Gavarni, PaulBiblio.com
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1271584506.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18461612280003Paris : Publie par J. Hetzel 1846-01-01. Hardcover. Good. 0x0x0. Volume II: Geographie de Paris. Quarto. Contemporary quarter red leather over marbled boards raised bands compartments decorated in gilt. Rubbing to leather wear to edges. Scattered foxing to text pages several gutter cracks starting to shake. Paris : Publie par J. Hetzel hardcover
0243298080.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0267855966.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366933205.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484105930.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1845169114Paris: Hetzel 1845. hardcover. very good. Paris et les Parisiens. 2 volumes 380pp 363pp numerous text vignettes and full page woodcut illustrations scattered foxing original 1/2 black calf ornately gilt spine marbled boards rubbed and endpapers. Paris: J. Hetzel 1845-6. First Edition. Very Good.<br/><br/> The texts made up of stories and dialogues with Parisian subjects are by well known writers including Balzac Gautier de Musset and Georges Sand.<br/><br/> Hetzel unknown books
1845WRCLIT29295Paris: Publie par J. Hetzel 1845. Two volumes. Thick quarto. 19th century three quarter crimson morocco raised bands spines gilt extra t.e.g. Profusely illustrated with plates and vignettes in text the large majority being after drawings by Gavarni. Very shallow snag at crown of one spine light occasional rubbing at edges otherwise a large generally clean largely untrimmed set. First editions of this ambitious undertaking featuring contributions by Balzac Sue Sand Stendahl Musset Nodier Gautier Nerval and many others preceded by a general history of the city by Theophile Lavallee. The over two hundred wood-engraved plates are based on Gavarni's drawings and Ray lauds them as being "of even greater interest than the 320 wood engravings of his OEUVRES CHOISIES.The engraving is superior for the most part and they are new conceptions not versions of his lithographs.His designs make LE DIABLE A PARIS the culmination of the Romantic tradition of DIABLERIE which began with the lithographic albums of the 1820s. It is also the last of the big books of collaborative illustration." RAY 236. CARTERET III:203-7. Publie par J. Hetzel hardcover books
18463650Paris: J. Hetzel 1846. First edition. Two large octavo volumes 10 3/8 x 6 7/8 inches; 263 x 175 mm. Contemporary half black hard-grain morocco ruled in gilt over black morocco-grain paper over boards. Smooth spines decoratively tooled in gilt and blind and lettered in gilt. Marbled edges and endpapers. Minor rubbing to extremities head of spine of Volume II expertly and almost invisibly repaired front hinge of Volume I cracked but sound. Minimal foxing and soiling. Small area of surface abrasion to upper blank margin of plate Artistes —6 facing page 160 in Volume II where it was once adhered to the facing page. Bookplate Bibliothèque de A. Vautrain on front pastedown of each volume. Collating 4 xxxii 380; 4 lxxx 364. Wood- engraved title vignette in each volume 212 wood-engraved plates 208 after Gavarni and four after Bertall with tissue guards and numerous wood-engraved head- and tail-pieces vignettes and initials. This copy with a duplicate of the plate facing in Volume I. Music. Overall an excellent copy.<br/><br/>"The book appeared in part-issues at the rate of one or two a week between April of 1843 and December of 1845. The major attraction of Le diable à Paris resides in Gavarni's plates which are of even greater interest than the 320 wood engravings of his Oeuvres choisies 207. The engraving is superior for the most part and they are new conceptions not versions of his lithographs. He limits himself almost entirely to single figures or pairs evoked with his usual concentration and psychological subtlety. He had a free hand with his subjects since his designs are quite unrelated to Hetzel's text. As usual he arranged them as series some of which those devoted to writers and politicians for example are largely unprecedented in his previous repertory. He invaded Daumier's world with success in the fifteen plates of ‘Bourgeois' exampled in the self-satisfied worthy reproduced II 328" Ray.<br/><br/>Hiler 237. J. Hetzel unknown books
18468462Paris: J. Hetzel 1846. First Edition. Page size: 10-1/2" x 7". I lxxx 363pp; II xxxii 380pp; in two text volumes; numerous vignettes 212 illustrations in two plate volumes; contemporary quarter deep blue-green morocco over marbled boards title and volume in gilt on the spine marbled endpapers. Minor rubbing to the extremities limited abrading to the marbling causing loss in a few small areas boards exposed at the corners 1" band of discoloration to the front board beginning at ½" from the top edge and descending 8" but pronounced only near the top impression from the half-binding of another volume on the front board of Volume III hinges beginning to show on Volumes I and II occasional foxing and minor discoloration.<br/> Gordon Ray in The Art of the French Illustrated Book describes this title as „something of a potpourri". The texts are by well-known writers including Balzac Gauthier Musset George Sand and the publisher Hetzel. Although there are historical geographical and statistical details about the city of Paris the bulk of the text is made up of stories and dialogues with Parisian subjects. The illustrations are wood engravings. Ray states the "most impressive are the 208 .after Gavarni." Sulpice-Guillaume Chevallier known as Gavarni also worked in lithography. In either medium his psychological portraits were telling. Ray especially praises his wood engravings for this title however noting that they were superior to much of his other work and all new conceptions not versions of his lithos. Hetzel imposed unity on the texts and images by presenting them as documents bearing on the Devil's visitation of Paris. This is the culmination of the Romantic tradition of diablerie and the last of the big books of collaboration. Ray The Art of the French Illustrated Book #236. J. Hetzel unknown books
Paris, J. Hetzel, 1845-1846. 2 grands volumes petits in-4 (28 x 19,5 cm), brochés sous couvertures illustrées. 1- 6 ff (faux-titre, frontispice, page de titre) - XXXII pp (Histoire de Paris par Théophile Lavallée avec 21 vues de Paris à différentes époques représentant les anciennes enceintes et les principaux monuments, dessinés par CHAMPIN) - 380 pp. 100 planches (frontispice compris). Table des matières. T II. 2 ff (faux-titre et titre)- LXXX (Géographie de Paris par Théophile Lavallée) - 364 pp. 112 planches. Ces deux volumes sont réunis dans un coffret sous plexiglass. Sans le catalogue éditeur. llustrations : " Les Gens de Paris ", séries de gravures avec légendes par Gavarni (212 planches hors texte, 4 étant de Bertall) - Paris comique, très nombreuses vignettes par Bertall - Vue, monuments, édifices particuliers, lieux célèbres et principaux aspects de Paris, par Champin, Bertrand, d'Aubigny et Français (environ 800 vignettes au total). Textes par les plus grands écrivains de l'époque : Honoré de Balzac, George Sand, P.-J. Stahl, Léon Gozlan, Frédéric Soulié, Théophile Gautier, Alfred de Musset, Eugène Sue, Charles Nodier, Alphonse Karr, Taxile Delord, Gérard de Nerval, Théophile Lavallée. Premier tirage de l'ouvrage et surtout des couvertures en tous points conformes à la description de Carteret. La planche N° 2 de la série Oraisons funèbres dans le tome I porte par erreur le N° 3 comme c'est parfois le cas. " Titre emblématique des illustrés romantique, rarissime dans son état originel ". Réf. biblio. : Vicaire II, 241-244 - Carteret III, 203-207. BEL EXEMPLAIRE SANS ROUSSEURS, rare condition.
18462101410Paris: J. Hetzel 1845; 1846. XXXII, 380; LXXX, 364 Seiten. Mit einem Frontispiz, illustrierten Titeln sowie vielen hundert Holzschnitten und Stichen, Illustrationen, Karrikaturen und örtlichen Darstellungen im Text und auf Tafeln. OHNE die Faltkarte der Pariser Innenstadt im Anhang des zweiten Bandes. 4° (27 x 19 cm). Halblederbände der Zeit mit goldgeprägtem Rückentitel und marmorierten Schnitten. [Hardcover / fest gebunden].
Paris, J. Hetzel, 1868. 4 tomes en deux forts volumes in-4. 1-2. 1 f (faux-titre) 2 ff (frontispice et titre)-prologue 228 pp avec table. - 3 ff. (faux-titre, titre et frontispice). 196 pp avec table. 3-4) 3 ff (faux-titre, frontispice et titre) 196 pp avec table. Quatrième et dernière partie : 4ff (faux-titre, frontispice et titre)- 196 pp. Demi-maroquin rouge, filets dorés sur les plats, dos à 5 nerfs ornés. Gravures par Gavarni, Grandville, Bertall, plus de 800 vignettes gravées sur bois. Edition augmentée. Bel ex. Coins émoussés mais sans rousseurs.
186849772Paris, J. Hetzel, 1868. 228 p., 84 planches hors texte (168 dessins). gebundene Ausgabe, Halbleder
in-8, 380 pages, illustrations en noir et blanc de Gavarni, broche, couv. Textes de G. Sand, Stahl, Gozlan, Pascal, Fr. Soulié, Ch. Nodier, Briffault, Balzac, A. Karr .... Précédée d"uune histoire de Paris par Th. Gautier.- Illustrations par Gavarni, vignettes de Bertall. Bon etat. [NV-31] Bon etat.
71-9758Paris: La Caricature circa 1841. Lithograph. 24.5 x 36 cm sheet. Signed in the stone. Very Good light specks of foxing in the margins vertical center fold. Paris: [La Caricature], circa 1841. unknown
1842903022AGParis:, Charivari, 1842. Lithographie 16 x 20 cm, Blattgröße 24,5 x 36,5 cm.
184525971845. Lithograph. 355mm by 250mm sheet. Original lithograph by Gavarni published in Paris 1845. Signed in the image. From a series titled Le Eloquence de la Chair which was published in the French magazine 'Le Charivari'. <br /> Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier 1804-1866 a French caricaturist born in Paris. He began life as an engineer's draughtsman but soon turned his attention to his proper vocation as a cartoonist. Most of his best work appeared in Le Charivari.Folds as issued text on the reverse as issued. Some off-setting. unknown
56958Paris J. Hetzel 1857. 4° 79 Abb. Privat-Ldr.-Bd. geprägt. Etwas berieben ein Bl. m kleinem Riss min. stockfleckig gutes Exemplar. Album für die Abonnenten des Figaro.Ceintures dorées: 10 Abb; Présenteurs et Présentés: 10 Abb.; Hommes et femmes de plume: 4 Abb.; Politiqueurs: 8 Abb.; En Carnaval: 4 Abb.; Silence du cabinet: 1 Abb.; L’argent: 2 Abb.;Revenus d’ailleurs: 1 Abb.; Bourgeois: 13 Abb.; Drames boureois: 2 Abb.; Populaire: 6 Abb.; Les petits mordent: 6. Abb.; A coups de pieds: 1 Abb.; Philosophes: 2 abb.; Artistes: 9 Abb.;Die einzelnen Serien teilweise nicht vollzählig. Untertitel franz.Paul eigentlich Hippolyte-Guillaume-Sulpice Chevalier französischer Grafiker 1804 -1866 schuf zahlreiche beissende Karikaturen in denen er seinen Zeitgenossen einen Spiegel vorhält. Hat durchaus heute noch Gültigkeit. 010 Paris, J. Hetzel, 1857 unknown
56-0169Paris: Thierry Frères 1844. Lithograph. Sheet: 8 x 11 inches. Image: 10-3/4 x 14 inches. Armelhault & Bocher 391. Paris: Thierry Frères, 1844. unknown
184585453Paris: Paulin 1845. Fine. Paulin Paris 1845 18.50 x 27.50 cm 4 volumes reliés en 2 First edition superbly illustrated by Gavarni with 83 hors-texte plates as well as 600 in-text vignettes. Between pages 254-255 of the third volume our copy is complete with the folding map showing the Progressive March of Cholera Morbus in Asia and Europe from 1817 to 1832. Half-brown shagreen bindings spines slightly faded with four raised bands set with gilt dots and decorated with double gilt compartments marbled paper boards marbled endpapers and pastedowns. Some foxing as usual. Le juif errant is one of the greatest bestsellers of the 19th century published just after Les mystères de Paris. To the narrative qualities of Les mystères de Paris Le juif errant adds the intervention of the supernatural and the fantastic represented by the legendary vagabond who gives his name to the book. Preceded by cholera which inspired Eugène Sue to write anthology pages the legendary Jew returns from beyond the seas and beyond the centuries to prevent the Society of Jesus from seizing a fabulous fortune by eliminating its heirs one by one. Le juif errant being an adventure novel taking place in the four corners of the world. It triggered an anti-Jesuit movement in France. If Eugène Sue is more or less forgotten today he was not only one of the most famous novelists of the 19th century but the most read in Europe and even Dostoevsky was a regular reader of his work. Few writers of this era benefited from the editorial qualities demonstrated by Les mystères de Paris and Le juif errant abundantly and superbly illustrated. He was Dumas's main competitor and the latter thought he would even outlive him. Paulin hardcover
18451379DB1845. 4 Bde. Paris Paulin 1845. 4°. 4 331 S.; 4 332 S.; 4 327 S.; 4 352 S. Mit 83 Tafeln u. zahlr. Textillustr. nach Paul Gavarni u. 1 gest. gef. Karte. Lederbde. d. Zt. mit Rückenvergoldung berieben u. bestossen. Vicaire 687. - Erste illustrierte Ausgabe des erstmals 1844 erschienenen Werks des franz. Schriftstellers Eugène Sue eig. Marie-Joseph Sue 1804-1857 der vor allem durch "Les mystères de Paris" berühmt wurde. - Mit Besitzerstempel auf fl. Vorsatz. Vorsätze leimschattig. Stellenweise stockfleckig. unknown
185228466AB1852. Paris Imp. Lemercier 1852. Gr.-4°. 12 lithographierte Tafeln nach Gavarni. Leinenband der Zeit mit goldgepr. Deckeltitel fleckig berieben und bestossen. Lipperheide II Xe 238. Diese Folge von 12 Lithographien erschien für die Zeitschrift "l'Eclair" 1842-1843. - Im Falz gebrochen. Kleiner Buchhandlungskleber verso fliegendem Vorsatz. Durchgehend stärker stockfleckig und mit Wasserfleck am oberen Blattrand. unknown
71-8641Paris: Chez Aubert 1839. Lithograph. 22 x 27.5 cm sheet. Text in French on reverse. Very Good light specks of foxing in the margins short tears along top sheet edge. Paris: Chez Aubert, 1839. unknown
71-8642Paris: Chez Aubert 1839. Lithograph. 22 x 27.5 cm sheet. Text in French on reverse. Very Good light specks of foxing in the margins short tears along top sheet edge water stain at lower left sheet corner. Paris: Chez Aubert, 1839. unknown
