Theophile-Alexandre Pierre SteinlenBiblio.com
578 résultats
84261Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
84263Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
84262Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1896. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
02-1114E. Sansot 1907. Lithograph. 253 x 430 mm. Signed in the stone. First state of 2 before becoming the cover to Les Gueules Noires by E. Morel. Crauzat 269. Tape mark extending 5 cm. into the image. Waterstain in margin. E. Sansot, 1907. unknown
190216859AB1902. Paris Schwarz 1902. 305 : 24 cm. 14 pages with coloured illustrations by Steinlen. Coloured illustrated original wrappers. With double-page coloured lithographs by Steinlen. - Front wrapper a bit loosened. unknown
87054Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
87053Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
87052Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
87051Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7862Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7863Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7860Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
7861Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18-7765Montreuil France: Centre des Expositions 1987. 8vo. 191 pp. Oblong. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear and crease at bottom right corner. Color and B&W plates throughout. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. Text in French. Montreuil, France: Centre des Expositions, 1987. paperback
190382165Paris: Le canard sauvage 1903. Fine. Le canard sauvage Paris 2-8 Mai 1903 24.50 x 31.50 cm agrafé First edition of this issue dealing sometimes ironically with the Franco-English entente. Cover illustrated with a color drawing by Théophile Alexandre Steinlen ""La promenade des anglais"" back cover illustrated with a color drawing by Vallotton ""Le discours de bienvenue"". Texts by Tristan Bernard ""Têtes couronnées"" Charles-Louis Philippe ""Un roi"" Franc-Nohain ""L'idée d'Edouard VII"" Jules Renard ""Marthes Brandès à la campagne"" Alfred Jarry ""Cambronne et Edouard au Jockey-club"". Issue illustrated with drawings by Hermann-Paul Théophile Alexandre Steinlen Jean Villemot Roubille Abel Faivre. Le canard sauvage unknown
51-2902Paris: Isabey & Salis 1890-1891. Illustrated throughout with cartoons advertisements etc. by Steinlen DoesSaint-Maurice Capy Fau Belon Cottin Malteste Sta Thélem Folio 43x30 cm 17x12" bound in red cloth decorated in gilt.A collection of original weekly issues of the Paris periodical spanning 30 August 1890 to 29 August 1891. Le Chat Noir was a nineteenth-century entertainment establishment in the bohemian Montmartre district of Paris considered to be the first modern cabaret. From 1892 to 1895 the cabaret published a weekly magazine with the same name featuring literary writings news from the cabaret and Montmartre poetry and political satire.Wear and some dampstaining to cloth some vertical slits to cloth along spine; interior sound with toning; very good. Few pages with tears. Paris: Isabey & Salis, 1890-1891. hardcover
188588582Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 25 juillet 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Le plus vexé des trois"". With literary contributions by Alphonse Allais ""Absinthes"" dedicated to Adolphe Willette Rodolphe Darzens with the poem ""Le conseil de la chair"" Camille de Sainte-Croix ""Paul Margueritte"" Louis Marsolleau ""Villon"" among others. A handsome copy despite a small paper flaw at the head of the first page due to a printing defect. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence. Au cabaret Le Chat noir unknown
188888811Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 27 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features a comic strip by Steinlen ""Du dernier bien avec le général"" as well as drawings by Henry Somm on the facing page. Literary contributions by Alphonse Allais ""La forêt enchantée"" dedicated to George Auriol Raoul Gineste ""Les vieux chats"" and José Rolla ""A l'église"". A well-preserved copy despite a few faint marginal stains. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century capturing the bohemian spirit and vibrant Parisian scene of the time. Au cabaret Le Chat noir unknown
188783169Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen dedicated to Alphonse Allais. Literary contributions by Alphonse Allais ""Idylle"" Rodolphe Salis Georges Auriol Pierre Mille . Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188683280Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Henry Somm: ""Dévouement et repentir"". Literary contributions by Rodolphe Salis ""La dévotion de Jacques de Pissardière illustré de 2 dessins de Théophile Alexandre Steinlen"" text dedicated to Jules Barbey d'Aurevilly Alphonse Allais ""Une mauvaise blague"" George Auriol. Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its chronicle. It published texts recited during performances. It also forms an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188588817Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 14 février 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This 4-page issue features a comic strip by Steinlen: ""La mauvaise aventure de Maigriou."" Includes literary contributions by Charles Cros Pour en avoir le coeur net Charles Chincholle Les jours dabsinthe George Auriol La saint Charlemagne François Coppée Lesclave ivre . A well-preserved copy. Le Chat Noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famed cabaret of the same name of which it served as a living memory. It featured the texts performed during the shows. The publication also stands as a significant literary and artistic testimony of the late 19th century centered on the bohemian world and the vibrant cultural scene of Paris at the time. Au cabaret Le Chat noir unknown
188683164Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""La rose"". Literary contributions by Charles Cros ""Un drame interastral"" Caran d'Ache ""Carnet de la semaine"" Albert Tinchant Rodolphe Salis ""Comment fut parachevée l'église saint-Pierre de Poictiers"" dedicated to Guy de Maupassant. Handsome copy despite minor worming. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it serves as the memory. It publishes the texts recited during the performances. It is furthermore an important literary and artistic testimony of the late 19th century around bohemian life and the Parisian effervescence that characterizes it. Au cabaret Le Chat noir unknown
188588583Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 1er août 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Coqs et poule"". Literary contributions by Alphonse Allais with ""Le pauvre bougre et le bon génie"" dedicated to Henry Somm François Villon with the poem ""Rondel"" George Auriol with ""Au diable vert"" dedicated to Steinlen Rodolphe Salis. A handsome copy. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly it constitutes a major literary and artistic record of the late 19th century centered on bohemian life and the unique creative fervor of Paris at the time. Au cabaret Le Chat noir unknown
188683276Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen ""Actualité brûlante"". Literary contributions by Francisque Sarcey ""Chronique du bon sens"" Jean Richepin ""Le chat noir"" Abel Hamel ""Qui a bu ne peut plus boire"" Georges Courteline ""Madame Dieu-nous-voit"". Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the performances. It constitutes moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188788808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
