MARSALIS, SIMEONBiblio.com
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201710136New York: Catapult 2017. First Edition First Printing. Paperback. Fine. Octavo. 5.5 x 8.25 in. 151 pp. Occasionally illustrated in black & white. Fine in original pictorial wrappers. Signed by Marsalis on the title page. Shortlisted for the 2017 Center for Fiction First Novel Prize. Marsalis' first book. Catapult paperback
1825137394c. 1825. Rare hand-colored engraved map of Asia by American cartographers Nathaniel and Simeon Smith Jocelyn. One page hand-colored. In very good condition. Matted and framed. The entire piece measures 13 inches by 11.5 inches. At the turn of the 19th century brothers Nathaniel and Simeon Smith founded the N. and S.S. Jocelyn Publishing Company focusing mainly on engravings. In 1823 they published along with family friend Jedediah Morse an Atlas of the United States unknown
192154861Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
192154861Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
41677Aube Magazine In-4 30 cm 48pp. illustr. Nb-0132 Pqte2 unknown
__3111253333De Gruyter 1900. Hardcover. New. 4th edition. 258 pages. German language. 9.06x6.10x8.00 inches. De Gruyter hardcover
41927770-nnew. unknown
41927770like new. unknown
ria9783111253336_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
3640661982.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9783659773839_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
B9783659773839Paperback / softback. New. paperback
188328449New Haven CT 1883. Ephemera. Single page on folded letterhead of the Law Department of Yale College. Dated April 25 1883. Baldwin was a jurist law professor at Yale co-founder and president of the American Bar Association and Governor of Connecticut. The letter reads: "Dear Mr. DeLancey I think you will see the Hartford & Harlem road begun within a year. It is being fought by the old Parallel scheme promoted by the New York New Haven & Harlem road; but we have nevertheless obtained most of the legislation needed. I take pleasure in sending you a copy of my historical paper recently printed. Yours sincerely Simeon E. Baldwin." Signature and date presumably from a different hand short annotation in pencil and small stain on the verso. Very good.; Letters. unknown
ria9786203135367_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
46591Marseille, directeur : Gérard Blua. 1 volume 14,5x22cm, 159 pages.
SLIVCN-9782073072276Gallimard (5/2024)
1961R37076Roma, Facultas Theologica O.C.D. 1961 [viii +] 118pp.+ 2 plates, in-4, in the series "Bibliotheca Carmelitica. Series I.textus" vol.I, [text in spanish]
125224aafCheyne éditeur, 2015, in-8vo, 59 p., brochure originale avec jaquette.
200324266Seuil, 2003. Grand in-8, cartonnage couleurs (avec menus menus défauts). Illustrations en couleurs, souvent dépliantes, par Nicole Claveloux, Henri Galeron et Tina Mercié.
2003I-008-8162003. Hardcover. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. hardcover
BN326126Hardcover. Aïe! un poète <br/><br/>Aïe! un poète Jean-Pierre Siméon hardcover
alb16f1063cc6fbac0cTabulates of Ordovician and Silura of Eastern Siberia M.-L. Publishing House of the Academy of Sciences of the USSR 1963 188s. Please contact us for details on condition of available copies of the book. SKUalb16f1063cc6fbac0c. unknown
1160313008.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1167625838.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
36853Paris. Ledoyen. 1854. Petit in-8. Plein-Chagrin rouge. 4 nerfs au dos. Titre et décorations des caissons dorés. Double filet dorés sur les plats. Deuxième édition. 317 p. Excelent état intérieur malgré de nombreuses petites rousseurs.
