GRANDVILLE (Jean-Jacques).Biblio.com
1 225 résultats
1828249821828. Paris chez Bulla / chez Martinet s.d. 1828 / 1829. Dimensions : 327 x 238 mm. Premier tirage prÂŽcÂŽdant la parution de l'ouvrage de cette rare ÂŽpreuve tirÂŽe en lithographie sur papier fort avec rehauts du temps ˆ l'aquarelle ˆ l'adresse de Bulla ; signÂŽe dans la plaque J. Grandville et LanglumÂŽ lithographe. Si elle est ici lÂŽgendÂŽe en franÂais et en anglais elle ne comporte pas encore le texte qui figurera par la suite dans l'ouvrage. ''Le titre le plus sÂŽrieux de Grandville ˆ la popularitÂŽ son oeuvre la plus remarquable la plus originale c'est la sÂŽrie des MÂŽtamorphoses du jour. L'idÂŽe ÂŽtait neuve par une face et piquante elle fit fureur dÂs le dÂŽbut. Grandville a ainsi rendu l'homme insÂŽparable de l'animal ; il les a soudÂŽs l'un ˆ l'autre.'' ''La mÂŽtaphore animale - que Grandville parvient avec talent ˆ traduire dans le domaine plastique en dotant les bÂtes de vÂtements humains - trahit un oeil de lynx et met en scÂne une vision perÂante et pessimiste des hommes propre ˆ cette dÂŽmarche dÂŽprÂŽciative de la caricature qui dÂŽgrade sa cible du divin au commun du symbole ˆ l'anecdote de l'humain ˆ l'animal.'' Annie Renonciat. Renonciat La Vie et l'oeuvre de Grandville p. 48. Epreuve lÂŽgÂrement oxydÂŽe. Claires rousseurs. Cernes claires sans atteinte ˆ la composition. Rare. b42961 unknown
1828249801828. Paris chez Bulla / chez Martinet s.d. 1828 / 1829. Dimensions : 327 x 238 mm. Premier tirage prÂŽcÂŽdant la parution de l'ouvrage de cette rare ÂŽpreuve tirÂŽe en lithographie sur papier fort avec rehauts du temps ˆ l'aquarelle ˆ l'adresse de Bulla ; signÂŽe dans la plaque J. Grandville et LanglumÂŽ lithographe. Si elle est ici lÂŽgendÂŽe elle ne comporte pas encore le texte qui figurera par la suite dans l'ouvrage. ''Le titre le plus sÂŽrieux de Grandville ˆ la popularitÂŽ son oeuvre la plus remarquable la plus originale c'est la sÂŽrie des MÂŽtamorphoses du jour. L'idÂŽe ÂŽtait neuve par une face et piquante elle fit fureur dÂs le dÂŽbut. Grandville a ainsi rendu l'homme insÂŽparable de l'animal ; il les a soudÂŽs l'un ˆ l'autre.'' ''La mÂŽtaphore animale - que Grandville parvient avec talent ˆ traduire dans le domaine plastique en dotant les bÂtes de vÂtements humains - trahit un oeil de lynx et met en scÂne une vision perÂante et pessimiste des hommes propre ˆ cette dÂŽmarche dÂŽprÂŽciative de la caricature qui dÂŽgrade sa cible du divin au commun du symbole ˆ l'anecdote de l'humain ˆ l'animal.'' Annie Renonciat. Renonciat La Vie et l'oeuvre de Grandville p. 48. Epreuve lÂŽgÂrement oxydÂŽe prÂŽsentant en outre de claires rousseurs. Petite cerne en marge infÂŽrieure. Du reste belle condition. Rare. b42961 unknown
1828249811828. Paris chez Bulla / chez Martinet s.d. 1828 / 1829. Dimensions : 327 x 238 mm. Premier tirage prÂŽcÂŽdant la parution de l'ouvrage de cette rare ÂŽpreuve tirÂŽe en lithographie sur papier fort avec rehauts du temps ˆ l'aquarelle ˆ l'adresse de Bulla ; signÂŽe dans la plaque J. Grandville et LanglumÂŽ lithographe. Si elle est ici lÂŽgendÂŽe elle ne comporte pas encore le texte qui figurera par la suite dans l'ouvrage. ''Le titre le plus sÂŽrieux de Grandville ˆ la popularitÂŽ son oeuvre la plus remarquable la plus originale c'est la sÂŽrie des MÂŽtamorphoses du jour. L'idÂŽe ÂŽtait neuve par une face et piquante elle fit fureur dÂs le dÂŽbut. Grandville a ainsi rendu l'homme insÂŽparable de l'animal ; il les a soudÂŽs l'un ˆ l'autre.'' ''La mÂŽtaphore animale - que Grandville parvient avec talent ˆ traduire dans le domaine plastique en dotant les bÂtes de vÂtements humains - trahit un oeil de lynx et met en scÂne une vision perÂante et pessimiste des hommes propre ˆ cette dÂŽmarche dÂŽprÂŽciative de la caricature qui dÂŽgrade sa cible du divin au commun du symbole ˆ l'anecdote de l'humain ˆ l'animal.'' Annie Renonciat. Renonciat La Vie et l'oeuvre de Grandville p. 48. Epreuve lÂŽgÂrement oxydÂŽe prÂŽsentant en outre de claires rousseurs et discrÂtes abrasions en marge gauche. Cerne angulaire. Du reste bonne condition. Rare. b42961 unknown
186947759Paris : Garnier FrÂres 1869. 280x180mm. LXIII- outre les gravures n/b in et hors texte lÕouvrage comporte 1 frontispice et 70 planches coloriÂŽes demi-chagrin rouge auteur titre et ornementations dorÂŽs plats avec encadrements ˆ froid toutes tranches dorÂŽes quelques rousseurs au dÂŽbut du livre. 2500 Garnier FrÂres unknown
1869105943Paris : Garnier FrÂres 1869. 280x180mm. LXIII - outre les gravures n/b in et hors texte lÕouvrage comporte 1 frontispice et 70 planches coloriÂŽes demi-chagrin dos ˆ faux-nerfs titre dorÂŽ. Bon ÂŽtat sans rousseurs. 2523 Garnier FrÂres unknown
04848Paris: Gustave Havard 1854. Grandville's Beast-Headed People<br/><br/>GRANDVILLE J.J. illustrator. Les Métamorphoses du jour. Accompagnées d'un texte par MM. Albéric Second Louis Lurine Clément Caraguel Taxile Delord H. de Beaulieu Louis Huart Charles Monselet Julien Lemer. Précédées d'une notice sur Grandville par M. Charles Blanc. Paris: Gustave Havard 1854. <br/><br/>First edition to include the text by Second and others. Octavo 10 7/6 x 6 5/8 inches; 265 x 168 mm. 4 xxviii 283 1 blank pp. Seventy hand-colored wood-engraved plates by Mouard Sotain and others after the drawings by Grandville. <br/><br/>Contemporary quarter red hand-grained morocco over marbled boards. Smooth spine decoratively tooled and lettered in gilt sprinkled edges marbled endpapers. Preliminary leaves and text with light to moderate foxing. The superb hand-colored plates fresh and clean with just a few scattered marginal spots. Aside from the foxing to the text this is really good copy with wonderful coloring of the most famous work by this master of "bitter burlesque" Ray p. 198. <br/><br/>These famous drawings of beast-headed people "which established Grandville's early style of bitter burlesque" Ray p. 198 first appeared in an album of hand-colored lithographs printed by Langlumé in 1829 and reprinted in 1836. This 1854 edition is the first to include the accompanying text.<br/><br/>"Lust gluttony anger and the other deadly sins are stigmatized now with the blow of a hammer now with the thrust of a stiletto; while the foibles and humors of mankind also receive due attention. Throughout the series Grandville's choice of beast-heads is inspired; and the force of his conceptions and the wit of his captions rarely falter" Ray p. 198.<br/><br/>Ray The Art of the French Illustrated Book 132 describing the 1829 edition. Vicaire V cols. 783-787. Paris: Gustave Havard, 1854 unknown books
1869224Gérard Jean-Ignace-Isidore 1803 – 1847 Grandville <i>Les Métamorphoses du Jour par Grandville Accompagnées d'un Texte par MM. Albéric Second Louis Lurine Clément Caraguel Taxile Delord H. De Beaulieu Louis Huart Charles Monselet Julien Lemer Précédées d'une Notice sur Grandville par M. Charles Blanc. Nouvelle Édition Revue et complétée pour le texte par M. Jules Janin Augmentée de Nombreux Culs-de-Lampe Têtes de Pages Etc. </i>Paris : Garnier Frères Libraires-Éditeurs 6 rue des Saints-Pères et Palais-Royal 215 1869. 8vo. Collation : ii; frontispiece title-page ii ; lxiii ; 480 pages. Bound in half red morocco on marbled boards. Five raised bands. Top page edge gilded. 71 full-page hand-colored wood-block plates bound in. This edition contains the same plates as the edition of 1854 and in the same order but with these differences: 1 They do not have the name of the printer on them; 2 A majority of these plates are signed in the plate "J.-J. Grandville"; 3 These are printed on heavier paper; 4 On a great number of the plates the legends are modified or augmented. Some light foxing but still a very good untrimmed copy in a very secure binding. Enjoying great success during Grandville's lifetime <i>Les Métamorphoses du Jour </i> put human language and human behavior into animals thus creating a moral satire of human behavior. <i>Les Métamorphoses du Jour </i>first appeared in 1836. See: Vicaire Vol. V 787 – 788 ; Cartaret III : 284-285. Garnier Frères, Libraires-Éditeurs, 6, rue des Saints-Pères, et Palais-Royal, 215 books
100150108J. Hetzel Libraire - Editeur in8. Sans date. Cartonné. Les Mésaventures de Jean-Paul Choppart raconte l'histoire d'un jeune garçon bourgeois fainéant et insolent qui lassé de la vie familiale s'enfuit de chez lui pour vivre une existence errante avec un camarade. Le roman publié par Hetzel et illustré par des artistes comme Grandville et Daumier fut à son époque un ouvrage d'une audace sans précédent qui scandalisa les moralistes mais connut un immense succès populaire
3-55326Paris Garnier Frères senza data 1869 8vo grande cm. 27 x 18 mezza pelle coeva dorso a quattro nervi con decorazioni e titoli in oro piatti in percallina con cornici a secco risguardi in carta francese pp. LXIII 480 frontespizio a due colori con grande vignetta incisa alcune illustrazioni nel testo introduttivo di Blanc settanta 70 testatine e settanta 70 culs-de-lampe incisi in nero dall'A. e soprattutto settanta 70 tavole fuori testo finemente colorate a mano con la loro velina protettiva oltre al frontespizio figurato anch'esso colorato a mano e protetto da velina così opera completa. Magnifica edizione parzialmente originale di questo capolavoro di Grandville molto imitato che lo consacrerà come il più grande caricaturista francese del suo tempo. Minime mancanze alla cuffia di testa; lievissime spellature alle cerniere volume assolutamente solido e tracce d'uso ai piatti; sporadiche arrossature. Grande ex libris di bella fattura applicato al contropiatto anteriore. Esemplare molto ben conservato. unknown
1869168897Paris: Garnier Frères 1869. Second edition of Grandville's masterpiece of satirical illustration featuring his famous engravings of beast-headed people. It was improved from the first of 1854 by printing the plates on heavier paper and revising or augmenting the captions; the artist's signature was also added to many of them. The work originally appeared as a portfolio of hand-coloured lithographs printed by Langlumé in 1829; the book form edition in 1854 was the first to include an accompanying text and reproduce the illustrations as wood-engravings. The task of re-engraving the images on wood was entrusted to Auguste Desperet 1804-1865 a skilled artist "whose talent was highly regarded by Grandville himself who considered him to be his collaborator" tr. from Brivois. Grandville the pseudonym of Jean Ignace Isidore Gerard 1803-1847 was the most famous and talented French caricaturist of the period. Les métamorphoses du jour was his first major success and the work which established his reputation. The illustrations inaugurated his characteristic "bitter burlesque" style which exposes human vices and behaviours by giving men and women the heads of animals. The work was intended as a satirical commentary on the Parisian burgeois society of the 1820s. "Lust gluttony anger and the other deadly sins are stigmatized now with the blow of a hammer now with the thrust of a stiletto; while the foibles and humors of mankind also receive due attention. Throughout the series Grandville's choice of beast-heads is inspired; and the force of his conceptions and the wit of his captions rarely falter" Ray p. 198. Quarto. Wood-engraved frontispiece and 70 similar plates all hand-coloured and with tissue guards numerous wood-engraved vignettes in text. Original red quarter roan red pebble-grain cloth sides blocked in blind spine with raised bands compartments lettered and decorated in gilt cream textured endpapers edges gilt. Wear to extremities short cracks at joints ends but firm spine skilfully retouched with colour small repair at tail peripheral fading and couple small of damp-stains to cloth intermittent and mainly marginal foxing to contents otherwise generally clean the plates vibrant. A very good copy. Brivois p. 180; Vicaire V 787. Gordon Norton Ray The Art of the French Illustrated Book 1700 to 1914 vol. I 1982. hardcover
1015826695.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
51-6058Paris: Chez Bulla rue St. Jacques no. 38 et chez Martinet rue du Coq circa 1829. Oblong folio. 35 width x 26 cm. Bound without a cover or text. Suite of 70 period-colored lithographs.Plates 1 to 43 have the caption in French and English the only ones published with the double caption the others are in French.Most plates with this inscription lower right: 'Lith. de Langlumé'; lettered beneath the lithograph with publication details: 'chez Bulla rue St. Jacques N.38.' and 'et chez Martinet rue du Coq.' Some foxing and dampstaining. Beraldi. VII pp. 214 -215 and Carteret III . p. 282-284 mention 73 lithographs in a smaller format without giving sizes. OCLC Number 54163954 is about the same size as ours and implies that plates 71-73 were added afterwards. British Museum: "'Les Métamorphoses du Jour' is one of the most successful series of lithographs that Grandville made. The first edition was published by Bulla and Martinet between 1829 and 1830. Since the publication of the first plates the success was so remarkable that Bulla and Martinet decided in 1829 to publish a bilingual edition French and English although the first French edition was not yet entirely published. The present print is part of the biligual edition of 1829." Paris: Chez Bulla, rue St. Jacques, no. 38 et chez Martinet, rue du Coq, circa 1829 unknown
51-7216Paris: Chez Bulla rue St. Jacques no. 38 et chez Martinet rue du Coq circa 1829. Handcolored lithograph. 25 x 34.5cm. Paris: Chez Bulla, rue St. Jacques, no. 38 et chez Martinet, rue du Coq, circa 1829 unknown
51-4363Paris: Aubert1836. Oblong 4to. 22 x 22 cm. 70 handcolored lithographs numbered 2-71. Lacking page 1 which is likely the title page. Original percaline binding restored with elegant marbled endpapers. Beraldi VII no. 10 p. 215.Reimpression of the 1829 ed. published by Bulla with the same plates but framed in double black lines. Sold in two ed.: one with black ill. and one with colored ill. Cf. Carteret L. Le trésor du bibliophile romantique et modèrne 1801-1875 t. 3 p. 284.Publication date from G. Vicaire Manuel de l'amateur de livres du XIXe siècle 1801-1893 t. 5 col. 780. Vicaire refers to two versions of Métamorphoses published by Aubert in 1836 each with a slightly different title and t.p. information: one "Les métamorphoses du jour par Grandville Aubert & cie Place de La Bourse 29 Imp. d'Aubert & cie;" and the other "Métamorphoses du jour ou Les hommes à têtes de bêtes par J.J. Grandville Édition populaire Chez Aubert éditeur Galerie Véro-Dodat imp. d'Aubert et de Junca."Illustré en couleurs par Henri Valentin. Cf. G. Vicaire Manuel de l'amateur de livres du XIXe siècle 1801-1893 t. 5 col. 78.Expertise by Christian GASCHExpertise Livres Anciens et Modernes58004 NEVERS Cédex Paris: Aubert,1836 unknown
185447345Paris.: Gustave Havard. 1854. Original publisher's midnight blue percaline with elaborate polychromatic decoration front board with title 'MÉTAMORPHOSES' and credit 'Par J. J. Grandville' large gilt stamp reproducing plate XXXVI 'Ma femme est sortie ma petite chatte . ' with additional colour rear board with plate XXIV 'Oh! le monstre d'homme . ' spine with elaborate gilt decoration and titles elaborate tooling in blind to boards and spine yellow glazed endpapers a.e.g. Large 8vo. 268 x 178 mm. Half-title with printer's credit verso printed title with monochrome vignette by Grandville 13 leaves with biographical notice leaf with 'Oeuvres de Grandville' and 70 engraved plates by Grandville each with additional colouring by hand final two leaves with 'Table'. The posthumous first edition in book form with accompanying text of Grandville's 'Les Métamorphoses du Jour' in the original publisher's binding.Sixty-seven of these plates - three are added from other series by Grandville - originally appeared in album form in 1829 and this version published 17 years after Grandville's death is both the first edition in octavo and the first to be accompanied with text. The plates were engraved on wood by Desperet for the first oblong folio edition the plates were lithographs with additional colouring by hand and then 'illustrated' with a satirical text inspired by Grandville's plate by one of a number of authors. The pantheon of 'illustrators' were: Albéric Second Louis Lurine Clément Caraguel Taxile Delord H. de Beaulieu Louis Huart Charles Monselet and Julien Lemer; Charles Blanc's biographical notice is accompanied by a bibliography of Grandville's illustrated books.''Les Métamorphoses du Jour' ont été l'idée mère de toutes les créations humano-bestiales dont on a tant abusé depuis et resteront incontestablement comme le chef-d'oeuvre de Grandville . Nous a offrons au public une oeuvre qui entre pour la première fois dans le domaine de la librairie une oeuvre inconnue de la génération nouvelle . '. From the original prospectus for hte work.Carteret III 284 / 285; Rebeyrat 288; SR / BF 104. Gustave Havard. hardcover
1869g8871Paris: Garnier Frères. G: in good condition. Rebacked. Some scattered foxing. Illustrations VG. 1869. Nouvelle Édition. Gilt decorated leather spine over maroon cloth cover. 280mm x 170mm 11" x 7". lxiii 480pp plates. 70 hand-coloured plates. Heavy book - extra shipping needed for overseas. . Garnier Frères hardcover
2012897924.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012577717.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1854167495<p>1854. GRANDVILLE J.J. Les Métamorphoses du Jour. 4 xxviii 283 pp. with 70 hand-coloured wood engravings after designs by Grandville. Large 8vo 262 x 163 mm. bound in publisher's illustrated polychrome boards. Paris: Havard 1854. First edition in book form comprised of 67 designs from the excessively rare 1829 suite 2 lithographs from La Silhouette and 1 woodcut from the Musée Philipon. The Métamorphoses du Jour was the work which established Grandville's reputation as a brilliant satirical critic of social manners institutions and prejudices. "Throughout the series Grandville's choice of beastheads is inspired and the force of his conceptions and the wit of his captions rarely falter. Occasionally he produces a design of universal application that calls Goya to mind" Ray. Charles Blanc described the Métamorphoses du Jour as "the most original and most remarkable series in Grandville's oeuvre." The text for this edition was contributed by Alberic Second Louis Lurine Clément Caraguel Taxile Delord and others. In fine condition with the binding exceptionally fresh but with some insignificant spotting or foxing throughout not affecting the plates. An exceptionally clean copy in the rare polychrome binding. Carteret III 282. Brivois 179. Ray French 132 1829 suite. Rebeyrat p. 288.</p> hardcover
18695223CB1869. Nouvelle édition revue et complétée pour le texte par Jules Janin. Paris J. Claye für Garnier Frères 1869. Gr.-8°. LXIII 480 S. Mit 70 Holzstichtafeln in feinem Handkolorit und zahlreichen Vignetten Kopf- und Schlussstücken. Original Halbleder mit Rückenvergoldung Goldschnitt. Sander 311. - Mit den "Métamorphoses" hatte Grandville 1803-1847 seinen ersten grossen Erfolg 1829 hier erarbeitete er sich erstmals sein ureigenes Gebiet die Tier-Menschkarikatur. Die vorliegende Ausgabe ist ein Neudruck der Ausgabe von 1854 die sich von der ersten durch Weglassen von 6 Bildern und Hinzufügen von 3 neuen Bildern unterscheidet. Seinen Zeitgenossen galt Grandville als "La Bruyère der Tiere" oder "La Fontaine des Griffels". - Schönes sauberes Exemplar. unknown
04848Paris: Gustave Havard 1854. Grandville's Beast-Headed People<br /> <br /> GRANDVILLE J.J. illustrator. Les Métamorphoses du jour. Accompagnées d'un texte par MM. Albéric Second Louis Lurine Clément Caraguel Taxile Delord H. de Beaulieu Louis Huart Charles Monselet Julien Lemer. Précédées d'une notice sur Grandville par M. Charles Blanc. Paris: Gustave Havard 1854. <br /> <br /> First edition to include the text by Second and others. Octavo 10 7/6 x 6 5/8 inches; 265 x 168 mm. 4 xxviii 283 1 blank pp. Seventy hand-colored wood-engraved plates by Mouard Sotain and others after the drawings by Grandville. <br /> <br /> Contemporary quarter red hard-grain morocco over marbled boards. Smooth spine decoratively tooled and lettered in gilt sprinkled edges marbled endpapers. Preliminary leaves and text with light to moderate foxing. The superb hand-colored plates fresh and clean with just a few scattered marginal spots. Aside from the foxing to the text this is really good copy with wonderful coloring of the most famous work by this master of "bitter burlesque" Ray p. 198. <br /> <br /> These famous drawings of beast-headed people "which established Grandville's early style of bitter burlesque" Ray p. 198 first appeared in an album of hand-colored lithographs printed by Langlumé in 1829 and reprinted in 1836. This 1854 edition is the first to include the accompanying text.<br /> <br /> "Lust gluttony anger and the other deadly sins are stigmatized now with the blow of a hammer now with the thrust of a stiletto; while the foibles and humors of mankind also receive due attention. Throughout the series Grandville's choice of beast-heads is inspired; and the force of his conceptions and the wit of his captions rarely falter" Ray p. 198.<br /> <br /> Ray The Art of the French Illustrated Book 132 describing the 1829 edition. Vicaire V cols. 783-787. Paris: Gustave Havard, 1854 unknown
04-1343Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1338Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1339Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1760Paris: Martinet 1820. Hand-colored lithograph. Image: 16.5 x 22 cm. Sheet: 26 x 34 cm. Lithographer: dee Langlumé after F. Grandville. Paris: Martinet, 1820. unknown
