GILL, StephenBiblio.com
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30765London: Nobody 2008. Cloth library binding with repairs to hinges; prints are fine. Scarce with no OCLC records located. Limited Edition. Octavo. Artist's edition from Stephen Gill in which he issued a new series of his Hackney Wick photographs in unique fashion via a series of interventions to 130 withdrawn books from the Hackney Public Library system. In this case: Gill affixed 15 C-type hand prints 4.5 inches square into an Ernst Eulenburg edition of Bach's Cantata No. 55 circa 1930 along with a sun-etched lino print with burn-marks a pressed flower shoe and bicycle tire prints drawings and various letterpress elements. SIGNED by Gill to final leaf and hand-stamped as copy 94 of 130. London: Nobody unknown
192978251929. Original wood engraving for the beginning of The Tale of Melibeus for the Golden Cockerel Press The Canterbury Tales. No. 4 of 5 for the USA signed by the artist ‘EricG’. Image size 10 x 12.5 cms framed and mounted.Physick 593 Original signed wood engraving for the Golden Cockerel Canterbury Tales unknown
192917898<p>London: Cassell & Co. LTD. & Francis Walterson 1929 First trade edition. A limited edition of 100 copies bound in maroon cloth was also published. Blue buckram with gilt-lettered spine and bevelled edges. Octavo. Binding extremities lightly rubbed. Spine has some light toning and fading. Bookplate of Merle Armitage on front pastedown. Pages untrimmed. Holographic Eric Gill letter written to Merle Armitage and dated 6/3/31 laid in. Gill writes: "I would sign your book for you with / pleasure if you wd. send it. But this / seems a large trouble for so small an / advantage. / Why not cut out the above signature & stick it in" A very good copy and a wonderful association In Art-Nonsense and Other Essays Gill opens with an "apology" to the reader in which he writes "Two primary ideas run through all the essays in this book: 'that art is simply the well making of what needs making' and that 'art is collaboration with God in creating.' Written at various times and for various occasions I was sometimes moved by the one sometimes by the other. One essay will appear in consequence to contradict another. This seems unavoidable but apology is offered for the gymnastics to which the reader is compelled. After all life is full of these apparent contradictions and a robust mind is one that is not disturbed thereby."</p> Cassell & Co., LTD. & Francis Walterson, hardcover
192424032450Ditchling Sussex: S. Dominic's Press 1924. Limited Edition. Hardcover. Very good . Gill Eric. One of 150 copies folio size 40 pp. Eric Gill 1882-1940 English sculptor typographer illustrator and printmaker is perhaps best known for his wood engravings; his work is characterised by sensual line work and elegant characters with a deep spirituality. <br /> <br /> This volume appears to be one of the first attempts to compile Gill's work in a single volume; however per Evan Gill's bibliography it "was prepared and published entirely without Gill's knowledge and consent." p. 162. As always seeing Gill's work with the depth and texture of an engraving is so very different from seeing an offset- or digitally-printed version; this work contains a wonderful selection of his early work with his talent already in its full glory. <br /> <br /> The work contains a total of thirty-eight of Gill's engravings including those done jointly with David Jones. Note that the list is given on the Contents page but does not call out that there are two engravings on the title page and four on p. 28. <br /> <br /> ___DESCRIPTION: Bound in full natural linen cloth over boards title page in red and black with two of the thirty-eight engravings a hand-made notation in the second sentence of the title which apparently was made to all copies as other online listings have the same correction noted limitation statement following the title page issued in an edition of 150 copies this no. 83 each engraving on the rectos only vintage bookseller ticket on the rear pastedown Phillip C. Duschenes New York; binding folio size 12 1/2" by 10" pagination: ii 36 leaves 2 printed recto only. <br /> <br /> ___CONDITION: Somewhat better than very good the front board clean the corners gently bumped with the linen cloth just beginning to rub a strong square text block with solid hinges and entirely free of prior owner markings; some foxing and a small spot of soil on the back board some foxing throughout and on some pages some marks which appear to be offsetting which fortunately do not intrude upon the engravings. Lacking the very scarce dust wrapper. <br /> <br /> ___CITATIONS: Taylor & Sewell no. A129; Gill no. 410 which states "thirty-seven engravings" but correctly lists each one of the thirty-eight. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. International customers please note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press hardcover
193145462London: Messrs. Sheed & Ward 1931. Limited edition one of 500 copies signed by both Gill and Hague on the limitation page. Small 8vo. 4 120 2 pp. Original red buckram gilt lettered to spine dust jacket not price clipped. 25 figures representing typographical examples mostly set into the text. Some marking to the uncommon jacket a little more so to the spine and rear panel a little light edge wear very good overall. Printed by René Hague & Eric Gill at the latter's residence Piggotts near Hughenden Buckinghamshire. Evan Gill 21. London: Messrs. Sheed & Ward unknown
191135044Philadelphia: J. B. Lippincott. Very Good in Very Good dust jacket. 1911. First Edition; First Printing. Hardcover. Photographs; 429 pages; 8vo orig color pictorial gilt-lettered salmon cloth t. E. G. other edges untrimmed. Extremities slightly scuffed d/j a few small tears at edges. Maps photo plates other illustrations. Slight discoloration to endpapers. Pub advt/order form of 36pp inserted. 139 illustrations. Top edge gilt. Publisher's brochure/order form laid in. . J. B. Lippincott hardcover
63153L. Mauger Paris 1870 In-folio 432pp. illustr. couvertures et gravures sur bois dont les unes en couleurs par Gill Alfred Le Petit A. Lemot A. Humbert Moloch Hadol etc. reliure de l'epoque Nb-0264 unknown
198343895Wellingborough: Christopher Skelton 1983. First edition. One of 1350 copies. 4to. xxiv 545 3 pp. Bespoke binding of two-tone leather with black morocco to the spine and fore edges with stylised gilt lettering and inlaid morocco flowers of differing colours the central sections of the both boards in cream morocco and further inlaid morocco flowers and blind tooled stems and leaves marbled endpapers. With over 1000 examples of Gill's work - several folding. Slight waviness to the foot of the contents and a little spotting to the edges a delightful example in a unique binding. Compiled by Gill's nephew this brings together a lifetime's work from the well known and celebrated such as his designs for the Golden Cockerel Press books to more ephemeral items such as designs for rubber stamps Christmas cards and bookplates. Wellingborough: Christopher Skelton unknown
19289170London: Lanston Monotype Corporation 1928. One of 55 copies of this beautifully printed issue of a lecture on sculpture given by Eric Gill at the Victoria and Albert Museum. In addition to the text Gill contributes a red device to the title page and a map of his home Piggotts on the final leaf - with a loose leaf to receive offsetting from this image clearly in place since the book was issued. Gill has signed the book on the page before the map at the end of the text choosing to date it not to the imprint but to the date of the actual lecture: 'Eric G. Dec.r 1927'. Bound in black buckram with a puncture to the lower cover which has dented but not pierced the last three leaves of the book. Spotting throughout. PROVENANCE: from the collection of a Palestinian woman living in Switzerland in the 1980s whose sister knew Eric Gill. A very good copy of a very scarce book. Please contact Christian White Rare Books Ltd for more information or images of this item 1928 Lanston Monotype Corporation hardcover
1927118821927. Original copper engraving signed ‘Eric Gill’ and numbered 13/15 by the artist in pencil. Image size 7 x 11 cms. In a large mount and framed.In the engraving is the inscription ‘Sic enim Deus dilexit mundum’ For God so loved the world from St John 13:16.<br>Engraved by Gill for Art and Love published in 1927.Physick 485 unknown
1940121495London: Peace Pledge Union 1940. Corrected proof copy extensively annotated by the author. Gill's corrections in brown ink are on almost every page emending typographical errors. It is accompanied by two leaves of suggestions of manuscript corrections for the printed text listed in black ink consisting of typographical and structural alterations with ticks by Gill in brown ink matching that in the proof copy. A margin note by Gill similarly in brown ink identifies these corrections as coming from a W.W. It is possible that this is Wilfred Wellock 1879-1972 MP and active member of the Peace Pledge Union. Published in 1940 this pamphlet was the first in a series written under the general title of The Bond of Peace. Wellock wrote the third volume Money Has Destroyed Your Peace 1940. The Human Person and Society is one of Gill's final publications; published in March 1940; Gill died in November of the same year. Together 4 items: pamphlet entitled "The Human Person and Society" duodecimo pp. 21. Original cream wrappers printed in black; 2 leaves of manuscript corrections; publisher's card indicating proof copy. Housed together in a custom red cloth chemise. Light creasing very occasional spotting. In excellent condition. Gill 43. hardcover
192971331929. Original proof wood engraving being No. 1 of 10 signed and numbered by the artist in pencil. Image size c. 11 x 8 cms. Framed. This image was engraved for <em>The Passion of Perpetua and Felicity</em> published in 1930.<br>Physick 559 No.1 of 10 proofs signed by the artist unknown
19269150Waltham St Lawrence: The Golden Cockerel Press 1926. Limited edition number 180 of 250 copies of a beautifully achieved piece of Biblical private press printing from the 1920s illustrated by Eric Gill. Cream buckram clean and fresh; pages unopened along top fold; gutter visible between pages 8 and 9; limitation statement numbered in black ink with cockerel emblem. A very good copy. Gill contributes two full page and four vignette illustrations. Initial letters printed in red. The jacket is chipped and worn fair only but has done an excellent job protecting the book itself. Please contact Christian White Rare Books Ltd for more information or images of this item 1926 The Golden Cockerel Press hardcover
1931A159Pigotts London: Hague and Gill Sheed & Ward 1931. Hardcover. First Edition Limited to 500 copies. Signed by Rene Hague and Eric Gill on the limitation page. Handmade paper watermarked 'ER.' Duodecimo 12mo. 7pp. blanks 120pp. 21 figures 4 engravings on wood. Evan Gill 21. A classic in the history of typography and the greatest explication of Gill's thought. Front paste-down with the bookplate of R.R. Donnelley and Sons The Lakeside Press. NEAR FINE in Very Good dust jacket protected in a removable archival cover. The book itself shows a very small furrow of the cloth at the foot of the spine else Fine having been exceptionally well maintained. The dust jacket shows some shelf rubbing along the edges and corners with marginal creasing and loss a chip from the head of the spine section of marginal toning otherwise is not price-clipped remaining bright colorful and distinct. As pictured. Hague and Gill | Sheed & Ward hardcover
188478633Portland Oregon:: J. K. Gill & Co. 1884. folded into gilt-lettered cloth portfolio as issued. Very fine original condition. Approx. 24 x 30 inches. Lith. in pastel colors by L. M. Snyder & Co. Chicago. J. K. Gill & Co., hardcover
195149796Cambridge MA: Addison-Wesley Press Inc 1951. First printing. Near fine. First edition of this early and important work in computer programming. PREPARATION contains programming instructions for the EDSAC Electronic Delay Storage Automatic Calculator an early British computer built by author Wilkes and colleagues at the University of Cambridge. Known as the first textbook on computer programming and proportionately influential THE PREPARATION OF PROGRAMS captures an early and defining moment in the history of computer programming. As scholar Michael R. Williams has written: "EDSAC holds a prime place in the history of the world's first computers not only because it was the first full-scale operational electronic digital computer but because its ability to construct programs from relocatable subroutines and to link them together at load time provided a model for almost all others to follow. . It provided the basic ideas as to how one should go about creating a computing system." 9'' x 6''. Original brown cloth with gilt spine lettering. Illustrated with two black-and-white plates. 167 3 pages. Touches of rubbing shelfwear to cloth. Overall sound and clean. Addison-Wesley Press, Inc unknown
2017k4649Waltham St Lawrence: The Folio Society. VG : in very good condition with dust jacket and in green cloth solander presentation box which has light wear. 2017. Limited Edition 657/750. White hardback cloth cover. 300mm x 210mm 12" x 8". 42pp. 19 wood-engravings by Eric Gill. With accompanying essay to this Folio facsimile of this 1925 Golden Cockerel Press edition. Printed by Memminger on Corolla book laid ivory paper and bound on cloth by Lachenmaier. The original edition printed by Robert Gibbings. 'The Song of Songs' was Gills first major work for the Golden Cockerel Press. . The Folio Society hardcover
20161-1849497133Quadrille 2016. Hardcover. New. 288 pages. 10.00x7.83x1.57 inches. Quadrille hardcover
1890141145Adelaide: E.S. Wigg 1890. First Edition. Hardcover. Very Good. Adelaide E.S. Wigg 1890. Oblong quarto 19 leaves all rectos blank comprising the gilt-pictorial title page by E.C. May 14 full-page tinted lithographic views with tissue-guards the 3-page list of 181 subscribers and the key to plate 5 between plates 4 and 5. Original gilt-decorated half maroon morocco and gilt-lettered brown cloth lightly marked and a little rubbed and bumped at the extremities impacting a little on the top corner of the textblock; minimal light foxing and occasional mild signs of age and use; a very good copy with the plates in excellent condition. Ferguson 9924e but we have seen any number of bindings identical to ours and none as described by Ferguson. He also states that 'The Mitchell Library copy has a pencil note: 200 printed in George Robertson's hand-writing'. In spite of this comment and the 181 subscribers' names in our experience the book is not as rare as these figures would suggest. The fact that this item is essentially the same as Ferguson 9807 with the Galbraith imprint under the gold blocking carrying the Wigg imprint and the Wigg binder's label on the rear pastedown leads us to suspect that the answer has something to do with this change of publisher after the book was printed. Correspondence on this matter is welcome . <p>Provenance: Rodney Davidson 1933-2016 lawyer National Trust luminary and book collector with his 'M. & R. Disney Davidson' bookplate on the front pastedown. E.S. Wigg hardcover
1890112995Adelaide: E.S. Wigg 1890. First Edition. Hardcover. Fine. Adelaide E.S. Wigg 1890. Oblong quarto 19 leaves all rectos blank comprising the gilt-pictorial title page by E.C. May 14 full-page tinted lithographic views with tissue-guards the 3-page list of 181 subscribers and the key to plate 5 between plates 4 and 5. Original gilt-decorated half maroon morocco and gilt-lettered brown cloth slightly rubbed at the extremities and lightly bumped on the rear corners; cloth lightly flecked; inner hinge a little loose at the title page; minimal light foxing; essentially a fine copy. Ferguson 9924e but we have seen any number of bindings identical to ours and none as described by Ferguson. He also states that 'The Mitchell Library copy has a pencil note: 200 printed in George Robertson's hand-writing'. In spite of this comment and the 181 subscribers' names in our experience the book is not as rare as these figures would suggest. The fact that this item is essentially the same as Ferguson 9807 with the Galbraith imprint under the gold blocking carrying the Wigg imprint and the Wigg binder's label on the rear pastedown leads us to suspect that the answer has something to do with this change of publisher after the book was printed. Correspondence on this matter is welcome. E.S. Wigg hardcover
2003061285American Ornithologists' Union / Cornell Laboratoy of Ornithology / Academy of Natural Sciences 2003. Book. Very Good. Stapled Wraps. 1st Edition. 4to - over 9¾" - 12" tall. 18 slip cases with individual species nos. 1 - 716. All issues are square tight and unmarked. Includes Cumulative Index and First Edition Certificate of Authenticity. Published 1992 - 2003. SHips only to US and Canada. American Ornithologists' Union / Cornell Laboratoy of Ornithology / Academy of Natural Sciences Paperback
DADAX1407539523Brand: Parragon Inc 0000-00-00. hardcover. New. 13.75x1.00x17.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Parragon Inc hardcover
192815757London: Printed and Published by the Lanston Monotype Corporation Ltd. 1928 Full reddish-brown polished morocco single-rule border on both covers spine ruled in blind with gilt lettering. Top edge gilt gilt-ruled turn-ins. 6 3/4" x 4." . Large fold-out plate showing "A Specimen of the Poliphilus and Blado Types" printed in black and red on laid paper Very slight fading to spine. A fine copy. With the bookplate of Eric Gill. Laid in is printed card stating: "With the Compliments of Mr. W.I. Burch Managing Director The Lanston Monotype Corporation…" An old pencil notation on the front pastedown states "Specially bound copy for Eric Gill. The text is from the original edition of 1640 with variant readings from the imperfect 1692 edition. Printed and Published by the Lanston Monotype Corporation Ltd., unknown
192720372Capel-Y-Ffin Abergavenny: Francis Walterson 1927. First edition. Hardcover. Orig. quarter red buckram spine green/blue mottled batik boards spine lettered in gilt. Near fine. Gill Eric. 21 pages. 22 x 17.5 cm. Limited edition copy 116 of 150 signed by Eric Gill hand printed on Batchelor hand-made paper by the Chiswick Press with wood engravings by Eric Gill. Introduction by John O'Connor noting the author composed this piece in a Toledo cell. GILL 280. Clean bright copy. Francis Walterson hardcover
19335527971933. Unbound. Near Fine. Wood engraving. 2.75" x 6.25" on thin paper. Upper corners a bit bumped a few very light spots of foxing very good. Eric Gill's engraving "Dog & Tree" that was used on the colophon of the Limited Editions Club volume of Shakespeare's Hamlet 1933. unknown
