BIBLE; Latin; GILL, EricBiblio.com
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1926149674Waltham St Lawrence: The Golden Cockerel Press 1926. The Passion of the Lord Jesus Christ with six wood-engravings by Eric Gill rare with dust jacket Limited edition number 31 of 250 copies only. Reviewed by the Times Literary Supplement on 29 July 1926 the reviewer noted "this is a production for which we have nothing but praise. The first requirements a harmony of form and balance of weight between illustrations and type are perfectly fulfilled. In spirit Mr Gill's illustrations could hardly be bettered; they are both religious and decorative." Quarto. 2 full-page and 4 other illustrations by Gill. Original white buckram spine lettered in gilt. Text printed in red and black. With dust jacket. Minimal soiling to covers with corners slightly bumped else an attractive near-fine copy. Dust jacket toned at spine with extremities frayed still a very good copy of a scarce dust jacket. Gill 276. hardcover
193418504Faber & Faber Ltd 1934. Hardback original cloth with cream dust-wrapper in slipcase. 33cm x 26cm. xv 102pp of wood-engravings printed from the original blocks with tissue guards. Printed by Hague & Gill of High Wycombe. Limited edition of only 400 copies printed on french-fold sheets. With pencil note "from the Faber library" to front pastedown. D/w spine slightly rubbed and browned. Slipcase has been repaired is somewhat faded and marked. A little occasional foxing to contents. 18504. Limited Edition. Hard Cover. Very Good. Faber & Faber Ltd hardcover
19348019London 1934. 102 engravings by Eric Gill each printed from the original block under the supervision of the artist on one side of a separate page this copy unopened. One of 300 copies. Folio original green cloth gilt lettering on spinein the original dust jacket. Spotting to endpaper first few leaves and very edges but not on any of the prints dust jacket in pretty good condition with slightly darkened spine and some tears to edges.A wonderful way to own original prints by Gill from this period all of which were printed under his supervision.<br>Original 4 pp. prospectus inserted loose with two large engravings by Gill on inside pages. Printed under Eric Gill’s supervision by Hague and Gill for Faber & Faber hardcover
1925112233445566785<p>The sole UK printing published by The Golden Cockerel Press Waltham Saint Lawrence in 1925. 2 Vols. set. Number '195' from a limited edition of only 450 copies. Illustrated with 42 woodcuts by David Jones many hand-coloured and 27 initials by Eric Gill. Bound in the publisher's cream linen and black cloth with spines lettered in gilt. Very Good or better copies with light edge wear and traces of rubbing to the black cloth as often encountered. The black cloth is notoriously fragile. Offsetting to the end-papers and some light age spotting in places. Many pages remain uncut as issued. Both copies are from the library of Eric Kennington and bear the stamp of 'Kennington Homer House Ipsden Oxon' to the front end-papers. A beautiful fine press edition of Jonathan Swift's enduring satirical 18th-century novel being the first Golden Cockerel Press book with the artist and polymath David Jones' illustrations. Many of the illustrations are hand coloured. Eric Gill provided the cuts for the Initials. The volumes are reproduced from the text of the Henry G. Bohn edition of 1864 under the careful supervision of Robert Gibbings after Hal Taylor's death in 1925. A charming production that weaves vignettes of the story's protagonist and narrator Gulliver through his several unusual voyages. Eric Kennington R.A. was an English sculptor artist and illustrator and an official war artist in both of the world wars. As a war artist Kennington specialised in depictions of the daily hardships endured by soldiers and airmen. In the inter-war years he worked mostly on portraits and a number of book illustrations. The most notable of his book illustrations were for T. E. Lawrence's Seven Pillars of Wisdom. Kennington was also a gifted sculptor best known for his 24th Division War Memorial in Battersea Park for his work on the Shakespeare Memorial Theatre in Stratford-upon-Avon and for the effigy of Lawrence at Wareham in Dorset. He resided at Homer House Ipsden for many years. Both books are protected in Mylar archival covers. A scarce set and more-so with such a wonderful association. 2026 marks the 300th anniversary of the first publication of 'Gulliver's Travels'. More images available on request. Ashton Rare Books welcomes direct contact.</p> The Golden Cockerel Press, Waltham Saint Lawrence hardcover
1998C102683Overlook. As New. 1998. Hardcover. 0879518308 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pages; over 300 illustrations including 16 in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Overlook hardcover
1921118991921. An original pencil drawing with watercolour depicting St. Christopher carrying the Christ Child. Inscribed by the artist in pencil “DEAR GORDIAN THIS IS SAINT CHRISTOPHER from daddy 2.9.’21.†with a symbol of St Dominic at the top of the image. Image size 6.5 cms x 11 cms mounted and framed in an early frame. On the back of the frame is a label from The Piccadilly Gallery in 1985 stating it was sold to Barnabus McHenry that year.<br>A really enchanting image which Gill made for his adopted son Gordian. Eric and Mary only had daughters and after the birth of their youngest daughter Joanna in 1910 it became clear she was unable to bear any more children. In 1917 they decided to adopt one from the infants’ home in Haywards Heath. Eventually they were allowed to take the 8 month old Gordian home to foster. Although he was never legally adopted he was brought up as their son. This drawing would have been done for Gordian when he was 4 years old. unknown
51-7190Paris: 1877. Portfolio of 26 engravings. 63.5 x 48cm. Edition of 100.Contemporary marbled boards with later half goatskin. Plates engraved by Yves & Barret.Very large format caricatures of Léon Gambetta; Président Grévy; Paulin Ménier rôle de Rodin dans le Juif errant; Judic et Dupuis; Route d'Orient; Le loup la chèvre et le chou vieux problème avant la lettre and 22 others.Album de la Lune rousse - épreuves sur papier bristol tirées sur pierre des 26 premiers dessins de la Lune rousse par Gill ; portefeuille à 100 ex. publié fin mai 1877 ;BnF: Notice n° : FRBNF32809726.Bookplate of Cecil B. DeMille the legendary filmmaker who was a noted book collector and maintained an enormous exceptional library with a custom phoenix-themed bookplate designed by artist Paul Iribe in 1924. His collection reflected a need for deep historical research and artistic inspiration for his lavish epic films.OCLC Number / Unique Identifier:472451769Notes:Le journal a publieÌ 3 numeÌros exceptionnels 8 mars 1877 Victor Hugo et la LeÌgende des sieÌ€cles; 5 juillet 1877 M. Thiers; 13 aouÌ‚t 1878 LeÌon Gambetta et 2 albums : "Album de la Lune rousse" eÌpreuves sur papier bristol tireÌes sur pierre des 26 premiers dessins de la Lune rousse par Gill; portefeuille aÌ€ 100 ex. publieÌ fin mai 1877.Yves et Barret fl. c. 1870 - 1890 were French engravers active in the late 19th century. They engraved political cartoons and other images for French periodicals including La Vie Parisienne. This partnership was known for creating works using gillotage a now obsolete lithographic process wherein a drawing was made on or transferred to zinc and then dusted with resin which adhered to the drawing. The resin then acted as an acid-resist when the entire plate was immersed in acid creating a relief block that could then be inked and printed from. This printing technique was popular with newspapers as it was completely compatible with blocks of type. Paris: 1877 hardcover
2014110275Fairchild Books. New. 2014. Paperback. 1609018982 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Fairchild Books paperback
194913955Chicago: Year Book Publishers Inc. As New. 1949. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Year Book Publishers, Inc. hardcover
192552309Waltham St. Lawrence: Golden Cockerel Press 1925. Limited edition no. 304 of 750 copies signed by Gill under the colophon small 4to 42 4 pp. 18 wood engravings in the text plus one each to the title page and colophon. Original cream buckram printed d.w. replicating the title page to the upper wrapper lightly foxed with some loss to the top of the spine and the lower corner of the lower wrapper. Chanticleer 31. Evan Gill 275. Not published as a signed edition with Gill's signature added later in pencil. Waltham St. Lawrence: Golden Cockerel Press unknown
1926118841926. Original proof wood engraving signed and numbered by Eric Gill “EricG’ and 17/25 in pencil one tiny spot not affecting the image otherwise very good. Oval image size 6.3 x 5 cms. 1926.An immaculate impression originally intended as a book illustration but only appearing as a numbered proof.Physick 388 One of 25 proof copies signed by Gill unknown
186847087Paris. 1868 - 1871. Red calf-backed red buckram boards titles gilt to spines some splitting to hinges. 2 vols. Folio. 444 x 340 mm. Pictorial cover with large illustration with additional colouring by hand printed text in French in triple columns and numerous monochrome vignettes throughout occasional double-page central illustrations also with additional colouring by hand from the 'Quatrième Année' many of the illustrated rear covers also with additional colouring; supplements as applicable title pages for the individual volumes and 'Designations des Charges' listing the satirical cover illustrations. A very good set with some occasional minor spotting or creasing. An excellent unsophisticated extensive run of this celebrated satirical journal with the coloured illustrated covers titles and tables as well as a large number of 'bis' issues.L'Eclipse was founded by Polo after the suspension by the censor of the journal La Lune and was to become the base for the great talents of caricaturist André Gill. It was Gill who produced the majority of the colour caricatures which illustrate the front covers of each issue of L'Eclipse. Together with Gill other leading caricaturists produced work for L'Eclipse including Paul Hadol Albert Humbert Alfred Le Petit Moloch Gedeon Lorentz etc.The range of the journal's visual ridicule was wide and encompassed all aspects and personalities of French society from literature musicals and the theatre to the politicians and the miltary. As well as one of Gill's favourite targets the French president Adolphe Thiers many other renowned figures found themselves on the front covers of L'Eclipse: Alexandre Dumas Ponson du Terrail Emile Zola Jules Valles Charles Monselet Edouard Manet Richard Wagner Victor Hugo Alphonse Daudet Theophile Gautier Edmond de Goncourt Offenbach Barbey d'Aurevilly Henry Monnier Napoleon III the President of the United States Grant Bismarck Gambetta Proudhon and many others.As well as the numerous 'bis' issues listed below this set includes the scarce supplement for issue 119 'Belisaire' and the 5 supplements issued at the end of the 'Troisième Année'.An extensive number of 'bis' issues were published together with some numbers published with duplicate numbers i.e. not strictly 'bis' numbers but issues with matching numeration listed here in brackets and this set includes the following: 14 bis 15bis 29 bis 37 bis 44 bis 46 bis 49 bis 51 bis 53 bis 55 bis 59 bis 71 bis 87 bis 92 bis 98 bis 99 bis 103 bis 105 bis 106 bis 114 bis 116 bis 127 bis 128 bis 129 bis 132 bis 133 bis 134 bis the five supplementary issues published at the end of the 'Troisième Année' 149 bis 151 bis 156 bis 160 bis 164 bis. hardcover
192418386Saint Dominic's Press 1924. Hardback linen backed boards with dust-wrapper. 32 x 26cm. 36pp. Dust jacket in second state with lettering to front panel with a few chips and stains now protected. Half-title title-page with wood-engraved figurative initial publisher's device printed in red and manuscript annotation 'No 5' followed by 34 woodcuts including one on the limitation leaf. Number 75 of 100 copies numbered and offered for sale at two guineas each from the total edition of 150. Slight wear only. Contents clean and unmarked. . First Edition. Hard Cover. Very Good/Good. Saint Dominic's Press Hardcover
1927303935Villa des Palmiers Salies-de-Béarn France 1927. 2 pp. in green ink. 4to. Some wrinkling closed tear to blank margin slight toning old folds. 2 pp. in green ink. 4to. Gill writes to his friend J.G. Wilson of the Bumpus Bookshop in London regarding his engraving "Flying Buttresses" mentioning his work on Troilus & Criseyde for the Golden Cockerel Press and mentioning another of his publishers. An excellent technical letter with 5 small drawings in the text. In part: "I am working like anything on the engravings for the Golden Cockerel Troilus & Criseyde. I expect to finish the engravings by about Easter . I shall come and see you as soon as possible to talk over things and explain how it happened that D. Cleverdon is publishing my next . Meanwhile this is just to make a brief apology for myself in the matter of the Buttresses! Is matter of fact they aren't so blooming wrong in the engraving as your correspondent thinks. It's the perspective which makes the difficulty." The engraving in question is "Flying Buttresses" based on a drawing of St. Pierre Chartes used to illustrated Gill's 1926 essay "Id Quod Visum Placet." Gill uses the rest of the letter to explain with the aid of five small sketches why the perspective is in fact correct. Douglas Cleverdon the Bristol bookseller and publisher brought out Gill's Art and Love in 1927 as well as a collection of his engravings in 1929. unknown
18426710Boston: William Crosby and Company 1842. First Edition. First Edition. 12mo. 6 3/4 x 4 3/8 inches. Original beige printed wrappers with border design front cover. The first separate appearance of Dickens’ speech recorded on pp. 10 - 15. Holmes’ ‘Song’ p. 33. The dinner was sponsored the “Young Men of Boston’ a committee extending invitation to Dickens before he left England. The dinner was held in Papanti’s Hall and assisted by Oliver Wendell Holmes & Nathan Hale Jr. Present to name a few: Josiah Quincy Sr the president of Harvard Washington Allston poet & artist; George Bancroft the Historian & Richard Henry Dana Jr. Letters were read from Prescott Washington Irving William Ellery Channing Judge Story and others regretting their inability to be there. A luminous speech Dickens introduced the subject of International Copyright one of the first criticisms in a battle that was to wax on for decades. Boston publisher Mr Fields wrote shortly thereafter “Was there ever such a night before in our staid city†and he would later become a staunch friend to and publisher of the ‘Inimitable’. cf. Johnson. DICKENS pp. 374-376. Very scarce. Only 2 cc at auction in the past 25 years in the original wrappers. the last being 1998. Custom red cloth chemise with leather title label to spine. Ownership inscription. Faint tide lines to text upper margin. A very good copy with two bookplates ‘Frank Maier’ & ‘Thomas Wallace’. Price: $950.00. William Crosby and Company unknown
3356Bristol Douglas Cleverdon 1929 folio self-portrait frontis. title page device 103 engravings colophon device. Original black cloth spine lightly worn at hinges a few marks but very sound. Occasionsl very light foxing but contents nice and clean. One of onlly 400 copies thus. Bristol, Douglas Cleverdon, 1929, hardcover
19293732807Douglas Cleverdon 1929. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Folio. One of 400 copies of this edition. This is no. 476 of 480 copies including all editions. Please note the Image in this listing is a stock photo and may not match the covers of the actual item2150grams ISBN: Douglas Cleverdon hardcover
10671Wellingborough: Christopher Skelton<br> 1983. No. 64 of only 85 special copies with an extra suite of 8 prints taken from the original wood blocks there were also 1350 ordinary copies. Hundreds of illustrations by Gill including several colour and fold-out examples. Printed on St Cuthbert’s Mill archival rag paper. 2 volumes together with the portfolio of prints. Folio bound by Desmond Shaw of Cambridge in original quarter tan pigskin rust cloth boards prints housed in folding rust cloth portfolio all 3 volumes housed together in original slipcase. An extremely good fresh and bright copy just taken out of the original shipping box so with none of the usual darkening to the light pigskin spines.The 8 prints in the portfolio are: ‘A Garden Enclosed’ ‘Self-Portrait’ ‘Surrexit Alleluia’ ‘Tree and Dog with Flames’ ‘St Thomas’s Hands’ ‘Girl with Mirror’ ‘I am a Little World’ and ‘Man and Woman Embracing’.<br>With the original prospectus. One of only 85 special copies with an extra suite of 8 prints from the original blocks Christopher Skelton<br> hardcover
ST15912Wellingborough: Christopher Skelton 1983. No. 4 OF 85 SPECIAL COPIES printed on archival rag paper and 1350 copies of the ordinary edition. 349 x 267 mm. 13 3/4 x 10 1/2". Two volumes plus portfolio. <br/> Publisher's deluxe biscuit-colored morocco over reddish-brown linen flat spines with gilt titling. In the original slipcase. Profusely illustrated with more than 1000 reproductions of Gill's works; THIS SPECIAL COPY ACCOMPANIED BY A PORTFOLIO OF EIGHT ENGRAVINGS PRINTED DIRECTLY FROM THE ORIGINAL WOODBLOCKS. Front pastedowns with bookplate of Haven O'More the Garden Collection. In pristine condition.<br/> <br/> This is the deluxe copy of a comprehensive survey of Gill's work as an engraver and typecutter prepared as a labor of love by his nephew Christopher Skelton. Glaister describes Eric Gill 1882-1940 as "an English craftsman engraver type designer sculptor and philosopher whose influence on contemporary book production has been profound and world-wide." Gill studied lettering as a young man under Edward Johnston then for five years beginning in 1905 designed and engraved title pages and initials for books printed by Count Harry Kessler at Insel Verlag Leipzig Kessler would go on to found the Cranach Press in 1913. Later Gill did a great deal of woodcut illustration for other private press publications especially the Golden Cockerel Press including memorable work for the famous "Four Gospels" "Troilus and Criseyde" and "Canterbury Tales". <br /> <br /> The 993 illustrations in the body of the present offering and the 51 in the appendix include all of the wood engravings from those works as well as Gill's other book illustrations individual engravings typefaces Christmas cards and bookplates. The subjects for the most part are either religious or erotic--and sometimes controversially both. The portfolio prints are "A Garden Enclosed" "Self-portrait" "Surrexit Alleluia" "Tree and Dog with Flames" "St. Thomas's Hands" "Girl with a Mirror" "I Am a Little World" and "Man and Woman Embracing." Skelton 1925-92 learned printing from Gill's son-in-law René Hague and operated a private press from 1968 to 1985. This is the magnum opus of that workshop. <br /> <br /> This copy comes from the Garden Collection assembled by Haven O'More with funding from Michael Davis which was the most outstanding library of notable books put together in America in the second half of the 20th century. When it was auctioned by Sotheby's in 1989 the sale brought in $16.2 million. The library included high spots from all periods the four Shakespeare folios the first of "Don Quixote" and Blake's "Songs of Innocence and Experience" brought in more than $5 million alone and the collection was breathtaking in its impeccable condition. Christopher Skelton unknown
193474984London: Faber & Faber Ltd. 1934. Large 4to. xv 133 wood engravings on 102 pages. Sheets printed on one side only verso and recto alternately actually 240 pp. joined at top. Printed from the original blocks by Hague and Gill in High Wycombe. Green cloth with gilt lettering to spine. Very light bumping and rubbing to binding. Tissue guards loose. Scattered foxing. One of 400 copies printed from Perpetua type. 7 of the engravings had previously not been published in books. . Very Good. Cloth. Limited Edition. 1934. Faber & Faber Ltd. 1934 hardcover
1937127001Coventry: 1937. Original drawing by Gill entitled "The Good Shepherd" for one of a pair of reliefs commissioned for the original hospital building in Coventry in 1937. Inscribed by Gill "1 Coventry" in the upper left corner dated "15.11.37" in the lower right. The designs for the second relief entitled "The Good Samaritan" were drawn on an identical advertisement leaf and were completed on 17 November. Gill began carving the reliefs on 31 October 1938 finishing them on 13 November. Coventry Hospital was however struck during the Blitz and The Good Shepherd relief was destroyed during an air-raid on the hospital in 1941. Although damaged The Good Samaritan relief largely survived the bombing and now sits on the out-patient's department as the hospital's war memorial. The design is drawn on the verso of an advertisement leaf for "Essays in orthodoxy". This series of six essays do not appear to have been published in the form advertised here although it is possible they were collected in his posthumously published collection Last Essays 1942.162323 Original pencil transfer drawing image size 210 x 132 mm mount size 507 x 405 mm with ochre chalk on recto. Tipped onto mount clear plastic pocket to rear with description in pencil on cardboard. A little fingermarking to mount. In fine condition. Presented in a double-sided black stained ash frame with conservation acrylic glazing. unknown
19519888Cambridge MA: Addison-Wesley Press 1951. First edition 8vo. pp. 167 with 2 b/w photographic plates at the front label of Scientific Computing Service Limited London the British distributors pasted onto the title page brown publishers cloth; plain buff dustwrapper somewhat worn with hole clipped from the spine allowing the title to be read. Pencilled ownership signature of British mathematician Bryan Birch. Often described as the first textbook on computer programming. Book Addison-Wesley Press, hardcover
1842317198Boston: William Crosby and Company 1842. First edition. 66 pp. 1 vols. 8vo. Original printed biscuit wrappers. Some light spotting to edges faintest soiling to wrappers. Fine copy in black morocco-backed slipcase and cloth wrapper. First edition. 66 pp. 1 vols. 8vo. "It is not easy for a man to speak of his own books. I dare say that few persons have been more interested in mine than I ."<br /> An account of this dinner celebrating Dickens' appearance in New York by two reporters from The Morning Post. Dickens's speech on the occasion is given on pp. 10-15. Gimbel B112. Provenance: book label of Frederick Spiegelberg his sale Anderson Galleries 3-4 November 1937 William Crosby and Company unknown
1910140949387Leipzig: Insel Verlag 1910. First Thus. Near Fine. First edition of this translation limited issue in two volumes. Number 305 of 425 copies of which 350 were for sale. v 179; v 170 1 pp. printed in red and black on laid paper. Bound in publisher's patterned paper-covered boards over quarter vellum lettered in red and decorated in gilt. Near Fine with light foxing toning and soiling to covers typical yellowing to vellum and rubbing to corners with boards exposed. Small bumps to Volume I textblock corners resulting in corner creasing to ten or so leaves. Contents overall clean and bright; binding tight. Gill 308.<br /> <br /> <p>A beautiful production from the Leipzig publishing house Insel Verlag founded by Alfred Walter Heymel and Rudolf Alexander Schroeder in 1901. The first director of operations was Rudolf von Poellnitz who published well-designed books on wood-free India paper. The firm's founders were friends of the diplomat and aesthete Count Harry von Kessler Harry Graf Kessler who was professionally connected with the ruler of Weimar Grand Duke Wilhelm Ernst of Saxe-Weimar-Eisenach. Kessler hatched a scheme to revitalize German book arts by convincing the Grand Duke to lend his name to series of literary classics beautifully composed and bound and legibly printed in roman type that would be published by Insel Verlag under Kessler's own guidance. The net profit from the "Grand Duke Wilhelm-Ernst Edition" would fund the Duke's artistic endeavors in Weimar.<br /> <br /> <p>Kessler threw himself into the work with his usual intensity and persuaded Emery Walker to be his overseer. Walker had directed William Morris' Kelmscott Press and later cofounded Doves Press and Kessler wrote to a friend that he was "the very soul of what has been created in England in terms of printed books" and probably the greatest printing talent since the Renaissance. Walker brought Eric Gill to Kessler's attention and Gill was hired to cut the titles. Douglas Cockerell was also brought on board. Some German critics resented the number of Englishmen involved in the new edition but the books sold well and were soon imitated by other German publishers.<br /> <br /> <p>Die Odyssee combined the artistic talents of Eric Gill and the French sculptor Aristide Maillol. Gill designed the capitals and titles while Maillol designed the wood engraved vignettes. Kessler was a friend and admirer of both and at one point he decided that Gill should move to France and apprentice to Maillol even going as far as signing a three-year lease on a house in the Parisian suburbs for him. Gill obligingly traveled to Paris and met the sculptor who was perfectly amiable but spoke no English. Gill spoke no French. Kessler translated for them and seemed to find nothing wrong with the arrangement but when Gill returned to his hotel that night he pondered three years in a dreary suburb and the loss of his work in England and decided to flee home on the night train: "If I delayed to see Kessler I should be trapped; for I couldn't stand up against his overmastering confidence in his own schemes or for that matter against my sense of his extraordinary kindness and generosity."<br /> <br /> <p>Gill wrote in his autobiography that both men were "angelic" about it and they continued to work together. Gill and Maillol famously collaborated on the edition of Virgil's Eclogues and Georgics published by Cranach Press the fine press Kessler founded in 1913. His work at Insel had prepared him to make an even greater contribution to the art of book design and his Hamlet 1929 is one of the finest books printed in the 20th century. The Grand Duke Wilhelm-Ernst Edition is a forerunner to that magnificence. Insel Verlag unknown
199655073John Wiley & Son Ltd. As New. 1996. Paperback. 0471963585 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- 302 pages -- with a bonus offer-- . John Wiley & Son Ltd paperback
