41 résultats
D15467Paris: Émile Durand. Limited Edition. Hardcover. Near Fine. Folio. Contents loose in slipcase. This is copy number 170 of only 251 copies. illustrated with 23 original aquatints by Chimot. A Thick portfolio 10-1/2 by 13 1/2 inches original pale green paper wrappers 39 loose gatherings as issued uncut and unopened; original marbled slipcase and chemise. An erotic fantasy of Jacques dArdance for his lost Hélène numbered and initialed in ink by the author on the limitation page. This copy is additionally inscribed by Chimot and dated 1958. Chimot illustrated with a sensual erotic angle many books of classic literature. Text in French. A bit of foxing at the end but still a very nice copy in worn slipcase. A lavish production. <br/><br/> Émile Durand hardcover
193810551Paris: Francis Guillot 1938. One of 214 copies on Velin d’Arches specially made for this edition this no.175. 12 lithographs by Edouard Chimot with an extra erotic lithograph inserted loose. 4to. in the original wrappers with the original chemise and slipcase. A little shaken spine of chemise faded and slipcase worn at extremities otherwise a very good copy.Paul Geraldy’s beautiful ‘naive’ poems following the course of a love affair first appeared in 1912. With an additional erotic lithograph by Chimot Francis Guillot unknown
1920LD20023Paris: Le Livre du Bibliophile 1920. Limited Edition. Hardcover. Very Good. One of 500 copies on vergé d'arches. Full dark blue crushed morocco gilt lettered spine title all edges gilt turn-ins with gilt rules and colored leather onlays watered silk doublures and endpapers original wrappers bound; binding signed G. Levitsky. Housed in a slipcase. 166 pp. frontispiece etchings and illustrations in text. Light wear spine a bit sunned a few small spots in the text otherwise quite fresh. <br/><br/> Le Livre du Bibliophile hardcover
1925LD20024Paris: Éditions D'Art Devambez 1925. Limited Edition. Hardcover. Near Fine. Copy # 34 overall this being one of twelve on papier de Montval with a suite de composition and an original drawing by Chimot the drawing and some of the plates are signed or captioned in pencil. Orange crushed morocco over spine and front edge of boards gilt with vertical wood veneers over boards top edge gilt. 13 x 9 inches 33 x 22.5 cm; vii 1 158 4 pp. with 12 etchings by Édouard Chimot in the text as well as the aforementioned suite and drawing. Spine and the top of the front board sunned a few spots of wear to extremities one stain on the spine the contents clean and bright. <br/><br/> Éditions D'Art Devambez hardcover
192666486Paris: Editions de l'intermédiaire du bibliophile 1926. Fine. Editions de l'intermédiaire du bibliophile Paris 1926 22 x 26 cm broché Edition illustrated with 10 original etchings by Edouard Chimot one of 25 numbered copies on Japon imperial paper deluxe copy. The work is also illustrated with typographical ornaments by Paul de Pidoll. Handsome full-margined copy. The first gathering tends to come slightly loose. Our copy like all copies printed on Japon imperial paper contains the complete suite of 10 original compositions by Edouard Chimot in triple state. Editions de l'intermédiaire du bibliophile unknown
1919080551Paris: L'Edition 1919. Full decorated morocco by Magnier stamped Leroy depicting Le Moulin Blute-Fin / Galette with a decorative border of vine leaves and flowers inner dentelles raised bands top edges gilt in very good condition some light spotting in places containing 14 tissue guarded etchings by Edouard Chimot from the Hollande edition of 50 121-170 a superb example. Hardcover. Very Good. Illus. by Chimot Edouard . Small Folio. L'Edition Hardcover
192175346Paris: Albin Michel 1921. Fine. Albin Michel Paris 1921 25.50 x 33 cm relié sous étui Definitive edition illustrated with 24 original etchings by Edouard Chimot one of 355 numbered copies on Arches vellum. Full black morocco binding smooth spine decorated with horizontal palladium bands heightened with horizontal lines of red and brown mosaic morocco cold-stamped roulettes on headcaps traces of rubbing on one weakened joint covers decorated with a large interlacing design in palladium set with pieces of red and green mosaic morocco endpapers and pastedowns of moiré-effect paper frame of palladium fillet and palladium fleurons in corner-pieces of pastedowns covers and spine preserved cold fillet on edges top edge gilt slipcase bordered with black morocco marbled paper boards beige felt interior contemporary binding signed René Kieffer. Handsome copy in a spectacular Art Deco binding in full mosaic morocco signed René Kieffer. Albin Michel hardcover
19291521Paris: Éditions d'Art de l'Intermédiaire du Bibliophile. 1929. One of 20 copies hors-commerce from the overall edition of 325 copies this copy being reserved for the artist Édouard Chimot signed by Chimot to the limitation page containing an original pencil and pastel drawing of a nude by the artist signed in ink and an additional suite of 16 loose black and white etchings curiously perhaps in error the additional etching of the fifteenth illustration here is lacking but two copies of the additional etching of the sixteenth illustration are present thus still collating as 16 additional etchings as called for. Folio in sheets within printed paper wrappers with titles in red and black in glassine. 33 x 25.5cm. Printed on Japanese paper. Illustrated with 16 colour etchings by Édouard Chimot. A near fine copy with just a small mark to the rear of the glassine wrapper; the contents remain clean and crisp. The illustrator Édouard Chimot's 1880-1959 own hors-commerce copy of this sumptuous edition of the Belgian poet and writer Pierre Louÿs's 1870-1925 first novel depicting courtesan life in ancient Alexandria originally published in 1896 containing an additional suite of etchings and an original drawing by the artist. Paris: Éditions d'Art de l'Intermédiaire du Bibliophile. unknown
19293961Sixteen colored etchings including 15 hors texte. Foxing to periphery see images. Number 154 of only 325 copies on Rives paper. ; Quarto 10 x 13.2 inches; 255 x 333 mm; xiv 258 1 pages; All shipments through USPS insured Priority Mail. Editions d'Art de Intermediaire du Bibliophile paperback
192747879Paris.: Les Editions d'Art Devambez. 1927. Loose as issued in original publisher's cream printed wrappers with titles to front cover and spine in black blue faux leather-backed marbled board chemise with title labels and matching slipcase. Large 8vo. 290 x 196 mm. Half-title with justification verso original colour etching by Chimot as frontispiece printed title and Magere's text illustrated with 17 original etching 9 full-page 'Table des Poèmes' 'Table des Illustrations' and final leaf with colophon and achevé d'imprimer; each of Chimot's etchings is present in two states: as published and in monochrome with remarques. 'Les Belles de Nuite' with additional suite and a signed original drawing by Chimot.From the edition limited to 446 numbered copies with this one of 75 on Japon Impérial with the etchings in two states 'état définitif' and 'état avec remarque' and with an original signed drawing by Chimot.Chimot's original drawing a head and shoulders portrait of a woman executed in pencil charcoal and with colour crayon highlights on a sheet of Arches is signed in pencil at lower right.Also included loosely inserted is an additional etching one of four issued only with the first 20 copies of the book. Les Editions d'Art Devambez. hardcover
192975240Paris: Editions d'Art de l'Intermédiaire du Bibliophile 1929. Fine. Editions d'Art de l'Intermédiaire du Bibliophile Paris 1929 25 x 33 cm relié sous étui Edition illustrated with 16 original color etchings by Edouard Chimot one of 25 copies on Imperial Japan paper deluxe copy after 46 other Japan copies variously enhanced. Full red morocco binding spine with four large raised bands set with gilt fillets burgundy watered silk endpapers and pastedowns frame of triple gilt fillets on the pastedowns following endpapers of marbled paper all edges gilt original wrappers preserved slipcase with red morocco entry moiré-effect paper boards marbled paper interior superb full morocco binding signed Vaissière relieur castrais. Our copy contains the three states of the 16 plates hors-texte and an original color drawing signed by Edouard Chimot as indicated in the justification page. Fine copy perfectly established in a signed full morocco binding with an original color drawing by Edouard Chimot. Editions d'Art de l'Intermédiaire du Bibliophile hardcover
192063889Paris: Le livre du bibliophile 1920. Fine. Le livre du bibliophile Paris 1920 18.50 x 27.50 cm relié First edition one of 70 copies on Hollande Van Gelder initialed by the author and artist and containing two states of the etchings. Work illustrated with twelve original color etchings by the artist and twenty-three pencil drawings printed typographically by Edouard Chimot. Full red and dark brown morocco binding smooth spine depicting an infernal landscape inlaid with light brown grey and dark blue morocco boards illustrated with bronze flame motifs intertwining in inlay bronze and gilt fillets emphasizing the separation between the red and brown morocco gilt zigzag fillet at foot of first board pastedowns framed with red and dark brown morocco gilt and palladium fillets framing the pastedowns pastedowns and endpapers lined with red moiré silk top edge gilt deckled edges covers and spine preserved. Slipcase lined with paper and edged with red morocco. Near-contemporary binding signed A. Bianchi. Paper of the slipcase detached in places. Very handsome copy in a remarkable Art Deco-inspired decorative binding. Le livre du bibliophile hardcover
193838034Paris: Chez l'Artiste 1938. Edouard Chimot. Two volumes COMPLETE WITH THE SUPPLEMENT. Chimot's rarest and most sought-after book. Illustrated with six original full-page hors-texte color etchings with aquatint. Edition limited to 97 numbered copies SIGNED BY CHIMOT of which this is one of 75 numbered copies printed on fine Rives wove paper. WITH THE SUPPLEMENT of truly obscene poems OF WHICH ONLY A FEW COPIES WERE PRINTED "Quelques exemplaires pour l'artiste et ses amis". The supplement includes four additional etchings FOR A TOTAL OF TEN FINE COLOR ETCHINGS BY CHIMOT CONSIDERED TO BE HIS BEST WORK. Large 4to. Loose as issued in original wraps. Uncut. A bit of scattered foxing on text plates clean else fine and bright. In the original slightly worn board chemise and slipcase. A LEGENDARY RARITY. <br/><br/> Chez l'Artiste paperback
1931132689Paris: Éditions d'Art Devambez 1931. Signed by the illustrator First edition thus artist's copy number G of 15 copies on different types of paper reserved to the collaborators and signed by Chimot on the justification page. Édouard Chimot 1880-1959 was a French artist illustrator and editor whose career reached its peak in the 1920s in Paris through the publication of fine quality art-printed books. His own artistic work occupies a characteristic place and his editorial role was extremely important in bringing together some of the outstanding talents of that distinctive period in French art. With the Wall Street Crash of 1929 wiping out the market for fancy limited editions the present work was the last of Chimot's productions for Devambez. A rare survival: Library Hub lists only 1 copy held institutionally at the Bibliothèque nationale de France. Folio 325 x 248 mm. 23 full-page aquatint etchings in different states on 75 plates including the extra suite of 23 plates in two states some in bistre with remarques or in black; and 17 large in-text illustrations by Édouard Chimot. Near-contemporary red morocco by Trinckvel gilt titles on spine "ERS" tooled in gilt on front board marbled paper boards heightened in gold top edge gilt others uncut marbled endpapers heightened in gold original printed wrappers preserved printed in red and black. Early ink inscription dated 1932 to one of the preliminary blanks. Light wear to extremities light foxing throughout a near-fine copy. OCLC 458495941. hardcover
194147759Paris.: Le Livre du Bibliophile Georges Briffaut Editeur. 1941. Loose as issued in original publisher's printed wrappers with titles in red and black to front cover and spine burgundy board chemise with paper label with titles to spine and matching slipcase. Small folio. 330 x 254 mm. Half-title with justification verso inserted leaf with original colour etching by Chimot as frontispiece printed title in red and black dedication to Théophile Gautier 'Au Lecteur' and Baudelaire's verse illustrated with 20 etchings in colour by Edouard Chimot frontis. included 'Table des Matières' and final leaf with achevé d'imprimer From the edition limited to 500 numbered copies with this one of 26 from the édition de tête on Japon Impérial with five planches refusées in three states an original signed drawing for one of the plates and two additional suites of the plates each with remarques.The material with this set includes:1. 20 colour etchings as published.2. 20 colour etchings with remarques.3. 20 monochrome etchings with remarques.3. 5 planches refusées each in 3 state.4. Original signed drawing for one of the prints. Le Livre du Bibliophile, Georges Briffaut, Editeur. unknown
193120861941931. Argenteuil R. Coulouma and Paris Cerbellaud & Jonnart for the artist and Devambez May 25 1931. Large 4to c. 330 x 250 mm. Loose and entirely uncut in the original printed wrappers; pp. 4 blank 2 half-title and limitation 2 blank 2 title printed in red and black 147 3 23 full-page etchings with aquatint some colour-printed or tinted in the text; spine of wrappers a little rubbed and worn remnants of contemporary half-calf folder and slipcase; a few leaves with marginal blue ink spots.Privately printed number XVI of the 23 copies on japon ancien reserved for the artist total printrun 198 copies with Chimot's aquatint etchings in the first state second state printed in sanguine with remarques the second state with remarques printed in black the final state and one plate in all states dossier limitation signed by the artist a few manuscript notes in the artist's hand on folder of the dossier.This set not only comprises the additional versions of the illustrations but in the dossier complet d'une planche all stages of the plate to Prologue d'un livre including the copper plate a first charcoal and bistre study the pencil drawing for the etching signed by the artist an early proof of the etching combined with the text altogether apart from the copperplate and the print in the book 14 different stages of this particular plate.The French artist book illustrator printmaker exclusively etchings and editor Edouard Chimot 1880-1959 rented a studio in Montmartre haunted by 'jeunes et jolies femmes' his models. He began to illustrate texts; however the First World War interrupted his career. After the War he was able to rent Renoir's old atelier where he produced etchings alongside decadent literature as well as Henri Barbusse. From 1923 to 1931 as artistic director of Les Editions d'Art Devambez he oversaw the production of many outstanding illustrated private press books but reserved some texts for his own art as etcher and printmaker among them this collection of erotic poetry by the symbolist poete maudit Verlaine which had been published first in 1889 and ever since has tempted book illustrators to publish their art alongside the poems. During the roaring '20s in Paris Chimot became a central figure of the Jazz age with many connections to artistic and literary circles including the Surrealist movement. He even embarked on film-making in 1924. Parallelement is his last French limited edition artistic book production; the Wall Street Crash of 1929 had eliminated the economic basis for such productions for a long time. He later settled in Spain and continued illustrating books. unknown