GavarniBiblio.com
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55-0006Paris: Le Charivari 1839. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 906. Published in Le Charivari text verso. Paris: Le Charivari, 1839. unknown
55-0007Paris: Le Charivari 1839. Lithograph. Image: 19.5 x 15.5 cm. Sheet: 36.5 x 25 cm. Armelhault & Bocher no. 907. Published in Le Charivari text verso. Slight foxing. Paris: Le Charivari, 1839. unknown
05959Paris: Caboche Gregoire / Chez Aubert 1838-1839. Two Incredibly Scarce Gavarni Albums Bound Together<br /> A Total of Forty-Three Marvelous Hand-Colored Lithographs<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Paris le Matin. Paris: Chez Aubert 1838-1839. bound with La Boite aux Lettres. Paris: Caboche Gregoire / Chez Aubert 1839. <br /> <br /> First editions. Folio 13 1/8 x 9 5/8 in; 334 x 245 mm. Paris le Matin with twelve and La Boite aux Lettres with thirty-one of thirty-four hand-colored lithographed plates; a total of forty-three plates most heightened with gum arabic.<br /> <br /> Bound to contemporary French style c. 1920 in quarter black morocco over marbled boards. Smooth spine ruled in blind and lettered in gilt marbled endpapers top edge gilt others uncut. A very fine copy of two extremely scarce Gavarni albums.<br /> <br /> ABPC Index 1923-present records no copies of Paris le Matin at auction within the last eighty-eight years. Only one copy of La Boite ux Lettres has come to auction within the last thirty-six years and it contained only fourteen of the called-for thirty-four plates.<br /> <br /> Only one copy of Paris le Matin is found in institutional collections worldwide at the Getty Research Library. OCLC records only five copies of La Boite aux Lettres in libraries throughout the world.<br /> <br /> Paris le Matin Paris Morning and La Boite aux Lettres Mailbox are typical - if exceedingly scarce - examples of Gavarni turning his satiric eye on the customs and manners of the French petit bourgeoisie. Paris le Matin limns the morning activities of Parisians; La Boite aux Lettres is a charmingly amusing survey of writing sending and receiving letters in Paris of the era.<br /> <br /> La Boite aux Lettres lacks the last three plates XXXI XXXIII and XXXIV. The institutional copies appear to be incomplete as well but it seems that the copy under notice is as complete as has ever been seen within our lifetime and is likely to remain so for many years to come.<br /> <br /> Armelhault & Bocher 902-913 Paris le Matin. Armelhault & Bocher p. 88 11 unnumbered 348-397. Paris: Caboche Gregoire / Chez Aubert, 1838-1839 unknown
06172Paris: Chez Bauger and Chez Aubert 1839. Paris in the Morning" and "Paris at Night"<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Paris le matin. Paris: Au Bureau du Charivari n.d. 1839. Twelve numbered lithographed plates depicting Parisian life in the morning. Plates printed by Aubert & Cie.<br /> <br /> and<br /> <br /> Paris le soir. Paris: Chez Bauger and Chez Aubert n.d. 1840. Twenty-five numbered lithographed plates depicting Parisian life at night. Plates printed by Aubert & Cie.<br /> <br /> Large quarto 13 3/8 x 10 1/2 inches; 340 x 267 mm. Thirty-seven fine lithographed plates complete. A few plates with light foxing to blank margins.<br /> <br /> Bound by Thierry sc. de Petit-Simier stamp-signed in late nineteenth century quarter red diced calf over marbled boards smooth spine decoratively tooled and lettered in gilt marbled endpapers. Joints expertly repaired. A fine example.<br /> <br /> "In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal.Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni's work particularly in mind when he wrote.that 'the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.' Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier's preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show 'youth at the prow and pleasure at the helm.' His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation" Ray The Art of the French Illustrated Book p. 217.<br /> <br /> Armelhault & Bocher 902-913 & 914-933. Paris: Chez Bauger [and] Chez Aubert, 1839 unknown
1979BN52152Dortmund : Harenberg 1979. Taschenbuchausgabe. <br/><br/>Kunst Dortmund : Harenberg unknown
14635Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1857–58. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
14634Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1857–58. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
14632Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1857–58. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
14633Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1857–58. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18577111857 Aug. Marc et Cie, Editeurs ; au bureau de l'Illustration, sans date ,s.d. (1857). Grand in-folio (31x43,5).Cartonnage Percaline vert (petites manques aux coins), dos cuir vert, très jolie décoration or, tranches dorées. Collection de 100 splendides lithographies originales de GAVARNI, tirées sur chine par LEMERCIER, Edition sur grand papier des 2 séries PAR CI PAR LA et PHYSIONOMIES PARISIENNES de 50 planches chaques,sur chine collé (rousseurs dans les marges).Ouvrage RARE, surtout complet.Remise de 20% pour toutes commandes égales ou supérieures à 100 €
184459006492Paris: Paris Librairie Pittoresque de la Jeunesse Garnier Fre`res 1844. Bound in 1/4 leather over black boards; five raised bands. Scuffing to extremes. 158 pp. 22 full page illustrations. Decorative endsheets; light foxing throughout. Rare. . Second Edition. Hard Cover. Very Good/No Jacket. Illus. by illustre´es par Gavarni Louis Garneray E´mile Wattier . 8vo - over 7¾" - 9¾" tall. Paris Librairie Pittoresque de la Jeunesse Garnier Fre`res Hardcover
04-1776Paris: Le Charivari 1839. Lithograph. Image: 20 x 15.5 cm. Sheet: 24.5 x 36 cm. Armelhault & Bocher no. 899. Published in Le Charivari text verso. Paris: Le Charivari, 1839. unknown
71-8652Paris: Chez Aubert circa 1839. Lithograph. 22.5 x 27.5 cm sheet. Text in French on reverse. Very Good light specks of foxing in the margins tears and water staining along sheet edges. Paris: Chez Aubert, circa 1839. unknown
04-1766Paris: Le Charivari 1841. Lithograph. Image: 18 x 19 cm. Sheet: 36 x 24 cm. Armelhault & Bocher no. 1180. Published in Le Charivari text verso. Foxing in margins. Paris: Le Charivari, 1841. unknown
1850903024AGParis:, Charivari, [um 1850]. Lithographie 19 x 16,5 cm (hoch), Blattgröße 35,5 x 24 cm.
1840H2577Paris, Librairie Nouvelle, s.d. (vers 1840) ; in-4, 20 pp., broché (couverture ruinée). Études de moeurs contemporaines. Recueil incomplet (manque les 20 premières lithographies). Illustrations de 10 lithographies en noir et blanc. État moyen.
18608372paris Calmann Lévy 1860 sd (vers 1860) in4, broché, 10 grandes lithographies pleines pages de Gavarni, protégées par des serpentes, sur le thème des partageuses
18608373paris Calmann Lévy 1860 sd (vers 1860) in4, broché, 10 grandes lithographies pleines pages de Gavarni, protégées par des serpentes, sur le thème des partageuses
18608371paris Calmann Lévy 1860 sd (vers 1860) in4, broché, 10 grandes lithographies pleines pages de Gavarni, protégées par des serpentes, sur le thème des androgynes
18608367paris Calmann Lévy 1860 sd (vers 1860) in4, broché, 10 grandes lithographies pleines pages de Gavarni, protégées par des serpentes, sur le thème de Thomas Vireloque (pauvreté et fraternité)
18571488PARIS. MM AUG. MARC ET CIE. SANS DATE (1857). IN-FOLIO (32 X 44 X 4,5 CENTIMETRES ENVIRON), RELIURE DE L'EDITEUR A LA BRADEL 1/2 CHAGRIN HAVANE, PLATS RECOUVERTS DE PERCALINE HAVANE ET ENCADRES DE FILETS A FROID, DOS A QUATRE NERFS ORNE DE CAISSONS ET D’UN MOTIF DORES, TITRE ET TETE DORES (LENEGRE RELIEUR). ILLUSTRE DE 50 + 50, SOIT 100 PLANCHES HORS TEXTE TIREES SUR CHINE COLLE. QUELQUES ROUSSEURS, QUELQUES TRACES D’USURE EXTERIEURE, SINON BON EXEMPLAIRE.
9862[Paris], [Librairie Nouvelle, imprimerie Lemercier], sans date. In-folio de [80] pages, pleine percaline bleue avec décor couleurs et or aux plats et au dos, titre doré au premier plat, tranches dorées. Coiffes et coins un peu frottés, percaline legèrement tachée, nom de possesseur sur garde, rousseurs relativement importantes.
18608364paris Calmann Lévy 1860 sd (vers 1860) in4, broché, 10 grandes lithographies pleines pages de Gavarni, protégées par des serpentes, sur le thème des relations Père / enfants
18608366paris Calmann Lévy 1860 sd (vers 1860) in4, broché, 10 grandes lithographies pleines pages de Gavarni, protégées par des serpentes, sur le thème des relations Père / enfants
18608369paris Calmann Lévy 1860 sd (vers 1860) in4, broché, 10 grandes lithographies pleines pages de Gavarni, protégées par des serpentes, sur le thème de la vieillesse des femmes
