Hopper, GillBiblio.com
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2015x-1137408561Palgrave Macmillan 2015. Hardcover. New. 177 pages. 6.00x4.00x1.00 inches. Palgrave Macmillan hardcover
1137408561.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
23943733like new. unknown
2016115263Palgrave Macmillan. New. 2016. Hardcover. 1137408561 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Palgrave Macmillan hardcover
J03D-00725HarperCollins. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. HarperCollins unknown
2002Q-0060196971Harper 2002-04-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Harper hardcover
2003Q-006095681XHarper Perennial 2003-05-13. Paperback. New. In shrink wrap. Looks like an interesting title! Harper Perennial paperback
2002272119New York: HarperCollins 2002. Hardcover. Near Fine/Fine. First edition. 480 pages. Near fine in fine dustwrapper. Spine ends bumped. Illustrated with black and white photographs. HarperCollins hardcover
192917898<p>London: Cassell & Co. LTD. & Francis Walterson 1929 First trade edition. A limited edition of 100 copies bound in maroon cloth was also published. Blue buckram with gilt-lettered spine and bevelled edges. Octavo. Binding extremities lightly rubbed. Spine has some light toning and fading. Bookplate of Merle Armitage on front pastedown. Pages untrimmed. Holographic Eric Gill letter written to Merle Armitage and dated 6/3/31 laid in. Gill writes: "I would sign your book for you with / pleasure if you wd. send it. But this / seems a large trouble for so small an / advantage. / Why not cut out the above signature & stick it in" A very good copy and a wonderful association In Art-Nonsense and Other Essays Gill opens with an "apology" to the reader in which he writes "Two primary ideas run through all the essays in this book: 'that art is simply the well making of what needs making' and that 'art is collaboration with God in creating.' Written at various times and for various occasions I was sometimes moved by the one sometimes by the other. One essay will appear in consequence to contradict another. This seems unavoidable but apology is offered for the gymnastics to which the reader is compelled. After all life is full of these apparent contradictions and a robust mind is one that is not disturbed thereby."</p> Cassell & Co., LTD. & Francis Walterson, hardcover
1929ARC93731Cassell & Co. Ltd. and Francis Walterson London 1929. Book. Near Fine. Hardcover. 1st Edition. First Edition first printing. 8vo. x 324pp. Blue buckram with bevelled edges lettered in gold at the spine. With a title page engraving by the author. Free endpapers and fore edge lightly spotted. All gatherings uncut at the upper edge. A virtually fine unopened copy in the uncommon dust wrapper non-price-clipped but lightly toned at the spine panel and the margins of the front and rear panels and with a touch of wear to the head of the spine panel. A two-page Apology by the author precedes twenty-four essays. A superb copy printed by the Cambridge University Press in Perpetua type designed by Eric Gill - the first ever use of this font there is some printed underlining in the text to represent italics - the italic form of Perpetua was not available when the book went to press. Cassell & Co. Ltd., and Francis Walterson, London Hardcover
1934211236London: Cassell & Co. 1934. Hardcover. VG-/Good-. 324 pages in very good clean condition; edges yellowed. Bottom corner is creased on pages 287-308. Previous owner's bookplate on fep and signature on ffep Brown cloth gilt titles. Corners lightly bumped. Yellow DJ black titles. Spine darkened corners chipped lightly soiled. VG-/GOOD- <br/> <br/> Cassell & Co. hardcover
19532092902140500254Sogen-sha 1953. Soft Cover. Fine. Number of pages: 210 pages Size: 19cm Number of books: 1 Sogen-sha paperback
1929125648Cassell & Francis Walterson 1929. Limited Edition. Hardcover. Very Good. Original red hardback with gilt lettered spine: firm and square strong joints just slightly sunned. Contents tight and clean; no pen-marks. Not from a library so no such stamps or labels. Note: this is number 69 of just 100 copies printed on large paper. Signed by Eric Gill. Thus a scarce book in very presentable condition. Cassell & Francis Walterson hardcover
19293653London: Cassell. Very Good. 1929. Red Cloth. Number 11 of only one hundred large paper copies signed by the author. Top edge gilt others deckled bevelled boards. Spine slightly faded otherwise a very nice clean copy free of owners' names or plates. ; 8vo ; x 324 1 pages; Additional images and further information provided upon request.; Signed by Author; All shipments through USPS insured Priority Mail. . Cassell hardcover
19299033818London: Cassell & Co. Ltd. & Francis Walterson 1929. 1st. Hardcover. Very good. Beautiful Gill illustration on title page. This is the first use of Gill's "Perpetua" type. Bound in blue cloth with spine stamped in gilt. Pages are uniformly clean and bright. Faint foxing to endpapers only. Corners bumped spine lightly sunned but cloth in very good condition with no breaches. A great fresh and rugged copy. 5 3/4 x 8 3/4 inches. 324 pages. <br/><br/> Cassell & Co. Ltd. & Francis Walterson hardcover
1929BBS-2012727Cassell & Co. Ltd. & Francis Walterson 1929. First Edition. Hardcover. Good. Signed. Includes a letter signed by Gill. Lacks the dust jacket. Blue buckram with gilt spine titles; cloth rubbed age-soiled with heavy sunning to spine. Gilt is still sharp and bright though visually it blends with the sunning at spine. Spine square. Binding sound. No DJ; stored and sold in protective clear wrapper. Top edge of textblock dusty. Pages sparsely foxed throughout with more moderate foxing to rear endsheet. Bookplate belonging to Eleanor and Reginald Jebb adhered at front paste down. Interior otherwise unmarked. Includes a letter from Gill to previous owner Eleanor Jebb hand-written and signed by Gill on letterhead from Pigott's North Dean High Wycombe; dated February 1931. The letter had been torn and has been reconstructed by pasting its pieces onto a different piece of paper; this has been tipped-in by a previous owner at half title. Additional correspondence between Mrs. Jebb and Gill's wife Mary and with Fr. Vincent McNabb is laid-in at the back. The letters with Mary Gill are dated 1944 and the postcard from McNabb is from 1931. Photographs available upon request. Cassell & Co., Ltd. & Francis Walterson hardcover
1929mon0000143445Cassell & Co. 1929. Hardcover. Good. in x in x in. 1929 copyright Cassell & Co. hardcover
8118London: Cassell & Co. Ltd. & Francis Walterson 1929. Sm 4to 10.25" x 7" red cloth over boards gilt title/author at spine deckled fore- and tail edges t.e.g. X 324 pp. colophon. Bookplate of Alfred Knopf designed by Rockwell Kent in 1928 on front paste-down. CONDITION: Very good spine moderately sunned light wear to extremities. This is number 55 of 100 copies printed on large paper. Signed and numbered by Gill on the colophon. London: Cassell & Co., Ltd. & Francis Walterson, 1929 unknown
192951439London: Cassell & Co 1929. First edition 8vo pp. x 324 2; title-page vignette reproduction of "Bell Sauvage IV: girl standing"; original blue buckram gilt-lettered spine spine toned else fine. "The type of which this is the first use is the 'Perpetua' designed by the author and cut by the Lanston Monotype Corporation Limited London" - colophon. A few words and passages are underlined the italics for the font not being available at the time of publication. Gill 18. Cassell & Co unknown
1929000594London: Cassell & Co. 324pp with woodcut vignette on title-page. First book to use Gill's 'Perpetua' type. Late owners name on ffep & some very light foxing to some prelims o/w vg. . Very Good. Buckram. First Edition. 1929. Cassell & Co. hardcover
192941382London: Cassell & Co 1929. First edition 8vo pp. x 324 2; title-page vignette reproduction of "Bell Sauvage IV: girl standing"; original blue buckram gilt-lettered spine spine toned else fine. "The type of which this is the first use is the 'Perpetua' designed by the author and cut by the Lanston Monotype Corporation Limited London" - colophon. A few words and passages are underlined the italics for the font not being available at the time of publication. Gill 18. Cassell & Co unknown
192943357London: Cassell & Co. Ltd & Francis Walterson 1929. First Edition. . Hardcover. Good to Very Good/No Dust Jacket. Interior vg. 10324pp. #15 of 100 copies printed on large paper and SIGNED by Eric Gill. Pages uncut. Gilt top. Gilt-stamped red cloth with beveled edges. Corners & edges rubbed particularly along top edge. Hand-written initials in front in 1" square - "MHF CRF April 17 1941". Size: Large 8vo <br/> <br/> Cassell & Co., Ltd, & Francis Walterson hardcover
199450217Oxford England: Clarendon Press. New. 1994. Hardcover. 0198132263 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Inscribed & signed by Vickers. 255 pages. Book Description: Exciting and provocative in its argument this book challenges the widely held view that Greek pottery vases were objects of great value in antiquity commissioned by rich patrons from the greatest artists of the day. Instead they are shown to have been simply low cost versions of tablewareoriginally made in silver and gold. This book demonstrates how Greek pottery first came to be regarded as a high value commodity in the eighteenth century thanks to clever if not fraudulent sales techniques; it examines the primary sources both literary and epigraphic to find what materials theancients did consider to be important; and it explores the ways in which work in gold and silver influenced painted pottery. -- with a bonus offer-- . Clarendon Press hardcover
Bloomsbury-9781838602819Bloomsbury Visual Arts. Hardback. New. Bloomsbury Visual Arts hardcover
