1 225 résultats
18441675781844. GRANDVILLE J.J. Un Autre Monde. Transformations visions incarnations. et autres choses. By Taxile Delord. 4 295 1 pp. Half-title and title-page printed in red. Illustrated with 133 woodcut vignettes 15 full-page woodcuts and 36 hand-coloured plates. Large 8vo. 270 x 195 mm bound in contemporary full decorated morocco with the original front and rear wrappers preserved. Paris: H. Fournier 1844. A desirable copy of the first edition of Grandville's masterpiece. One of the spectacular surreal illustrated books of the nineteenth century. "In this remarkable book of the boldest possible originality Grandville dared to reveal his dream world to the public" Ray. The illustrations expose an imagination which was unlike anything that appeared in print before. Ray points out that the designs of Grandville certainly influenced Tenniel when he created the characters for Lewis Carroll's Alice in Wonderland. In this copy all the hand-coloured plates have captions in white letter as per Rebeyrat except for that of the "Bal Masqué" and "Apocalypse du Ballet" which are in black letter. Despite some staining and foxing to the text pages throught this is still an outstanding copy in a contemporary binding preserving the rare celebrated front and rear wrappers. Exteremely rare thus. Carteret III 285 with reproduction. Ray French 196 with reproduction. Rebeyrat Catalogue bibliographique et bibliophilique in: J.-J. Grandville p. 287. Sello Grandville: Das Gesamt Werk 1167-1351. unknown books
93499Paris: Gernier Freres. hardcover. very good. Frontispiece decorated half-title sepia vignette on title page numerous black and white engravings by J.J. Grandvill. 520pp. large thick 4to full brown morocco raised bands gilt-title on spine t.e.g. inner dentelles; inner hinge repaired. Paris: Garnier Freres n.d. ca. 1880. Nouvelle Edition. Very good .<br/><br/> Gernier Freres unknown books
In-8° (cm. 22,8x15), pp. VIII, 390 + 2 FRONT. ill. + 48 TAVOLE f.t. e con altre 150 altre ILLUSTRAZIONI (tra cui 5 affollatissime a piena pag.) di GRANDVILLE. Mezza pelle ottocentesca, tit. fregi oro ds. CONSERVATE, pur se appena rifilate, le belle copertine illustrate della brossura originale, applicate al verso dei due piatti. Solido, ma con usure esterne ai piatti e alle cuffie. Un quaderno staccato. Fioriture a molte pagine, raramente fastidiose. Scene caricaturali di costume umano, con sporadica comparsa di minuti spiritelli animali, inquietanti insetti e oggetti. GRANDVILLE (Nancy 1803 - Parigi 1847) era ancora in vita. OLD NICK, pseudonyme de Paul Emile Daurand Forgues) Era uscito nel 1843. Es. discreto.
200046064Ostfildern-Ruit : Hatje Cantz, 2000. 253 S. : Ill. ; 30 cm Pp.
1842V37315Paris (J.Hetzel et Paulin) 1842 (= Erste Ausgabe). Gr.-8°, braunes Originalleder, mit beigem, goldgeprägtem Rückenschild, 386 S., zahlreiche, oft ganzseitige Zeichnungen von Grandville [3 Warenabbildungen] 1
Paris, Garnier frères libraires éditeurs, sans date - vers 1870. In-4 relié demi-basane maroquinée cerise à coins. Dos à caissons, titre doré, tête dorée. Double filet doré sur les plats. 1ff blanc, faux-titre, frontispice sous serpente, titre, second titre en rouge et noir, iii + 520 pages + 1 ff blanc. Nouvelle édition augmentée de nombreuses vignettes, têtes de pages, culs-de-lampes, etc. Illustrations dans et hors texte de Grandville. Bel exemplaire.
1855371Gérard Jean-Ignace-Isidore 1803 – 1847 Grandville. <i>Scènes de la Vie Privée et Publique des Animaux Vignettes par Grandville. Études de Mœurs Contemporaines par MM. Balzac George Sand Charles Nodier Stahl J. Janin P. Bernard E. de La Bédollierre L. Baude Ed. Lemoine Etc. </i>Paris : Maresq et Compagnie Éditeurs 5 rue du Pont-du-Lodi 5 ; Gustave Havard Librarie 15 rue Guénégaud 15 1855. Imprimerie Simon Bacon et Comp. ii; frontispiece ; 218 pages ; table de matières. 31.5 cm x 22 cm. Carteret III : 552. A clean tight and bright copy bound in half burgundy morocco over marbled boards. Edgewear to covers. Interior bright and fresh. Maresq et Compagnie, Éditeurs, 5, rue du Pont-du-Lodi hardcover books
In-8 gr. (mm. 260x173), 2 volumi, mz. pelle coeva (restaur.), dorso a cordoni con decoraz. e tit. oro, pp. (8),386,(6); (4),390,(6); con le magnifiche composizioni del Grandville nel t. e in 201 tavv. f.t. inc. su legno da diversi artisti. Accompagnate da testi illustrativi di vari letterati (Balzac, Alfred et Paul de Musset, Nodier, Viardot) le tavole sono rappresentazioni di satire morali. "Prima edizione". Cfr. Carteret,III, p. 552 - Benezit,VI, p. 373: “Grandville pseudonyme de Jean-Ignace-Isidore Gérard (1803-47), dessinateur, caricaturiste.. les amateurs recherchent avec un véritable engouement ceux des ouvrages qu’il a illustrés.. d’une invention tantot baroque, tantot féerique, comme "Scènes de la vie privé des animaux"”. Solo qualche lieve fiorit. altrimenti esemplare ben conservato.
18841679151884. GRANDVILLE J.J. Les Fleurs Animées. Introduction by Alphonse Karr. Text by Taxile Delord. 3-260; 2 102 4 iv 2 106-166 2 iv 169-234 2 pp. Illustrated with 2 engraved title-pages 50 hand-coloured engraved plates by Grandville plus 2 engraved botanical plates. 4to. 264 x 178 mm bound in original publisher's cartonnage bindings richly gilt a.e.g. Paris: Gabriel de Gonet n.d. 1847. $4750.00 A Fine Copy in the original publisher's cartonnage bindings a true classic of floral surrealism. This copy with superb hand colouring to the engravings belongs to a hitherto undescribed edition with a separate pagination for the two parts. Of all his works Les Fleurs Animées was Grandville's own personal favorite. In the fifty hand-coloured plates Grandville portrays a flower or plant metamorphosized into a lady clad in the petals or leaves particular to that flower or plant. Further his flower turned human exhibits the human personality traits which Grandville perceives as characteristic of the species he is illustrating. Les Fleurs Animées is "a little world created and governed by its own laws which was full of significance for Grandville " Ray. Occasional inoffensive foxing not detracting from the finely coloured plates. Two tipped on gilt-stamped pieces from the spine missing. Now rare in the publisher's binding. Renonciat Grandville p. 287. Carteret III 286. Ray 198. Plesch 241. Sello Grandville: Das Gesamte Werk II 1500-1508. unknown books
197634586Darmstadt : Melzer, 1976. 96 S. : überwiegend Ill. ; 30 cm Pp.
197671958Darmstadt : Melzer 1976. 96 S. : überwiegend Ill. ; 30 cm Pappe 0
1978148862Frankfurt am Main: Insel-Verlag 1978. 167 Seiten. Mit zahlreichen farbigen Illustrationen im Text. 8° (17,5-22,5 cm). Orig.-Leinenband mit montiertem illustriertem Deckelschild. [Hardcover / fest gebunden].
200036022Ostfildern-Ruit : Hatje Cantz 2000. 253 S. : 268 Abb., davon 65 farb. ; 30 cm Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand, Neupreis in Euro: 55,--
1867BW16684Paris: J. Hetzel 1867. Hardcover. Very Good. 636 pages; Grandville's wonderful illustrations throughout. Original red cloth with red leather spine handsomely gilt; a.e.g. An unusually tight copy and uncommon thus; spine a bit rubbed. <br/><br/> J. Hetzel hardcover books
18421672321842. GRANDVILLE J.J. Scènes de la vie privée et publique des animaux. Two volumes. 8 386 6; 4 390 6 pp. With 201 engraved plates and 120 vignettes illustrating the text. Large 8vo. 261 x 180 mm uniformly bound in publisher's green cloth with gilt vingettes of Grandville designs on the covers and spine. Paris: Hetzel et Paulin: 1842. First Edition of a Grandville masterpiece bound in the publisher's gilt-stamped cloth. A fantastic example of anthropomorphic illustration and an important precursor of surrealism. These illustrations represent some of Grandville's most memorable creations. Many of the plates are of single figures but there are also satirical scenes of everyday life monsters animals looking at politicians caged at the zoo etc. The texts contained herein were written by such notable authors as Balzac Charles Nodier George Sand Louis Viardot and even J. Hetzel the publisher under the pseudonym of P.-J. Stahl. Hetzel was the motivating force behind this work which he undertook in order to "give words to Grandville's marvellous animals and to join our pen with his pencil thereby coming to his assistance in criticizing the aberrations of our epoch and by preference among these aberrations those which are of every period and every country." Gordon N. Ray writes: "Through Grandville's animals Hetzel and his colleagues offered a witty and telling commentary on contemporary politics and personalities." Some minor rubbing rear hinge of volume 2 with professional repair overall clean near fine. Ray 194. Carteret III 552-59. Rebeyrat Catalogue bibliographique et bibliophilique in: J.-J. Grandville 1985 pp. 289-90. hardcover books
18421675771842. GRANDVILLE J.J. Scènes de la vie privée et publique des animaux. Two volumes. 8 386 6; 4 390 6 pp. With 201 engraved plates and 120 vignettes illustrating the text. Large 8vo. 261 x 180 mm uniformly bound in publisher's full decorated cloth binding with gilt vignettes of Grandville designs on the covers and spine. Paris: Hetzel et Paulin: 1842. First Edition of a Grandville masterpiece bound in the publisher's elaborate polychrome decorated binding. A fantastic example of anthropomorphic illustration and an important precursor of surrealism. These illustrations represent some of Grandville's most memorable creations. Many of the plates are of single figures but there are also satirical scenes of everyday life monsters animals looking at politicians caged at the zoo etc. The texts contained herein were written by such notable authors as Balzac Charles Nodier George Sand Louis Viardot and even J. Hetzel the publisher under the pseudonym of P.-J. Stahl. Hetzel was the motivating force behind this work which he undertook in order to "give words to Grandville's marvellous animals and to join our pen with his pencil thereby coming to his assistance in criticizing the aberrations of our epoch and by preference among these aberrations those which are of every period and every country." Gordon N. Ray writes: "Through Grandville's animals Hetzel and his colleagues offered a witty and telling commentary on contemporary politics and personalities." A fine set rare in the publisher's decorated bindings and internally pristine. Ray 194. Carteret III 552-59. Rebeyrat Catalogue bibliographique et bibliophilique in: J.-J. Grandville 1985 pp. 289-90. hardcover books
D3745Paris: Garnier Freres n.d. Hardcover. Very Good. Red cloth gilt-stamped lettering on spine with original front wrap bound in; illustrated with 112 of 120 plates. Boards lightly rubbed; corners bumped; some light scattered foxing throughout but for the most part plates are nice and bright. <br/><br/> Garnier Freres hardcover books
18381685701838. GRANDVILLE J.J. Voyages de Gulliver dans des Contrées Lointaines par Swift. 6 xxxii 450 pp. Illustrated with a frontispiece of the gigantic Gulliver above an arch 6 section-titles and numerous wood-engraved vignettes by Grandville throughout. 8vo. 210 x 125 mm bound in publisher's polychrome cloth binding. Paris: Garnier Fréres 1852. $0.00 Fourth Edition with Grandville's illustrations containing 450 original wood-engraved vignettes which comprise some of his best work preserved in it's original polychrome binding. "Swift's text with its pattern of logical development from impossible premises fitted Grandville's mind better than any other to which he applied himself. Each of Gulliver's four voyages had its own kind of appeal for the artist whose compositions remain at a high level throughout" Ray pp. 271-2. Indeed Beraldi claimed that the Voyages de Gulliver became the definitive visual rendering of Swift for French readers and remains one of Grandville's best works. Copies in the publisher's polychrome bindings are rare. Overall in excellent condition. Ray Art of the French Illustrated Book 192. Beraldi VII 206. Brunet V 603. Vicaire VII 717. Carteret III 578. hardcover books
18381675741838. GRANDVILLE J.J. Voyages de Gulliver dans des Contrées Lointaines par Swift. Two volumes. 4 LXIX i.e. LIX 1 279; 4 319 pp. With a frontispiece of the gigantic Gulliver above an arch 6 section-titles and numerous wood-engraved vignettes by Grandville throughout. 8vo. 210 x 125 mm uniformly bound in contemporary red calf with gilt spine marbled endpapers t.e.g. Paris: H. Fournier Ainé Furne et Cie 1838. First Edition with Grandville's illustrations containing 450 original wood-engraved vignettes which comprise some of his best work. "Swift's text with its pattern of logical development from impossible premises fitted Grandville's mind better than any other to which he applied himself. Each of Gulliver's four voyages had its own kind of appeal for the artist whose compositions remain at a high level throughout" Ray pp. 271-2. Indeed Beraldi claimed that the Voyages de Gulliver became the definitive visual rendering of Swift for French readers and remains one of Grandville's best works. There is scattered foxing throught asseems to be the case with most copies still a more than acceptable copy and also containing the half-titles which are lacking in the Ray copy. Ray Art of the French Illustrated Book 192. Beraldi VII 206. Brunet V 603. Vicaire VII 717. Carteret III 578. unknown books
1963C72644Paris 1963. Facsimile Reprint. Limited Edition. Hardback With Glassine Jacket. Very good plus. Toning to spine. A little toning to top edges of boards. Small instance of loss to glassine jacket approx. 2cm x 1cm at top front edge near spine. Large 8vo. Facsimile reprint. Glassine jacket. Publisher's white illustrated cloth-covered boards with multi-coloured lettering and illustrations to front and rear. Limited edition number 1948 of 3500 copies. hardcover
1847SPN-541Paris : Perrotin, 1858, 7e édition, 5e volume de la série des chansons de Béranger. Demi-reliure in-8 en cuir rouge titré, doré. 285 pages illustrées par Grandville, portrait de Béranger en frontispice, fac-similé de la lettre envoyée par Béranger à Grandville en 1806, table des airs en fin d'ouvrage.
Paris, Hetzel et Paulin, 1842 – 1844. Due volumi. (mm. 260 x 180). Bella legatura coeva con ricchi fregi e titolo dorati ai dorsi. Pp. (4), 390, (6); (8), 386, (6). Con 201 tavole f.t. e illustrazioni del Grandville nel testo.
LONGANESI 1980, COLLANA I TASCABILI DEL BIBLIOFILO RIPRODUZIONE DELLE TAVOLE DI DAUMIER STESSO, PREFAZIONE DI NATALIA ASPESI PERFETTO COME NUOVO ASSOLUTAMENTE PERFETTO.
ORD-199941° 17 lettres adressées à Alex. Duranty Commissionnaire des Subsistances de la Marine à Toulon, datées de Smyrne ou de Nauplie, ou du navire Iphigénie, toutes signées baron Hugon. 5 de ces lettres ont été un peu grignotées en coin, sans trop d'atteinte au texte. 2°. 10 lettres de la même écriture, non signées, adressées soit à mon cher Amiral soit à mon cher A..., datées de Toulon, des années 1823 à 1832 non signées mais dans lesquelles il est toujours question de fournitures diverses et de divers événements. 3°. 15 manuscrits divers dont 3 ont également été grignotés sans perte, abordant sensiblement les mêmes sujets aux mêmes dates. Documents de formats variables, manuscrits datés de Toulon, concernant le plus souvent des fournitures diverses (Champagne, liqueurs, tapis, capsules pour la chasse, vin de Bodeaux, gants, etc), commandées par le baron Hugon.
1833256291833 Planche HT parue dans La Caricature politique, morale, littéraire et scénique, volume 5, 14 février 1833 (Planches n°246 et 247)- Lithographie - Image : Hauteur: 35.8cmx Largeur: 53.4cm - Œuvre: Hauteur: 27.3cmx Largeur: 50.4cm - Titre en bas au centre : « GRAND ASSAUT D’ARMES. » ; légende plus bas au centre : « Donné le 9 Août 1830, au bénéfice des Banquiers Agens [Agents] de change, Receveurs généraux et autres indigens [indigents], dans la grande salle du Palais Bourbon. » ; indications : « La Caricature (Journal) N°119. », en ht à dte : « Pl. 246. 247. »Inscription - Dans la lettre : « Lith. de Becquet, rue Childebert N°9. » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur] ; dans l’image, en bas au centre, signature : « J J Grandville // E. Forest- [Jean-Jacques Grandville, dessinateur, et Eugène Forest, lithographe]Inscription - Sur le mur du fond de la salle, de dte à gche : un panneau mentionnant les « Noms des Tireurs » : « françoise liberté // de Valmy » (combat entre l’incarnation de la liberté et Louis-Philippe), « Nargout // Berthe » (combat entre d’Argout et Barthe), « Lancelot Mader de Longeau », (Lobau et Madier de Montjau), « Persillant » (Persil), « Tupin // Roule » (Dupin et ?), « Solt » (Soult), « Dreuglie // Guysot » (Broglie et Guizot). Puis sur le mur sont accrochées des tenues d’escrimeurs avec des noms de journaux défendant l’action du gouvernement : la première est celle du « NOUV […] LIST […] [NOUVELLISTE] » et se compose d’un bicorne et de deux épées entrecroisées sur un costume. Ensuite, vient celui du journal des « DÉBATS » : il s’agit d’une armure médiévale dont le casque est en forme de poire. Une petite poire est accrochée également sur la poitrine en guise de distinction honorifique. La troisième est celle du « CONSTITUT […] [CONSTITUTIONNEL] : elle se compose de plumes, d’un bonnet pourvu d’un gros nœud et de sacs d’argent. Vient ensuite le costume du Figaro que l’on reconnaît à son chapeau entre autres. Enfin, le costume du « MONITEUR », dont le nom est entouré de trois dates « 1800 », « 1830 », « 1815 ». En forme de poire sur la panse de laquelle s’entrecroisent deux seringues à clystère. Deux boucliers : l’un porte une décoration d’aigle, l’autre trois fleurs de lys. Sur le chapeau est accroché un cor et une girouette (sûrement celle du palais des Tuileries). Il est fait allusion à l’adaptation de la ligne éditoriale de ce journal au gouvernement en place. Enfin à l’extrême gche, un trophée (constitué de plumes, d’une paire de ciseaux, d’une chaussure) est accroché au mur et mentionne les chiffres de la « Loterie Royale » : « 89 », « 93 », « 40 », « 27 », « 28 », « 29 » et précise qu’ils sont en « Vente au Chatelet [Châtelet] ».
