953 résultats
18461612280003Paris : Publie par J. Hetzel 1846-01-01. Hardcover. Good. 0x0x0. Volume II: Geographie de Paris. Quarto. Contemporary quarter red leather over marbled boards raised bands compartments decorated in gilt. Rubbing to leather wear to edges. Scattered foxing to text pages several gutter cracks starting to shake. Paris : Publie par J. Hetzel hardcover
0243298080.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0267855966.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366933205.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484105930.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
71-9758Paris: La Caricature circa 1841. Lithograph. 24.5 x 36 cm sheet. Signed in the stone. Very Good light specks of foxing in the margins vertical center fold. Paris: [La Caricature], circa 1841. unknown
184525971845. Lithograph. 355mm by 250mm sheet. Original lithograph by Gavarni published in Paris 1845. Signed in the image. From a series titled Le Eloquence de la Chair which was published in the French magazine 'Le Charivari'. <br /> Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier 1804-1866 a French caricaturist born in Paris. He began life as an engineer's draughtsman but soon turned his attention to his proper vocation as a cartoonist. Most of his best work appeared in Le Charivari.Folds as issued text on the reverse as issued. Some off-setting. unknown
56958Paris J. Hetzel 1857. 4° 79 Abb. Privat-Ldr.-Bd. geprägt. Etwas berieben ein Bl. m kleinem Riss min. stockfleckig gutes Exemplar. Album für die Abonnenten des Figaro.Ceintures dorées: 10 Abb; Présenteurs et Présentés: 10 Abb.; Hommes et femmes de plume: 4 Abb.; Politiqueurs: 8 Abb.; En Carnaval: 4 Abb.; Silence du cabinet: 1 Abb.; L’argent: 2 Abb.;Revenus d’ailleurs: 1 Abb.; Bourgeois: 13 Abb.; Drames boureois: 2 Abb.; Populaire: 6 Abb.; Les petits mordent: 6. Abb.; A coups de pieds: 1 Abb.; Philosophes: 2 abb.; Artistes: 9 Abb.;Die einzelnen Serien teilweise nicht vollzählig. Untertitel franz.Paul eigentlich Hippolyte-Guillaume-Sulpice Chevalier französischer Grafiker 1804 -1866 schuf zahlreiche beissende Karikaturen in denen er seinen Zeitgenossen einen Spiegel vorhält. Hat durchaus heute noch Gültigkeit. 010 Paris, J. Hetzel, 1857 unknown
56-0169Paris: Thierry Frères 1844. Lithograph. Sheet: 8 x 11 inches. Image: 10-3/4 x 14 inches. Armelhault & Bocher 391. Paris: Thierry Frères, 1844. unknown
184585453Paris: Paulin 1845. Fine. Paulin Paris 1845 18.50 x 27.50 cm 4 volumes reliés en 2 First edition superbly illustrated by Gavarni with 83 hors-texte plates as well as 600 in-text vignettes. Between pages 254-255 of the third volume our copy is complete with the folding map showing the Progressive March of Cholera Morbus in Asia and Europe from 1817 to 1832. Half-brown shagreen bindings spines slightly faded with four raised bands set with gilt dots and decorated with double gilt compartments marbled paper boards marbled endpapers and pastedowns. Some foxing as usual. Le juif errant is one of the greatest bestsellers of the 19th century published just after Les mystères de Paris. To the narrative qualities of Les mystères de Paris Le juif errant adds the intervention of the supernatural and the fantastic represented by the legendary vagabond who gives his name to the book. Preceded by cholera which inspired Eugène Sue to write anthology pages the legendary Jew returns from beyond the seas and beyond the centuries to prevent the Society of Jesus from seizing a fabulous fortune by eliminating its heirs one by one. Le juif errant being an adventure novel taking place in the four corners of the world. It triggered an anti-Jesuit movement in France. If Eugène Sue is more or less forgotten today he was not only one of the most famous novelists of the 19th century but the most read in Europe and even Dostoevsky was a regular reader of his work. Few writers of this era benefited from the editorial qualities demonstrated by Les mystères de Paris and Le juif errant abundantly and superbly illustrated. He was Dumas's main competitor and the latter thought he would even outlive him. Paulin hardcover
18451379DB1845. 4 Bde. Paris Paulin 1845. 4°. 4 331 S.; 4 332 S.; 4 327 S.; 4 352 S. Mit 83 Tafeln u. zahlr. Textillustr. nach Paul Gavarni u. 1 gest. gef. Karte. Lederbde. d. Zt. mit Rückenvergoldung berieben u. bestossen. Vicaire 687. - Erste illustrierte Ausgabe des erstmals 1844 erschienenen Werks des franz. Schriftstellers Eugène Sue eig. Marie-Joseph Sue 1804-1857 der vor allem durch "Les mystères de Paris" berühmt wurde. - Mit Besitzerstempel auf fl. Vorsatz. Vorsätze leimschattig. Stellenweise stockfleckig. unknown
185228466AB1852. Paris Imp. Lemercier 1852. Gr.-4°. 12 lithographierte Tafeln nach Gavarni. Leinenband der Zeit mit goldgepr. Deckeltitel fleckig berieben und bestossen. Lipperheide II Xe 238. Diese Folge von 12 Lithographien erschien für die Zeitschrift "l'Eclair" 1842-1843. - Im Falz gebrochen. Kleiner Buchhandlungskleber verso fliegendem Vorsatz. Durchgehend stärker stockfleckig und mit Wasserfleck am oberen Blattrand. unknown
71-8641Paris: Chez Aubert 1839. Lithograph. 22 x 27.5 cm sheet. Text in French on reverse. Very Good light specks of foxing in the margins short tears along top sheet edge. Paris: Chez Aubert, 1839. unknown
71-8642Paris: Chez Aubert 1839. Lithograph. 22 x 27.5 cm sheet. Text in French on reverse. Very Good light specks of foxing in the margins short tears along top sheet edge water stain at lower left sheet corner. Paris: Chez Aubert, 1839. unknown
18395976Paris: Chez Aubert 1839-40. First edition. 27 cm; 3 volumes in two. 150 lithographs including 45 by Daumier among them 27 from "Croquis d'expression" and 42 by Gavarni. Half titles present. Plates not colored in. Bound in recent green crushed morocco over marbled boards ruled in gilt; spines titled in gilt. Marbled edges. Endleaves foxed; some scattered toning. Overall a clean copy. References: Ray #164 "one of the freshest and most attractive of romantic illustrated books"; Carteret III 426-27. <br /> <br /><br />The great Parisian caricaturists of the mid-19th-century: Daumier Gavarni Grandville Travies and others represented with original lithographs illustrating short prose pieces by Alhoy Huart and Philipon. Chez Aubert hardcover
18394726Chez Aubert 1839 Three volumes bound in one. First Edition. 4to 11 x 8.75 inches 150 b/w lithographic plates Bound in three-quarter calf and marbled paper boards spine lettered and decorated in gilt. Light scattered foxing throughout with occasional spots of minor soiling leather binding rubbed and worn at extremities corners scuffed with tearing to surface of the leather ¼-inch tear to the upper edge of front joint. Hardcover. Very Good. Chez Aubert hardcover
19955Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19953Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19954Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19956Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
71-8626Paris: Thierry Freres circa 1853. Lithograph. 32.5 x 24.5 cm sheet. Very Good light specks of foxing toning along sheet edges. Paris: Thierry Freres, circa 1853. unknown
71-6683Paris: Rittner & Goupil 1837. Hand-colored lithograph. 28 x 21 cm sheet. Very Good light specks of foxing minor surface soiling sheet trimmed to the image.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Rittner & Goupil, 1837. unknown
1842123046Paris: L. Curmer 1842. First edition of this collection which Carteret considers to be one of the most important illustrated books of the 19th century. Octavo elaborately bound in full red morocco with elaborate gilt titles and tooling to the spine in six compartments within raised gilt bands elaborate gilt ruling and stamping to the front and rear panels gilt turn-ins and inner dentelles elaborately decorated green morocco doublures hand-stitched patterned endpapers all edges gilt with intricate botanical carvings illustrated with eleven frontispiece titles by Trimolet Charles Jacque Penguilly etc. and numerous vignettes throughout the text. In fine condition. Rare and desirable. This collection of ten short narratives mostly Gothic or exotic from the literatures of several countries is one of the most charming books of the Romantic period" Ray. L. Curmer unknown
04-1746Paris: Aubert 1846. Lithograph. Image: 17.5 x 20.5 cm. Sheet: 26 x 32 cm. Armelhault & Bocher Gavarni no. 1014. Paris: Aubert, 1846. unknown
68-3891Paris: Aubert & Cie. 1843. Lithograph. Image size: 18 x 15 cm. Very Good. Paris: Aubert & Cie. 1843. unknown
