CHIMOT (Edouard).Livre Rare Book
272 résultats
14108Dimensions (à vue) : 252 x 202 mm. Sous cadre en bois.
18974Barcelona, Jose Janes, Ediciones Lauro, In-4, en feuilles, sous chemise cartonnée et emboitage de l'éditeur, 135 pp.
46400076, Paris, Chamontin, 1936; in-8 broché, couv. ill. d'une sanguine de Chimot. 10 aquarelles hors-texte de Chimot soigneusement coloriées au pochoir par Edmond Vairel, enlumineur d'art à Paris. Ex. numéroté sur vélin. A l'état de neuf.
84415aafParis, Éditions d’Art de l’Intermédiaire du Bibliophile, 1929, gr. in-4to, XIV p. + 1 f. + 257 p. + 1 f., avec en-tête gravée en couleurs, texte orné de lithogr. en rouge et noir, 15 gravures en couleurs à pleine page d’Edouard Chimot avec suites et un cuivre original barré, un des 16 ex. num. sur Japon blanc supernacré n° 10, avec envoi ‘exemplaire de Monsieur Sickles avec les hommages du graveur Chimot’. Reliure en maroquin rouge foncé, filets dorés, doublures en maroquin multicolore mosaïqué de motifs helléniques, gardes de soie moirée rouge, tranches dorées, couvertures et dos conservés, chemise dos rigide à 5 nerfs en demi-maroquin rouge doublée d’un box en cuir beige, (couv. de la brochure orig. cons.) étui (abîmé). (Rel. Durvand-Pinard sr 1929). Bel exemplaire de choix.
4547Menu du 5 mai 1914, au Café de la Paix, Place de l'Opéra à Paris. 28 x 19,3 cm, un feuillet de 4 pp. Illustré d'une gravure originale en couleurs de Chimot. Très bel état malgré une petite tache sur le premier feuillet.
4547Menu du 5 mai 1914, au Café de la Paix, Place de l'Opéra à Paris. 28 x 19,3 cm, un feuillet de 4 pp. Illustré d'une gravure originale en couleurs de Chimot. Très bel état malgré une petite tache sur le premier feuillet.
ORD-2261Numéro hors série. Paris. Octobre 1921. Gd in-8 (203 x 287mm) broché, couverture illustrée, titre dans un rectangle au centre d'un médaillon décoré de roses stylisées dans le goût de l'époque, 55 pages, 8 de musique (Pauvre marin revient de guerre...vieille chanson française de Saintonge harmonisée par M. A. GUYOT et illustrée par Charles MARTIN d'un dessin sur double page enluminé à la main) et 40 pages pour Laurette, de Vigny, orné de gravures au burin et de bois originaux de GALANIS. Portrait de CHAMPSAUR par Félicien ROPS, Marcelle SOUTY, vernis mou de DRIAN, doublé d'un essai de couleurs, 4 gravures de CHIMOT, une eau-forte de DELATTRE: Les Moulins de Montmartre. Textes de André SUAREZ et de Maurice MAGRE. Tirage à 220 exemplaires, celui-ci, nominatif pour Maurice MAGRE, signé par CHIMOT.
1980ROD0011451Le Roman. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 163 pp.. . . . Classification Dewey : 843.0876-La science-fiction
1983R200113360Le Roman / Messidor / La Farandole. 1983. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 163 pages.. . . . Classification Dewey : 843.0876-La science-fiction
1980dk279Editions la Farandole 1000 épisodes Cartonné 1980 In-8, (12.5x19.5 cm), cartonné, couverture illustrée, 165 pages, couverture et frontispice de Etienne Souppart ; plats légèrement défraîchis, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
ORD-2260Mes Modèles de Montmartre à Séville. Illustrations de l'auteur. Paris. Le livre du Bibliophile. Claude Briffaut. 1958. In-f°(258 x 333mm) en feuilles sous couverture à rabats imprimée, étui, 75 pages, 16 illustrations hors texte enluminées à la main dans l'Atelier Berthelot. Un des 750 sur vélin de Rives. Bel exemplaire.
76-0537Paris: French Publisher 1930s. Color etching and aquatint on Arches wove paper. 33.5 x 25.5 cm sheet. Signed in the plate. Very Good some light specks of foxing. [Paris: French Publisher, 1930s]. unknown
76-0535Paris: French Publisher 1930s. Etching and aquatint on wove paper. 29 x 22.5 cm sheet. Initialed in pencil and annotated ‘5th Etat’. Very Good. [Paris: French Publisher, 1930s]. unknown
192747879Paris.: Les Editions d'Art Devambez. 1927. Loose as issued in original publisher's cream printed wrappers with titles to front cover and spine in black blue faux leather-backed marbled board chemise with title labels and matching slipcase. Large 8vo. 290 x 196 mm. Half-title with justification verso original colour etching by Chimot as frontispiece printed title and Magere's text illustrated with 17 original etching 9 full-page 'Table des Poèmes' 'Table des Illustrations' and final leaf with colophon and achevé d'imprimer; each of Chimot's etchings is present in two states: as published and in monochrome with remarques. 'Les Belles de Nuite' with additional suite and a signed original drawing by Chimot.From the edition limited to 446 numbered copies with this one of 75 on Japon Impérial with the etchings in two states 'état définitif' and 'état avec remarque' and with an original signed drawing by Chimot.Chimot's original drawing a head and shoulders portrait of a woman executed in pencil charcoal and with colour crayon highlights on a sheet of Arches is signed in pencil at lower right.Also included loosely inserted is an additional etching one of four issued only with the first 20 copies of the book. Les Editions d'Art Devambez. hardcover
194147759Paris.: Le Livre du Bibliophile Georges Briffaut Editeur. 1941. Loose as issued in original publisher's printed wrappers with titles in red and black to front cover and spine burgundy board chemise with paper label with titles to spine and matching slipcase. Small folio. 330 x 254 mm. Half-title with justification verso inserted leaf with original colour etching by Chimot as frontispiece printed title in red and black dedication to Théophile Gautier 'Au Lecteur' and Baudelaire's verse illustrated with 20 etchings in colour by Edouard Chimot frontis. included 'Table des Matières' and final leaf with achevé d'imprimer From the edition limited to 500 numbered copies with this one of 26 from the édition de tête on Japon Impérial with five planches refusées in three states an original signed drawing for one of the plates and two additional suites of the plates each with remarques.The material with this set includes:1. 20 colour etchings as published.2. 20 colour etchings with remarques.3. 20 monochrome etchings with remarques.3. 5 planches refusées each in 3 state.4. Original signed drawing for one of the prints. Le Livre du Bibliophile, Georges Briffaut, Editeur. unknown
1951D15468Paris: Éditions Éryx 1951. Limited Edition. Hardcover. Near Fine. Copy 215 of 429 copies total. 15 original color etchings by Edouard CHIMOT. With an extra suite of illustrations in black and white in a separate folder. The illustrations depict attractive willowy women in various poses. The contents of the illustrations and the text in French is fine. The slipcase spine is foxed as are the outer edges of the box. <br/><br/> Éditions Éryx hardcover
76-0536Paris: French Publisher 1930s. Color etching and aquatint on Devambez wove paper. 30.5 x 25 cm sheet. Initials in pencil and annotated ‘3e etat’. Very Good. [Paris: French Publisher, 1930s]. unknown
19274984Paris: Devambez 1927. A very nice copy of an etching by Chimot with a brief comment and initialled by him to the bottom edge. This was taken from the work "Le Belle de Nuit" by Maurice Magre. It was published in various states by Devambez. The 75 copies on Japon paper came with the illustrations in two suites / states. One was that as shown in the book the other was the proof copies with remarks by Chimot. In addition to the printed remark to the base this copy is also initialled in pencil. A nice impression heavily printed image. The backing paper has considerably darkened over time. It would seem that not all of the proof copies were signed. We attach to this listing a photograph of one of the Japon copies where the two states can be seen ours to the right but in this example there is no annotation or initial by Chimot. Engraving area is 21.5cm x 16cm. The sheet is 30.5cm x 23cm. . Très bel exemplaire d'une eau-forte de Chimot accompagnée d'un bref commentaire et paraphée par lui sur le bord inférieur. Elle est tirée de l'ouvrage "Le Belle de Nuit" de Maurice Magre. Elle a été publiée en divers états par Devambez. Les 75 exemplaires sur papier Japon sont accompagnés des illustrations en deux suites / états. L'une est celle qui figure dans le livre l'autre est celle des épreuves avec les remarques de Chimot. En plus de la remarque imprimée à la base cet exemplaire est également paraphé au crayon. Une belle impression une image fortement imprimée. Le papier de soutien a considérablement noirci avec le temps. Il semblerait que toutes les épreuves n'aient pas été signées. Nous joignons à cette liste une photographie d'une des copies du Japon où les deux états peuvent être vus le nôtre à droite mais dans cet exemple il n'y a pas d'annotation ou d'initiales de Chimot. La surface gravée est de 215 cm x 16 cm. La feuille mesure 30.5cm x 23cm. Devambez unknown
193120861941931. Argenteuil R. Coulouma and Paris Cerbellaud & Jonnart for the artist and Devambez May 25 1931. Large 4to c. 330 x 250 mm. Loose and entirely uncut in the original printed wrappers; pp. 4 blank 2 half-title and limitation 2 blank 2 title printed in red and black 147 3 23 full-page etchings with aquatint some colour-printed or tinted in the text; spine of wrappers a little rubbed and worn remnants of contemporary half-calf folder and slipcase; a few leaves with marginal blue ink spots.Privately printed number XVI of the 23 copies on japon ancien reserved for the artist total printrun 198 copies with Chimot's aquatint etchings in the first state second state printed in sanguine with remarques the second state with remarques printed in black the final state and one plate in all states dossier limitation signed by the artist a few manuscript notes in the artist's hand on folder of the dossier.This set not only comprises the additional versions of the illustrations but in the dossier complet d'une planche all stages of the plate to Prologue d'un livre including the copper plate a first charcoal and bistre study the pencil drawing for the etching signed by the artist an early proof of the etching combined with the text altogether apart from the copperplate and the print in the book 14 different stages of this particular plate.The French artist book illustrator printmaker exclusively etchings and editor Edouard Chimot 1880-1959 rented a studio in Montmartre haunted by 'jeunes et jolies femmes' his models. He began to illustrate texts; however the First World War interrupted his career. After the War he was able to rent Renoir's old atelier where he produced etchings alongside decadent literature as well as Henri Barbusse. From 1923 to 1931 as artistic director of Les Editions d'Art Devambez he oversaw the production of many outstanding illustrated private press books but reserved some texts for his own art as etcher and printmaker among them this collection of erotic poetry by the symbolist poete maudit Verlaine which had been published first in 1889 and ever since has tempted book illustrators to publish their art alongside the poems. During the roaring '20s in Paris Chimot became a central figure of the Jazz age with many connections to artistic and literary circles including the Surrealist movement. He even embarked on film-making in 1924. Parallelement is his last French limited edition artistic book production; the Wall Street Crash of 1929 had eliminated the economic basis for such productions for a long time. He later settled in Spain and continued illustrating books. unknown
1931132689Paris: Éditions d'Art Devambez 1931. Signed by the illustrator First edition thus artist's copy number G of 15 copies on different types of paper reserved to the collaborators and signed by Chimot on the justification page. Édouard Chimot 1880-1959 was a French artist illustrator and editor whose career reached its peak in the 1920s in Paris through the publication of fine quality art-printed books. His own artistic work occupies a characteristic place and his editorial role was extremely important in bringing together some of the outstanding talents of that distinctive period in French art. With the Wall Street Crash of 1929 wiping out the market for fancy limited editions the present work was the last of Chimot's productions for Devambez. A rare survival: Library Hub lists only 1 copy held institutionally at the Bibliothèque nationale de France. Folio 325 x 248 mm. 23 full-page aquatint etchings in different states on 75 plates including the extra suite of 23 plates in two states some in bistre with remarques or in black; and 17 large in-text illustrations by Édouard Chimot. Near-contemporary red morocco by Trinckvel gilt titles on spine "ERS" tooled in gilt on front board marbled paper boards heightened in gold top edge gilt others uncut marbled endpapers heightened in gold original printed wrappers preserved printed in red and black. Early ink inscription dated 1932 to one of the preliminary blanks. Light wear to extremities light foxing throughout a near-fine copy. OCLC 458495941. hardcover
1949D15469Paris: Georges Guillot 1949. Hardcover. Fine. Tall 4to. A deluxe edition this being copy 59 of only 300 printed. 15 bright full-color etchings of beautiful mostly naked women by Chimot. A lovely example with contents loose as issued printed on very fine paper and housed in lightly worn publisher's slipcase. <br/><br/> Georges Guillot hardcover
193810551Paris: Francis Guillot 1938. One of 214 copies on Velin d’Arches specially made for this edition this no.175. 12 lithographs by Edouard Chimot with an extra erotic lithograph inserted loose. 4to. in the original wrappers with the original chemise and slipcase. A little shaken spine of chemise faded and slipcase worn at extremities otherwise a very good copy.Paul Geraldy’s beautiful ‘naive’ poems following the course of a love affair first appeared in 1912. With an additional erotic lithograph by Chimot Francis Guillot unknown
78900ca 1930. 33 x 25 cm 28 x 22 cm Plattengrösse Papier min gebräunt sonst tadell. Édouard Chimot 26 November 1880 – 7 June 1959 was a French artist illustrator and editor whose career reached its peak in the 1920s in Paris through the publication of fine quality art-printed books 010 ca 1930. unknown
1936202731936 Paris, Georges Guillot, 1936, in 4 rel. demi-chagr.rouge à coins, dos lisse à filets dorés verticaux style 1930, tête dorée, couvert. et dos cons., quelques rousseurs, bon ex. Ouvrage illustré par Edouard CHIMOT de 15 compositions hors-texte gravées en taille douce par Louis Maccard, en couleurs dont le frontispice. Lettrines et ornements de Georges Emarjollin. Un des 285 ex. num. sur vélin de Rives. Tirage total à 300 ex. (Monod, 7766)
74.1aafs.d. vers 1930, 23x29 cm. papier avec marque ‘B. CRAYON’, Passepartout
