Steinlen, Theophile AlexandreBiblio.com
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3557375Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1892. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3557372Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1892. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3557374Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1892. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
191624534Paris 1916. First edition. Print. Very good condition. Imposing W.W.I lithograph printed signature lower left by the noted Paris Art Nouveau printmaker Theophile Steinlen.<br /> <br /> Depicting a mustached French soldier holding his young child in his arms as his exhausted wife looks out at the viewer. "Un poilu" is the affectionate slang term for a French W.W.I infantryman meaning a hairy or scruffy one. <br /> <br /> Steinlen 1859-1923 the famed Swiss born printmaker who settled and worked in Montmartre Paris is noted for his impressive posters of cafes and night life. He was a socialist whose images display his lifelong support and focus on the working class.<br /> <br /> 12 x 18 3/4". Title written in pencil at bottom of print. Tipped on to heavier stock. OCLC: 881025539 records a copy at the Bibliotheque Nationale de France. unknown
1931791Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1894. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
200012970BBMülheim an der Ruhr, Kunstmuseum in der Alten Post, 2000. 4. 180 S., zahlr. Ill. Hardcover Sehr guter Zustand., m. kleinem Besitzerstempel.
18952201451895. Im Stein signiert "Steinlen". Druck auf festerem glatten Velin. 21,3 x 27,5 cm (blattgroß)
189565463[Berlin, F. Fontane & Co., 1895]. Farblithographie (Blattgröße 21,4 x 27,6 cm), montiert auf Untersatzkarton (28,5 x 36,8 cm).
189565464[Berlin, F. Fontane & Co., 1895]. Farblithographie (Blattgröße 20,8 x 27,5 cm), montiert auf Untersatzkarton (27,2 x 36,8 cm).
1985149575Zürich : Tanner und Staehelin. 1985. 119 S. : überwiegend Ill. 27*23 cm. OPappband.
Une affiche en lithographie de 118x78,5 cm, représentant deux poilus, avec la mention "organisée par le Parlement" et les symboles de l'Assemblée nationale et du Sénat. Affiche entoilée, marges de 5cm environ; petits manques dans les angles et en marges. Photos.
199971091Museum. New. 1999. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Museum paperback
200671092Foundation. New. 2006. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Foundation paperback
51-3366Paris: 1904. Als. 2 sided card.Laurent Tailhade French: tajad; 16 April 1854 – 2 November 1919 was a French satirical poet anarchist polemicist essayist and translator active in Paris in the 1890s and early 1900s. His most well-known poetry collections Au Pays du mufle 1891 and Imbéciles et gredins 1900 have retained their insulting wit and verve which blends the street slang of the outer faubourgs suburbs of Paris with the rich language of a broad-ranging culture.Correspondance adressée au célèbre peintre graveur illustrateur affichiste et sculpteur Théophile-Alexandre STEINLEN Lausanne 1859-1923. Paris: 1904. unknown
1980Q-0486239500Dover Publications 1980-08-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
189874859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 34.50 x 21 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by an excerpt from Germinie Lacerteux by the Goncourts. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late nineteenth century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints is published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential printing of very high luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters amplifies at the beginning of the 1890s. Octave Uzanne to qualify this fever invents the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then becomes an art object and its ephemeral support becomes precious and devoted to conservation. Piazza decides to remove the poster from its advertising vocation and to elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composes a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189875859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 19.50 x 36 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin with the numbered stamp of the deluxe issue on verso some foxing. Lithograph inspired by an extract from Germinie Lacerteux by the Goncourts. A magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of previously unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe issue: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
190186266Paris: H. Piazza et CieSevin & Rey 1901. Fine. H. Piazza et Cie Sevin & Rey Paris 1901 15 x 20.50 cm broché First edition one of 100 numbered copies on Japan paper the only deluxe copies. Handsome copy. Work illustrated with 100 colored drawings by Théophile Alexandre Steinlen. H. Piazza et CieSevin & Rey unknown
1901780R29Paris: Sevin et Rey 1901. Cloth. Very Good. 8" by 6". Theophile Steinlen. A beautiful collection of the artworks of Theophile Steinlen in colour. Theophile Steinlen 1859-1923 was a French Art Nouveau painter. He depicted Montmartre often as well as his daughter Collette; he also did poster art for cabaret owner Aristide Bruant.Illustrated with one hundred marvellous examples of the artist's work in colour.With a foreword by Camille de Saint Croix.The H. Piazza et cie. edition of this work. In a full cloth binding. Externally a trifle worn with marks to the spine and ink stains to the front board as well as some wear to the extremities and head and tail of the spine. Internally firmly bound. Pages are a touch age-toned but otherwise clean. Very Good Sevin et Rey hardcover
1390028631.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190374987Paris: Editions d'art Edouard Pelletan 1903. Fine. Editions d'art Edouard Pelletan Paris 1903 14.50 x 20.50 cm relié First edition of this exhibition catalogue held at 32 place Saint Georges in NovemberDecember 1903. Bound in contemporary chocolate brown morocco-backed marbled boards spine plain corners in matching morocco marbled endpapers gilt top edge original wrappers and spine preserved; signed binding by Lortic. Pasted on the rear pastedown is the invitation card to the exhibition illustrated by Théophile-Alexandre Steinlen. Preface by Anatole France. A handsome copy finely bound by Lortic son of Charles Baudelaires bookbinder. Editions d'art Edouard Pelletan hardcover
036488021X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19015213<p>3 Portfolios containing approximately 165 individual issues of <i>L'Assiette au Beurre.</i> One cream full cloth portfolio with strap and buckle; another black quarter cloth over marbled boards with three black ties; lastly white paper boards and linen spine with strap and buckle. Occasional tears & soiling but overall in very good condition. Issues included: Nos. 1-7; ; No. 11; Nos. 14-17; Nos. 26-40; Nos. 44-47; No 49-50; Nos. 54-58; Nos. 62-63; No. 66; No. 69; Nos. 70-72; No. 74;; Nos. 337-342; No. 344; Nos 347-349; Nos. 351; No 353; Nos 355-357; Nos. 360-364; Nos. 367-368; Nos. 370-372; No. 374 Nos 377-382; No. 384; No. 387; Nos. 389-396; No. 398; No. 400; Nos. 408-409; No. 412; Nos. 415-417 Nos 419-421; No. 424; No 427; 429-430; No. 433; Nos 436-439; Nos 441; No 443; 445--450; No.454; Nos. 458-465; No. 474; Nos. 477-478; No. 482; No. 498; No. 509; No. 512 plus special issues. 10 1/4 x 12 3/4 inches.</p> Samuel Sigismond Schwarz paperback
190619684Paris: Fayard 1906. Fine. Fayard Paris s. d. 1906 17 x 24.50 cm relié Edition illustrated with drawings after watercolors by Steinlen. Publisher's full sea-green paper boards smooth spine. Handsome copy. Fayard hardcover
188788808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
