Denvir, BernardAntiquariat.de
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195080803Longmans, Green & Co. Publishers, London, New York, and Toronto, 1950. 26,5 cm ; Pp.
200043737Munich ; London ; New York : Prestel, 2000. 191 S. : zahlr. Ill. ; 32 cm ; Sprache: Englisch Pp.
20001-0300083483Yale Univ Pr 2000. Hardcover. New. 360 pages. 12.50x9.50x1.50 inches. Yale Univ Pr hardcover
200018202Cumberland Rhode Island U.S.A.: Yale Univ Pr. New. 2000. Hardcover. 0300083483 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer-- . Yale Univ Pr hardcover
1856100478<p>Lebanon Ohio: Printed at the Western Star Office 1856. 1856. Fair. - Octavo 10 inches high by 6-3/4 inches wide. Softcover bound in printed tan wraps titled within a decorative ruled frame in black on the front cover. The covers are stained and heavily chipped with pieces out from corners of the front cover. The rear cover is partially detached and the spine has perished. 61 pages with the text printed in 2 columns. The book is folded vertically down the center and the edges of the pages are darkened. The corners of several pages are creased and a few are slightly chipped. Good.</p><p>First edition.</p><p>The 1855-56 trial for heresy of one of its most popular pastors the Rev. Simeon Brown was the most memorable event in the history of the First Presbyterian Church of Lebanon's history. Held at the Church in front of the Miami Presbytery Rev. Brown was charged with unsoundness of faith for denying the doctrine of limited atonement. His beliefs which were cited in the charges included those that "Christ gave his life for the world and it is absurd to limit the word world to the elect." The Presbytery found him guilty and Rev. Brown subsequently wrote in his defense that "I maintained that our Lord Jesus Christ is a Savior provided for and sincerely offered in the Gospel to all who hear it but the Presbytery held that He is provided for the elect only." Found guilty of this one charge the sympathy of the public was chiefly with him and the members of his church were mostly on his side. Rev. Brown chose to separate from the Presbyterian Church and the trial led to the formation of the Lebanon Congregational Church.</p> Lebanon, Ohio: Printed at the Western Star Office, 1856. paperback
2003I-103-616Jean-Michel Place 2003. Paperback. Good. Former library book. Edition 2003. Ammareal gives back up to 15% of this item's net price to charity organizations. Jean-Michel Place paperback
BN324884Jean-Michel Place. Softcover. Charles Juliet : La Conquête dans l'obscur <br/><br/>Charles Juliet : La Conquête dans l'obscur Jean-Pierre Siméon Jean-Michel Place paperback
1997500187514Gallimard 1997 190 pages 12x18x2cm. 1997. Broché. 190 pages.
6208207991.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9786208207991_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
B9786208207991Paperback / softback. New. paperback
1357716419.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1358125643.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
76550Editions Saint-Germain-des-Prés 1984, broché, 62pp avec envoi de l’auteur - très bon état
6208208246.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9786208208240_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
192154901Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
192154901Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
2004100058858La Part Commune 2004 222 pages 12x17x2cm. 2004. Broché. 222 pages.
1271317060.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
177917891Boston: Gill in Court-Street and Fleet in Cornhill 1779. 35 1 blank pp. Stitched with the half title. Light wear Very Good.Disbound without half title Light age-toning and foxing Good. <br /> <br /> Howard warns his parishioners not to be like the man who "loves the praises of men more than the praises of God" He attacks the views of "those long-headed gentlemen the Deists" who "work to pull the christian religion to pieces on account of some particulars in it which they tell us they cannot comprehend or reconcile to their notions." <br /> FIRST EDITION. Evans 16306. Gill, in Court-Street, and Fleet, in Cornhill unknown
177917891Boston: Gill in Court-Street and Fleet in Cornhill 1779. 35 1 blank pp. Disbound without half title Light age-toning and foxing Good. <br/><br/> Howard warns his parishioners not to be like the man who "loves the praises of men more than the praises of God" He attacks the views of "those long-headed gentlemen the Deists" who "work to pull the christian religion to pieces on account of some particulars in it which they tell us they cannot comprehend or reconcile to their notions." <br/>FIRST EDITION. Evans 16306. Gill, in Court-Street, and Fleet, in Cornhill unknown books
2010DADAX1160647356Kessinger Publishing 2010-02-23. hardcover. New. 6.00x1.06x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
2019164698.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1016923236.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
