Gavarni, PaulBiblio.com
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2091152Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2091155Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
51-4180Paris: L'Artiste 1834. 4to. 27 x 20.5 cm. 2 vols. Elaborate contemporary Romantic binding with gilt and blind stamping. 308 308 pp. about 108 of 110 original graphic works. Missing appear to be 1834-1 Clerget and 1834-68 Alophe. Among the other works is the original lithograph by Delacroix: Le jeune Clifford trouvant le corps de son père 1834-104; Delteil no. 99 first state of 3; Young Clifford Finding the Body of his Father image of Shakespeare King Henry VI Part IICatalogued in "Les Estampes de L'Artiste 1831-1904" by Pierre Sanchez and Xavier Seydoux nos. 1834- 2 to 1834-110. Textes des grands écrivains romantique tel que Gérard de Nerval Théophile Gautier qui est rédacteur en chef de 1856 à 1859 Jules Janin Étienne Eggis Théodore de Banville Henri Murger Charles Monselet Champfleury Charles Baudelaire Joseph Méry Eugène Sue Alphonse Esquiros Hector de Callias entre autres.Illustrés de lithographies et de gravures sur bois des plus grands artistes de l'époque puisque le fondateur Hector Brame fut l'associé de Durand-Ruel et que le repreneur de la revue n'est autre qu'Armand Houssaye qui a voulu faire de cette revue un véritable musée de la gravure. Nos volumes comptent des gravures de :Thomas Gavarni Prout Deveria Alophe Préault Dessain Deroy Beaume Noël Johannot Debacq Roqueplan Gsell Livet Champin Perrières Perlet Champmartin Bellange Dreux Charlot Boulanger Guët Delaroche Raffet Brume Scheffer Carrier Newton Peroy Vernet Decamps Leroy Grenier pour le premier volume et Giraud Alophe Noël Roqueplan Debacq Lerac Grenier Decamps Lebreton Pingret Leroy Francis Dauzat Cattemole Gavarni Provost Jaime Frey Gigoux Gintrac Delacroix Leclerc Boulanger Bourge Charlier Wilkie. Le second volume est incomplet d'une gravure page 48. Par contre il contient deux gravures d'Eugène Delacroix. .Fondée en 1831 aux plus beaux jours de la révolution romantique la revueL'Artiste connut une longue vie se transformant et se renouvelant plusieurs fois au cours du XIXe siècle pour ne s'éteindre définitivement que dans les toutes premièresannées du XXe siècle. C'est dire que durant ses soixante-quatorze ans d'existence cetterevue porte un témoignage direct sur l'évolution des mouvements artistiques etlittéraires ayant joué souvent un rôle actif soit dans la légitimation de la modernité et de l'innovation soit au contraire dans la défense des principes proclamés et propagés par les organes officiels de l'Institut et du gouvernement. Paris: L'Artiste, 1834. unknown
55-0013Paris: Le Charivari 1843. Lithograph. Image: 19.5 x 15 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 559. Published in Le Charivari text verso. Water stain visible across hleft corner. Paris: Le Charivari, 1843. unknown
55-0011Paris: Le Charivari 1843. Lithograph. Image: 19.5 x 15 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 552. Published in Le Charivari text verso. Paris: Le Charivari, 1843. unknown
55-0012Paris: Le Charivari 1843. Lithograph. Image: 19.5 x 15 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 544. Published in Le Charivari text verso. Foxing. Paris: Le Charivari, 1843. unknown
06347Paris: Caboche Grégoire 1837. One of Paul Gavarni's Rarest and Most Famous Series<br /> Thirty-Four Superb Lithographs.<br /> <br /> GAVARNI Paul pseudonym of Guillaume Sulpice Chevallier. La Boite aux Lettres. Paris: Caboche Grégoire et Cie Chez Arnauld de Vresse libraire éditeur 1837-1839.<br /> <br /> Folio 13 1/2 x 10 1/2 inches; 343 x 267 mm. Thirty-four superb lithograph plates with captions of the 'letters' printed below. Bound without the lithograph title-page.<br /> <br /> Bound by Pagnant ca. 1920 in quarter tan morocco over red patterned boards spine with five raised bands lettered in gilt in compartments cockerel endpapers. Joints expertly repaired some light to moderate foxing to several of the plates. Still an excellent example of this rare suite of lithographs.<br /> <br /> The first twelve lithographs were published by Caboche Grégoire et Cie. The following twenty-two lithographs were published by Aubert & Cie. and appeared in the journal Le Charivari between 7 November 1837 and 6 February 1839.<br /> <br /> According to OCLC there is just one copy with all thirty-four plates in libraries and institutions worldwide: The Clark Art Institute MA USA with all thirty-four plates- but lacking the lithographed title-page. Other than that example there are only three individual lithographs at The Getty CA USA numbers 4 8 & 14. The Getty also have a plain example of number 10. <br /> <br /> Paul Gavarni 1804-1866. "A French artist best known for his lithographs Paul Gavarni née Chevalier Suplice Guillaume was born in Paris on January 13 1804. Throughout his lifetime Gavarni produced over 4000 satirical prints for journals and fashion magazines. Both delicately witty and elegantly revealing of human behavior and character Gavarni's genre scenes made him one of the most important and popular nineteenth-century artists. He is often critically paired with Honoré Daumier with whom he and other young printmakers like Jean-Jacques Grandville and Joseph Traviés raised the status and importance of social lithography and printmaking as an art form. In the 1830s he began to work for L'Artiste La Caricature and most importantly Le Charivari. The latter was owned by Charles Philipon and became Gavarni's longest running contract and most important place of publication. Here Gavarni published some of his most famous series including Les Artistes La Boite aux Lettres Clichy inspired by his month-long stay in debtor's prison Les Coulisses Les Enfants Terribles Impressions de Ménage etc. etc." <br /> childsgallery.com<br /> <br /> "Gavarni as Sainte-Beuve puts it set to depicting and silhouetting society in all directions and from top to bottom: the high society the not so high society-all sorts of societies capturing the life of his time. He grabbed modern life by every available handhold imitating no one looking for nothing else swimming in open water and taking us in his wake amidst the stream of the manners of the time. He was Gavarni with an inexhaustible wit who at the bottom of a graceful drawing always interesting thanks to rational observation would write a caption full of subtle humor. It would sometimes unfold like a short comedy or be condensed like a geometrical axiom. Amusing and light-hearted when taken separately Gavarni's captions showed their true color of skeptical melancholy and of deep and powerful meaning when considered as a whole. He could through the accuracy of faces careful rendering of clothes and the precision of poses and bearing unmistakably express the age quality occupation habits manners and ridiculous ways of the characters he depicted. He made them speak a language that was stunning with original exactness feeling and novelty. Gavarni-and that's why he is great-created two genres at once: the pencil-drawn comedy of manners and the caption. His reputation became huge. True enough much of his audience only saw the funny aspect of the genre and called his drawings "caricatures" without noticing any difference with those of Daumier. But all sensitive souls were seduced by their elegance and subtlety and easily perceived their uniqueness." oldbookillustrations.com.<br /> <br /> Armelhault & Bocher pp. 88-95 11 unnumbered 348-368. Not mentioned in Ray.<br /> . Paris: Caboche, Grégoire , 1837 unknown
185724513Paris: Caboche Gregoire 1857. Very good condition. Caricature by Paul Gavarni 1804 - 1866 French satirical artist noted for his clever observations of contemporary life and elegant genre scenes and imitated by artists such as James McNeill Whistler. The image depicts an elegant young Parisian woman burning love letters quill pen in her mouth as she prepares to write a response. Magnificent hand colored lithograph highlighted with gum arabic dated in the print at the lower left. Image 7 1/2" x 11 1/4". Paper size approximately 9 1/2 x 12 1/2". Light damp stain in margin top right corner. Caboche, Gregoire unknown
185724518Paris: Chez Aubert & Cie 1857. Very good condition. A caricature by Paul Gavarni 1804 - 1866 French satirical artist noted for his clever observations of contemporary life and elegant genre scenes and imitated by artists such as James McNeill Whistler. In this image the Chinese opium war is the subject of the husband's concentration while reading the paper; the young wife is attempting to convince him to leave for a 9am appointment. Signed in the print at the lower left. Magnificently hand colored lithograph highlighted with gum arabic. Damp stain right edge not affecting the image; small chip upper left corner. Light fold at center. Paper size approximately 9 1/2 x 12 1/2" Chez Aubert & Cie unknown
71-6846Paris: L’Artiste circa 1875. Hand-colored etching and engraving. 28.5 x 17.5 cm sheet. Very Good some foxing in the margins missing lower right sheet corner.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: L’Artiste, circa 1875. unknown
0260325163.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265110750.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
05538Paris: Chez Aubert 1837. Characteristic Expressions Love Letters and Law Students<br /> Twenty-Five Fine Hand Colored Lithographs by Daumier Gavarni and Cujas<br /> <br /> DAUMIER Honoré. La Galerie Physionomique The Physiognomic Gallery 5 plates 0f 25 1837; GAVARNI Paul. Au Boit Aux Lettres At the mailbox 11 plates of 34 1838; GAVARNI Paul. Les Coulisses Behind the scenes 1 plate of 31 1857; CUJAS. Cours de Droit Law courses 8 plates of 12 1838.<br /> <br /> Folio 13 1/2 x 10 1/8 inches; 343 x 257 mm. <br /> <br /> A fascinating collection of twenty-five hand colored lithograph plates by Daumier Gavarni & Cujas all heightened with gum arabic.<br /> <br /> Contemporary quarter dark green calf over green marbled boards. Smooth spine decoratively tooled in gilt plain endpapers. Extremities rubbed.<br /> <br /> 1. DAUMIER. La Galerie Physionomique No. 14. La loge grillée - The box grated DR 339<br /> 2. CUJAS. Cours de Droit No. 1. La Chaumière et ton coeur - The Cottage and your heart<br /> 3. CUJAS. Cours de Droit No. 2. Jus Romanum <br /> 4. CUJAS. Cours de Droit No. 4 Homme étonnant!!! Quel chique.<br /> 5. CUJAS. Cours de Droit No. 6. L'Etudiant a besoin de quelques distractions - The Student <br /> 6. CUJAS. Cours de Droit No. 8. Reflexion philosophique en morale de Mlle Fifine<br /> 7. CUJAS. Cours de Droit No. 9. Allons Gustine joue tout droit tu ne manqueras pas de touche.<br /> 8. CUJAS. Cours de Droit No. 10. Je ne me trompe pas d'etait bien mon B.! <br /> 9. GAVARNI. Les Coulisses No. 6. Le soldat romain Quinze sous par jour. A&H 454<br /> 10. CUJAS. Cours de Droit No. 12. Tiens! Ernest!. qu'es tu donc devenu<br /> 11. GAVARNI. La Boite Aux Lettres Sans No. Je prends la plume d'une main tremblante. A&H p. 88<br /> 12. GAVARNI. La Boite Aux Lettres No. 2. Vous avez le secret de ma vie. A&H 1685<br /> 13. GAVARNI. La Boite Aux Lettres No. 3. La lettre qu'on lit. A&H 1686<br /> 14. GAVARNI. La Boite Aux Lettres No. 4. J'ai ta lettre cherie a mon Ernest je la presse. A&H 348<br /> 15. GAVARNI. La Boite Aux Lettres Sans No. Je soussigné Roi des Batinolles. A&H p. 89<br /> 16. GAVARNI. La Boite Aux Lettres Sans No. Chère ange mon amour vous envoie sur l'aile. A&H p. 89<br /> 17. DAUMIER. La Galerie Physionomique No. 5. Le bon morceau - A Tidbit DR 330<br /> 18. GAVARNI. La Boite Aux Lettres No. 8. Sans No. Viens me prendre ce soir je suis sortie. A&H p. 89<br /> 19. GAVARNI. La Boite Aux Lettres No. 9. Sans No. Ma sière epouse je vous. A&H p. 89<br /> 20. DAUMIER. La Galerie Physionomique No. 18. Rien!.rien!. Je ne trouve rien - Nothing! nothing at all. DR 343<br /> 21. GAVARNI. La Boite Aux Lettres No. 11. Congé en partie double. A&H 1693<br /> 22. DAUMIER. La Galerie Physionomique No. 8. La bonne prise - A good pinch of snuff DR 333<br /> 23. GAVARNI. La Boite Aux Lettres No. 13. Monsieur malgré que je sois sans experience je n'ai. A&H 1695<br /> 24. GAVARNI. La Boite Aux Lettres No. 14. Ah! prenez pitié de l'etat cruel où me laisse mon attachement. A&H 349<br /> 25. DAUMIER. La Galerie Physionomique No. 20. Contentement de soi-meme - The man who is satisfied with himself<br /> DR 345<br /> <br /> Daumier Register DR-330 DR-333 DR-339 DR-343 DR-345; Armelhault & Bocher 348 454 1685 1686 1693 1695 & pp. 88 & 89. Paris: Chez Aubert, 1837 unknown
184275626Paris: Au bureau central des publications nouvellesVictor Magen 1842. Fine. Romantic Paris in a painted binding Au bureau central des publications nouvelles Victor Magen Paris 1842 - 1843 16.50 x 26 cm 2 volumes reliés First edition illustrated with wood engravings in the text by Gavarni Daumier D'Aubigny. Bradel binding in full beige percaline smooth spine with a black paper label front cover decorated with an oil painting after the frontispiece signed lower right ""A. Dangleterre d'après document d'époque"". Headcaps and joints skillfully restored. A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses office flower sellers baths streetlamps pavements theatre outings beards and moustaches the Luxembourg Gardens the Opera Ball the auctioneers hall lorettes and courtesans Alexandre Dumas restaurants and cheap eateries the pawnshop Monographie de la presse parisienne Balzac Jockey Club etc. ""A very important work remarkable for the fine gathering of writers and artists of the Romantic period who contributed to it."" Carteret Le trésor du bibliophile romantique et moderne. Au bureau central des publications nouvellesVictor Magen unknown
71-6717Paris: French Publisher circa 1836. Hand-colored lithograph. 29.5 x 22.5 cm sheet. Very Good light foxing in the margins water staining in margins.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: French Publisher, circa 1836. unknown
1881006573paris: calmann levy 1881 215pp.foxed inside. part of spine starting to detach. red illustrated cover. this book is overweight. we may ask extra shipping charges. calmann levy hardcover
SB15R-00536Calmann Lévy. Used - Acceptable. Acceptable condition. Good dust jacket. Glassine dust jacket. Front hinge broken. French wit and humor cartoons and caricatures Calmann Lévy unknown
1881105994Paris : Calmann Lvy 1881. 315x230mm. planches en n/b reliure percaline polychrome de lÕditeur. Bel exemplaire. Ex-libris. 1546 Calmann Lvy unknown
99-0172Paris: Calmann Levy 1881. Pseudonym of Sulpice-Guillaume Chevalier. 100 Grandes Compositions paré. Introduction par Ludovic Halevy. First Edition. 4to 215 pp. 100 plates. Original red cloth elaborately blocked in black & gilt. Damaged spine. Paris: Calmann Levy, 1881. hardcover
1J8750Lévy Paris 1881. 215 S. mit 100 Abb. original Leinen-Einband mit reichem Buchschmuck quart etwas berieben bestoßen und fleckig/Rücken eingerissen/fachgerecht neu aufgebunden. - Introduction par Ludovic Halévy / Text französisch - unknown
188135083Paris: Calmann Lévy 1881. Fine. Calmann Lévy Paris 1881 22 x 31 cm reliure de l'éditeur First edition and first issue of Gavarni's illustrations. Publisher's full red boards binding smooth spine very slightly faded boards decorated with gilt decorative motifs small corner stains on front board. Work illustrated with 100 large compositions by Gavarni. A pale marginal dampstain on the title page diminishing and disappearing through the following pages otherwise pleasant interior condition. Calmann Lévy hardcover
2113500Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1835. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113498Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1835. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113499Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1835. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113497Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1835. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
