LOBEL-RICHE (Alméry) et Anne OSMONTLivre Rare Book
1 238 résultats
19151519Paris, Imprimé pour Charles Meunier, 1915. In-folio (37,5 x 27,8 cm), reliure maroquin bordeaux, listel d'encadrement à froid, dos à quatre nerfs titré or, encadrement intérieur orné de listels à froid se croisant aux angles avec jeu de petits carrés dorés, doublure bord à bord de même maroquin, gardes de moire aubergine, tranches dorées sur témoins, couverture, étui (Gruel). TRÈS RARE ÉDITION TIRÉE À 30 EXEMPLAIRES SEULEMENT, illustrée de compositions dans le texte et de 10 EAUX-FORTES DE LOBEL-RICHE EN 5 ÉTATS ET À PLEINE PAGE. Un des 25 exemplaires sur vélin teinté (n° 19) contenant 5 états des gravures hors texte sur papier vélin, papier japon et parchemin, une suite de 11 petites remarques d'artistes gravées à l'eau-forte. Cet exemplaire est enrichi de 8 épreuves d'essais de ces vignettes en états signés, 30 épreuves d'essais et d'artiste toutes signées et annotées des 10 hors-texte, et 15 DESSINS ORIGINAUX de l'artiste au crayon ou en sanguine sur vélin ou calque, généralement très aboutis et signés. EXEMPLAIRE DE MAURICE CHEVALIER portant cet envoi de Lobel-Riche : "Un jour, j'ai compris pourquoi Maurice Chevalier était un artiste et un poète : il avait le secret des grands coeurs qui s'imposent. Et c'est avec plaisir que je lui dédie cet ouvrage en mémoire de notre commun sentiment [...]. PARFAITE ET SOBRE RELIURE ART-DÉCO EN MAROQUIN DOUBLÉ DE GRUEL.
188577552Paris: Furne & Cie 1885. Fine. Furne & Cie Paris 1885-1900 13.50 x 19 cm 4 volumes reliés First edition of each of the four volumes one of 50 copies for the first and third works or one of 150 copies for the second and fourth printed on Japan paper the only deluxe issue. Bradel bindings in citron half morocco with corners smooth spines slightly darkened marbled paper boards pebble-grained endpapers and pastedowns covers and backstrips preserved in one piece contemporary bindings signed Champs. Covers and in-text or full-page drawings by Théophile Alexandre Steinlen for the first and second volumes by Francisque Poulbot for the third and by Louis Borgex for the fourth and final volume. Each volume bears Aristide Bruants autograph signature beneath the colophon; the last volume also includes Louis Borgexs handwritten signature. A handsome complete set of four volumes uniformly bound at the time by Champs. Furne & Cie hardcover
1833316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019.<br /> <br /> There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown
1833316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019<br/>There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown books
191639256Paris: La Guerre / d'Alignan 1916. WITH 18 LITHOGRAPHS ON IMPERIAL JAPANESE PAPER ALL SIGNED BY STEINLEN. No. 1 all published. A portfolio of 18 ORIGINAL LITHOGRAPHS by Steinlen complete 14 printed in black and 4 printed in blue. ONE OF ONLY 100 SETS PRINTED ON IMPERIAL JAPANESE PAPER WITH ALL OF THE LITHOGRAPHS SIGNED BY THE ARTIST. World War I greatly affected Steinlen and he set out to publish the "Wartime Sketches" a series of 72 lithographs in four portfolios. It was the artist's intention to create a 20th-century "Disasters of War" which would continue the tradition established by Callot De Hooghe and Goya. Only the first of these portfolios was published the one I offer here in a very small edition. The lithographs in this portfolio focus on the human side of war: there are no battle scenes just powerful lingering images of women and children recruits and refugees. Benezit says that "Au cours de la guerre 1914-1918 il a consacre aux malheurs de la Belgique et de la Serbie envahies quelques estampes qui resteront parmi les productions les plus interessantes inspirees par la guerre." In most sets the lithographs are signed only in the stone but IN DELUXE SETS LIKE THIS ONE EACH OF THE 18 LITHOGRAPHS IS ADDITIONALLY SIGNED BY STEINLEN IN CRAYON. A 19th lithograph by Steinlen not part of this series is laid in at the front. Large folio 40 cm publisher's portfolio. Lithographs loose as issued. Very light wear to portfolio but clean and solid with original ties. THE LITHOGRAPHS ARE ALL FINE AND BRIGHT. Very rare: most copies have been dismembered. Christophe "Steinlen: L'Oeuvre de Guerre" catalogue nos. 1 2 12 16-17 24a 50 83-90 124a 128 and 131. <br/><br/> La Guerre / d'Alignan unknown
188577552Furne & Cie | Paris 1885-1900 | 13.50 x 19 cm | 4 volumes reliés
189879250Cartonnage d'éditeur pleine percaline verte. Titre à la chinoise doré sur le dos. Plat supérieur illustré d'un dessin signé de Steinlen représentant un coq chantant en noir et rouge devant le titre"Cocorico" écrit en doré. Le présent exemplaire est ici en deux volumes : numéros 1 à 24 pour 1898-1899 ; numéros 25 à 44 pour 1900. (Les couvertures en couleurs et les annonces sont reliées in-fine pour le premier volume).
191348670Paris.: Société de Propagation des Livres d'Art. 1913. Unbound with original wrappers. 4to. With 11 originl prints 4 etchings and 7 lithographs.5 of the prints in 2 states and 6 of the prints in 3 states. Monochrome illustrations throughout. The catalogue of Steinlen's graphic work including his work in periodicals and other ephemera. From the edition limited to 500 copies with this one of 20 deluxe copies printed entirely on chine and reserved for members of Les XX group. Signed by both Steinlen and De Crauzat this deluxe copy has 11 original prints by Steinlen including four etchings and seven lithographs each present in two or three states. Several of the states include remarques. Société de Propagation des Livres d'Art. unknown
198786782Ernst Wasmuth Verlag. New. 1987. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 120 pages; 130 illustrations most in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre Complete Works Ernst Wasmuth Verlag hardcover
198691422Editions du Grand-Pont. New. 1986. Hardcover. 2881480047 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Text in French. 119 pages. Theophile Théophile Alexandre Steinlen Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee -- with a bonus offer . Editions du Grand-Pont hardcover
284BB11 x 15 cm. Original-Tuschzeichnung. Signiert mit Nachlass-Stempel. Steinlen wurde 1859 in Lausanne geboren und starb 1923 in Paris. unknown
awd-96Très belle et rare affiche originale en couleurs imprimée en lithographie au format 137/194 cm (imp. Charles Verneau, Paris, 1897). Entoilée. Assez bon état (quelques signes d'usure).
188513840, , 1885. Lavis et aquarelle, monogrammé en bas à gauche, avec les cotes. Des rousseurs.
1987C86782Ernst Wasmuth Verlag. As New. 1987. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 120 pages; 130 illustrations most in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Ernst Wasmuth Verlag hardcover
1986C91422Editions du Grand-Pont. As New. 1986. Hardcover. 2881480047 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Text in French. 119 pages. Theophile Théophile Alexandre Steinlen Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Editions du Grand-Pont hardcover
191476693Reliure demi-maroquin vert foncé à coins. Dos à nerfs ornés de caissons dorés décorés d'importants motifs dorés et de losanges mosaïqués de maroquin bordeaux. Tête dorée. Couverture et dos conservés. Relié in fine le prospectus de l'éditeur. Reliure signée A. et R. MAYLANDER. Non rogné.
18945215<p>Five small folio volumes. Contemporary half cloth over marbled paper-covered boards; three volumes disbound with covers still present. <i>Le Rire</i> was a successful French humor magazine published from October 1894 through the 1950s. Black and white and color illustrations copiously throughout. Artists who contributed to Le Rire include: Henri de Toulouse-Lautrec Théophile Steinlen Georges Goursat Hermann-Paul Juan Gris Georges Meunier Lucien Metivet Jean-Louis Forain Adolphe Willette Albert Guillaume Jules Grandjouan Abel Faivre and many others. Boards rubbed and scuffed board edges heavily abraded spine ends and corners bumped. Text blocks shaken with some sporadic gatherings and leaves loose leaves toned multiple places over-opened. Hinges in two volumes cracked. Large tear on page 7-8 of No. 49 in the first volume. Fifth volume with front cover detached. Backstrips separating on second and fifth volumes. </p><p>First volume: Nos. 1-50 1894-1895. Second volume: No. 51-100 1895-1896. Third volume: Nos. 209-260 1898-1899. Fourth volume: Nos. 261-312 with <i>Numero Special hors Serie </i>1899-1900. Fifth volume: Nos. 313-364 1900-1901. 2 vol: 9 1/2 x 12 inches // 3 vol: 9 1/2 x 13 inches</p> hardcover
264n.d. Pencil and crayon. With the Steinlen estate stamp and estate code number. unknown books
1900422Drawing in pencil. c. 1900. With the Steinlen estate stamp. 19 x 12½. On paper with a CF watermark. Deckled edges on 3 sides. Margins: 48 ½ x 31. books
4158Large folio 12 x 18" Original poster printed in tones of black and gray and light brown. The scarce poster by Steinlen for the book "Chanson de femmes" which was issued in the same year as the poster 1896 Paris Enoch & Cie which was illustrated by Steinlen and with decorations by Georges Auriol. A most delicate image. Extremely scarce thus. Fine. <br/><br/> unknown books
19053003771905. 9-1/2 x 12 inches. Blue conté crayon on plain paper signed in autograph lower left; hinged to backing board; small unrepaired tear at lower right edge not affecting image. 9-1/2 x 12 inches. An original Steinlen drawing of a sitted nude woman beautifully rendered and shaded in blue conté crayon and signed by the artist at lower left. This is one of numerous studies Steinlen made during the early 1900s of what appear to be the same model in nearly all cases with her face obscured though most are far more loosely sketched than this finely drafted example. unknown
1900422<p>Drawing in pencil. c. 1900. With the Steinlen estate stamp. 19 x 12½. On paper with a CF watermark. Deckled edges on 3 sides. Margins: 48 ½ x 31.</p>
1900264<p>n.d. Pencil and crayon. With the Steinlen estate stamp and estate code number. Deckled edges on 3 sides Margins: 48½ x 31.</p>
189486064Paris: Flammarion 1894. Fine. Flammarion Paris s. d. 1894 12 x 19 cm relié First edition one of 10 numbered copies on Japan paper the only deluxe copies. Bound in full mustard yellow morocco spine very slightly faded with four raised bands underlined with black fillets green morocco doublure yellow moiré silk endpapers following endpapers of marbled paper original wrappers and spine preserved bookplate pasted on one pastedown all edges gilt elegant contemporary binding signed Cretté. Small glue stains on the page opposite the bookplate. Cover illustrated with a drawing by Théophile Alexandre Steinlen. Handsome copy perfectly bound in morocco doublure by Georges Cretté. Flammarion hardcover
191021311Paris Editions d'Art Pelletan 1910 1 in-4 demi-chagrin havane doré à coins, dos estampillé et mosaiqué. Editions intégrales décorées de 252 compositions originales de STEINLEN pour l'un et de vingt-quatre compositions pour l'autre. Paris, Editions d'Art Pelletan, imprimés sur les presses à bras de Lahure, 1910, 2 ouvrages réunis en un fort volume in-4, maroquin vert foncé, plat supérieur orné d'un dessin aux 3 couleurs au motif de l'illustration "Premier retour" page 86 figurant 3 jeunes gueux "fauves, hagards" encadré d'un filet or, dos titré à 4 nerfs, filet doré sur les coupes, gardes de maroquin vert encadrées d'un double filet, bordures de maroquin vert olive serties d'un filet doré, mosaïquée, contre-gardes de soie moirées vert olive, tranches dorées, couvertures et dos conservés, sous chemise de demi-maroquin à bandes et étui bordé de maroquin vert, (Semet et Plumelle Relieur).
