Steinlen, TheophileBiblio.com
578 résultats
189924502Paris 1899. First edition. Fine. Printed color lithographic cover art with block color for the Parisian journal 'Le Mirliton' by the noted Paris Art Nouveau printmaker. <br /> <br /> Dramatic poster depicting a Parisian dancer armed with bottle of wine accosting a group of upper class men in top hats as they recoil in shock. With the price of the journal Le Mirliton incorporated into the scene at the left.<br /> <br /> Aristide Bruant 1851-1925 established his cabaret Le Mirliton in Paris in 1885; Steinlen was commissioned by Bruant to create poster art for the cabaret as well as advertisement for its journal. <br /> <br /> With period pencil notation on the verso "Tirage a part du Mirliton". Image size varies on paper 13 x 18" unknown
191624534Paris 1916. First edition. Print. Very good condition. Imposing W.W.I lithograph printed signature lower left by the noted Paris Art Nouveau printmaker Theophile Steinlen.<br /> <br /> Depicting a mustached French soldier holding his young child in his arms as his exhausted wife looks out at the viewer. "Un poilu" is the affectionate slang term for a French W.W.I infantryman meaning a hairy or scruffy one. <br /> <br /> Steinlen 1859-1923 the famed Swiss born printmaker who settled and worked in Montmartre Paris is noted for his impressive posters of cafes and night life. He was a socialist whose images display his lifelong support and focus on the working class.<br /> <br /> 12 x 18 3/4". Title written in pencil at bottom of print. Tipped on to heavier stock. OCLC: 881025539 records a copy at the Bibliotheque Nationale de France. unknown
51-3366Paris: 1904. Als. 2 sided card.Laurent Tailhade French: tajad; 16 April 1854 – 2 November 1919 was a French satirical poet anarchist polemicist essayist and translator active in Paris in the 1890s and early 1900s. His most well-known poetry collections Au Pays du mufle 1891 and Imbéciles et gredins 1900 have retained their insulting wit and verve which blends the street slang of the outer faubourgs suburbs of Paris with the rich language of a broad-ranging culture.Correspondance adressée au célèbre peintre graveur illustrateur affichiste et sculpteur Théophile-Alexandre STEINLEN Lausanne 1859-1923. Paris: 1904. unknown
51-3371Paris: 1905. Als. 2pp. - Clément VAUTEL 1876-1957 journaliste et romancier belge. Lettre à l'en-tête du Rire adressée le 4 octobre 1906 à propos d'une idée de dessin pour paraître dans le journal. 2pp. in-8.Correspondance adressée au célèbre peintre graveur illustrateur affichiste et sculpteur Théophile-Alexandre STEINLEN Lausanne 1859-1923. Paris: 1905. unknown
1980Q-0486239438Dover Publications 1980-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
19812090202120410327Libroport 1981. Soft Cover. Fine. Number of books: 1 Libroport paperback
188683280Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Henry Somm: ""Dévouement et repentir"". Literary contributions by Rodolphe Salis ""La dévotion de Jacques de Pissardière illustré de 2 dessins de Théophile Alexandre Steinlen"" text dedicated to Jules Barbey d'Aurevilly Alphonse Allais ""Une mauvaise blague"" George Auriol. Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its chronicle. It published texts recited during performances. It also forms an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188481915Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen ""Le chat et la grenouille"" ""The cat and the frog"". Literary contributions by Georges Auriol ""Fleur d'orange"" ""Orange blossom"" Rodolphe Salis Léo Niversac ""Bulletin du Chat Noir"" ""Chat Noir bulletin"" Jules Jouy. A few minor marginal tears of no consequence. Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it served as the memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century centered around the bohemian lifestyle and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
198145441Tokyo; Libro 1981. Reprint. Hardback. An exceptional copy - fine in the publisher's cloth-backed color-decorated boards and housed in a matching illustrated slip-case. An uncommon edition and scarce in such positive condition. ; 0 pages; Fine Facsimile Reprint of the 1897 Ernest Flammarion Paris ed. With a comprehensive introduction in Japanese. Description: 26 leaves : all ill. ; 31 cm. Unpaginated. Subject: Swiss drawings. Steinlen Th' Ophile-Alexandre. Cats--Caricatures and cartoons. Art Nouveau. Tokyo; Libro hardcover
51-3359Paris: 1920. 2 Als.Louis BARTHOU 1862-1934 homme de lettres et homme politique. Lettre du 3 novembre 1920 à propos d'une échéance et carte autographe signée du 21 octobre 1903 remerciant le peintre pour le dessin exécuté dans son exemplaire du "Vagabond".Correspondance adressée au célèbre peintre graveur illustrateur affichiste et sculpteur Théophile-Alexandre STEINLEN Lausanne 1859-1923. Paris: 1920 unknown
51-3372Paris: 1905. 2 Als with envelope. Maurice MONTEGUT 1855-1911 écrivain. Deux lettres adressées en décembre 1903 concernant des expositions remarquables du peintre et des demandes d'illustration. Avec enveloppe.Correspondance adressée au célèbre peintre graveur illustrateur affichiste et sculpteur Théophile-Alexandre STEINLEN Lausanne 1859-1923. Paris: 1905. unknown
13985Steinlen Theophile. GIL BLAS - COVER FOR THE ISSUE OF SEPTEMBER 15 1899. Color lithpgraph signed in the stone. 15 x 10 1/4 inches. In very good condition. unknown
190382165Paris: Le canard sauvage 1903. Fine. Le canard sauvage Paris 2-8 Mai 1903 24.50 x 31.50 cm agrafé First edition of this issue dealing sometimes ironically with the Franco-English entente. Cover illustrated with a color drawing by Théophile Alexandre Steinlen ""La promenade des anglais"" back cover illustrated with a color drawing by Vallotton ""Le discours de bienvenue"". Texts by Tristan Bernard ""Têtes couronnées"" Charles-Louis Philippe ""Un roi"" Franc-Nohain ""L'idée d'Edouard VII"" Jules Renard ""Marthes Brandès à la campagne"" Alfred Jarry ""Cambronne et Edouard au Jockey-club"". Issue illustrated with drawings by Hermann-Paul Théophile Alexandre Steinlen Jean Villemot Roubille Abel Faivre. Le canard sauvage unknown
188588582Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 25 juillet 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Le plus vexé des trois"". With literary contributions by Alphonse Allais ""Absinthes"" dedicated to Adolphe Willette Rodolphe Darzens with the poem ""Le conseil de la chair"" Camille de Sainte-Croix ""Paul Margueritte"" Louis Marsolleau ""Villon"" among others. A handsome copy despite a small paper flaw at the head of the first page due to a printing defect. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence. Au cabaret Le Chat noir unknown
188888811Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 27 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features a comic strip by Steinlen ""Du dernier bien avec le général"" as well as drawings by Henry Somm on the facing page. Literary contributions by Alphonse Allais ""La forêt enchantée"" dedicated to George Auriol Raoul Gineste ""Les vieux chats"" and José Rolla ""A l'église"". A well-preserved copy despite a few faint marginal stains. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century capturing the bohemian spirit and vibrant Parisian scene of the time. Au cabaret Le Chat noir unknown
188683164Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""La rose"". Literary contributions by Charles Cros ""Un drame interastral"" Caran d'Ache ""Carnet de la semaine"" Albert Tinchant Rodolphe Salis ""Comment fut parachevée l'église saint-Pierre de Poictiers"" dedicated to Guy de Maupassant. Handsome copy despite minor worming. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it serves as the memory. It publishes the texts recited during the performances. It is furthermore an important literary and artistic testimony of the late 19th century around bohemian life and the Parisian effervescence that characterizes it. Au cabaret Le Chat noir unknown
188588583Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 1er août 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Coqs et poule"". Literary contributions by Alphonse Allais with ""Le pauvre bougre et le bon génie"" dedicated to Henry Somm François Villon with the poem ""Rondel"" George Auriol with ""Au diable vert"" dedicated to Steinlen Rodolphe Salis. A handsome copy. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly it constitutes a major literary and artistic record of the late 19th century centered on bohemian life and the unique creative fervor of Paris at the time. Au cabaret Le Chat noir unknown
189584795Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm broché First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Spine cracked at head and foot. Autograph inscription dated and signed by Paul Chambot with the additional signature of Ambroise Girier to A. Patay. Librairie Gueteville unknown
188788808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
51-3369Paris: 1907. Als. 2 letters. 7pp. Eugène MONFORT 1877-1936 écrivain. Deux lettres adressées à Steinlen dont une datée du 30 août 1907 dans laquelle il ne s'explique pas les manques de rapport et la non-illustration de son livre sur Montmartre. 7pp. In-8.Correspondance adressée au célèbre peintre graveur illustrateur affichiste et sculpteur Théophile-Alexandre STEINLEN Lausanne 1859-1923. Paris: 1907 unknown
198479271984. Pierre de Tartas éditeur 1984. In/4 reliure plein cuir gaufré avec plat à décor de cerf sous étui bordé de cuir dos à nerfs et titres dorés doré trois tranches lithographies de Steinlen monochromes et en couleur 168 p. Exemplaire numéroté sur grand bouffant des papeteries Buhn. Excellent état. Préface de Genevoix. Les agents de la chasse animaux nuisibles gibier à poil chasse au chien darrêt chasse au marais sur les étangs et dans les rivières. unknown
1915231041915. S.l. s.ÂŽ. s.d. circa 1915. Dimensions marges incluses : 697 x 497 mm. Grande planche lithographiÂŽe signÂŽe ˆ la mine de plomb ThÂŽophile Alexandre Steinlen en marge infÂŽrieure et numÂŽrotÂŽe 101/120. Epreuve tirÂŽe sur papier fort. ''Sorti des Beaux-Arts ˆ Lausanne Steinlen dÂŽbuta dans le dessin industriel pour le textile ˆ Mulhouse. ArrivÂŽ ˆ Paris en 1882 il frÂŽquenta aussit™t le cabaret du Chat noir et commenÂa alors ˆ dessiner pour de nombreuses revues ainsi que plusieurs ÂŽditeurs. A partir de 1898 il grava ˆ l'eau-forte et produisit des affiches qui le rendirent cÂŽlÂbre. Anatole France ÂŽcrivit de lui : ''DouÂŽ d'une sensibilitÂŽ subtile vive attentive d'une infaillible mÂŽmoire de l'oeil et de moyens rapides d'expression en somme tout destinait Steinlen ˆ devenir le dessinateur et le peintre de la vie qui passe le ma”tre de la rue. Le flot clair et matinal et le flot sombre et nocturne des ouvriers et ouvriÂres les groupes attablÂŽs sur le trottoir les r™deurs des noirs boulevards la rue enfin la place publique les lointains faubourgs aux arbres maigres les terrains vagues tout cela est ˆ lui. De ces choses il sait tout. Leur vie est sa vie leur joie est sa joie leur tristesse sa tristesse. Il a ri et souffert avec les passants. L'‰me des foules irritÂŽs ou joyeuses a passÂŽ en lui. Il en a senti la simplicitÂŽ terrible et la grandeur. C'est pourquoi l'oeuvre de Steinlen est ÂŽpique''. in Osterwalder. Osterwalder I Dictionnaire des illustrateurs p. 1014 - BÂŽnÂŽzit IX Dictionnaire des peintres p. 811. Oxydations affectant principalement la marge supÂŽrieure. Marge lÂŽgÂrement effrangÂŽe pouvant en outre prÂŽsenter d'infimes dÂŽchirures. Du reste belle condition. Peu courant. b42961 unknown
118388Épinal Pellerin & Cie. Imp. Édit.1900. 8 feuillets. 32 x 25 Cm. Broché couvertures illustrées d'origine. Dos acassé. Coins émoussés. Tous les ingrédients sont réunis ici pour amuser les enfants. Les dessins de Steinlen apportent à ces personnages de comédie tout le mouvement d'un spectacle vivant. Quelques taches et rousseurs. Petits accrocs sur les bords. Épinal, Pellerin & Cie. Imp. Édit.(1900) unknown
1907L058680Vennootschap Letteren En Kunst 1907. First Edition. Hardcover. Very Good/No Jacket. Folio - over 12" - 15" tall. VG- Slight wear to extremities fraying; chiefly to corners; slight soiling rubbing and browning to covers cloth portfolio; chiefly to edges; slight bowing to upper cover; previous bookseller's printed paper label on front attached endpaper; slight internal browning chiefly to text at edges; generally unaffecting plates. 29 pages plates. Text in Dutch. Scarce early portfolio featuring 24 lithographic reproductions of some of Steinlen's finest early works with the artist's authorization tipped on medium stock cardboard leaves the plates. Foreword by 'Is. Querido'; introductory biographical essay by Lauer. Laid loose as issued in folding dark yellow cloth portfolio with color pictorial illustration on upper cover plain endpapers.24 b/w Illustrations / plates; 2 b/w maps; Decorative title Page dark yellow/black/white. Vennootschap Letteren En Kunst hardcover
02-1109E. Sansot 1907. Lithograph. 163 x 115 mm. Signed in the stone. One of the 25 impressions on Japan for the deluxe edition of Les Gueules Noires by E. Morel. Crauzat 271. E. Sansot, 1907. unknown
