578 résultats
84533Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century September 1915. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
87311Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century published May 1916. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
87312Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century published May 1916. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
87314Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century published May 1916. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
87313Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century published May 1916. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
86728Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1915. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
86727Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1915. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
86729Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1915. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
86726Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1915. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
71-3419Paris: Gil Blas 1895. Color lithograph. 42 x 28 cm. sheet. Very Good. Paris: Gil Blas, 1895. unknown
19163398Paris: D'Alignan Editeur; A. Vernant & E. Dolle Imprimeurs 1916. First Edition One of 400 sets printed on velin. All in Very Good to Fine Condition/Title and publisher label from the original folio have been preserved on the cover of a new wrap. Now preserved in an attractive matching clam shell of brown and beige marbled paper. Uncommonly found complete set as issued with all eighteen 18 lithos each is signed by the artist in pencil. Too often individual lithos have been seperated from the set for individual sale making complete copies quite rare. 3 3/4" x 5 1/4" lithographs on velin tipped on to 7" x 9" sheets. Croquis de Temps de Guerre "Sketches from Wartime" is Steinlen's major World War I print portfolio. The scenes depicted take place between 1914 and 1916 and are the head and torso studies from his larger series on Serbian refugees. Included is an upper torso preliminary of the most famous of these "La Poilue". D'Alignan was the director of the "La Guerre editions" and exclusive publisher of Steilen's work between 1915 and 1919. Steinlen was well known for his sympathetic eye in depicting the miseries of war. One can discern even from these small poignant drawings of face and torsos the suffering and burdens of war on especially the mothers and children. This was originally intended to be a series of four albums alas this is the first and only one published.<br /> <br /> Theoophile Steilen 1859 - 1923 was born in Switzerland. He initially studied Theology in Lausanne a precursor to his humanitarian sentiments as well as being a commited socialist and anarchist. He moved to Paris and in 1883 became part of the bohemian collective of Monmartre along with Henri Toulouse-Lautrec and Emil Zola. He was the primary illustrator of song books for Aristide Bruant and served as the resident illustrator for the magazine "Chat Noir". When not creating art the crew often gathered at the cabaret of the same name. HIs enduring best know creation is the "Tournee du Chat Noir" poster the iconic black cat advertising the cabaret which remains one of the most reproduced images in poster history. "Tout vient du peuple tout sort du peuple et nous ne sommes que ses porte-voix. Everything comes from the people everything comes out of the people and we are merely its mouthpieces." - T. A. Steinlen. D'Alignan, Editeur; A. Vernant & E. Dolle, Imprimeurs unknown
1022618547.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
198145441Tokyo; Libro 1981. Reprint. Hardback. An exceptional copy - fine in the publisher's cloth-backed color-decorated boards and housed in a matching illustrated slip-case. An uncommon edition and scarce in such positive condition. ; 0 pages; Fine Facsimile Reprint of the 1897 Ernest Flammarion Paris ed. With a comprehensive introduction in Japanese. Description: 26 leaves : all ill. ; 31 cm. Unpaginated. Subject: Swiss drawings. Steinlen Th' Ophile-Alexandre. Cats--Caricatures and cartoons. Art Nouveau. Tokyo; Libro hardcover
387900-WF12Amsterdam : Letteren en Kunst z.j. Hardcover. Good. Halflinnen bandillustraties in z/w f met steunkleuren ongepagineerd 4to.; Slijtage randen en hopekjes kaft; boekblok gebroken; gebruikssporen. Toch nog wel een goed exemplaar. Amsterdam : Letteren en Kunst hardcover
1901114141Paris : Sevin et Rey 1901. 195x135mm. VIII - 100 planches en n/b demi-percaline. Auteur et titre dors au dos. Reli au dbut de lÕouvrage: Exposition dÕOuvrages Peints Dessins ou Gravs par Th.-A. Steinlen. Prface par Anatole France. Lausanne 1913 Librairie Gnrale du Grand-Pont Jean Biedermann diteur 11 ff. non pagin illustr de 3 hors texte et 4 illustrations in texte. 567 Sevin et Rey unknown
2010DADAX1160546738Kessinger Publishing 2010-02-23. hardcover. New. 6.00x0.63x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1167562437.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1160546738.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1160353085.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1901168104Paris 1901. paperback. fine. Black & white frontispiece 99 beautiful color illustrations. Tall 12mo original printed wrappers with wrap-around color illustration; original glassine; unopened pages. Paris: Edition H. Piazza/Sevin et Rey 1901. Text in French. A very fine unused copy.<br/> <br/> unknown
1901144556Paris: Piazza/Sevin et Rey 1901. paperback. very good. 100 black & white illustrations. Tall 12mo original printed wrappers illustrated on both sides and spine in color wrappers are lightly foxed and discolored at edges; one small stain at top center. Unopened pages. Paris: Edition H. Piazza/Sevin et Rey 1901. Text in French. Very good .<br/> <br/> Despite the title none of the 100 illustrations are printed in color.<br/> <br/> Piazza/Sevin et Rey unknown
190186266Paris: H. Piazza et CieSevin & Rey 1901. Fine. H. Piazza et Cie Sevin & Rey Paris 1901 15 x 20.50 cm broché First edition one of 100 numbered copies on Japan paper the only deluxe copies. Handsome copy. Work illustrated with 100 colored drawings by Théophile Alexandre Steinlen. H. Piazza et CieSevin & Rey unknown
1901780R29Paris: Sevin et Rey 1901. Cloth. Very Good. 8" by 6". Theophile Steinlen. A beautiful collection of the artworks of Theophile Steinlen in colour. Theophile Steinlen 1859-1923 was a French Art Nouveau painter. He depicted Montmartre often as well as his daughter Collette; he also did poster art for cabaret owner Aristide Bruant.Illustrated with one hundred marvellous examples of the artist's work in colour.With a foreword by Camille de Saint Croix.The H. Piazza et cie. edition of this work. In a full cloth binding. Externally a trifle worn with marks to the spine and ink stains to the front board as well as some wear to the extremities and head and tail of the spine. Internally firmly bound. Pages are a touch age-toned but otherwise clean. Very Good Sevin et Rey hardcover
188577552Paris: Furne & Cie 1885. Fine. Furne & Cie Paris 1885-1900 13.50 x 19 cm 4 volumes reliés First edition of each of the four volumes one of 50 copies for the first and third works or one of 150 copies for the second and fourth printed on Japan paper the only deluxe issue. Bradel bindings in citron half morocco with corners smooth spines slightly darkened marbled paper boards pebble-grained endpapers and pastedowns covers and backstrips preserved in one piece contemporary bindings signed Champs. Covers and in-text or full-page drawings by Théophile Alexandre Steinlen for the first and second volumes by Francisque Poulbot for the third and by Louis Borgex for the fourth and final volume. Each volume bears Aristide Bruants autograph signature beneath the colophon; the last volume also includes Louis Borgexs handwritten signature. A handsome complete set of four volumes uniformly bound at the time by Champs. Furne & Cie hardcover
1889314591889. Paris Aristide Bruant s.d. 1889. Un vol. au format in-12 188 x 118 mm de 207 pp. Reliure signÂŽe de l'ÂŽpoque de demi-percaline satinÂŽe cerise ˆ coins dos lisse ornÂŽ de doubles filets dorÂŽs fleuron central dorÂŽ piÂce de titre de maroquin ÂŽbÂne titre dorÂŽ couvertures et dos conservÂŽs faÂon ''leporello''. Carayon. ''PremiÂre ÂŽdition illustrÂŽe recherchÂŽe et cotÂŽe''. in Carteret. Elle est ici dÂŽpourvue de toute mention de ''mille''. Elle s'agrÂŽmente de nombreuses compositions in et hors-texte d'Alexandre Steinlen. L'exemplaire - revÂtu d'une reliure signÂŽe de Carayon - a conservÂŽ son dos et ses couvertures agrÂŽablement illustrÂŽs ; se dÂŽployant ici faÂon ''leporello''. ''Sorti des Beaux-Arts ˆ Lausanne Steinlen dÂŽbuta dans le dessin industriel pour le textile ˆ Mulhouse. ArrivÂŽ ˆ Paris en 1882 il frÂŽquenta aussit™t le cabaret du Chat noir et commenÂa alors ˆ dessiner pour de nombreuses revues ainsi que plusieurs ÂŽditeurs. A partir de 1898 il grava ˆ l'eau-forte et produisit des affiches qui le rendirent cÂŽlÂbre. Anatole France ÂŽcrivit de lui : ''DouÂŽ d'une sensibilitÂŽ subtile vive attentive d'une infaillible mÂŽmoire de l'oeil et de moyens rapides d'expression en somme tout destinait Steinlen ˆ devenir le dessinateur et le peintre de la vie qui passe le ma”tre de la rue. Le flot clair et matinal et le flot sombre et nocturne des ouvriers et ouvriÂres les groupes attablÂŽs sur le trottoir les r™deurs des noirs boulevards la rue enfin la place publique les lointains faubourgs aux arbres maigres les terrains vagues tout cela est ˆ lui. De ces choses il sait tout. Leur vie est sa vie leur joie est sa joie leur tristesse sa tristesse. Il a ri et souffert avec les passants. L'‰me des foules irritÂŽs ou joyeuses a passÂŽ en lui. Il en a senti la simplicitÂŽ terrible et la grandeur. C'est pourquoi l'oeuvre de Steinlen est ÂŽpique''. in Osterwalder. Premier ouvrage de l'auteur il ne manqua - dÂs parution - de faire sensation les critiques sont enthousiastes. Chacun salue le ÇÊpoÂte sincÂre et vibrant d'une rare originalitŽÊÈ louant ''sa verve ˆ exprimer le pathÂŽtique de la crapule''. FranÂois CoppÂŽe le fait recevoir ˆ la SociÂŽtÂŽ des gens de lettres en 1891 et il ne mÂŽnage pas ses ÂŽloges au comitÂŽ des gens de lettresÊ: ÇÊJe fais grand cas de Dans la rue et je le tiens pour un descendant en ligne directe lÂŽgitime de notre Villon.ÊÈ. Immense rÂŽussiteÊpour Bruant : ses chansons sont mises aux rÂŽpertoires d'artistes cÂŽlÂbresÊ: EugÂŽnie Buffet dÂŽguisÂŽe en fille de barriÂre fait applaudir Ë la Cigale Ë la Villette et Ë la GlaciÂre et lance Ë Saint-Lazare ; Yvette Guilbert vedette du caf'conc' interprÂte Ë Belleville et Au Bois de Boulogne. Bruant connait alors une gloire internationale et en 1895 abandonne son cabaret et part en tournÂŽe ˆ l'ÂŽtranger.Bruant se revendique comme un travailleur sÂŽrieux. Dans sa poÂŽsie apparemment simple la puissance du raccourci et la prÂŽcision du terme dissimulent de longues recherchesÊ: ÇÊsept mois pour une chansonÊ!ÊÈ a-t-il dÂŽclarÂŽ ˆ propos de Ë Biribi. FlÂŽty Dictionnaire des relieurs fran!ais p. 38 - Carteret IV Le TrÂŽsor du bibliophile / Livres illustrÂŽs modernes p. 83 - Vicaire I Manuel de l'amateur de livres du XIXÂme siÂcle col. 938. Quelques lacunes en marge de la page de titre. Dos de la couverture papier originelle doublÂŽ prÂŽsentant en outre un manque en tÂte. Du reste trÂs belle condition. b42961 unknown