416 résultats
4aa180Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm gering fleckig und randgebräunt. - Aus der Reihe: Les Métamorphoses du Jour No. 27 - unknown
187710777Kbhvn. 1877. Lille 4to. Samt. hldrbd. Ryg slidt. 128159 pp. Rigt illustr. af Grandville. Lettere brunplettet. unknown
1840RBEROEV00efH. Fournier 1840. Very Good. Beranger Pierre-Jean. Oevres Completes de Beranger. Grandville illustrator J. J. Paris: H. Fournier 1840. 462pp. Indexed. Illustrated. 8vo. Book condition: Very good with rubbed boards exposed corners and cracked front hinge. Former owner's bookplate on first page. Pages and illustrations have light foxing. Newspaper clipping of a poem hand-dated December 1847 is mounted to last page. French language. H. Fournier hardcover
1840273111840. Paris J. Desmalis 1840. Un vol. au format in-4 ÂŽtroit 168 x 173 mm de 1 frontispice gravÂŽ n.fol. 2 ff. n.fol. et 507 pp. Reliure de l'ÂŽpoque de plein veau glacÂŽ olive filet gras et maigre dorÂŽs encadrant les plats lesquels s'ornent d'un important dÂŽcor de fleurons romantiques dorÂŽs dos lisse ornÂŽ d'un filet d'encadrement dorÂŽ larges fleurons romantiques dorÂŽs titre dorÂŽ jeu de petits filets dorÂŽs aux extrÂŽmitÂŽs de chacune des coupes dentelle intÂŽrieure dorÂŽe. Exemplaire revÂtu d'une dÂŽlicate reliure du temps de plein veau glacÂŽ ornÂŽ de larges fleurons romantiques. Il s'ouvre sur un frontispice gravÂŽ tirÂŽ sur Chine appliquÂŽ figurant l'auteur et recÂle en outre - en premier tirage - 18 sur 18 planches hors-texte par Grandville Tony Johannot et Achille DevÂŽria. L'iconographie est complÂŽtÂŽe par des vignettes dans le texte ainsi que 5 titres dont 4 en cama•eu gravÂŽ sur papier fort. Boileau est au XVIIÂme l'un des principaux thÂŽoriciens de l'esthÂŽtique classique en littÂŽrature ce qui lui vaudra plus tard le surnom de ÇÊlÂŽgislateur du ParnasseÊÈ. Il est l'un des chefs de file du clan des Anciens dans la querelle des Anciens et des Modernes une polÂŽmique littÂŽraire et artistique qui agite l'AcadÂŽmie franÂaise ˆ la fin du XVIIe siÂcle et qui oppose deux courants antagonistes sur leurs conceptions culturelles. Comme poÂte Boileau entreprend de dÂŽfinir le gožt et cherche ˆ fixer d'une maniÂre claire et prÂŽcise les lois et les ressources de la poÂŽsie classique. Prenant modÂle auprÂs des grands poÂtes de l'AntiquitÂŽ qu'il dÂŽfend et qu'il admire il travaille avec une lente rigueur et cherche ˆ ne pas Âtre injuste dans ses satires. MalgrÂŽ la prÂŽvention des philosophes du xviiieÊsiÂcle Boileau est aujourd'hui encore souvent pris comme rÂŽfÂŽrence scolaire pour la justesse la soliditÂŽ et le gožt l'art de conserver ˆ chaque genre la couleur qui lui est propre l'objectivitÂŽ dans ses tableaux comme dans ses jugements l'art de faire valoir les mots par leur arrangement de relever les petits dÂŽtails d'agrandir son sujet d'ench‰sser des pensÂŽes fortes et ÂŽnergiques dans des vers harmonieux mais toujours dominÂŽs par la raison. Mme de SÂŽvignÂŽ dit de lui "qu'il n'ÂŽtait vraiment cruel qu'en vers". Renonciat La Vie et l'oeuvre de Grandville p. 296 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 62 - Vicaire I Manuel de l'amateur de livres du XIXÂme 831 - Carteret III Le TrÂŽsor du bibliophile romantique et moderne p. 97. Angles ÂŽlimÂŽs. Petites pertes de colorations ÂŽparses et discrÂtes altÂŽrations superficielles affectant la reliure. Petit dÂŽfaut en marge de la page de titre ainsi que du premier feuillet. Du reste trÂs belle condition. b42961 unknown
3-58399Paris H. Fournier Ainé 1836 opera completa in tre volumi in-8vo 235 x 16 cm. solida e pregevole rilegatura coeva in mezzo marocchino verde con quattro nervi fregi e titoli dorati ai dorsi piatti marmorizzati un grande ed elaborato Ex-Libris applicato a ciascun contropiatto anteriore una tavola xilografica ad ogni antiporta pp. 4 LXXXI 375 4 399 4 4 400 con numerosissime 349 illustrazioni in nero fuori testo di Grandville molte delle quali 229 protette da velina. Completo dei facsimile di due lettere dell'A. e Grandville allegati al vol. I e vol. III. Fioriture diffuse ma ottima copia. unknown
185885997Paris: Perrotin 1858. Fine. Perrotin Paris 1858-1868 16 x 25.50 cm 5 volumes reliés en 1 New edition with some parts in first edition revised by the author and illustrated with numerous steel engravings by Johannot Raffet de Lemud Grenier Jacques Pauquet Penguilly de Rudder Sandoz d'Aubigny Grandville. Half-red shagreen bindings spines with five raised bands outlined with black fillets marbled paper boards marbled endpapers and pastedowns. The set comprises the following volumes: Chansons in two volumes Dernières chansons Musique des chansons Album des chansons entirely illustrated with engravings by Jean Ignace Isidore Gérard Grandville Ma biographie. Some foxing a scrape to head of one joint of Ma biographie the volume Dernières chansons has been bound without its title and half-title pages. Perrotin hardcover
184743618Paris.: Gabriel de Gonet. 1847. Oblong 4to. c.375 x 300 mm. Nine original engraving plates each engraved recto only with two images and titles blindstamp verso 'MOREAU ET LEROY / A PARIS'. A collection of original etching plates for the first edition of Grandville's Les Fleurs Animées.Les Fleurs Animées one of Grandville's last books and one of his own personal favourites was published by Gabriel de Gonet in 1847 and illustrated with two colour frontispieces 50 colour plates and two botanical plates in black and white. Each of the plates presented here features two of Grandville's anthropomorphic flowers; a second edition of the work was printed in chromolithography rather than the colour engravings that were issued with the first edition.The plates presented here each with two images consist of the following flowers: 'LAURIER / MYRTE' 'CAPUCINE / AUBEPINE' 'CAMELLIA / BELLE-DE-NUIT' 'FLEUR DE PECHER / CACTUS' 'EGLANTINE / SOLEIL' 'PERUENCHE DESSECHE / HORTENSIA COURONNE IMPERIALE' 'CHEVREFEUILLE / NENUPHAR' 'VERVEINE / LILAS' and 'LIN / MYOSOTIS'.'Though the images in the book are of Grandville's time his manner of proceeding is that of an artist of the modern movement exploring the same subject through a sequence of slight but significant variations . His first biographer wrote in the preface to Les étoiles pp. viii - ix: 'The Fleurs animées are the very thought of Grandville; they were his favourite work the work into the execution of which he put all that was in him of poetic and gracious originality of dexterity of mind and observation of that prodigious perspicacity which made him divine affinities hitherto unperceived by anyone and discover new worlds'.' Ray The Art of the French Illustrated Book 1700 to 1914.Ray 198. Gabriel de Gonet. unknown
1854119159Paris: Gustave Havard 1854. Making a mockery of mankind First edition in book form of Grandville's masterpiece of satirical illustration. The work originally appeared as a portfolio of hand-coloured lithographs printed by Langlumé in 1829; this edition was enlarged with an accompanying text and reproduces the illustrations as wood-engravings. The task of re-engraving the images on wood was entrusted to Auguste Desperet 1804-1865 a skilled artist "whose talent was highly regarded by Grandville himself who considered him to be his collaborator" tr. from Brivois. Grandville the pseudonym of Jean Ignace Isidore Gerard 1803-1847 was the most famous and talented French caricaturist of the period. Les métamorphoses du jour was his first major success and the work which established his reputation. The illustrations inaugurated his characteristic "bitter burlesque" style which exposes human vices and behaviours by giving men and women the heads of animals. The work was intended as a satirical commentary on the Parisian burgeois society of the 1820s. "Lust gluttony anger and the other deadly sins are stigmatized now with the blow of a hammer now with the thrust of a stiletto; while the foibles and humors of mankind also receive due attention. Throughout the series Grandville's choice of beast-heads is inspired; and the force of his conceptions and the wit of his captions rarely falter" Ray p. 198. Large octavo 255 x 158 mm. With 70 wood-engraved and hand-coloured plates; title page and verso of last leaf printed in red and green incorporating black wood-engraved vignette. Near-contemporary red half morocco by Émile Rousselle of Paris spine with raised bands gilt lettering in second compartment marbled sides and endpapers top edge gilt others trimmed. A touch of wear at corners short splits to rear joint ends inner hinges cracked but firm a few spots of foxing to endpapers and occasional edges short closed tear to margin of one leaf slight offsetting from plates else clean. A very good copy. Brivois p. 180; Vicaire V 783. Gordon Norton Ray The Art of the French Illustrated Book 1700 to 1914 vol. I 1982. hardcover
184247668Paris.: Chez Aubert et Cie. 1842 – 1843. Original publisher's cream boards with elaborate pictorial titles later cloth spine and corners; boards somewhat dusty. 2 vols. Folio. 352 x 278 mm. Half-title for each part with 'Table des Matières' verso printed title for each part with vignettes by Grandville 48 livraisons each of 4 leaves of text and illustration recto and verso livraison nos. 25 30 34 41 and 46 with text printed in red four double-numbers of 8 leaves in vol. II illustrated throughout in monochrome by various artists see below with more than 1400 vignettes and plates. A fine copy of Philipon's profusely illustrated satirical magazine.It is a testament to Philipon's tireless satirical efforts that after the problems he experienced in editing La Caricature - constant harassment by the authorities numerous arrests and prosecutions - he could continue to publish and in a similar vein. Announced in the first livraison as consisting of a prospective 96 livraisons publication was curtailed after only 48. The illustrators used include several principally Grandville and Daumier employed by La Caricature as well as many making their names for the first time. Illustrators included as mentioned on the title pages Cham Daumier Dollet Eustache Forest Gavarni Grandville Eugène Lami Lorentz Plattier Tromolet Vernier and others. Literary contributors included Philipon himself as well as Bourget P. Borel Cham L. Huart Lorentz and Marco Sainte-Hilaire.' . important et d'un réel intérêt.' Carteret.'Les folies les plus courtes sont les meilleures; nous avons craint que la nôtre fût trouvée trop longue et nous l'avons arrêtée court.' Philipon announcing the cessation of publication of the magazine after 48 issues.Carteret III 426. Chez Aubert et Cie. hardcover
3-58398Paris Perrotin 1854 8vo grande 245 x 165 cm. solida e pregevole rilegatura coeva in mezza pelle con angoli rinforzati dorso a cinque nervi con titoli dorati piatti marmorizzati taglio superiore dorato segnacolo copertina originale illustrata conservata all'interno pp. 10 292 di trascrizioni musicali su pentagramma 80 tavole xilografiche di Grandville e Raffet fuori testo. Rare fioriture nel complesso un ottimo esemplare. unknown
3-58397Paris Garniers Frères s.d. 1869 8vo grande 235 x 18 cm. solida e pregevole rilegatura coeva in piena pelle rossa dorso a cinque nervi fregi e titoli dorati vignetta allegorica al frontespizio pp. 8 344 di trascrizioni musicali su pentagramma numerosissime tavole xilografiche in nero fuori testo di Grandville ispirate ai personaggi e alle vicende delle composizioni di Berangér raccolte nel volume. Rare fisiologiche fioriture nel complesso un'ottima copia. unknown
4aa204Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm etwas fleckig. - Aus der Reihe: Les Métamorphoses du Jour No. 42 - unknown
4aa203Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm leicht fleckig. - Aus der Reihe: Les Métamorphoses du Jour No. 42 - unknown
1836375399Paris: Aubert 1836. Quarter-bound brown calf and silk jacquard decoratively stamped in gilt on covers and spin. Shelf worn with edge wear to margins and corners some chipped. Foxing to interior pages. Reimpression of the 1829 edition with the same 71 plates framed here in double black lines but missing the original preface as well as the extra two Belgian plates issued in 1830 and afterward censored.<br /> <br /> Scathingly funny and wildly inventive each of the illustrations feature human figures with animal avian or pescatory faces in scenes ranging from looking through telescopes shopping and delivering babies to getting haircuts sauntering the streets dancing and fishing among other common everyday activities. Grandville's aim in creating the prints was to satirize the bourgeois middle class of Parisian society and thereby expose people for the beasts they really are. Aubert unknown
2180052Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2180055Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2180054Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2180053Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
196826930GenÂve : Librairie Droz 1968. 230x155mm. brochÂŽ. 368 Librairie Droz unknown
4aa197Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm leicht fleckig und gebräunt/Blattrand mit Eckknickspur. - Aus der Reihe: Les Métamorphoses du Jour Pl. 7 - unknown
1833P5229Paris: La Caricature Journal c.1833. Very Good. Image Size : 188x253 mm 7.40x9.96 Inches Platemark Size : Paper Size : 252x338 mm 9.92x13.31 Inches Coloring: Hand Colored Medium: Lithograph Categories: Caricatures; Pastime & Amusements Others; La Caricature (Journal) unknown
18496294Paris & Leipzig: G. De Gonet & Chez Charles Twietmeyer 1849. First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards. Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br /> <br /> This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. "The compositions of this 'last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville.The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at the eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding.<br /> <br /> <br /> Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. G. De Gonet & Chez Charles Twietmeyer unknown
1390563731.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391343190.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3-55326Paris Garnier Frères senza data 1869 8vo grande cm. 27 x 18 mezza pelle coeva dorso a quattro nervi con decorazioni e titoli in oro piatti in percallina con cornici a secco risguardi in carta francese pp. LXIII 480 frontespizio a due colori con grande vignetta incisa alcune illustrazioni nel testo introduttivo di Blanc settanta 70 testatine e settanta 70 culs-de-lampe incisi in nero dall'A. e soprattutto settanta 70 tavole fuori testo finemente colorate a mano con la loro velina protettiva oltre al frontespizio figurato anch'esso colorato a mano e protetto da velina così opera completa. Magnifica edizione parzialmente originale di questo capolavoro di Grandville molto imitato che lo consacrerà come il più grande caricaturista francese del suo tempo. Minime mancanze alla cuffia di testa; lievissime spellature alle cerniere volume assolutamente solido e tracce d'uso ai piatti; sporadiche arrossature. Grande ex libris di bella fattura applicato al contropiatto anteriore. Esemplare molto ben conservato. unknown
