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20011334011PN. New. 2001. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1991001352New York: Practising Law Institute 1991. Used book: 4 of 5 stars Cover slightly rubbed but inside clean. Unread copy. Worldwide shipping: USD6.50 3 to 4 months not 30 days. Paperback. Fine. 480 p.; 22cm. Practising Law Institute
2023206270Greenwich CT: Bruce Museum 2023. Hardcover. As new. Quarto. Hardcover. Illustrated boards. No jacket as issued. 132 pages : illustrations chiefly color map ; 32 cm. "For three decades Connecticut was a true international center of innovation in the arts. Although turn-of-the-century landscape painting has been justly celebrated at the Bruce and elsewhere the significance of the state’s place in the history of 20th century modernism has gone largely unnoticed. Coinciding with the arrival from Paris in Roxbury of sculptor Alexander Calder and his wife Louisa in 1933 and the political climate in Europe transplanted Parisian artists transformed Connecticut into a Surrealist capital-in-exile. Painter Yves Tanguy settled in Woodbury with his American wife painter Kay Sage whose cousin sculptor David Hare lived near the Calders in Roxbury while Rose and André Masson moved to New Preston. Several significant artists of the Magic Realist mode an important movement of the interwar years also lived and worked in Connecticut: Peter Blume and his wife in Sherman and Pavel Tchelitchew and Paul Cadmus in Weston. Recently arrived French sculptor Louise Bourgeois and her American husband art historian Robert Goldwater bought a place in Easton in 1941. The great Armenian-born New-York-based painter Arshile Gorky eventually moved to Roxbury. Just as the Parisian avant-garde and its American devotees were drawn to Connecticut so were major members of the vanguard wing of German art. Artists architects and designers who had studied and taught at the Bauhaus found their way to America after Hitler closed the school in 1933 including painting professor Josef Albers and his wife weaver Annie Albers. They moved to Connecticut in 1950 after Josef was made chair of the design department at the Yale School of Art. Bauhaus architect and designer Marcel Breuer began teaching at Harvard in 1937. Among the students who would come under his influence were Philip Johnson Landis Gores John Johansen and Eliot Noyes. Collectively they would come to be known as the Harvard Five. In fact they might more accurately be called the New Canaan Five since all of them would go on to build acclaimed modernist houses in New Canaan. Most notable of these is Philip Johnson’s Glass House of 1949. Residing in the state were the legions of art world “movers and shakers†who amassed modernist collections and influenced the institutions with which they were connected. Artist and collector Katherine Dreier along with Marcel Duchamp and Man Ray co-founded the pioneering organization for the exhibition of contemporary art the Société Anonyme whose holdings would eventually be split between MoMA and Yale. During the last decade of his life photographer Walker Evans taught at the Yale School of Art from which in 1960 sculptor Barbara Chase-Riboud became the first African American woman to receive the MFA. In just over a year 1933–34 A. Everett “Chick†Austin trailblazing director of the Wadsworth Atheneum co-sponsored choreographer George Balanchine’s immigration to the U.S. organized Picasso’s first retrospective in America and staged the world premiere of the opera Four Saints in Three Acts with book by Gertrude Stein and music by Virgil Thomson and sets and costumes by Florine Stettheimer. The art collection in Farmington of James Thrall Soby--who in 1931 had worked with the Wadsworth to organize the first museum exhibition of Surrealism--included masterpieces by Picasso De Chirico Balthus and Calder among many others; it became a pilgrimage site for all those interested in contemporary art in the 1930s and 1940s. Soon after Burton and Emily Tremaine began to assemble the Miller Company Collection of Abstract Art in Meriden; pacesetting dealer Edith Halpert resident of Newtown created an essential link between contemporary art and American folk art; and dealer of Surrealist art Julien Levy resided in Bridgewater. The exhibition concludes with a selection of works by major figures including Robert Motherwell Helen Frankenthaler Sol LeWitt Cleve Gray and Jasper Johns who helped maintain Connecticut as an important site of contemporary art making." -- Bruce Museum website. Bruce Museum hardcover
20446665-nnew. unknown
20446665like new. unknown
2013DADAX0957670540Soccertutor.com Ltd 2013-11-01. paperback. New. 7.40x0.60x9.70. Buy with confidence. Excellent Customer Service & Return policy. Soccertutor.com Ltd paperback
0957670540.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011x-0957670540Soccertutor.com Ltd. 2011. Paperback. New. 126 pages. 9.50x7.25x0.75 inches. Soccertutor.com Ltd. paperback
6105065645pp. 226 . Papeback. New. unknown
2010Q-0982660413The Eagle's View Company 2010-09-28. Paperback. New. In shrink wrap. Looks like an interesting title! The Eagle's View Company paperback
2001Q-1569120501Wharton Pub 2001-09-05. Paperback. New. In shrink wrap. Looks like an interesting title! Wharton Pub paperback
ANAIS-0965888703Takarajimasha Inc. hardcover. Good. 12.6x0.8x10.6. Buy with confidence. Excellent Customer Service & Return policy. Takarajimasha Inc hardcover
1998Q-0965888703Takarajima Books Inc 1998-04-25. Hardcover. New. In shrink wrap. Looks like an interesting title! Takarajima Books, Inc hardcover
1997177679Chicago IL and New York: Museum of Contemporary Photography Columbia College and Takarajima Books Inc 1997. First edition. Oblong hardcover. 123 pages. Foreword by Denise Miller. Essays by Shirley Hazzard and Nan Richardson. A collection of 80 black and white images of Naples. A fine copy in a fine dust jacket. Signed and inscribed by Fielding on the half title page to fellow photographer Joseph Jachna. A nice association copy. Museum of Contemporary Photography, Columbia College and Takarajima Books, Inc unknown
1997308221Chicago: Museum of Contemporary Photography 1997. First. hardcover. fine/fine. Jed Fielding. Foreword by Denise Miller and essays by Shirley Hazzard & Nan Richardson. Illustrated with 80 photographs. 124 pages. Slim oblong 4to orange cloth d.w. Chicago: Museum of Contemporary Photography 1997. First edition. A fine copy in a fine dust wrapper.<br/> <br/> Signed and inscribed by Fielding on halftitle page.<br/> <br/> Museum of Contemporary Photography unknown
1997174424Chicago: Museum of Contemporary Photography Columbia College 1997. Hardcover. VG/VG. Rust cloth boards with black stamped lettering. Glossy BW-photographic dust jacket with red and black lettering. 123 pp. Color illustrations. Catalogue of an exhibition from November 15 1997 through January 10 1998. Museum of Contemporary Photography, Columbia College hardcover
199721068Chicago IL: Museum Of Contemporary Photography 1997. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. Chicago IL: Museum Of Contemporary Photography 1997. Hardcover. Fine/Fine. First Edition/First Printing. 124 pages. Retrospective collection of photographs. Jed Fielding's brilliant and moving debut. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Jed Fielding and MCA: Oversize-volume format. Maroon cloth boards with black titles embossed on cover and spine as issued. Photographs by Jed Fielding. Text by Denise Miller Nan Richardson and the great novelist Shirley Hazzard. Separations by Robert Hennessey. Printed on pristine-white glossy stock paper by Meridian Printing Rhode Island in the United States to the highest standards. The reproduction quality is exemplary in every respect. In pictorial DJ with titles on the cover and spine as issued. Published on the occasion of the landmark exhibition of the same name held at The Museum of Contemporary Photography Columbia College Chicago from November 1997 through January 1998. Presents Jed Fielding's "City of Secrets". Black-and-white photographs made over a period of twenty years of Naples a city that became a personal obsession for the artist. Her citizens from kids in diapers to weathered old men loom into the frame like characters out of Fellini bursting with antic earthy energy. Fielding confronts and embraces his expressive subjects building up a portrait of a place that is as visceral as it is cinematic a true theater of the streets. All of Fielding's images seem to have stories behind them. The possibility that the stories might reveal themselves makes these portraits of a fabled city irresistible. A student of Harry Callahan and Aaron Siskind Fielding has mastered the subtleties of focal point and rim. "His extraordinary images constitute a major body of work by an important new voice" Publishers Weekly . Nan Richardson's essay is insightful. Shirley Hazzard provides a historic and poetic context for Fielding's work. Still: The photographs speak for themselves and must stand on their own. "I loved it and dreaded it and just kept going back" Jed Fielding . An absolute "must-have" title for Jed Fielding collectors. This copy is very prominently and beautifully signed dated and inscribed in black pen-marker on the half-title page by the photographer: "For Paul with affection and gratitude Jed 2/03". He then added his formal signature underneath. It is double-signed directly on the page itself not on a tipped-in page. The recipient Paul Berlanga who is named is the Chicago-based photography expert and important artist/painter. This title is a contemporary art photography classic. As far as we know this is the only such double-signed dated and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean crisp and bright. A rare signed copy thus. 79 plates. One of the most brilliant American photographers of our time. A fine copy. . ISBN 0965888703. Museum Of Contemporary Photography hardcover
1997276227Chicago: Museum of Contemporary Photography 1997. First. hardcover. near fine/fine. Jed Fielding. Foreword by Denise Miller and essays by Shirley Hazzard & Nan Richardson. Illustrated with 80 photographs. 124 pages slim oblong 4to orange cloth d.w. Chicago: Museum of Contemporary Photography 1997. First edition. A near fine copy in a fine dust wrapper.<br/> <br/> A nice association copy inscribed by the author to Shirley Hazzard who wrote one of the essays.<br/> <br/> Museum of Contemporary Photography unknown
1997SONG0965888703Brand: Takarajima Books 1997-12-25. hardcover. Used: Good. 12.50x0.75x10.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Takarajima Books hardcover
1997DADAX0965888703Brand: Takarajima Books 1997-12-25. hardcover. New. 12.50x0.75x10.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Takarajima Books hardcover
199732818Chicago: Museum of Contemporary Photography 1997. First Edition ~1st Printing. Hardcover. SIGNED and inscribed on half-title page by the author/photographer fine in near fine dust jacket; small tear at top of jacket back else a tight square unmarked copy in unclipped dust jacket Museum of Contemporary Photography hardcover
199727278<p>mint oversize hc shrinkwrapped expedited shipping not available--CITY</p> Takarajima Books
3639184300.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013x-1107043581Cambridge Univ Pr 2013. Hardcover. New. 288 pages. 9.00x6.00x1.00 inches. Cambridge Univ Pr hardcover
40997428-nnew. unknown