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05960Paris: Bauger & Cie. 1839. A Unique Copy of Gavarni's Classic<br /> Featuring The Colorist's Models<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Souvenirs du Bal Chicard. Paris: Bauger & Cie. n.d. 1839-1843.<br /> <br /> A unique copy comprised of colorist Edouard Bouvenne's models. Large quarto 13 1/2 x 10 1/2 in; 341 x 266 mm. A suite of twenty hand colored lithographs representing the travesties of men and women commissioned for Le Charivari. Printed by Aubertet et Cie. All plates mounted on stubs.<br /> <br /> Fourteen plates have "Modele" stenciled in color at foot; five have "Modele" inked in Bouvenne's hand and Bouvenne has boldly signed and dated thirteen plates; only the first plate is unmarked by Bouvenne in any way. <br /> <br /> The plates are captioned: 1. "Chicard;" 2. "Un Covage Civilizé;" 3. "Balochard;" 4. "Mr. Floumann;" 5. "Pétrin;" 6. "Commissaire de Marine;" 7. "Général Étranger;" 8. "Insulaire de n'importe où;" 9. "Troubadour;" 10. "Titi;" 11. "Agréable;" 12. "Cacique;" 13. "Emir;" 14. "Andalouse;" 15. "Triton;" 16. "Garde Champêtre;" 17. "Bourguemestre;" 18. "Robinson;" 19. "Minon-Minard;" and 20. "Pistolet."<br /> <br /> Imprints vary slightly. Plates 1 2 3 4 5 and 20 have no publisher's imprint; plate 6 has imprint: "Chez Bauger R. du Croissant 16;" plate 8 has imprint: "Chez Bauger & Cie. R. du Croissant 16;" plates 17 18 and 19 have both imprints: "Chez Bauger R. du Croissant 16" and "Chez Aubert Place de la Bourse;" plates 7 and 9-16 have imprint at foot: "Se Vend chez Bauger & Cie. Editeurs des Dessins de la Caricature du Figaro et du Charivari Rue du Croissant 16" plates 9 10 14 15 and 16 have additional imprint: "Chez Aubert gal. Véro-Dodat".<br /> <br /> Early twentieth century green cloth front cover with maroon morocco label bordered and lettered in gilt spine with maroon morocco label lettered in gilt. A few plates with light foxing. Eighteen of twenty plates with Bouvenne's ink and/or color smudges at margins demonstrating their work-plate status.<br /> <br /> Second only to Daumier as the greatest social commentator and satirical artist of nineteenth century France Gavarni produced the work under notice during his first period whence he confined himself to the study of Parisian manners particularly those of the city's youth. Souvenirs du Bal Chicard Memories of the Chicard Ball dates from when he was in charge of the journal Le Charivari and was a regular at Paris's most prestigious balls for which he often designed many costumes. During this time many of his finest lithographic sets drew their subject matter from these costume balls including Souvenirs du Bal Chicard .<br /> <br /> "Costume balls had been a part of carnival celebrations in France since the fifteenth century but their popularity was unprecedented during the period of the July Monarchy. At first private and aristocratic they became increasingly popular among the new bourgeoisie and the aspiring lower classes when they could afford them. One of the more exclusive expensive fifteen francs and licentious of these bal masqués was also one of the most popular. The Bal Chicard was given by a prosperous businessman Alexandre Lévêque who was called by the nickname Chicard. Gavarni was a friend of Chicard's and as a result was one of those regularly in attendance. In this image "Chicard" from Souvenirs du Bal Chicard a series of twenty lithographs published in Le Charivari between 1839 and 1843 we see one of the parodies of the earlier historic costumes of the bal masqué made famous at the Bal Chichard along with some wilder forms of dancing" Beatrice Farwell The Charged Image: French Lithographic Caricature 1816-1848 p. 86.<br /> <br /> " In another image "Troubadour" from the same series.Gavarni depicts an uninhibited dancer whose cap rests temporarily on the bottle of wine on the floor behind him. Gavarni's intention here has obviously been to capture the character of the wild dancing for which the Bal Chicard was noted. In a pentimento he has disguised a previously drawn extended arm by incorporating it into the drapery that flies off at the left but it remains easy to visualize the figure with three arms. Gavarni not only drew the costumes he saw at the balls but also designed costumes for use there. This troubadour's costume purports to be a version of the late medieval doublet and hose with anachronistic modifications frequently seen at the Bal Chicard here emphasized by the pipe in the reveler's mouth" Beatrice Farwell The Charged Image: French Lithographic Caricature 1816-1848 p. 88.<br /> <br /> Armelhaut and Boucher L'Oeuvre de Gavarni pp. 253 524 and nos. 257 "Chicard" and 2280 "Troubadour". Paris: Bauger & Cie., 1839 unknown
2089568Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1837. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2089565Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1837. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2089567Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1837. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2089566Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1837. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
184084312Paris: Léopold Pannier et Cie 1840. Fine. Stunning and rare suite by a great illustrator from the Romantic era Léopold Pannier et Cie Paris s. d. 1840-1850 25.50 x 34.50 cm 25 lithographies reliées en un volume First collective edition of this complete series of 25 original lithographed plates printed on thick vellum. Mounted engravings preceded by a title page bringing together three series: Souvenirs de Carnaval 6 plates Les bals masqués 7 plates Costumes historiques 12 plates. Each of these series first appeared in other journals: under the title 'Souvenirs de Carnaval' in Ritner et Goupil 'Les bals masqués' in La Caricature and 'Costumes historiques' in Charivari. Engravings in third state according to Vicaire. Some foxing. Red half straight-grained morocco Bradel binding smooth spine decoratively tooled and lettered in gilt with a rich ornamentation of repeated floral motifs marbled paper pastedowns and endpapers binding signed Victor Champs. Very rare collection in a deluxe edition printed on thick vellum elegantly bound. Léopold Pannier et Cie hardcover
ORD-17148Paris. Chez Bauger & Cie, Éditeurs des Dessins du Figaro, de la Caricature et du Charivari. Sans date, vers 1850.. Lithographie in-f° (275 x 356 mm) coloriée et gommée à l'époque. Très bel état. Le père Chicard était un personnage de Carnaval se livrant à des danses grotesques. Le bal Chicard était un lieu couru dans la deuxième moitié du XIXe siècle.
ORD-17149Paris. (Chez Bauger & Cie, Éditeurs des Dessins du Figaro, de la Caricature et du Charivari). Sans date, vers 1850.. Lithographie in-f° (275 x 356 mm) coloriée et gommée à l'époque. Un peu insolée. Le père Chicard était un personnage de Carnaval se livrant à des danses grotesques. Le bal Chicard était un lieu couru dans la deuxième moitié du XIXe siècle.
ORD-17150Paris. Chez Bauger & Cie. Sans date, vers 1850.. Lithographie in-f° (275 x 356 mm) coloriée et gommée à l'époque. Un peu insolée. Le père Chicard était un personnage de Carnaval se livrant à des danses grotesques. Le bal Chicard était un lieu couru dans la deuxième moitié du XIXe siècle. (2).
ORD-17151Paris. Chez Bauger & Cie, Éditeurs des Dessins du Figaro, de la Caricature et du Charivari. Sans date, vers 1850.. Lithographie in-f° (275 x 356 mm) coloriée et gommée à l'époque. Un peu insolée. Le père Chicard était un personnage de Carnaval se livrant à des danses grotesques. Le bal Chicard était un lieu couru dans la deuxième moitié du XIXe siècle.
ORD-17152Paris. (Chez Bauger & Cie, Éditeurs des Dessins du Figaro, de la Caricature et du Charivari). Sans date, vers 1850.. Lithographie in-f° (275 x 356 mm) coloriée et gommée à l'époque. Un peu insolée. Le père Chicard était un personnage de Carnaval se livrant à des danses grotesques. Le bal Chicard était un lieu couru dans la deuxième moitié du XIXe siècle.
184084312Léopold Pannier et Cie | Paris s. d. [1840-1850] | 25.50 x 34.50 cm | 25 lithographies reliées en un volume
1850049649Circa 1850 1850. Original Art Work . No Binding. Near Fine. Six Color Prints Originals Well Preserved Although In Dirty Mating. Undated But We Guess Circa 1850-1860 <br/> <br/> Circa 1850 unknown
18421941842. Lithograph. Armelhault & Bocher 34 iii/v. On chine appliqué. Image: 8 x 6¼. 225 x 156mm. Margins: 12 x 9 . Foxing in margins. Prov. I. Curmer with his stamp. A charming portrait at age 38 of the greatest French lithographer after Daumier of the 19th century. A prolific illustrator he depicted all facets of the French Bourgeois life in newspapers and periodicals. Signed in the plate. books
18421941842. Lithograph. Armelhault & Bocher 34 iii/v. On chine appliqué. Image: 8 x 6¼. 225 x 156mm. Margins: 12 x 9 . Foxing in margins. Prov. I. Curmer with his stamp. A charming portrait at age 38 of the greatest French lithographer after Daumier of the 19th century. A prolific illustrator he depicted all facets of the French Bourgeois life in newspapers and periodicals. Signed in the plate.
19785Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1842. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19786Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1842. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19787Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1842. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19788Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1842. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1291aaAubert & Cie Paris um 1840. Maße: ca. 175 cm x 21 cm im Passepartout gering gebräunt. - Aus der Reihe: Les petits malheurs du bonheur No. 1 - unknown
1929YMX-1868Editions Jules Tallandier 1929 "Les chefs-d'oeuve de l'esprit"-Illustrations de Gavarni-Un volume in-4° relié en 1/2 chagrin marron à coins,couverture conservée (chAl)
1975140293Couverture rigide. Reliure de l'éditeur. Environ 400 pages.
cROU-1911Paris,Tallandier,1929 ; grand in-8°,demi-chagrin vert à larges bandes,dos lisse,titre et auteur dorés;XVIIpp.294pp.,4ff.;dos de la reliure un peu passé;quelques petites piqûres à une dizaine de feuillets.Reliure assez modeste mais correcte.
4125P., Tallandier, 1929 ; in-8, br. - XVII-294pp.-3ff. XVI planches hors-texte. Très bon état.
192928911Paris, Editions Jules Tallandier, (1929). Un vol. au format pt in-4 (249 x 167 mm) de xvii - 294 pp. Reliure de l'époque de demi-chagrin maroquiné carmin à coins, filets gras à froid portés sur les plats, dos à nerfs orné de filets gras dorés et à froid, fleurons dorés, filets en pointillés dorés en tête et queue, pièces de titre de maroquin ébène, palette dorée en pied, tranches mouchetées.
