Grandville, J JBiblio.com
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1017657459.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017662800.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9781017657456_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
45071121like new. unknown
#[52595]Hardcover with dark green leather spine and marbled green paper covered boards. The spine shows gilded decoration and ditto title. The edges show minimal wear and the contents very light foxing. 18 x 275 cm 8 4-636 2. With many wood engravings after illustrations by J.J. Grandville. The book contains text by; De Balzac Louis Baude Émile de la Bédolliére P. Bernard Gustave Droz Benjamin Franklin Jules Janin Édouard Lemoine Alfred de Musset Paul de Musset Ménessier Nodier Charles Nodier George Sand P.J. Stahl and Louis Viardot. Complete edition. l Jean Ignace Isidore Gérard Grandville 1803-1847 was a French illustrator and caricaturist. He became immensely popular with his political satire. After the reinstitution of prior censorship on caricature in 1835 Grandville turned almost exclusively to hardcover
4aa211Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm gering fleckig. - Aus der Reihe: Les Métamorphoses du Jour Pl. 8 - unknown
4aa212Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm fleckig/gebräunt. - Aus der Reihe: Les Métamorphoses du Jour Pl. 8 - unknown
1391690079.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390859320.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
183047366Paris.: Chez Bulla et Che Aubert. 1830. Loose as issued with the original lithograph cover. Oblong small folio. 272 x 364 mm. Lithograph title / wrapper with monochrome vignette by Grandville on pink wove paper 348 x 268 mm and nine monochrome lithographs on cream wove paper with printed caption / title beneath and numbered at upper right each with additional colouring by hand and heightened with gum arabic all the lithographs save the first are signed J. Grandville. The complete series of Grandville's very scarce unfinished suite of satirical and moralistic hand-coloured lithographs.Planned originally to have 23 plates the publisher Bulla stopped publication after the ninth plate because of the political events of July 1830. As noted by Clive Getty: 'Comme dans 'Les Métamorphoses du Jour' Grandville a probablement glissé quelques caricatures politiques parmi les planches moralisantes du 'Voyage pour l'Eternité où apparaissent vraisemblablement des personnages du gouvernement de Charles X.'Grandville took the idea for this set from Holbein's 'Dance of Death' series bringing the scenes up to date. Here according to Grandville death works in a pharmacy mixing drugs in the army as a prostitute chef chimney sweep and so on.Honoré de Balzac wrote see 'La Silhouette' Vol. 2 Livraison 4 pg. 28: 'De la profondeur philosophique et de la caricature voilà ce qu'on ne fait qu'en France et qu'a Paris. M. Grandville avait donné de la bêtise aux hommes de l'esprit aux animaux il vient de donner de la gaieté à la mort.'The plates are titled as follows:No. 1 - 'C'est ici le dernier relais'.No. 2 - 'Vais-je bien . vous avancez horriblement!'No. 3 - 'Monsieur le Baron on vous demande . Dites que je n'y suis pas.'No. 4 - 'Soyez tranquille j'ai un Garçon qui ne se trompe jamais.'No. 5 - 'Voilà Messieurs un plat de mon métier.'No. 6 - 'Voulez vous monter chez moi mon petit Monsieur vous n'en serez pas faché aller.'No. 7 - ' . pour une Consultation docteur j'en suis j'vous suis . '.No. 8 - 'Oui Madame ce sera bien la proménade la plus délicieuse! . une voiture dans le dernier goût! . un Cheval qui fend l'air et le meilleur Groom de France! . '.No. 9 - 'Première Etape.'Rahir 447; Rebeyrat 292; SR / BF 14; see Getty 152. Chez Bulla et Che Aubert. unknown
18561713451856. GRANDVILLE J.J. Voyages de Gulliver dans des Contrées Lointaines par Swift. Four parts in one. 448 pp. with a frontispiece of the gigantic Gulliver above an arch 6 section-titles and numerous wood-engraved vignettes by Grandville throughout. 8vo 212 x 125 mm. in the publisher's polychrome binding. Paris: Garnier Freres 1856 $ 2500.00 A later issue but preserved in the publisher's polychrome binding and with the interior bright and free from foxing. With 450 original wood-engraved vignettes by Grandville which comprise some of his best work. "Swift's text with its pattern of logical development from impossible premises fitted Grandville's mind better than any other to which he applied himself" Ray pp. 271-2. Indeed Beraldi claimed that the Voyages de Gulliver became the definitive visual rendering of Swift for French readers and remains one of Grandville's best works. Ray Art of the French Illustrated Book 192. Beraldi VII 206. Brunet V 603. Vicaire VII 717. Carteret III 578. unknown
183822198Paris: H. Fournier Aine et Furne Et Cie 1838. Hardcover. Three quarter red morocco and marbled boards marbled endpapers. Fine. 2 Vols. 279 319 pages. 21.5 x 14 cm. First printing with illustrations by Grandville containing 450 vignettes wood engravings and four full-page wood engravings. GORDON N. RAY 192. Art of the French Illustrated Book 1700 to 1914. "Frontispiece on `papier de chine'.Grandville adds many ingenious touches of his own to Swift's narrative.Berardi VII 206 claimed that the `Voyages de Gulliver' was Grandville's best book as well as the definitive visual rendering of Swift for French readers." CARTERET III 578. VICAIRE VIII 718. Interior contents fresh clean and bright. Tiny French book label Vol I. paste-down. H. Fournier Aine et Furne Et Cie hardcover
18381675741838. GRANDVILLE J.J. Voyages de Gulliver dans des Contrées Lointaines par Swift. Two volumes. 4 LXIX i.e. LIX 1 279; 4 319 pp. With a frontispiece of the gigantic Gulliver above an arch 6 section-titles and numerous wood-engraved vignettes by Grandville throughout. 8vo 210 x 125 mm. uniformly bound in contemporary red calf with gilt spine marbled endpapers t.e.g. Paris: H. Fournier Ainé Furne et Cie 1838. First edition with Grandville's illustrations containing 450 original wood-engraved vignettes which comprise some of his best work. "Swift's text with its pattern of logical development from impossible premises fitted Grandville's mind better than any other to which he applied himself. Each of Gulliver's four voyages had its own kind of appeal for the artist whose compositions remain at a high level throughout" Ray pp. 271-2. Indeed Beraldi claimed that the Voyages de Gulliver became the definitive visual rendering of Swift for French readers and remains one of Grandville's best works. There is scattered foxing throughout as seems to be the case with most copies. Still a more than acceptable copy and which also contains the half-titles which are lacking in the Ray copy. Ray Art of the French Illustrated Book 192. Beraldi VII 206. Brunet V 603. Vicaire VII 717. Carteret III 578. unknown
183869105Paris: Furne et CieH. Fournier 1838. Fine. Furne et Cie H. Fournier Paris 1838 13 x 21 cm 2 volumes reliés First printing of Grandville's illustration. A frontispiece on flying China paper and 450 wood-engraved vignettes in-text and 5 hors texte the four titles of the four voyages and the literary allegory as frontispiece to the notice. New translation biographical and literary notice on Jonathan Swift by Walter Scott. Contemporary grey glazed calf half-binding in Romantic style. Smooth spine with a long Romantic tool and 2 mirrored tools with fillets. Light traces of rubbing. Some scattered foxing mainly marginal. Handsome copy. ""This complete illustration occupies one of the first ranks in Grandville's work."" Carteret III 578. This very beautiful illustrated Romantic work is extremely rare in fine condition. It is printed on tinted laid paper."" Carteret III 578. Furne et CieH. Fournier unknown
1856mon0004077087Paris: Garnier Freres 1856. Hardcover. Very Good. . leather spine with green cloth boards rasied bands and gilt ruling cover shows minor wear. pages lightly tanned and foxed. Paris: Garnier Freres hardcover
1414Engraving on lightweight cream wove paper 5 x 5 inches 127 x 127 mm margins trimmed. On the verso are printed illustrations which are partially trimmed. Pencil notations throughout. Jean Ignace Isidore Gerard was a 19th century French illustrator and caricaturist who published under the pseudonym of Grandville. He has been called "the first star of French caricature's great age" and Grandville's book illustrations are described as featuring "elements of the symbolic dreamlike and incongruous and they retain a sense of social commentary."<br /> <br /> "His perverse vision sought the monster in everyone and took delight in the strangest and most pernicious transfigurement of the human shape ever produced by the Romantic imagination." The anthropomorphic vegetables and zoomorphic figures that populated his cartoons anticipated and influenced the work of generations of cartoonists and illustrators from John Tenniel to Gustave Doré to Félicien Rops and Walt Disney. He has also been called a "proto-surrealist" and was greatly admired by André Breton and others in the movement. unknown
