Theodore, GillBiblio.com
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1018272399.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
65687Printed by Robert Gibbings at The Golden Cockerel Press for Douglas Cleverdon. Bristol. 1927. LIMITED EDITION of 260 copies. No. 254. . pp. iv blank viii 26 i blank i colophon iv blank. 6 engraved plates by Gill. Black buckram trifle faded and toned at spine ends and edges uncut first three and last bifolia unopened a very good copy inscribed at the front -'To Joan from Purcell with love On the Day of Renewal. Dec.31st 1939' bookseller's ticket on rear paste-down. Printed by Robert Gibbings at The Golden Cockerel Press for Douglas Cleverdon. Bristol. 1927. LIMITED EDITION of 260 copies. No. hardcover
192717117Bristol: Douglas Cleverdon 1927. Hardback black cloth gilt title to spine. 20.5cm x 12cm. 26pp. With 6 illustrations. No. 232 of a limited edition of only 260 copies signed by Eric Gill to colophon. Binding a little rubbed. Previous owner's details written to front free end-paper. Two leaves of text carelessly opened along fore edge. Very clean. Signed by Author. Limited Edition. Hard Cover. Very Good. Douglas Cleverdon Hardcover
126250Bristol: Douglas Cleverdon 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram gilt-lettered spine deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram 20x12cms. Gill first published his reflection on art and Christianity in the journal Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five 'Clothes and Nakedness'. Long involved in the reintegration of craft i.e. humanity and industry Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious including a crucifixion and the inclusion of the hand of God.One print For dignity and adornment juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'. Bristol: Douglas Cleverdon, 1927. hardcover
1928HG20312Great Britain: The Golden Cockerel Press 1928. Brick cloth gilt spine title top edge speckled & others untrimmed & limited edition; A very good copy with no dust jacket; 18 pages. Size: 4.75"x7.75". Hardcover. Illus. by Eric Gill. The Golden Cockerel Press Hardcover
7405Waltham Saint Lawrence Golden Cockerel Press 1928. One of 500 numbered copies. Cloth uncut 5 18 1 pp. illustrated with 2 original full-page engravings by Gill. Fine. CHANTICLEER 61. <br/><br/> Waltham Saint Lawrence, Golden Cockerel Press, 1928 hardcover
19286773London: Golden Cockerel Press. Very Good in Very Good dust jacket. 1928. Limited Edition. Hardcover. No. 119 of 500 copies printed by Robert Gibbings. DJ has verylight wear at edges. ; approx. 5" x 8" . Golden Cockerel Press hardcover
1928129109Golden Cockerel Press 1928. hardcover. Very Good. 0x0x0. 1928 Golden Cockerel Press small slender hardcover in jacket number 34 of limitation of 500 tight and unmarked. Please email for photos. Golden Cockerel Press hardcover
1928622491Waltham St. Lawrence: The Golden Cockerel Press 1928. Hardcover. Very Good/Very Good. First edition. Toning on the boards and some page toning thus very good with some uncut pages in a very good dust jacket with toning and shallow chips. One of 500 numbered copies. The Golden Cockerel Press hardcover
1928162739Waltham Saint Lawrence: The Golden Cockerel Press 1928. Pp. vi182colophon blank 2 copper engraved plates title page vignette; narrow post 8vo; red buckram spine lettered in gilt the cloth slightly faded edges a trifle rubbed; uncut; dust wrapper faintly marked slightly creased and split at top edge tiny faded spot to bottom edge of back panel the backstrip lightly faded and with a couple of small chips at head; book label of David Levine Sydney on upper pastedown outer leaves and edges lightly foxed; The Golden Cockerel Press Waltham Saint Lawrence 1928. Edition limited to 500 numbered copies. Chanticleer 61; Gill 15. The Golden Cockerel Press unknown
1928202170Waltham St. Lawrence: Golden Cockerell Press 1928. First edition. Cloth. Extremities a bit rubbed slightest lightening to spine else fine without dust jacket. Small 8vo; two intaglio illustrations by Gill; 18pp; original orange buckram stamped in gilt on spine. One of 500 numbered copies in the edition printed by Robert Gibbings. Golden Cockerell Press unknown
51-0974Waltham St Lawrence: Golden Cockerel Press 1928. 8vo. Original orange buckram in a custom marbled chemise and slipcase with lettering.Various inserts from sale catalogues of other copies laid in. Limited to 500 copies of which this is no. 82. Illustrated with a wood-engraving Physick 382 and two copper engravings Physick 505 and 506 by Eric Gill. Evan Gill Bibliography 15; Chanticleer 61; Skelton 8. Waltham St Lawrence: Golden Cockerel Press, 1928 hardcover
192955497London:: Cassell & Co. 1929. First edition. publisher's blue cloth in dust jacket. Pencilled bibliographical notes on front pastedown eraseable; very slightest of bumping to the lower corners; slight foxing to endsheet;' otherwise fine i a price-clipped jacket with a tanned spine and some light soiling. . 8vo. Title page woodcut vignette by Eric Gill. Cassell & Co., hardcover
1934115399John Lane the Bodley Head 1934. Hardcover. Very good/Good. Jacket spotted. Covers clean. John Lane the Bodley Head hardcover
8119London: John Lane the Bodley Head Ltd. 1934. Sm 8vo 7.5" x 5" red cloth over boards with author/title/series stamped in black at spine and series and design of a human and serpent stamped in black at upper cover; original printed dj; xi 158 pp. 2 pp. pub. ads. Bookplates of Eric Gill and Wyman Parker on front paste-down ownership inscription of Eric Gill on ffep. dated "July 13. 34". CONDITION: Very good spine and extremities sunned slight dent to lower right corner of upper cover; dj good chipped at spine and separated at upper hinge soiling to match dent in cover. <p>First edition. Author's copy with his bookplate ownership inscription and numerous corrections and amendments to the text and index in his hand.</p> London: John Lane the Bodley Head Ltd., [1934] unknown
19271396252Bristol: Douglas Cleverdon 1927. First Edition; 40/260. Hardcover. 12mo 26 pages. In Very Good minus condition. Bound in the publisher's black cloth bearing gilt lettering to the spine. Boards have moderate wear including sunning some whitish spotting and rubbed edges. Text block has light wear including minor foxing to the end papers and slight cracking to the gutters to few pages. Deckled edges. Illustrated. Number 40 of 260 signed and numbered copies. First edition. Signed by Eric Gill.<br /> <br /> <p>NOTE: Shelved in Netdesk office Case #4. 1396252. FP New Rockville Stock. Douglas Cleverdon hardcover
192972190London: The Fanfare Press 1929. 12mo.Pamphlet. Denis Tegetmeier's copy gifted from Eric Gill: 'Denis from EG' written in pencil to front cover. 16 pp. Paper pamphlet edges slightly browned and the very occasional spot otherwise internally clean. 2 wood engraving illustrations alongside Gill's essay on the interrelation of industry and art. . Very Good. Paper Covers. 1929. The Fanfare Press 1929 unknown
192911543London: Printed by the Fanfare Press for the New Handworkers’ Gallery 1929. One of only 60 special copies signed by Gill this no.49. Two wood engravings after designs by Eric Gill - the blocks were cut by John Beedham and touched up by Gill. Pp. 20 paginated to p.56 as this was the fourth title in the series of Handworkers’ pamphlet the first three were printed at the St. Dominic’s Press. 8vo. sewn as issued. Extremely good fresh copy with only a couple of small brown marks on first and last two leaves.Here are Gill’s thoughts eloquently put on what is Art and what it is for. “The artist is a man who makes things - that is his proper functionâ€. He states that “All men who make things are artists.all workmen were artist.this is not so today.The majority of men today do not make things. They only do things. They only do what they are told.They are mere puppets.†The two wood engravings are puppet images of people merely doing things. One of only 60 copies signed by Gill Printed by the Fanfare Press for the New Handworkers’ Gallery unknown
1929129110New Handworkers' Gallery 1929. paperback. Very Good. 0x0x0. Small 13 page pamphlet with lightly soiled covers now under mylar. Please email for photos. New Handworkers' Gallery paperback
192942088London: New Handworkers' Gallery 1929. 8vo iv 43-56 2 pp including wrappers. Title device plus 2 wood engravings by Beedham after designs by Gill. Sewn as issued a couple of spots otherwise a fine copy. Originally delivered as a lecture entitled "Art in Relation to Life" and distinct from a 1934 lecture called "Art and Manufacture" which was published in the collection "Work and Leisure" in 1935. The fourth and final publication in the series; the other three "The Idea Behind Craftsmanship" by Phillippe Mairet "Instead of a Catalogue" by Romney A. Green and "A Potter's Outlook" by Bernard Leach were printed at the Saint Dominic's Press this being printed at the Fanfare Press. Evan Gill 19. London: New Handworkers' Gallery unknown
192818750Golden Cockerel Press 1928. Hardback with dust-wrapper. 20 x 12cm. 18pp 2. Title page vignette and and two full page copper engravings by Gill. Number 59 of an edition of 500 copies. Dust-wrapper slightly chipped and rubbed. Book itself is an excellent copy with slightest wear only. First Edition. Hard Cover. Very Good/Good. Golden Cockerel Press Hardcover
1930118951930. Original wood engraving. Inscribed by the artist ‘L.W. from EG’. Image size 7.2 x 13.3 cm. Mounted and framed.Engraving for ‘Clothes’ by Eric Gill published by Jonathan Cape in 1931.<br>Rather charmingly the engraving depicts a sculptor with a strong resemblance to Gill. L.W. may well be Leonard Woolf with whom Gill was friendly and with whom he corresponded. There are records of books inscribed by Gill to Woolf at this time including a copy of The Four Gospels in 1931.Physick 714 Inscribed by Gill probably to Leonard Woolf hardcover
193042508London: Sheed and Ward 1930. First edition thus. 8vo. xii 232 pp. Publisher's black cloth gilt lettered to the spine Eric Gill's copy inscribed by him in his distinctive hand on the front free endpaper "E.G. Pigotts. Mch 1930 from G.K.'s Weekly for review". Occasional light edge wear and a few marks to the covers else very good. This work by the French Catholic philosopher Jacques Maritain was first published in France in 1920. Gill was purportedly introduced to it by his mentor Father Vincent McNabb and was so taken with it that he produced the first English edition for the St. Dominic's Press in 1923. Translated by Father John O'Connor it was published under the title "The Philosophy of Art". Fiona MacCarthy refers to Gill's involvement in that edition and the profound effect it had on the wider artistic Ditchling community -"When St. Dominic's Press was printing it the brethren tended to congregate around the chapel soon after the nine o'clock sung office and would then discuss the finer points of Maritain all morning." The influence of the work on Gill lasted too. Years later after Gill had moved to Capel-y-ffin and started another artists colony René Hague would refer to "endless talking in particular about Maritain and the philosophy of art". Evan Gill 127. London: Sheed and Ward unknown
1934986W22London: The Bodley Head; Faber and Faber; Jonathon Cape; Cassell & Company Ltd.; James Clarke; J. M. Dent & Sons Ltd; Neville Spearman 1934; 1935; 1936; 1941; 1942; 1944; 1946; 1951; 1954. Hardback. Very Good Indeed/Very Good Indeed. 7" by 5"; 7" by 4.5"; 7.5" by 5"; 7.5" by 5.5"; 8" by 5.5"; 9" by 6"; 10" by 7". Eric Gill. An extensive collection of the works of sculptor Eric Gill - both artistic and literary. A lovely 9 volume collection of works by and pertaining to the creative legacy of controversial sculptor Arthur Eric Rowland Gill.Includes 5 titles in their original dust wrappers 4 of which remain unclipped.Includes 3 first edition copies - volumes 3 5 and 7.Features several illustrated titles - volumes 4 and 5 contain a monochrome frontispiece and additional vignette illustrations while volume 8 and 9 contain plates.Volume 8 features 25 leaves of monochrome plates. Collated complete.Volume 9 features 24 unnumbered leaves of plates. Collated from a copy held by the British Library complete.Volume 6 in additional brown paper wrap as well as the original dust wrapper. Decorated with a gilt top edge. Bound in original cloth. Externally very smart. Occasional marks to boards shelf wear and age toning and spotting to endpapers. Infrequent spotting to text block edges. Vol2 fading to spine corresponding with dust wrapper tears. Vol1 tape repair to front hinge rear hinge starting. Alternative dust wrapper for title by William J. Locke printed on reverse of vol1 dust wrapper. Vol3 upside down bookplate to rear paste down. Vol4 last two pages unevenly cut to bottom edge. Vol7 newspaper extract tipped in to front free endpaper. Vol9 indent to fore edge of board. Dust wrappers overall very smart - age toning to reverse. Chipping and rubbing to dust wrapper extremities. Significant tears to vol2 vol7 dust wrappers. Sunning to dust wrapper spines. Vol8 dust wrapper clipped. Internally firmly bound. Pages generally bright and clean with infrequent spotting and age toning. Very Good Indeed The Bodley Head; Faber and Faber; Jonathon Cape; Cassell & Company, Ltd.; James Clarke; J. M. Dent & Sons Ltd; Neville Spearman hardcover
ria9781137408563_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Why do girls study art and why do girls become primary teachers This book examines and reveals the powerful influence of the family the school and the state in shaping female identity and constructing notions of gender appropriateness hardcover
