Steinlen, TheophileBiblio.com
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189628558Paris: Imprimerie Chaix 1896. First edition. Print. Very good condition. Steinlen 1859-1923 the famed Swiss born printmaker who settled and worked in Montmartre Paris is noted for his impressive posters of cafes and night life. He was a socialist whose images display his lifelong support and focus on the working class.<br /> <br /> Art nouveau style poster for this opera set in Greece. Color lithograph image size varies on paper 11 1/4 x 15 1/2" with the blind stamp in the lower right corner. <br /> <br /> Maitres de l'Affiche Masters of the Poster was an outstanding publication publishing in a small format the best of poster art from the Belle Epoque. They are lithographs printed by Imprimerie Chaix in Paris between 1895-1900. Imprimerie Chaix unknown
189565464[Berlin, F. Fontane & Co., 1895]. Farblithographie (Blattgröße 20,8 x 27,5 cm), montiert auf Untersatzkarton (27,2 x 36,8 cm).
189565463[Berlin, F. Fontane & Co., 1895]. Farblithographie (Blattgröße 21,4 x 27,6 cm), montiert auf Untersatzkarton (28,5 x 36,8 cm).
19002153# AUTEUR: Gallaud de La Pérouse Alphonse dit Zo d'Axa # ILLUSTRATEUR: Steinlen # ÉDITEUR: Imprimerie spéciale - vente en gros chez Hayard - Paris # ANNÉE ÉDITION: 1900 # COUVERTURE: 1/2 percaline rouge - dos lisse - titre en long doré sur percaline noire # DÉTAILS: In Folio relié ( 455x315) de 28 ff. Soit la collection complète des 25 feuilles dont 2 en couleurs, parues de octobre 1897 à mars 1899 (double pour les ff n° 11 et 12) + la feuille réclame de Steinlen 5c en vente partout imprimée chez Verneau. Dupont, Fétis, Lacour, Mateoda, Panvert et Polvliet sont les autres imprimeurs des feuilles. # PHOTOS visibles sur www.latourinfernal.com
19002854# AUTEUR: Nodier Charles # ILLUSTRATEUR: Steinlen # ÉDITEUR: Pellatan Edouard - Paris # ANNÉE ÉDITION: 1900 # ENVOI, BEAUX PAPIERS: Grand Vélin à la cuve des papeteries du Marais # COUVERTURE: Souple illustrée en couleurs - à rabats - # DÉTAILS: In 4° broché XV + 28pp.+1ff. N° 118 des 127 exemplaires sur grand Vélin à la cuve des papeteries du Marais. 25 compositions de Steinlen dont 5 hors texte en couleurs gravées par Deloche, E. Froment, Ernest et Frédéric Florian. Cette édition à été établie à l'occasion de l'exposition universelle de 1900. # PHOTOS visibles sur www.latourinfernal.com
189814264Très beau dessin à l'encre, signé et légendé. Le dessin a été fait pour le magazine Le Rire dans lequel il est reproduit : numéro 181 du 23 avril 1898. En feuille Très bon Paris 1898 1 volume in-4°
189874859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 34.50 x 21 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by an excerpt from Germinie Lacerteux by the Goncourts. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late nineteenth century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints is published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential printing of very high luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters amplifies at the beginning of the 1890s. Octave Uzanne to qualify this fever invents the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then becomes an art object and its ephemeral support becomes precious and devoted to conservation. Piazza decides to remove the poster from its advertising vocation and to elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composes a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189875859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 19.50 x 36 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin with the numbered stamp of the deluxe issue on verso some foxing. Lithograph inspired by an extract from Germinie Lacerteux by the Goncourts. A magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of previously unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe issue: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874859Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Juin) 1898 | 34.50 x 21 cm | une feuille
189875859Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Juin) 1898 | 19.50 x 36 cm | une feuille
