49 résultats
16 p. Inked ownership of Harold Goodwin, July 1882. Mildly XLib. Floral end papers. Foxed. Square 16mo. Very nice original full green cloth binding, decorated in black and gilt. Gilt lettered. Hardbound. Very good copy of a memento from the Victorian Jack and Gill club of Philadelphia. PA 22
8vo., First Edition, with frontispiece and title-vignette; navy cloth, upper board and backstrip blocked and lettered in silver, a very good, bright, clean copy in unclipped but mildly age-soiled and worn dustwrapper. Collects fourteen essays first published between 1918 and 1940. Gill 51.
8vo., First Edition, with frontispiece in red and black, and plates; red cloth, upper board blocked in blind, gilt back, , red top (lightly faded), fore-edge mildly spotted else a very good, bright, clean copy in dustwrapper, the latter lightly sunned at backstrip.
Sm. 4to., with a portrait frontispiece and numerous illustrations and facsimiles in the text, signature on front free endpaper and title; original pictorial wrappers, wire-stitched as issued, a very good, bright, clean copy. Harling's study was first published in 'Alphabet & Image 6' (1948); this is a considerably revised and expanded edition
8vo., First Edition, with title-vignette and 16 plates; blue cloth, gilt back, a near fine copy in unclipped dustwrapper, the latter lightly age-soiled, and unevenly browned at backstrip and rear panel. SCARCE IN THIS CONDITION.
8vo., First Edition, with illustrations in the text; printed wrappers, wire-stitched as issued, a near fine copy. LOOSELY INSERTED IS A T.L.s FROM THE COMPILER. The catalogue lists 101 items. VERY SCARCE.
8vo., First Edition, with portrait frontispiece, and photographs, facsimiles and pictorial endpapers; grey cloth, upper board and backstrip blocked and lettered in gilt, red top, a very good, bright, clean copy in price-clipped dustwrapper, the latter mildly rfrayed and browned at extremities.
8vo., First Edition, with 9 plates on 4; original green cloth, gilt back, a near fine copy in unclipped dustwrapper. The cover portrait of the author is by Jane Percival. Sewell's extraordinary life includes periods in three major religious orders and four private presses. A close friend of Henry Williamson, he was a continuous reviewer and commentator in the pages of the Aylesford Review and elsewhere. SCARCE.
8vo., First Edition, on laid paper, with title in brown and black, and plates; original marbled wrappers, uncut, a near fine copy. EDITION LIMITED TO 230 NUMBERED COPIES (THIS COPY NO. 108). THIS COPY WAS FORMERLY IN THE LIBRARY OF SUBSCRIBER MICHAEL HARVEY: LOOSELY INSERTED ARE A P.L.s FROM CLEVERDON AND A PROOF LIST OF SUBSCRIBERS. Printed for the subscribers [list included] and for presentation to Cleverdon on his eightieth birthday. The text is based on a talk given to the Double Crown Club, the Wynkyn de Worde Society and on several other occasions.
Roy., 8vo., First Edition, with many hundreds of fine reproductions throughout; green buckram, upper board blocked in blind, gilt back, red endpapers, a near fine copy in unclipped dustwrappoer, the latter sunned at backstrip. A splendid survey, based on Skelton's limited edition of 1983.
8vo., First Edition, with title-vignette and 36 fine plates, some faint offsetting from fold-ins to free endpapers; violet cloth, upper board and backstrip blocked and lettered in silver, edges faintly bruised else a near fine copy in unclipped, moderately browned dustwrapper. Gill 48.
8vo., First Edition, with 9 full-page illustrations in the text; rose cloth, gilt back, a near fine copy. Collects three essays: Money and Morals; The Politics of Industrialism; Men and Things, and Things of Stone. Gill 28, noting that 1413 copies were printed..
8vo., First Edition, with engraved frontispiece and cover vignette, neat pencilled inscription on frontispiece; original pictorial wrappers, sewed as issued, covers very lightly dust-soiled else a near fine copy. Ariel Poem 5. Gill 278; Physick 478, 479; Sullivan 70.
pp. vii, 136. Illustrated with full page etchings by Denis Tegetmeier; designed by Eric Gill; printed and bound by Hague & Gill; hand-set in Bunyan type, designed by Gill, and first used in this book; full tan buckram, stamped in blue, red and gold. 4to. 9 1/8 x 11 1/2 inches. Top edge gold. Binding curiously stained at bottom front corner and rear top corner. From the original slip case? Paper slip case paper label has slight chipping. Number 413 of an edition limited to only 1500 copies, signed by Denis Tegetmeier and Eric Gill. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42
2 vols., roy. 8vo., with 99 plates and maps (including four maps in pockets at end); cloth, both very good copies in dustwrapper, the latter soiled and mildly frayed at edges. The standard history. A third volume by Sutcliffe and Smith (updating the history to 1970) appeared in 1974 but the first two volumes are considered complete in themselves. SCARCE, ESPECIALLY IN THIS CONDITION.
Mm 200x255 Opera in otto volumi (1880 circa) con numerosissime illustrazioni, legatura editoriale in tela verde con scritte e decorazioni in oro e nero ai piatti e ai dorsi, dorature ai tagli. L'opera è in buone condizioni, e mostra segni d'uso normali (angoli e cuffie lise) con l'eccezione del primo volume il cui dorso è parzialmente distaccato.
8vo., First Edition thus, with numerous fine typographical illustrations throughout; red cloth, upper board and backstrip blocked and lettered in gilt, gilt top, grey endpapers, grey silk marker, a near fine copy in publisher's board slip-case blocked in gilt. Gill, 285 (recording the original edition).
8vo., First Edition, with portrait frontispiece and plates; handsomely bound in dark red full crushed morocco, sides with gilt frame border, back with raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled in gilt, gilt top, hand-made endpapers, a most attractive copy ideal as a gift or for presentation.
Together 2 vols., 8vo., First Edition thus, with numerous fine typographical illustrations throughout; full morocco, upper board and backstrip blocked and lettered in gilt, gilt edges, Commentary volume bound in boards with paper label, buckram back, both near fine copies housed in publisher's board slip-case. EDITION LIMITED TO 2750 COPIES. Splendid facsimile of the original edition of 1931. Gill, 285 (recording the original edition).
2 vols., 8vo., First Edition thus, on Rigolette Panna paper, with decorative title and borders,, and 5 full-page illustrations; main work handsomely bound in black full goatskin, elaborately blocked and lettered in gilt to a design by Neil Gower, gilt edges, silk marker; Commentary Volume bound in boards with backram back, the two volumes housed in publisher's solander case. EDITION LIMITED TO 1250 COPIES. Sumptuous Folio Society reissue of the original Golden Cockerel Press edition of 1927. The Commentary Volume contains essays by Roderick Cave on the history of the Golden Cockerel Press and Professor Barry Windeatt on the sources, structure and interpretation of the poem.
2 vols., 8vo., First Edition thus, with very numerous illustrations, initials, and head- and tail-pieces by Gill in the text; full niger morocco, sides and backstrip blocked and lettered in gilt, gilt edges, silk marker, Commentary Volume bound in boards with buckram back, the two fine volumes housed in publisher's cloth solander case lettered in gilt. EDITION LIMITED TO 1980 COPIES. A magnificent facsimile of the Golden Cockerel masterpeice, widely regarded as the finest private press production of the period.
Together 3 vols., folio, First Edition, on rag paper, with illustrated titles in green and black, and over 1000 fine reproductions (a number folding or full-page; several tinted); main volumes in burgundy hessian, morocco backs lettered in gilt, burgundy endpapers, Portfolio in matching hessian, backstrips mildly age-faded, all near fine copies housed in publisher's board slip-case with extraction ribbon. EDITION LIMITED TO 85 NUMBERED COPIES (THIS COPY No. 77). With two review cuttings loosely inserted.
André Gill machte sich einen Namen als der Karikaturist des zweiten Kaiserreichs bei der Zeitschrift "La Lune". Nach deren Verbot, sie hatte sich mit Darstellungen von Napoleon III. unbeliebt gemacht, zeichnete er von 1868 bis 1876 für das Nachfolgejournal L'Eclipse weiter. Seine Karikaturen gerieten immer wieder in das Blickfeld der Zensur, so bereits in der Ausgabe L'Eclipse vom 9. August. Dort hatte Gill unter der Überschrift "Monsieur X...?" einen mit Armen und Beinen versehenen Kürbis dargestellt, in welchem man den Kopf eines Richters wiederzuerkennen glaubte. Der Prozess brachte ihm nicht nur die Anerkennung der Boheme ein, sondern auch einige Monate Gefängnis. Die hervorragenden, datierten Karikaturen, entstanden in der Zeit vom 23. September 1866 bis 28 April 1870. Schönes Exemplar dieser extrem seltenen Veröffentlichung. Kein Exemplar seit 30 Jahren im Handel nachweisbar.
