Henri Daniel RopsBiblio.com
294 résultats
1967309469New York: Image Books 1967. First Edition Thus; First Printing. Softcover. Both volumes Very Good in wraps. Foxing on text block edges and spines of both volumes. Image Books unknown
1964309471New York: Image Books 1964. First Edition Thus; First Printing. Softcover. Both volumes Very Good in wraps. Foxing on text block edges and spines of both volumes. Light creasing on spine of volume 1. Image Books unknown
1962309470New York: Image Books 1962. First Edition Thus; First Printing. Softcover. Both volumes Very Good in wraps. Foxing on text block edges and spines of both volumes. Small open tear on spine crown of volume 1. Image Books unknown
1965309468New York: Image Books 1965. First Edition Thus; First Printing. Softcover. Both volumes Very Good in wraps. Foxing on text block edges of both volumes. Image Books unknown
100107580Hachette. Bon état d'ensemble cependant bords jaquettes frottées tranches ternies rousseurs intérieurs propres. in8. Sans date. Broché. 30 volumes. Hachette unknown
1885234251885. Paris Editions Monnier et Cie 1885. Un vol. au format in-8 238 x 167 mm de 1 f. bl. 1 f. n.fol. 1 frontispice n.fol. et 108 pp. Reliure sans doute trÂs lÂŽgÂrement postÂŽrieure de demi-chagrin maroquinÂŽ cerise filet vertical gras en noir portÂŽ sur chacun des plats dos ˆ nerfs ornÂŽ de filets en noir filet en pointillÂŽs dorÂŽs sur les nerfs titre dorÂŽ couvertures conservÂŽes. Edition originale - qui a conservÂŽ ses couvertures papier originelles - ici revÂtue d'une agrÂŽable reliure. L'ouvrage s'ouvre sur un frontispice par FÂŽlicien Rops s'agrÂŽmente en outre de 12 compositions hors-texte tirÂŽes en sanguine par Ferdinanc Bac ainsi que d'un premier plat de couverture illustrÂŽe en couleurs avec rehauts ˆ l'or par Manuel Orazi. Vicaire VI Manuel de l'amateur de livres du XIXÂme 499 - ThiÂme Guide bibliographique de la littÂŽrature franÂaise p. 413. Quelques rousseurs en marge infÂŽrieure du frontispice ; trÂs rares tout autant que discrÂtes dans le corps d'ouvrage. Nonobstant trÂs belle condition. b42961 unknown
1881013641Bruxelles Brussels: Gay et Douce Publishers 1881. Wraps. Good. Printed wraps. Number 319 of 500 copies. 49 pp. Frontispiece illustration presumably done by Felicien Rops. All text in French. An apparent critical work perhaps most notable for the frontispiece art by Belgian artist Felicien Rops blending his usual erotic and dark/occult themes in the depiction of nude women. His work influenced Edvard Munch among others. GOOD condition. Wrappers darkened along the hinges and extremities with some soiling and minor spots of staining. Heavy chipping and creasing along the extremities with extensive chipping tearing and loss along the spine. Small semicircular stain to the first endpaper. Gay et Douce, Publishers unknown
1967017140New York: The Gallery of Modern Art New York presumed Publisher 1967. Unbound. Good. Single sheet heavier paper stock. 28 ¾ by 20 inches. A poster for an October 30 1967 exhibition of the graphic art of Felicien Rops taken from the Brian Reade collection and held at the Gallery of Modern Art New York and including the Huntington Hartford Collection. Felicien Rops was a Belgian artist sometimes associated with the Symbolist movement although dismissed by some art critics as a 19th century pornographer. His work often embraced erotic dark and occult themes and influenced artists such as Edvard Munch among others. This poster bears a large black and white illustration of a nude woman from behind with an eye mask covering her lower body. GOOD condition. Minor wrinkling and creasing to the paper. A few small areas of soiling/discoloration. Light curling and scuffing along the extremities. The Gallery of Modern Art, New York, presumed Publisher unknown
1995mon0000018827Hotel De Ville Bruxelles 1995. Softcover. New. Brand New. Hotel De Ville Bruxelles unknown
1864D1234Paris: E. Dentu 1864. First Edition. Hardcover. Very Good. Original wraps bound in quarter black morocco and marbled paper gilt-stamped lettering and border on spine 4 raised bands; with 24 etchings and a frontispiece. A little scuffing along joints and edges of boards. Small spot of soiling on original front wrap otherwise internally bright and clean. <br/><br/> E. Dentu hardcover
189058405Paris: Comptoir d'édition 1890. Fine. Comptoir d'édition Paris 1890 12 x 18.50 cm relié First edition on ordinary paper. Bradel binding in half dark green morocco smooth spine faded gilt date at foot marbled paper boards marbled endpapers and pastedowns original wrappers preserved top edge gilt. Work illustrated with a frontispiece by Félicien Rops. Comptoir d'édition hardcover
189685413Paris: Bibliothèque artistique et littéraire 1896. Fine. Bibliothèque artistique et littéraire Paris 1896 14 x 19.50 cm broché First edition on ordinary paper. Work illustrated with a frontispiece by Félicien Rops. Bibliothèque artistique et littéraire unknown
192439243Paris: Editions Pellet 1924. Louis Legrand. A quirky illustrated book about the mythical Breton town of Ys and its destruction illustrated throughout with drawings and with TWO MORBIDLY EROTIC ORIGINAL HORS-TEXTE DRYPOINTS BY LOUIS LEGRAND AND TWO EROTIC ORIGINAL HORS-TEXTE LITHOGRAPHS BY FELICIEN ROPS actually two impressions of the same lithograph one in color and one in bistre. Edition limited to 150 numbered copies all printed on fine Arches wove paper. 4to. Bound in contemporary three-quarters cloth and marbled boards. Original wrappers and backtrip preserved. A little bit of minor foxing snd binding a tiny bit worn at extremities but still a very good copy of this most unusual collaboration. <br/><br/> Editions Pellet hardcover
192811702Paris: Editions Marcel Seheur 1928. No. 1608 of an unspecified number of copies. Illustrated with examples of Rops' work including several in color. 1 vols. 4to. Orange cloth gilt-titled brown morocco spine slight bumping to head and foot of spine else fine. No. 1608 of an unspecified number of copies. Illustrated with examples of Rops' work including several in color. 1 vols. 4to. A profusely illustrated study in French of the work of the great French graphic artist with particular emphasis on his celebrated erotic images. Editions Marcel Seheur unknown
16-6104Paris: H. Floury 1908. 233 1 pp. Illustrated with plates and in-text b&w reproductions from the designs of Félicien Rops tissue guards. 24.7x19 cm 9¾x7½" quarter-leather and paper-covered boards. Original wraps preserved but front cover is loose.Collector stamp on title page. Some pencil underlining. Original front wraps laid in."Épater les bourgeois!" was the war cry of the Decadent movement. But why stop there In his journey to the end of night Rops paused to consider suicides Satanism bestiality absinthe naughty nuns voyeurism and wild sex in the working class. He didn't stop with the bourgeoisie – he scandalized his whole society. Whether this bosom friend of Charles Baudelaire was the most artistic pornographer of the 19th century or its most pornographic artist is a difficult judgement – regardless he takes the podium in either category.Condition:Front joint starting some chips to paper covering boards light rubbing at extremities; some toning; some sprung leaves; Origianl paper cover loose in binding. Good.OCLC Number / Unique Identifier:1486732. Paris: H. Floury, 1908 paperback
18591472Brussels: Uylenspiegel 1859. Lithograph on lightweight cream wove paper 13 7/8 x 10 1/2 inches 352 x 265 mm the full sheet. In good condition with a soft horizontal fold and scattered light areas of discoloration. On the verso are circular areas which appear to be embossed lightly in a way not to affect the recto. There is a strip of nonarchival tape along the right sheet edge on the verso. Published in Uylenspiegel No. 36 1859.<br /> <br /> An impression of this work may be found in the permanent collection of the Félicien Rops Museum inventory No. MA G E0147. Uylenspiegel unknown
1919263207Berlin: Privately Printed 1919. unbound. very good. 32 black and white plates loose as issued in a brown leather portfolio. 2 pages of text title page has some offsetting from the folder small slim 4to. Berlin: Privately Printed 1919. Limited Edition. Number 348 of 492 numbered copies. Near Fine.<br/> <br/> Privately Printed unknown
196571985Luis De Caralt 1965. Tapa blanda. 2ª Mano. . . Jesús en su tiempo La iglesia de los apóstoles y. de los mártires La iglesia de los tiempos bárbaro. La iglesia de la catedral y de la cruzada. Luis De Caralt unknown
188185499Bruxelles Brussels: Jules Gay 1881. Fine. Jules Gay Bruxelles Brussels 1881 12 x 19 cm relié First edition of some parts as entirely revised and printed in 500 numbered copies on laid paper. Work illustrated as frontispiece with an etching by Félicien Rops. Half red morocco-grained shagreen binding with corners spine with five raised bands set with gilt dots and black fillets and decorated with gilt fleurons gilt date at foot pebbled paper boards combed paper endpapers and pastedowns original wrappers preserved top edge gilt on deckled edges bookplate pasted on pastedown binding signed Mativet. Fine copy handsomely bound. Jules Gay hardcover
188471340Paris: Chez la plupart des libraires Imprimerie Darantière 1884. Fine. Chez la plupart des libraires Imprimerie Darantière Paris 1884 16 x 25.50 cm relié First edition published anonymously one of 125 copies on simili-Japan paper. Bradel binding in turquoise half cloth with corners smooth spine decorated with gilt fleuron double gilt fillet and gilt date at foot tan morocco title label marbled paper boards marbled endpapers and pastedowns original wrappers preserved contemporary binding. Handsome copy. Our copy is complete with the China paper facsimile of Charles Monselet's letter which shows heavy foxing as is usual with China paper. Work illustrated with an original etching frontispiece by Georges Clairin and at the end of the volume an original etching by Félicien Rops. Chez la plupart des libraires( Imprimerie Darantière) hardcover
188455230Paris Dijon: Chez la plupart des libraires Imprimerie Darantière 1884. Fine. Chez la plupart des libraires Imprimerie Darantière Paris Dijon 1884 16.50 x 25.50 cm broché First edition published anonymously one of 125 copies on simili-Japon paper. Work illustrated with a frontispiece by Clairin an etching by Félicien Rops and a facsimile on China paper of a letter by Charles Monselet. Two lacks at head and foot of spine handsome interior condition despite small foxing at head of the facsimile on China paper. Chez la plupart des libraires( Imprimerie Darantière) unknown
1876963Paris: Cadart & Luquet 1876. Etching on watermarked D & C Blauw cream laid paper 6 x 9 1/4 inches 151 x 234 mm full margins. Significant toning handling creases and some mottling due to moisture in the lower sheet area and into the image. There is some edge wear and creasing as well as paper tape remnants along the top sheet edge verso. Félicien Victor Joseph Rops 7 July 1833 - 23 August 1898 was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter illustrator caricaturist and a prolific and innovative print maker particularly in intaglio etching and aquatint. Although not well known to the general public Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers authors and poets of his time. He provided frontispieces and illustrations for Jules Barbey d'Aurevilly Charles Baudelaire Charles De Coster Théophile Gautier Joris-Karl Huysmans Stéphane Mallarmé Joséphin Péladan Paul Verlaine Voltaire and many others. Best known today for his prints and drawings illustrating erotic and occult literature of the period he also produced oil paintings including landscapes seascapes and occasional genre paintings. Cadart & Luquet unknown
1867711Brussels: J. Bouwens 1867. Etching with aquatint and engraving on laid Japan paper 9 3/4 x 6 1/2 inches 247 x 163 mm full margins. Fifth state of 5. Scattered moderate foxing. An illustration for "The Legend and the Adventures of Ulenspiegel and Lamme Goedzak" by Charles de Coster. An excellent impression with rich inking. <br /> <br /> Exteens 469. Félicien Victor Joseph Rops 7 July 1833 - 23 August 1898 was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter illustrator caricaturist and a prolific and innovative print maker particularly in intaglio etching and aquatint. Although not well known to the general public Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers authors and poets of his time. He provided frontispieces and illustrations for Jules Barbey d'Aurevilly Charles Baudelaire Charles De Coster Théophile Gautier Joris-Karl Huysmans Stéphane Mallarmé Joséphin Péladan Paul Verlaine Voltaire and many others. Best known today for his prints and drawings illustrating erotic and occult literature of the period he also produced oil paintings including landscapes seascapes and occasional genre paintings. J. Bouwens unknown
51-4579Bruxelles: L'Uylenspiegel Journal des ébats artistiques et littéraires 1857. Lithograph with verso text as published. in Galerie Uylenspiegel no. 12 19 April 1857 41.5 x 30 cm.sheet size . Eugène Rouir Félicien Rops: Catalogue raisonné de l'oeuvre gravé et lithographié no. 196; .Exsteens Maurice. L'oeuvre gravé et lithographié de Félicien Rops. Paris: Éditions Pellet 1928 no. 104. Jean-Baptiste Rousseau dit Jean Rousseau né à Marche-en-Famenne le 5 août 1829 et mort à Ixelles le 13 novembre 1891 est un homme de lettres critique d'art journaliste historien de l'art et haut fonctionnaire belge francophone. Bruxelles: L'Uylenspiegel, Journal des ébats artistiques et littéraires, 1857 unknown
1874516Brussels 1874. Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lys watermark 5 5/8 x 4 1/4 inches 341 x 107 mm full margins. In very good condition with cockling along the extreme sheet perimeter and a hard crease along the left margin approximately 1-inch inward from the sheet edge and well outside of the image area. Light notations in pencil in the lower left margin on the recto and in the upper right corner verso also well outside of image area. An impression of this work may be found in the permanent collection of the Musée Felicien Rops registration No. PER E0273.7.CF. Félicien Victor Joseph Rops 7 July 1833 - 23 August 1898 was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter illustrator caricaturist and a prolific and innovative print maker particularly in intaglio etching and aquatint. Although not well known to the general public Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers authors and poets of his time. He provided frontispieces and illustrations for Jules Barbey d'Aurevilly Charles Baudelaire Charles De Coster Théophile Gautier Joris-Karl Huysmans Stéphane Mallarmé Joséphin Péladan Paul Verlaine Voltaire and many others. Best known today for his prints and drawings illustrating erotic and occult literature of the period he also produced oil paintings including landscapes seascapes and occasional genre paintings. unknown
