland van Gelder out of a total edition of 500 copies with 14 full-page color pochoir plates and 54 color pochoir vignettes by Brunelleschi. One of the most highly regarded books illustrated by Brunelleschi. Paris: Mornay 1926. Octavo original pictorial wrappers; glassine. A beautiful fine copy. $1900. Mornay paperback books
192618273Paris: L'Estampe Moderne 1926. Original Wraps. Orig. illustrated wrappers. Fine in patterned chemise portfolio spine worn and evenly faded to brown. In matching edgeworn slipcase. Brunelleschi Umberto. 208 pages. 22 x 17 Twenty-six pochoir plates including fifteen color engravings. Limited edition copy 135 of 435 copies on Velin Arches. Brunelleschi's polite décolleté nudity romantic rather than hard core paints a style popular in its day. L'Estampe Moderne unknown books
197938784New York: Rizzoli 1979. First U.S. Edition. Quarto. Pictorial glossy card wrappers; 93pp chiefly illustrations. Tight Near Fine copy free of markings or significant wear. Rizzoli unknown books
19814961New York: Rizzoli 1981. First Edition. Hardcover. Near Fine in Very Good DJ and Near Fine Slipcase. Owner signature on front pastedown else tight bright and unmarred. DJ shows very minor shelf/edge wear small closed tear at head else bright and clean; slipcase shows very minor shelf/edge wear. Navy cloth boards white lettering. 4to. 400pp. Illus. b/w plates. Chronology. Notes. Bibliography. Index. <br/><br/>A detailed study of the life and work of Filippo Brunelleschi early 15th century Northern Italian goldsmith sculptor and architect. From the library of noted architect and writer on architecture J. Sadler. Sadler was prone to marginalia and laying in clippings and ephemera related to a given bookÂ’s subject. The presence of marginal notes or marks will be noted above and are absent if not so noted. A very handsome copy. Rizzoli hardcover books
195521340Paris: Gibert Jeune 1955. Later printing. Stiff Wraps. Orig. illustrated tan wrappers. Very good in very good slipcase. 2 vols. 346 338 pages. 26.5 x 20 cm. Thirty-two full-page pochoir plates and seventy-nine black and white designs by Brunelleschi. Limited edition copy 1192 of 3000 copies. Casanova illustrated with Brunelleschi panache: high socks hi-jinks and high-camp. Bright fresh set backstrips slightly darkened. Gibert Jeune unknown books
1981462659London : Thames and Hudson 1981. First Edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper now mylar-sleeved. Remains well-preserved overall. Physical description; 400 pages : illustrations facsimilesplans ; 29cm. Notes; Translation of Filippo Brunelleschi. Subjects; Brunelleschi Filippo 1377-1446. Architects Italy Biography. Architecture Renaissance Italy. London : Thames and Hudson hardcover
191232069-69Paris Piazza 1912. With 20 tipped-in color plates by Umberto Brunelleschi. 122 1 pp. 2 leaves. Large 4to. Half calf spine gilt with gilt lettering orig. wrappers printed in blue and gold bound in by Sim. Kra. rel. Paris Piazza 1912. Collection of five fairy tales: La Belle aux cheveux d'or; L'Oiseau bleu; Gracieuse et Percinet; L'adroite Princesse; Le Prince chéri. With striking color illustrations by Umberto Brunelleschi from Pistoia 1879-1949 active as fashion costume and stage designer in Paris. He contributed to French de luxe magazines like "Journal des Dames et des Modes" "Gazette du Bon Ton" and "Les Feuillets d'Art". In the 1920s he made stage and costume designs for the Folies Bergères and other theatres; among his outstanding works are costumes created for Josephine Baker. Simon Kra 1853-1940 was a French bookbinder and publisher. Among his publiations is the first printing of André Bretons's first Surrealist Manifesto. - Slight even browning plates clean nice copy. - Monod 3120-21; Bénézit II 180. MODERN ILLUSTRATED BOOKS 1900-1999 ; Paris, Piazza unknown
1977223889Firenze: Vallecchi 1977. Rilegato tela sovracoperta custodia cloth dust jacket slip-case. Molto buono Very Good. Testo di Carlo L. Ragghianti. 702 illustrazione in bianco e nero. 10 tavole a colori f.t. Nota bibliografia. 8vo cm 27x20. pp. 572. Molto buono Very Good. . <em>Esperto d'arti applicate scultore provetto grande architetto messo "a bottega" ed educato alle arti già"; in tenera età Filippo Brunelleschi rappresenta per eccellenza la poliedricità dell'uomo d'ingegno rinascimentale. La sua immensa versatilità" accompagnata da un metodo saldamente razionale e realmente "ingegneristico" ne fa per Carlo Ludovico Ragghianti una lente privilegiata per la comprensione di un'epoca. Ne emerge un Rinascimento complesso affascinante tecnicamente all'avanguardia popolato da figure d'artista esemplari alla costante conquista di linee prospettiche e spaziali pure e ricercate. </em> Vallecchi, hardcover
99560Paris Librairie Floury 1934. . Limited edition one of 3500 copies; 4to 270 x 210 mm.; colour plates pictorial title vignettes initials and decorations by Brunelleschi; publisher's pictorial wrappers worn at head of spine otherwise very good in torn original glassine dust-jacket.<br /> An attractive example of Brunelleschi's work illustrating his appreciation & understanding of costume as well as his flair for the erotic.<br /> Paris, Librairie Floury, 1934. unknown
1334967539.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
99346Paris L'Edition d'Art H. Piazza 1913. . Quarto 300 x 225 mm.; 20 splendid tipped-in colour plates by Umberto Brunelleschi illustrations decorative title in blue & brown and borders in blue; bound in dark blue morocco by Stikeman & Co. of New York covers with gilt-ruled borders and corner-pieces spine gilt in compartments with five raised bands grey morocco doublures ruled and tooled in gilt with small purple morocco onlays cream moiré silk flyleaves signed at foot of rear turn-in top edge gilt others uncut original decorative upper wrapper bound in at end very slight wear to head of spine slip-case a little rubbed.<br /> A handsomely bound example of Brunelleschi's illustrated edition of three works by the French dramatist poet & novelist Alfred de Musset known almost as well for his works which have musically inspired artists ranging from Georges Bizet to Celine Dion as for his relationship with the novelist 'George Sand'. Musset is also believed to be the anonymous author of Gamiani ou deux nuits d'excès 1833 a lesbian erotic novel also believed to be modelled on Sand.<br /> Paris, L'Edition d'Art H. Piazza, [1913]. hardcover
192618273Paris: L'Estampe Moderne 1926. Original Wraps. Orig. illustrated wrappers. Fine in patterned chemise portfolio spine worn and evenly faded to brown. In matching edgeworn slipcase. Brunelleschi Umberto. 208 pages. 22 x 17 Twenty-six pochoir plates including fifteen color engravings. Limited edition copy 135 of 435 copies on Velin Arches. Brunelleschi's polite décolleté nudity romantic rather than hard core paints a style popular in its day. L'Estampe Moderne unknown
206Paris: Mornay. 1st Edition. Soft cover. Fine. LIMITED EDITION one of only 468 numbered copies on Holland van Gelder out of a total edition of 500 copies with 14 full-page color pochoir plates and 54 color pochoir vignettes by Brunelleschi. One of the most highly regarded books illustrated by Brunelleschi. Paris: Mornay 1926. Octavo original pictorial wrappers; glassine. A beautiful fine copy. $1900. Mornay paperback
1934205210Paris: Gibert Jeune. Librairie d'amateurs 1934. Brossura wrappers. Molto buono Very Good. Les Cinq derniè";res Journées. Traduit de l'italien par Antoine Le Macon. Illustrations de Brunelleschi. L'opera è" illustrata da 16 tavole a colori fuori testo e da 86 disegni in bianco e nero nel testo. 8vo. pp. 282. Molto buono Very Good. Fioriture alle prime pagine Yellowing of first pages. . Gibert Jeune. Librairie d'amateurs, unknown
94736Paris Aux Bureaux du Journal des Dames et des Modes 1914. . First edition number 22 of 415 copies on arches paper; folio 39 x 52 cm; half-title title 4 pp. introduction index 12 colour pochoir plates; two small defects to blank margin of last plate; contemporary half vellum title in black and red and vignette painted on spine upper wrapper bound in; slightly rubbed lower margin of wrapper slightly cut. <br /><br /> A fine example complete with a full set of 12 engraved plates by Reidel after Brunelleschi depicting theatrical characters including Harlequin Scaramouche and Pierrot. The colourful costumed characters are shown on the foreground against imaginative stage sets with the outlines of luxurious Florentine palaces and gardens.<br /><br />This is an early work by the Italian painter and stage designer Umberto Brunelleschi 18791949 who was also well known for his illustrations in the Gazette du Bon Ton and the Journal des Dames et des Modes.<br /> Colas 1499; Hiler 740. Paris, Aux Bureaux du Journal des Dames et des Modes, 1914. hardcover
191447637Paris.: Journal des Dames et des Modes. 1914. Loose as issued in original publisher's printed wrappers publisher's marbled board portfolio with flaps and original slipcase. Oblong folio. 382 x 515 mm. 12 colour plates with pochoir colour executed by Reidel after Brunelleschi's originals. The most spectacular of the books illustrated by the painter and stage designer Umberto Brunelleschi and a beautiful example of Art Deco pochoir production.From the edition limited to 415 numbered copies with this one of 400 on grand vélin d'Arches.Brunelleschi in addition to his work as a painter and set designer also worked extensively as a book illustrator and fashion designer especially for the famous Art Deco publishers Gazette de Bon Ton and Journal des Dames et des Modes. Journal des Dames et des Modes. unknown
195521340Paris: Gibert Jeune 1955. Later printing. Stiff Wraps. Orig. illustrated tan wrappers. Very good in very good slipcase. 2 vols. 346 338 pages. 26.5 x 20 cm. Thirty-two full-page pochoir plates and seventy-nine black and white designs by Brunelleschi. Limited edition copy 1192 of 3000 copies. Casanova illustrated with Brunelleschi panache: high socks hi-jinks and high-camp. Bright fresh set backstrips slightly darkened. Gibert Jeune unknown