Paul GavarniBiblio.com
953 résultats
19865Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19917Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19930Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
14687Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
185719504Paris: Paulin et Lechevalier 1857. In-16 gr. mz. pelle coeva dorso a cordoni con fregi e titolo oro pp. 2484. "Edizione originale" e "premier tirage". Cfr. CarteretIII264. Qualche lieve fioriture ma certamente buon esemplare. Paulin et Lechevalier, unknown
1853127771853. Paris Michel LÂŽvy / Imprimerie Lemercier s.d. circa 1853. Un vol. in-folio 373 x 273 mm de 30 planches lithographiÂŽes. Plein cartonnage sapin d'ÂŽdition ˆ l'imitation de maroquin filets gras et maigres encadrant les plats lesquels s'ornent d'un important fleuron dorÂŽ en leur centre titre frappÂŽ au premier dos lisse titre dorÂŽ en long toutes tranches dorÂŽes. RÂŽunion complÂte des 30 lithographies en noir que doit comporter ce recueil. Chacune est montÂŽe sous serpente. ''Gavarni entrepris - ur une proposition du comte de Villedeuil - de faire para”tre chaque jour une lithographie dans le journal Paris. Une annÂŽe durant jour aprÂs jour Gavarni donne ainsi au journal ses meilleures lithographies les plus creusÂŽes. Au nombre de 280 elles sont ensuite rÂŽunies sous le titre "Masques et visages". Pour l'occasion Gavarni crÂŽe un personnage Thomas Vireloque loqueteux cynique et philosophe.''. Osterwalder I Dictionnaire des illustrateurs p. 412. Rares rousseurs pouvant affecter la marge des planches exception faite de la premiÂre. Faiblesse de brochage aux trois premiÂres planches. Nonobstant belle condition. b42961 unknown
186838020Paris J. Hetzel 1868. Lex8vo. Contemp. hcloth. 42284196. Richly textillustr. and many plates. Internally clean and fine. hardcover
56958Paris J. Hetzel 1857. 4° 79 Abb. Privat-Ldr.-Bd. geprägt. Etwas berieben ein Bl. m kleinem Riss min. stockfleckig gutes Exemplar. Album für die Abonnenten des Figaro.Ceintures dorées: 10 Abb; Présenteurs et Présentés: 10 Abb.; Hommes et femmes de plume: 4 Abb.; Politiqueurs: 8 Abb.; En Carnaval: 4 Abb.; Silence du cabinet: 1 Abb.; L’argent: 2 Abb.;Revenus d’ailleurs: 1 Abb.; Bourgeois: 13 Abb.; Drames boureois: 2 Abb.; Populaire: 6 Abb.; Les petits mordent: 6. Abb.; A coups de pieds: 1 Abb.; Philosophes: 2 abb.; Artistes: 9 Abb.;Die einzelnen Serien teilweise nicht vollzählig. Untertitel franz.Paul eigentlich Hippolyte-Guillaume-Sulpice Chevalier französischer Grafiker 1804 -1866 schuf zahlreiche beissende Karikaturen in denen er seinen Zeitgenossen einen Spiegel vorhält. Hat durchaus heute noch Gültigkeit. 010 Paris, J. Hetzel, 1857 unknown
185841979Paris: P. Martinon Librarie; G. de Gonet éditeur. 1858. First Edition. Hardcover. Very Good. Small 4to; 160 1 pages; Contemporary green half morocco over marbed boards spine with raised bands gilt lettered title directly in the second panel gilt tooled decoration in the others marbled endpapers top edges gilt. Minor rubbing and light wear to the spine and corners. A tight pleasing copy of this noted first edition -- with the 20 full page lithographed plates after drawings by Gavarni -- Sulpice Guillaume Chevalier1804-1866 who became world famous as an artist working under the name: Paul Gavarni. The illustrations include abook collector savoring an "edition princeps" while a jaded bookseller leans disinterestedly against his stall awaiting a decision a man in a field watching for game with a rifle resting at his side a billiards player men engaged in a round of boulle a boy sitting on a stream's bank fishing with a pole a male "voisine" observing his neighbors thorugh a small spyglass a print connoisseur looking over a portfolio of images: "avant la lettre" two pensive men staring at a chess board a group of men playing cards at a table etc. Vicaire I 987. OCLC Number: 557635250 . P. Martinon Librarie; G. de Gonet, éditeur hardcover
1864047FR1J. Hetzel et Blanchard Aux Bureaux du Figaro Paris: 1864. 1864 pp. VIII Preface by Theophile Gautier 122 lithograph plates each containing four drawings. Foxed. Folio. Plain marbled boards binding. "Gavarni was the pseudonym of Sulpice Guillaume Chevalier. A great French caricaturist and lithographer he was first known for his amusing drawings of costumes which appeared in La Mode. Later he contributed satirical drawings to Charivari. In his early delineations of society he appeared more capricious than his great contemporary Daumier. However Gavarni's last work published mostly in L'Illustration reflects a bitter attitude. His trip to London in 1847 resulted in drawings strongly condemning working-class conditions there. Gavarni produced over 8000 drawings watercolors and lithographs." - Cambridge Encyclopedia. This collection "attests to the spontaneity and profundity of his observations. The great popular success of his caricature owed as much to the accompanying captions as to the richness of the drawing." Colta Feller Ives. PRICE JUST REDUCED! FR3 Language: eng. Hardcover. Very Good. [J. Hetzel et Blanchard] Aux Bureaux du Figaro, Paris: 1864. hardcover
19-8243Paris: Le Charivari1858. . 11.25 x 16.5 inches 28.5 x 42.5 cm. A&B No. 855. Unbound sheet. Very good with light spotting on left side. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni†and “Imp. Lemercier Paris.†Published in Le Charivari. En Francais. Paris: Le Charivari,1858. unknown
19-8238Paris: Le Charivari1839. 9.75 x 14 inches 25 x 36 cm. A&B No. 892. Unbound sheet mounted on paper. Good with marginal tearing on bottom left corner and some staining on surface. Original black and white19th century lithograph by Paul Gavarni. Contains signature on bottom right: “Gavarni†backwards. Additional text on bottom reads: “Imp. d’Aubert & Cie†and “AChez Bauger R. du Croissant 16†En Francais. Paris: Le Charivari,1839. unknown
184698537Paris : J. Hetzel 1846 - 1847. 270x190mm. planches en n/b reliure d'diteur. Reliure demi-chagrin. Auteur titre ornementations et encadrements dors au dos faux-nerfs. Plats percaline. Toutes tranches dores. Belle reliure. Bel exemplaire. 2863 J. Hetzel unknown
186070180Paris : Au Bureau du Journal Amusant et au Bureau du Charivari sans date vers 1860. 335x260mm. 24 planches en n/b broch. Lithographies Destouches Paris. Dos dchir. Couverture infrieure manquante. Rousseurs marginales sur certaines planches. 360 Au Bureau du Journal Amusant et au Bureau du Charivari unknown
55-0051Paris: Le Charivari 1839. Lithograph. Image: 16.5 x 19.5 cm. Sheet: 36 x 24 cm. Armelhault & Bocher no. 233. Before publication in Le Charivari white verso. Marginal tear 4cm. in top margin. Foxing in lower margin. Paris: Le Charivari, 1839. unknown
184525971845. Lithograph. 355mm by 250mm sheet. Original lithograph by Gavarni published in Paris 1845. Signed in the image. From a series titled Le Eloquence de la Chair which was published in the French magazine 'Le Charivari'. <br /> Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier 1804-1866 a French caricaturist born in Paris. He began life as an engineer's draughtsman but soon turned his attention to his proper vocation as a cartoonist. Most of his best work appeared in Le Charivari.Folds as issued text on the reverse as issued. Some off-setting. unknown
19092232Paris: Librairie Felix Juven 1909. LES MAITRES HUMORISTES- Serie 2- #5 & Serie 2 #10- Gavarni & Mirande- Illustrated- Librairie Felix Juven- Paris-1909-1st Edition- Hardcover:-4to- VG/ no dj as issued- 3/4 blue cloth with marbled boards red leather inset on spine with gilt title- light rubbing but tight and clean- aproximately 300 pages-glossy paper printed only on one side-lightly toned but no tears or writing- SEE PHOTOS- Publication dedicated to humour with Paris and it's citizens as the target using cartoons drawn by the best artists and humorists.- Very Scarce!!- Fiction-humor-cartoons-Paris-illustrated 2232. 1st Edition. 3/4 Cloth & Marbled Boards. VG/No Jacket as Issued. Illus. by Illustrated. 4to - over 9¾" - 12" tall. Librairie Felix Juven Hardcover
18458295AB1845. 4 Teile in 1 Band. Paris Hetzel 1845 - 1846. 27 : 185 cm. Mit 89 Illustrationen von Gavarni. Halbleinenband. Enthält diese vier Folgen: Tradúction en langue vulgaire 5 Illustrationen - Lorettes 25 Illustratioen - Actrices 11 Illustrationen - Fourberies de Femmes 48 Illustrationen. Jeweils mit 2 Blatt Einleitung und Text unterhalb der Darstellung. - Vereinzelt etwas fleckig Schnitt angestaubt; Einband etwas berieben. unknown
18505995Paris: Beauger et Cie; Lith Coulon et Cie n.d. about 1850. Acceptable. 35 cm; Lithographed title page and 40 full-page lithographed plates with captions. Bound in plain black morocco with leather backstrip decorated in gilt. Head and tail worn with loss. Corners and edges worn with some fraying. Light scattered foxing. <br /><br />One of the great masters of lithography" says Gordon N. Ray. Beauger et Cie; Lith Coulon et Cie hardcover
16-6137Paris: Chez Bauger 1842. Lithograph sur blanc. 33.3 x 24.5 cm. Armelhault and Bocher no. 247. Paris: Chez Bauger, 1842 unknown
16-5526Paris: Pannier circa 1843. Lithograph sur blanc. 27. 5 x 20cm. Plate no. 33 from the series: "Le Carnaval a Paris." Armelhault and Bocher no. 415 State ii/iii. Paris: Pannier, circa 1843. unknown
16-6135Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc. 33.3 x 23.5 cm. Plate no. XI from the series: "Les Lorettes." Armelhault and Bocher no. 773. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the government’s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in “maisons closes†or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown
16-6133Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc. 33.3 x 23.5 cm. Plate no. XIII from the series: "Les Lorettes." Armelhault and Bocher no. 775. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the government’s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in “maisons closes†or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown
16-5527Paris: La Caricature circa 1841. Lithograph sur blanc. 28 x 21cm. Armelhault and Bocher no. 532 LIV.From the series Les Débardeurs Paris: La Caricature, circa 1841. unknown
19-8240Paris: Le Charivari1843. 9.75 x 14.25 inches 25 x 36.5 cm. A&B No. 545. Unbound sheet. Very good with marginal creasing. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni†“Imp. d’Aubert & Cie†and “Chez Pannier Edit. R. du Croissant 16.†Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown
