12 218 résultats
2020Manohar-9781350099838Bloomsbury 2020. Hardcover. New. Bloomsbury hardcover
1998x-0415149207Routledge 1998. Hardcover. New. 1st edition. 383 pages. 9.75x6.50x1.25 inches. Routledge hardcover
2002DBS-9781402071935Springer 2002. 1st. New. Springer unknown
2002DBS-9781402071935Springer 2002. 1st. New. Springer unknown
1997x-0415137675Routledge 1997. Hardcover. New. 1st edition. 236 pages. 9.00x8.25x1.00 inches. Routledge hardcover
2000x-0415207290Routledge 2000. Hardcover. New. 1st edition. 304 pages. 9.25x6.25x0.50 inches. Routledge hardcover
2012x-1849200238Sage Publications Ltd 2012. Hardcover. New. 2nd edition. 532 pages. 9.50x6.75x1.50 inches. Sage Publications Ltd hardcover
2009x-041543176XRoutledge 2009. Hardcover. New. 1st edition. 261 pages. 9.00x6.25x0.75 inches. Routledge hardcover
2024SKU0597986Cengage Learning 2024-01-01. hardcover. Good. 8x1x10. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Cengage Learning hardcover
2002x-0415236959Routledge 2002. Hardcover. New. 1st edition. 196 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2015x-1138837571Routledge 2015. Hardcover. New. reprint edition. 181 pages. 8.75x5.50x0.75 inches. Routledge hardcover
193870871London: Dent & Sons 1938. Cloth/no dust jacket Octavo. Hardcover. Very good. red cloth gilt lettering no dust jacket unpaginated black edges slightly stained on bottom spine<br /> <br /> Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Dent & Sons hardcover
2008x-1412922607Sage Pubns Ltd 2008. Hardcover. New. 236 pages. 9.50x6.75x0.75 inches. Sage Pubns Ltd hardcover
2014x-3319103946Springer 2014. Hardcover. New. 2015 edition. 348 pages. 11.00x8.20x1.00 inches. Springer hardcover
2015x-1138130664Routledge 2015. Hardcover. New. 416 pages. 9.21x6.14x0.94 inches. Routledge hardcover
2024SKU1711841Cengage Learning 2024-01-01. paperback. Good. 8x0x11. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Cengage Learning paperback
2015x-1138168424Routledge 2015. Hardcover. New. 368 pages. 9.21x6.14x0.98 inches. Routledge hardcover
1987B2-A11211September Press 1987. Facsimile . Hardcover. Very Good. Facsimile of the iconic Golden Cockerel Press Four Gospels. Bound in buckram with a leather stamp on the spine in gilt lettering. This is one of the 480 un numbered copies from a total limitation of 600 printed by offset lithography. Housed in original slip case wrapped in cream cloth and covered internally in a soft felt. A clean copy with minor wear on the slip case. Please contact us if you need further information or scans. September Press hardcover
1927126250Gill, Eric: Art & Love. Bristol: Douglas Cleverdon, 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram, gilt-lettered spine, deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram. 20x12cms. Gill first published his reflection on art and Christianity in the journal, Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five, 'Clothes and Nakedness'. Long involved in the reintegration of craft (i.e. humanity) and industry, Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume, Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious, including a crucifixion and the inclusion of the hand of God.One print, For dignity and adornment, juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion, 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'.
1927126250Gill, Eric: Art & Love. Bristol: Douglas Cleverdon, 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram, gilt-lettered spine, deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram. 20x12cms. Gill first published his reflection on art and Christianity in the journal, Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five, 'Clothes and Nakedness'. Long involved in the reintegration of craft (i.e. humanity) and industry, Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume, Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious, including a crucifixion and the inclusion of the hand of God.One print, For dignity and adornment, juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion, 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'.
192972190London: The Fanfare Press 1929. 12mo.Pamphlet. Denis Tegetmeier's copy gifted from Eric Gill: 'Denis from EG' written in pencil to front cover. 16 pp. Paper pamphlet edges slightly browned and the very occasional spot otherwise internally clean. 2 wood engraving illustrations alongside Gill's essay on the interrelation of industry and art. . Very Good. Paper Covers. 1929. The Fanfare Press 1929 unknown
1931161707Waltham St Lawrence: The Golden Cockerel Press 1931. First edition first impression number 106 of 500 copies. As noted in the bibliography of The Golden Cockerel Press "the page is twice as high as it is broad and the 'double-opening' consequently square". Octavo. Four full-page wood-engraved illustrations by Eric Gill. Original scarlet buckram spine and front cover lettered in gilt. Ownership signature to front pastedown and later bookplate to front free endpaper. Some light varnishing to binding spine slightly sunned minor marks to endpapers; a very good copy. Chanticleer 75; Gill 20. hardcover
19548264London: Neville Spearman 1954. No. 45 of 100 special copies signed by the artist’s son Gordian Gill. 24 illustrations of life drawings by Eric Gill. Small 4to. 17.5 x 25 cms original full white clothGill initials and titles in green to upper cover and spine in mildly worn glassine wrapper. Some spotting to covers which are very slightly bowed and darkening to endpapers otherwise a good copy. With an introduction by John Rothenstein explaining that Gill only started life drawing in 1926 when he was 44 which would seem very late except that Gill wrote “Drawing from life properly comes late in life rather than early. For the training of imagination is the first thing to be seen to.â€. One of only 100 special copies this signed and inscribed by Eric Gill’s son Gordian Neville Spearman hardcover
198814266aNorthants: Christopher Skelton at The September Press 1988. Hardback with slipcase original cloth with leather label to spine. Top edge gilt. 34cm x 24.5cm. 268pp 3 xiv 2. Wood-engraved initial letters and illustrations by Eric Gill. A high quality facsimile of the original 1931 Golden Cockerel edition. One of 480 un-numbered copies from a total of 600 copies. Includes 2 loose illustrated publisher's slips. Slipcase a little marked. An excellent clean copy. A heavy book additional postage may be required for orders outside the UK. 1st Edition. Hardcover. Near Fine. Christopher Skelton at The September Press Hardcover
193851003London: J.M. Dent & Sons for Hague & Gill 1938. First edition 8vo viii pp followed by an engraved title and 25 engravings signed by Gill to the printed title verso. Original red cloth spine slightly darkened. Evan Gill 38. London: J.M. Dent & Sons for Hague & Gill unknown