Grandville, IsidoreBiblio.com
1 223 résultats
04-1338Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1339Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1760Paris: Martinet 1820. Hand-colored lithograph. Image: 16.5 x 22 cm. Sheet: 26 x 34 cm. Lithographer: dee Langlumé after F. Grandville. Paris: Martinet, 1820. unknown
04-1335Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1340Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1759Paris: Martinet 1820. Hand-colored lithograph. Image: 16.5 x 22 cm. Sheet: 26 x 34 cm. Lithographer: dee Langlumé after F. Grandville. Paris: Martinet, 1820. unknown
04-1342Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1337Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Marginal tears. Paris: Bulla, 1829. unknown
04-1336Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Marginal tears. Paris: Bulla, 1829. unknown
04-1341Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Part of coloring bled. Paris: Bulla, 1829. unknown
04-1334Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
4aa197Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm leicht fleckig und gebräunt/Blattrand mit Eckknickspur. - Aus der Reihe: Les Métamorphoses du Jour Pl. 7 - unknown
4aa204Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm etwas fleckig. - Aus der Reihe: Les Métamorphoses du Jour No. 42 - unknown
4aa203Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm leicht fleckig. - Aus der Reihe: Les Métamorphoses du Jour No. 42 - unknown
184247668Paris.: Chez Aubert et Cie. 1842 – 1843. Original publisher's cream boards with elaborate pictorial titles later cloth spine and corners; boards somewhat dusty. 2 vols. Folio. 352 x 278 mm. Half-title for each part with 'Table des Matières' verso printed title for each part with vignettes by Grandville 48 livraisons each of 4 leaves of text and illustration recto and verso livraison nos. 25 30 34 41 and 46 with text printed in red four double-numbers of 8 leaves in vol. II illustrated throughout in monochrome by various artists see below with more than 1400 vignettes and plates. A fine copy of Philipon's profusely illustrated satirical magazine.It is a testament to Philipon's tireless satirical efforts that after the problems he experienced in editing La Caricature - constant harassment by the authorities numerous arrests and prosecutions - he could continue to publish and in a similar vein. Announced in the first livraison as consisting of a prospective 96 livraisons publication was curtailed after only 48. The illustrators used include several principally Grandville and Daumier employed by La Caricature as well as many making their names for the first time. Illustrators included as mentioned on the title pages Cham Daumier Dollet Eustache Forest Gavarni Grandville Eugène Lami Lorentz Plattier Tromolet Vernier and others. Literary contributors included Philipon himself as well as Bourget P. Borel Cham L. Huart Lorentz and Marco Sainte-Hilaire.' . important et d'un réel intérêt.' Carteret.'Les folies les plus courtes sont les meilleures; nous avons craint que la nôtre fût trouvée trop longue et nous l'avons arrêtée court.' Philipon announcing the cessation of publication of the magazine after 48 issues.Carteret III 426. Chez Aubert et Cie. hardcover
1854119159Paris: Gustave Havard 1854. Making a mockery of mankind First edition in book form of Grandville's masterpiece of satirical illustration. The work originally appeared as a portfolio of hand-coloured lithographs printed by Langlumé in 1829; this edition was enlarged with an accompanying text and reproduces the illustrations as wood-engravings. The task of re-engraving the images on wood was entrusted to Auguste Desperet 1804-1865 a skilled artist "whose talent was highly regarded by Grandville himself who considered him to be his collaborator" tr. from Brivois. Grandville the pseudonym of Jean Ignace Isidore Gerard 1803-1847 was the most famous and talented French caricaturist of the period. Les métamorphoses du jour was his first major success and the work which established his reputation. The illustrations inaugurated his characteristic "bitter burlesque" style which exposes human vices and behaviours by giving men and women the heads of animals. The work was intended as a satirical commentary on the Parisian burgeois society of the 1820s. "Lust gluttony anger and the other deadly sins are stigmatized now with the blow of a hammer now with the thrust of a stiletto; while the foibles and humors of mankind also receive due attention. Throughout the series Grandville's choice of beast-heads is inspired; and the force of his conceptions and the wit of his captions rarely falter" Ray p. 198. Large octavo 255 x 158 mm. With 70 wood-engraved and hand-coloured plates; title page and verso of last leaf printed in red and green incorporating black wood-engraved vignette. Near-contemporary red half morocco by Émile Rousselle of Paris spine with raised bands gilt lettering in second compartment marbled sides and endpapers top edge gilt others trimmed. A touch of wear at corners short splits to rear joint ends inner hinges cracked but firm a few spots of foxing to endpapers and occasional edges short closed tear to margin of one leaf slight offsetting from plates else clean. A very good copy. Brivois p. 180; Vicaire V 783. Gordon Norton Ray The Art of the French Illustrated Book 1700 to 1914 vol. I 1982. hardcover
184743618Paris.: Gabriel de Gonet. 1847. Oblong 4to. c.375 x 300 mm. Nine original engraving plates each engraved recto only with two images and titles blindstamp verso 'MOREAU ET LEROY / A PARIS'. A collection of original etching plates for the first edition of Grandville's Les Fleurs Animées.Les Fleurs Animées one of Grandville's last books and one of his own personal favourites was published by Gabriel de Gonet in 1847 and illustrated with two colour frontispieces 50 colour plates and two botanical plates in black and white. Each of the plates presented here features two of Grandville's anthropomorphic flowers; a second edition of the work was printed in chromolithography rather than the colour engravings that were issued with the first edition.The plates presented here each with two images consist of the following flowers: 'LAURIER / MYRTE' 'CAPUCINE / AUBEPINE' 'CAMELLIA / BELLE-DE-NUIT' 'FLEUR DE PECHER / CACTUS' 'EGLANTINE / SOLEIL' 'PERUENCHE DESSECHE / HORTENSIA COURONNE IMPERIALE' 'CHEVREFEUILLE / NENUPHAR' 'VERVEINE / LILAS' and 'LIN / MYOSOTIS'.'Though the images in the book are of Grandville's time his manner of proceeding is that of an artist of the modern movement exploring the same subject through a sequence of slight but significant variations . His first biographer wrote in the preface to Les étoiles pp. viii - ix: 'The Fleurs animées are the very thought of Grandville; they were his favourite work the work into the execution of which he put all that was in him of poetic and gracious originality of dexterity of mind and observation of that prodigious perspicacity which made him divine affinities hitherto unperceived by anyone and discover new worlds'.' Ray The Art of the French Illustrated Book 1700 to 1914.Ray 198. Gabriel de Gonet. unknown
187710777Kbhvn. 1877. Lille 4to. Samt. hldrbd. Ryg slidt. 128159 pp. Rigt illustr. af Grandville. Lettere brunplettet. unknown
4aa180Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm gering fleckig und randgebräunt. - Aus der Reihe: Les Métamorphoses du Jour No. 27 - unknown
4aa184Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm etwas fleckig/kleiner Randeinriß. - Aus der Reihe: Les Métamorphoses du Jour No. 15 - unknown
201355950X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1838437<p>GrandvilleJean Ignace Isidore Gérard 1803-1847. unidentified marks on the verso. "Grandeville lithograph" c. 1838. Image: 7¾ x 5¾. Margins: 10 x 7¼.</p>
3-55329Paris Garnier Frères Imprimerie Jean Claye senza data 1850 ca. 8vo grande cm. 27 x 18 legatura coeva in mezza pelle blu dorso a quattro nervi con titoli dorati e decorazioni in oro nei compartimenti piatti in percallina blu con cornici impresse a secco tagli in oro zecchino risguardi goffrati segnacolo in seta verde pp. 4 III 520 con frontespizio a due colori e grande vignetta in sanguigna centinaia di illustrazioni nel testo oltre alle testatine e ai culs-de-lampes e cinquantatre 53 tavole fuori testo delle quali un ritratto di Grandville in antiporta e due frontespizi figurati in aggiunta a quello menzionato. Per inventiva in virtù di alcune trovate che già anticipano soluzioni surrealistiche una delle opere più significative di Grandville dove tra le altre cose si assiste a una sorta di rivolta degli oggetti che nel XIX secolo cominciano ad assediare la società moderna. Questa è l'edizione in parte originale con il più gran numero di illustrazioni poi più volte ristampata. Lievi normali tracce d'uso ma bella copia completa di tutte le tavole e praticamente esente da fioriture se non al verso della prima carta e al frontespizio. Grande e grazioso ex libris al contropiatto anteriore. Carteret III p. 474:â€Charmant illustration une des plus spirituelles de Grandvilleâ€. unknown
1334869154.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
06031Paris: Garnier Frères 1848. The Cipher of a New Relation Between Humans and Things"<br /> <br /> GRANDVILLE J.J. Petites Misères de la Vie Humaine. Texte par Old Nick. Nouvelle Édition. Paris: Garnier Frères 1848.<br /> <br /> Nouvelle èdition First published by Henri Fournier in 1843. <br /> <br /> Large octavo 10 5/8 x 6 7/8 inches; 269 x 175 mm. 2 2 portrait frontispiece 2 Vignette title printed in black red and brown iii iv blank 1-520 pp. Fifty-three fine engraved plates including the portrait frontispiece of Grandville. Numerous illustrations and cul-de-lampes throughout the text. Half-title and title-page with foxing sporadic light mainly marginal foxing to plates and text. <br /> <br /> Publisher's quarter green morocco over green pebble- cloth boards spine with four shallow raised bands elaborately decorated and lettered in gilt in compartments white watered silk-paper endleaves all edges gilt. Some old tape marks on endpapers from a long ago removed protective covering. A very nice copy of this the most complete edition with three additional plates that are not in the first edition of 1843. <br /> <br /> This edition is notoriously difficult to date as Garnier Frères did a number of "nouvelle" editions. On the front paste-down there is an old small tipped-on catalog description from a French dealer dating the book 1848 and on the printer's slug on the last page it reads "Paris - J. Clave imprimeur 7 rue Saint-Benoit. - 1448". Patently absurd but it is conceivable that the printer made an error and it should read 1848. <br /> <br /> "In the final decade of his life Grandville gave considerable attention to what Marx would soon call "the enigmatical character of the product of labor." Grandville's 1843 illustrations for Petites misères de la vie humaine are described by Giorgio Agamben in Stanzas: Word and Image in Western Culture University of Minnesota Press 1993: "In a leaky faucet that cannot be turned off in an umbrella that reverses itself in a boot that can be neither completely put on nor taken off and remains tenaciously stuck on the foot . . . the prophetic glance of Grandville discovers . . . the cipher of a new relation between humans and things. . . . The degeneration implicit in the transformation of the artisanal object into the mass-produced article is constantly manifest to modern man in the loss of his own self-possession with respect to things." Artforum.<br /> <br /> Carteret III p. 471: 'Charmant illustration une des plus spirituelles de Grandville'. Paris: Garnier Frères, 1848 unknown
