578 résultats
189875859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 19.50 x 36 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin with the numbered stamp of the deluxe issue on verso some foxing. Lithograph inspired by an extract from Germinie Lacerteux by the Goncourts. A magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of previously unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe issue: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1916318737Paris 1916. Drawing. Conte on paper. Signed in conte.<br/> <br/> Haunting study of a young girl with side profile and lip studies. Foxing toning small tears in the margins otherwise in good condition. Theophile Alexandre Steinlen 1859-1923 was a Swiss-born French Art Nouveau painter and printmaker. He was politically engaged and collaborated with anarchist and socialist groups. Frequently referred to as just Steinlen he is best known for his 'Chat Noir' advertisements for the cabaret of the same name.<br/> <br/> unknown
191666844Paris: Georges Crès & Cie 1916. Fine. Georges Crès & Cie Paris 1916 12 x 19 cm broché First edition on ordinary paper. Frontispiece by Théphile Alexandre Steinlen. Beautiful autograph inscription signed by Colette to her lover Valentine Feydeau : ""A Valentine Feydeau 1 / 1 Elle n'aura le reste de la dedication que si elle revient."" Georges Crès & Cie unknown
189131052AB1891. 11 Bände. Paris. 18911891 Klein-Folio 395 x 28 cm. Mit über 800 meist farbigen Lithographien von Steinlen Bulluriau Guillaume und anderen Künstlern. Halbleinenbände. Vicaire III 978. - Jahrgänge 111 dieser schönen Zeitschrift der Jahrhundertwende mit Texten von Baudelaire S. Bernardt Bruant Colette Daudet France Maupassant Schwob Mallarmé Verlaine Zola und anderen Autoren. Die meisten Illustrationen stammen von Steinlen. Ohne die Nr. 44 aus Jahrgang 10. Vorgebunden sind 2 Vorläufernummern des Gil Blas. unknown
19015213<p>3 Portfolios containing approximately 165 individual issues of <i>L'Assiette au Beurre.</i> One cream full cloth portfolio with strap and buckle; another black quarter cloth over marbled boards with three black ties; lastly white paper boards and linen spine with strap and buckle. Occasional tears & soiling but overall in very good condition. Issues included: Nos. 1-7; ; No. 11; Nos. 14-17; Nos. 26-40; Nos. 44-47; No 49-50; Nos. 54-58; Nos. 62-63; No. 66; No. 69; Nos. 70-72; No. 74;; Nos. 337-342; No. 344; Nos 347-349; Nos. 351; No 353; Nos 355-357; Nos. 360-364; Nos. 367-368; Nos. 370-372; No. 374 Nos 377-382; No. 384; No. 387; Nos. 389-396; No. 398; No. 400; Nos. 408-409; No. 412; Nos. 415-417 Nos 419-421; No. 424; No 427; 429-430; No. 433; Nos 436-439; Nos 441; No 443; 445--450; No.454; Nos. 458-465; No. 474; Nos. 477-478; No. 482; No. 498; No. 509; No. 512 plus special issues. 10 1/4 x 12 3/4 inches.</p> Samuel Sigismond Schwarz paperback
18964158Paris 1896. Large folio 17 x 12 inches image size on cream wove paper 13 x 20 inches. Paris 1896. Original lithograph poster printed in three colors: black pale green and gold. The scarce poster by Theophile Alexandre Steinlen 1859-1923 for the book “Chanson de femmes†which was issued in the same year as the poster 1896 Paris Enoch & Cie. Theophile Steinlen Theophile Steinlen Swiss-born French Art Nouveau painter illustrator and printmaker is best known for his iconic posters and depictions of Parisian life. He moved to Paris in the 1880s and became a key figure in Montmartre artistic scene associating with figures like Toulouse-Lautrec. His art combined realism with Art Nouveau influences making him a significant contributor to the Belle Epoque visual culture. A most delicate image. Extremely scarce thus. Fine. unknown
19163398Paris: D'Alignan Editeur; A. Vernant & E. Dolle Imprimeurs 1916. First Edition One of 400 sets printed on velin. All in Very Good to Fine Condition/Title and publisher label from the original folio have been preserved on the cover of a new wrap. Now preserved in an attractive matching clam shell of brown and beige marbled paper. Uncommonly found complete set as issued with all eighteen 18 lithos each is signed by the artist in pencil. Too often individual lithos have been seperated from the set for individual sale making complete copies quite rare. 3 3/4" x 5 1/4" lithographs on velin tipped on to 7" x 9" sheets. Croquis de Temps de Guerre "Sketches from Wartime" is Steinlen's major World War I print portfolio. The scenes depicted take place between 1914 and 1916 and are the head and torso studies from his larger series on Serbian refugees. Included is an upper torso preliminary of the most famous of these "La Poilue". D'Alignan was the director of the "La Guerre editions" and exclusive publisher of Steilen's work between 1915 and 1919. Steinlen was well known for his sympathetic eye in depicting the miseries of war. One can discern even from these small poignant drawings of face and torsos the suffering and burdens of war on especially the mothers and children. This was originally intended to be a series of four albums alas this is the first and only one published.<br /> <br /> Theoophile Steilen 1859 - 1923 was born in Switzerland. He initially studied Theology in Lausanne a precursor to his humanitarian sentiments as well as being a commited socialist and anarchist. He moved to Paris and in 1883 became part of the bohemian collective of Monmartre along with Henri Toulouse-Lautrec and Emil Zola. He was the primary illustrator of song books for Aristide Bruant and served as the resident illustrator for the magazine "Chat Noir". When not creating art the crew often gathered at the cabaret of the same name. HIs enduring best know creation is the "Tournee du Chat Noir" poster the iconic black cat advertising the cabaret which remains one of the most reproduced images in poster history. "Tout vient du peuple tout sort du peuple et nous ne sommes que ses porte-voix. Everything comes from the people everything comes out of the people and we are merely its mouthpieces." - T. A. Steinlen. D'Alignan, Editeur; A. Vernant & E. Dolle, Imprimeurs unknown
196353666New York: Charles E. Slatkin Galleries. As New. 1963. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 139 works catalogued and illustrated. -- with a bonus offer-- . Charles E. Slatkin Galleries paperback
200776940Scriptum Publishers. New. 2007. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Dutch. 160 pp. With 263 ills. 219 col. . 28 x 22 cm. -- with a bonus offer-- . Scriptum Publishers paperback
2008738475 Continents Editions S. R. L. New. 2008. Hardcover. 8874395035 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 240 pp. 29 x 25 cm. -- with a bonus offer-- . 5 Continents Editions S. R. L. hardcover
199971091Museum. New. 1999. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Museum paperback
200671092Foundation. New. 2006. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Foundation paperback
19101720Paris: Edouard Pelletan 1910. Limited Edition. Near fine. Théophile Steinlen. 4to; 10 1/8 x7 3/4 inches 258 x 197 mm; half-title limitation title with publisher's device 366 pp including a glossary of slang Glossaire argotique 1 8 advertisements printed in black and red with additional colors for title page. 252 illustrations from works by Théophile Steinlen engraved by Ducourtioux. Full red morocco binding by Vautrin gilt stamped in dentelle; gilt fillets on covers raised bands with gilt titles and decorations in compartments wide gilt dentelles marbled endpapers t.e.g.; original paper boards bound in; minimal rubbing on bottom corners and edges internally clean and bright with a very faint water mark on bottom right corner not affecting texts or images firmly bound. <br /> Copy 218 of 340 numbered and signed by E. Pelletan on limitation page one of 267 copies on Marais Mills hand-made paper. <br /> <br /> Carteret IV 341; Crauzat 643. A very beautiful work by Jean Richepin 1849 - 1926 superbly illustrated by Théophile Alexandre Steinlen 1859-1923 in an elegant contemporary binding.<br /> Richepin was virtually unknown until the publication in 1876 of this volume of verse entitled La Chanson des Gueux a declaration of war against the bourgeoisie. Richepin's outspokenness resulted in his being imprisoned and fined for "outrage to morals." The collection was republished without the contentious pieces which were published separately in Brussels in 1881. The book is divided into several parts: 1°/ Beggars of the Fields; 2°/ Beggars of Paris; 3°/ We Other Beggars; Epilogue: The End of the Beggars. A slang glossary concludes the work. <br /> <br /> For this 1910 edition the illustrations were entrusted to the Swiss-born Steinlen who was politically engaged and often collaborated with anarchist and socialist press. "You will find Steinlen at the entrance to the construction site at the workshop door at the factory exit; he is everywhere where people gather on days of celebration riot or strike. . He succeeds in establishing the link which unites simple hearts in showing the intimate cohesion of the group of the theory of the collection; no one possesses to the same degree as Steinlen the gift and the power to make the shiver of a common anguish run through an assembly Roger Marx preface to "L'Oeuvre gravé et lithographié de Steinlen" Paris Société de Propagation des Livres d'Art 1913. Edouard Pelletan unknown
188531053AB1885. Jahrgänge 121. Paris. Directeur Aristide Bruant. 18851905. Quarto 275 x 14 und 375 x 275 cm. 190 von 194 Heften. Nummern 1142 ohne die Hefte 69 und 103m Serie 2: Nummern 130 Serie 3: Nummern 121 ohne die die Hefte 6 und 22. Lose Hefte mit meist farbigen Titeln in Lithographie von Toulouse-Lautrec und Steinlen. Fast vollständige Serie dieser seltenen Zeitschrift herausgegeben vom Pariser Chansonniert Aristide Bruat der zu dieser Zeit auf dem Montmartre ein Cabaret mit dem Namen "Le Mirliton" führte. - Die ersten 100 Nummern und alle der 3. Serie sind im Format 275 x 14 cm von Nummer 101 bis zum Schluss der 2. Serie im Format 375 x 275 cm. Ab dem Jahr 1895 erschien die Zeitschrift nur noch sporadisch. Zwischen Juni 1896 und Mai 1903 erschienen keine Ausgaben. Sehr seltene bis auf 4 Nummern komplette Folge dieser Jugendstil-Zeitschrift. unknown
189486064Paris: Flammarion 1894. Fine. Flammarion Paris s. d. 1894 12 x 19 cm relié First edition one of 10 numbered copies on Japan paper the only deluxe copies. Bound in full mustard yellow morocco spine very slightly faded with four raised bands underlined with black fillets green morocco doublure yellow moiré silk endpapers following endpapers of marbled paper original wrappers and spine preserved bookplate pasted on one pastedown all edges gilt elegant contemporary binding signed Cretté. Small glue stains on the page opposite the bookplate. Cover illustrated with a drawing by Théophile Alexandre Steinlen. Handsome copy perfectly bound in morocco doublure by Georges Cretté. Flammarion hardcover
18945215<p>Five small folio volumes. Contemporary half cloth over marbled paper-covered boards; three volumes disbound with covers still present. <i>Le Rire</i> was a successful French humor magazine published from October 1894 through the 1950s. Black and white and color illustrations copiously throughout. Artists who contributed to Le Rire include: Henri de Toulouse-Lautrec Théophile Steinlen Georges Goursat Hermann-Paul Juan Gris Georges Meunier Lucien Metivet Jean-Louis Forain Adolphe Willette Albert Guillaume Jules Grandjouan Abel Faivre and many others. Boards rubbed and scuffed board edges heavily abraded spine ends and corners bumped. Text blocks shaken with some sporadic gatherings and leaves loose leaves toned multiple places over-opened. Hinges in two volumes cracked. Large tear on page 7-8 of No. 49 in the first volume. Fifth volume with front cover detached. Backstrips separating on second and fifth volumes. </p><p>First volume: Nos. 1-50 1894-1895. Second volume: No. 51-100 1895-1896. Third volume: Nos. 209-260 1898-1899. Fourth volume: Nos. 261-312 with <i>Numero Special hors Serie </i>1899-1900. Fifth volume: Nos. 313-364 1900-1901. 2 vol: 9 1/2 x 12 inches // 3 vol: 9 1/2 x 13 inches</p> hardcover
19053003771905. 9-1/2 x 12 inches. Blue conté crayon on plain paper signed in autograph lower left; hinged to backing board; small unrepaired tear at lower right edge not affecting image. 9-1/2 x 12 inches. An original Steinlen drawing of a sitted nude woman beautifully rendered and shaded in blue conté crayon and signed by the artist at lower left. This is one of numerous studies Steinlen made during the early 1900s of what appear to be the same model in nearly all cases with her face obscured though most are far more loosely sketched than this finely drafted example. unknown
1900422<p>Drawing in pencil. c. 1900. With the Steinlen estate stamp. 19 x 12½. On paper with a CF watermark. Deckled edges on 3 sides. Margins: 48 ½ x 31.</p>
1900264<p>n.d. Pencil and crayon. With the Steinlen estate stamp and estate code number. Deckled edges on 3 sides Margins: 48½ x 31.</p>
1986C91422Editions du Grand-Pont. As New. 1986. Hardcover. 2881480047 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Text in French. 119 pages. Theophile Théophile Alexandre Steinlen Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Editions du Grand-Pont hardcover
1987C86782Ernst Wasmuth Verlag. As New. 1987. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 120 pages; 130 illustrations most in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Ernst Wasmuth Verlag hardcover
284BB11 x 15 cm. Original-Tuschzeichnung. Signiert mit Nachlass-Stempel. Steinlen wurde 1859 in Lausanne geboren und starb 1923 in Paris. unknown
198691422Editions du Grand-Pont. New. 1986. Hardcover. 2881480047 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Text in French. 119 pages. Theophile Théophile Alexandre Steinlen Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee -- with a bonus offer . Editions du Grand-Pont hardcover
198786782Ernst Wasmuth Verlag. New. 1987. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 120 pages; 130 illustrations most in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre Complete Works Ernst Wasmuth Verlag hardcover
191348670Paris.: Société de Propagation des Livres d'Art. 1913. Unbound with original wrappers. 4to. With 11 originl prints 4 etchings and 7 lithographs.5 of the prints in 2 states and 6 of the prints in 3 states. Monochrome illustrations throughout. The catalogue of Steinlen's graphic work including his work in periodicals and other ephemera. From the edition limited to 500 copies with this one of 20 deluxe copies printed entirely on chine and reserved for members of Les XX group. Signed by both Steinlen and De Crauzat this deluxe copy has 11 original prints by Steinlen including four etchings and seven lithographs each present in two or three states. Several of the states include remarques. Société de Propagation des Livres d'Art. unknown
