Simone, Gail; MacKay, Jed; Thorne, GeoffreyLivre Rare Book
Jed A YalofBiblio.com
Psychoanalytic Assessment Applications for Different Settings
A9780367649876Paperback / softback. New. paperback
The Saint Bookstore · Royaume-Uni36,84 £GB≈ 42,06 €
965 résultats
SLIVCN-9791039133951Panini (4/2025)
2002175413Athens GA and London: The University of Georgia Pr 2002. First edition and first printing. Hardcover. Author editor and publisher Clayton Eshleman's copy with his ownership signature to the title page and his underlining notes and underlining throughout. Otherwise a near fine copy in a near fine dust jacket. An interesting copy of the less common cloth issue. The University of Georgia Pr unknown books
SLIVCN-9791039143301Panini (3/2026)
2007RO20170287PANAMA. 2007. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 474 pages + 1 bandeau d'editeur. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
This is a fine hardcover copy in a fine dust jacket with no wear at all. Signed in ink by the photographer, Jed Fielding, on the half title and dated 3/09. Not inscribed, just signed and dated. Illustrated in black & white throughout with Fieldings photographs of Mexican subjects, all blind. Essay by Vince Aletti. 13" high X 11" wide, 132 pages. This book will be securely packed and shipped with tracking.
SLIVCN-9791039138963Panini (7/2025)
A9780367649876Paperback / softback. New. paperback
B9781467560252Hardback. New. hardcover
17-0286Victoria TX : Cuneiform Press 2013. 4to. 126p. Softcover. Very Good very slight marking and creasing on covers and page corners. B&W prints throughout. From the Collection of the Art Historian Peter Selz 1919-2019. Victoria, TX : Cuneiform Press, 2013. paperback
2007008837Yale University Press New Haven CT 2007. Book. Fine Condition. Cloth. 312 pages. Hardcover. Text in English. Minor soiling to the white boards with a touch of shelf wear to the bottom edge otherwise fine. Illustrated endpapers. 294 illustrations 252 in color. Bound in illustrated paper covered boards with black cloth spine and issued without a dustjackert. Foreword by Doreen Bolger John R. Lane and Steven Nash. Includes acknowledgments checklist references and bibliography photography and copyright credits and index. Published on the occasion of the exhibition from the Dallas Museum of Art with the Nasher Sculpture Center Dallas TX January 21-April 29 2007 San Francisco Museum of Modern Art San Francisco CA June 9-September 16 2007 and The Baltimore Museum of Art Baltimore MD October 28 2007-February 3 2008. Yale University Press, New Haven CT Hardcover
2009276595Chicago: University of Chicago Press 2009. hardcover. fine/near fine. Fielding Jed. Introduction by Britt Salvesen. Essay by Vince Aletti. 67 full page black-and-white plates including several folding. 132pp. folio black cloth d.w. Chicago: University of Chicago Press 2009. A fine copy in a near fine dust wrapper.<br/><br/> Presentation copy signed by Jed Fielding.<br/><br/> University of Chicago Press unknown books
1997177679Chicago IL and New York: Museum of Contemporary Photography Columbia College and Takarajima Books Inc 1997. First edition. Oblong hardcover. 123 pages. Foreword by Denise Miller. Essays by Shirley Hazzard and Nan Richardson. A collection of 80 black and white images of Naples. A fine copy in a fine dust jacket. Signed and inscribed by Fielding on the half title page to fellow photographer Joseph Jachna. A nice association copy. Museum of Contemporary Photography, Columbia College and Takarajima Books, Inc unknown
15-6006New York: Kelwin Enterprises 1938. 8vo. 16 pp. Stapled Wraps Good with damp staining throughout creasing rubbing some splitting along spine stains on cover. Illustrations photographs. Starring Ruth Gordon; Dennis King; Paul Lukas & Sam Jaffe. New York: Kelwin Enterprises, [1938]. paperback
75-0942Lambertville NJ: Rago 2008. 4to. Soft Covers. Very Good. 145 pp. Contains auction bidding form.Color and Black and White plates. There might be an additional charge due to the large size of the book. Lambertville, NJ: Rago, 2008 paperback
2020FLAHIVE-2942Princeton University Press Princeton 2020 First printing with full number line. A fine copy in a fine jacket. A clean copy in an unclipped jacket. Comes with archival-quality jacket protector. Note: Very light bowing to boards of an otherwise beautiful copy. F2942. 1st Edition. Hardcover. Fine/Fine. Princeton University Press, Princeton hardcover
2013271254Dallas: Nasher Sculpture Center 2013. paperback. fine. Foreword by James Strick. Extensively illustrated. 112pp. 4tp. textured silver wrappers. Dallas: Nasher Sculpture Centuer 2013. A fine copy.<br/><br/> Nasher Sculpture Center unknown books
2013271254Dallas: Nasher Sculpture Center 2013. paperback. fine. Foreword by James Strick. Extensively illustrated. 112pp. 4tp. textured silver wrappers. Dallas: Nasher Sculpture Centuer 2013. A fine copy.<br/> <br/> Nasher Sculpture Center unknown
2023206270Greenwich CT: Bruce Museum 2023. Hardcover. As new. Quarto. Hardcover. Illustrated boards. No jacket as issued. 132 pages : illustrations chiefly color map ; 32 cm. "For three decades Connecticut was a true international center of innovation in the arts. Although turn-of-the-century landscape painting has been justly celebrated at the Bruce and elsewhere the significance of the state’s place in the history of 20th century modernism has gone largely unnoticed. Coinciding with the arrival from Paris in Roxbury of sculptor Alexander Calder and his wife Louisa in 1933 and the political climate in Europe transplanted Parisian artists transformed Connecticut into a Surrealist capital-in-exile. Painter Yves Tanguy settled in Woodbury with his American wife painter Kay Sage whose cousin sculptor David Hare lived near the Calders in Roxbury while Rose and André Masson moved to New Preston. Several significant artists of the Magic Realist mode an important movement of the interwar years also lived and worked in Connecticut: Peter Blume and his wife in Sherman and Pavel Tchelitchew and Paul Cadmus in Weston. Recently arrived French sculptor Louise Bourgeois and her American husband art historian Robert Goldwater bought a place in Easton in 1941. The great Armenian-born New-York-based painter Arshile Gorky eventually moved to Roxbury. Just as the Parisian avant-garde and its American devotees were drawn to Connecticut so were major members of the vanguard wing of German art. Artists architects and designers who had studied and taught at the Bauhaus found their way to America after Hitler closed the school in 1933 including painting professor Josef Albers and his wife weaver Annie Albers. They moved to Connecticut in 1950 after Josef was made chair of the design department at the Yale School of Art. Bauhaus architect and designer Marcel Breuer began teaching at Harvard in 1937. Among the students who would come under his influence were Philip Johnson Landis Gores John Johansen and Eliot Noyes. Collectively they would come to be known as the Harvard Five. In fact they might more accurately be called the New Canaan Five since all of them would go on to build acclaimed modernist houses in New Canaan. Most notable of these is Philip Johnson’s Glass House of 1949. Residing in the state were the legions of art world “movers and shakers†who amassed modernist collections and influenced the institutions with which they were connected. Artist and collector Katherine Dreier along with Marcel Duchamp and Man Ray co-founded the pioneering organization for the exhibition of contemporary art the Société Anonyme whose holdings would eventually be split between MoMA and Yale. During the last decade of his life photographer Walker Evans taught at the Yale School of Art from which in 1960 sculptor Barbara Chase-Riboud became the first African American woman to receive the MFA. In just over a year 1933–34 A. Everett “Chick†Austin trailblazing director of the Wadsworth Atheneum co-sponsored choreographer George Balanchine’s immigration to the U.S. organized Picasso’s first retrospective in America and staged the world premiere of the opera Four Saints in Three Acts with book by Gertrude Stein and music by Virgil Thomson and sets and costumes by Florine Stettheimer. The art collection in Farmington of James Thrall Soby--who in 1931 had worked with the Wadsworth to organize the first museum exhibition of Surrealism--included masterpieces by Picasso De Chirico Balthus and Calder among many others; it became a pilgrimage site for all those interested in contemporary art in the 1930s and 1940s. Soon after Burton and Emily Tremaine began to assemble the Miller Company Collection of Abstract Art in Meriden; pacesetting dealer Edith Halpert resident of Newtown created an essential link between contemporary art and American folk art; and dealer of Surrealist art Julien Levy resided in Bridgewater. The exhibition concludes with a selection of works by major figures including Robert Motherwell Helen Frankenthaler Sol LeWitt Cleve Gray and Jasper Johns who helped maintain Connecticut as an important site of contemporary art making." -- Bruce Museum website. Bruce Museum hardcover
2004USD_9780854046430StanleGibbonLimited 2004. 1st. Hardcover. UsedLikeNew/UsedLikeNew. StanleGibbonLimited hardcover
2004AME_9780854048960StanleGibbonLimited 2004. 1st. Hardcover. New/New. StanleGibbonLimited hardcover
20446665-nnew. unknown
1068635401.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1984576518.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1969150204057Longman Higher Education 1969-01-01. Paperback. Like New. Longman Higher Education paperback
2013DADAX0957670540Soccertutor.com Ltd 2013-11-01. paperback. New. 7.40x0.60x9.70. Buy with confidence. Excellent Customer Service & Return policy. Soccertutor.com Ltd paperback
