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2013Manohar-9780415891318Routledge 2013. Paperback. New. Routledge paperback
63898260Taylor & Francis Group pp. 292 1st Edition . Papeback. New. Taylor & Francis Group unknown
2012x-0415891310Routledge 2012. Paperback. New. 285 pages. 9.75x7.00x0.75 inches. Routledge paperback
18568775-nnew. unknown
18568775like new. unknown
Z1-B-008-02441Routledge. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Routledge unknown
0415891302.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012DADAX0415891302Routledge 2012-10-12. 1. hardcover. New. 7.00x0.75x10.00. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
2012DADAX0415891310Routledge 2012-11-08. 1. paperback. New. 7.00x0.69x10.00. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
1120959195.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1167213807.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1892libannex17937bc1Lee and Shepard 1892. Very Good. Front board slightly cracked. Contains signature of previous owner from 1899 and a copy of a letter from the author. Lee and Shepard unknown
0331740575.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1330312023.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9781167213809New. unknown
1967MASTER333471IGLORIETA NM.: RIO GRANDE PRESS INC. VG IN BLACK CLOTH WITH GILT LETTERING. NO DJ. Pages: 376. . 1967. HARDCOVER. 2 FACSIMILE REPRINTS IN 1 VOLUME. BOARDS LIGHTLY EDGEWORN & SCUFFED. PREV. OWNER BOOKPLATE INSIDE. PAGES CLEAN & TIGHT. . RIO GRANDE PRESS INC. hardcover
1967044202The Rio Grande Press 1967. Hardcover. Very Good. Minimal wear to hardcover. The titles on the spine are fading. Titles are front cover and bright and clear. No marks inside except owner name. <br/> <br/> The Rio Grande Press hardcover
3765584088.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
192039027Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 19.50 x 25 cm une feuille Original color print printed on vergé paper the signature does not let identify the artist. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
192039027Lucien Vogel éditeur | Paris 1920 | 19.50 x 25 cm | une feuille
1108428363.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1108449506.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2019x-1108449506Cambridge Univ Pr 2019. Paperback. New. 302 pages. 9.00x6.00x1.00 inches. Cambridge Univ Pr paperback
