Regnault, Henri (After).Biblio.com
602 résultats
71-8007London: British publlsher circa 1900. Hand-colored wood engraving. 13 x 20.5 cm sheet. Very Good tape along sheet edges on verso text on verso.Provenance: From the collection of the late Frederick Ruffner Jr. founder of Gale Research Detroit. [London: British publlsher, circa 1900]. unknown
1861ABE-17459566835721861. 5th or later Edition. Hardcover. Good. Elements of Chemistry 2 Vols Sixth Edition greatly improved Translated from the French by T.F. Betton; edited with notes by J.C. Booth and W.L. Faber Philadelphia: J.B. Lippincott & Co. 1861 Orig. leather black gilt labels scuffed fr. cover Vol. 2 loose int VG. hardcover
177475019Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 336 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177474994Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 340 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177475022Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 336 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177475016Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 336 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177474976Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 339 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177474968Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 455 x 336 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177475021Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 336 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177474975Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 339 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177474998Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 336 x 456 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177475009Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 336 mm. Copperplate engraving with original wash colour. Very good condition. unknown
177474995Paris: 1774. An attractive and impressive botanical print by the husband and wife collaboration of Nicolas and Genevieve Regnault from their work entitled 'La Botanique Mise a la portee de tout le monde ou Collection des Plantes D'Usage.'. The work illustrates both helpful medicinal and decorative plants. Blunt says " The most impressive French botanical work of the period". Size: 456 x 340 mm. Copperplate engraving with original wash colour. Very good condition. unknown
185930319Paris : L. Langlois - Victor Masson 1859. 180x110mm. 428 413 466 582 pages 689 figures n/b dans le texte reliure demi-basane. Auteur et titres dorÂŽs au dos. Plats papier marbrÂŽ. Bords lÂŽgÂrement frottÂŽs. TrÂs peu de rousseurs. Bon ÂŽtat. 1725 L. Langlois - Victor Masson unknown
185158961Paris : Victor Masson et Langlois & Leclercq sans date vers 1851. 175x110mm. 689 figures n/b planche grave reliure demi-basane. Couleur rouge. Plats percaline rouge. Auteur titre tomaison et ornementation simple filet dors au dos. Intrieurs propre quelques rousseurs marginales. Bon tat. 1770 Victor Masson et Langlois & Leclercq unknown
1864222100Milano : Dottor Francesco Vallardi 1864. Fourth Edition. Hardback. Very good copy bound in contemporary gilt-blocked cloth-backed marbled boards. Spine bands and panel edges somewhat dulled and rubbed as with age. Light dust-toning around the page margins. Remains quite well-preserved overall. ; 8vo 8"" - 9"" tall; 607 pages; 607 96p. illus.; 18cm. "". quarta edizione Italiana condotta sulla terra edizione francese."" --title page. Subjects: Chemistry -- Elements -- Science -- 19th century -- History of science. Language: Italian. Milano : Dottor Francesco Vallardi hardcover
185010167Paris: V. Lecou 1850. Fine. V. Lecou Paris 1850 13 x 21.50 cm broché First edition. Pen annotations relating to the text on the half-title page foxing. V. Lecou unknown
2002Q-1879007347Fordham University Press 2002-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Fordham University Press paperback
185559123Paris : Mallet-Bachelier 1855-1856-1857. 220x135mm. XII- XII- 252 463Êpages reliure demi-basane. Plats cartonns. Etiquettes de cote au dos. Une tiquette manuscrite portant lÕinscription ÒPhysiqueÓ au dos du tome second de la partie thorique sinon les dos sont muets. Couvertures originales colles sur les premiers plats. Tranches marbres. Rousseurs. Il manque malheureusement toutes les planches! Bon tat. 1130 Mallet-Bachelier unknown
187352450Paris: Charpentier & Cie 1873. Fine. Charpentier & Cie Paris 1873 - relié Second illustrated edition with a portrait of Henri Régnault etched by Laguillermie. Half chocolate brown shagreen binding spine with five raised bands slightly faded marbled paper boards front board with a white stain at head marbled endpapers and pastedowns speckled edges. Provenance: from the library of Louis d'Eichtahl with a shelf label pasted on a pastedown. Charpentier & Cie hardcover
6390144298pp. 456 . Hardback. New. hardcover
79730Couverture rigide. Bon/1850. in-8. Paris 1850 in-8 128pp Reliure éditeur pleine percaline Très bel exemplaire! unknown
2026240267Perrotin pagnerre 2026. Etat Correct aspect couverture frotté texte propre et frais. in12. 2026. Relié. 360360 pages. Perrotin pagnerre unknown
20106172<p>Oversized & heavy hardcover shipping weight over 2kg please note: extra postage will required 422 pages illustrated throughout over 350 colour and b&w photos many full-page some double-spreads NOT ex-library. Great interior clean and bright throughout with unmarked text free of inscriptions and stamps. Clean and bright page edges externally. Boards show small bumps gentle corner creases a touch of rubbing. Issued without a dust jacket. -- "The Dress Circle" inserts seven decades of history into the family tree of New Zealand fashion design in a landmark book that celebrates both the achievements of New Zealand fashion designers from the recent past and the high-profile success of the contemporary generation. In over 400 fully illustrated pages authors Lucy Hammonds Douglas Lloyd Jenkins and Claire Regnault reveal the wealth of stories that underpin the development of New Zealand's unique fashion design history. They showcase the talents and undeniable flair of a wide range of New Zealand fashion designers from the well-known to those who have slipped out of the public eye. At the same time the book explores the key social shifts that empowered change in fashion offering a new view of a vital and exciting branch of New Zealand design culture. Shortlisted for the 2011 NZ Post Book Awards. -- Contents: Introduction; 1. The Nineteen Forties: Stepping Out; 2. The Nineteen Fifties: After Frocks; 3. The Nineteen Sixties: In Vogue; 4. The Nineteen Seventies: A Fabulous Mess; 5. The Nineteen Eighties: On the Make; 6. The Nineteen Nineties: Search for a Style; 7. The Two Thousands: Our Fashion Moment; The Finer Details Endnotes; Key Sources & Selected Bibliography; Credits; Acknowledgements; A Note from Deborah Smith; Index -- "Contrary to popular opinion New Zealand Fashion didn't begin in the late 1990s when four designers were sent to the London catwalks and created a stir with their stylish dark garments. Its history is in fact a long and rich one and no one tells it better than the team of Douglas Lloyd Jenkins Claire Regnault and Lucy Hammonds all three of whom are experts in the field and who spent over three years tracking down our overlooked and in some cases entirely forgotten fashion pioneers and heroes. The treasure-trove of fabulous frocks coats ballgowns and bijou pieces they bring back into the light are stunning in their creativity giving the lie to the notion that we've always been a nation of bad dressers. The stories they tell of dedication passion of triumph and of disaster are part of our rich history."<br /><br /></p> Random House hardcover
4-43442S.l. 1870/80 c.a 8vo m.tela stralcio pp. 170 con 4 tav. lit. f.t. ed una carta lit. ripieg. - !! ATTENZIONE !!: Con il termine estratto o stralcio intendiamo riferirci ad un fascicolo contenente un articolo di rivista sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a" ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto†or “stralcio†means simply a few pages original nonetheless printed in a magazine. Pages are indicated as in "from†“to" for example: 229/231 means the text comprises three pages 229 230 and 231. If the magazine that contained the pages is not mentioned it is because it is unknown to us. unknown
