Galanis, GeorgeBiblio.com
FUNDAMENTAL ISSUES IN DEFENSE TRAINING AND SIMULATION
2017x-1138074357Taylor & Francis 2017. Paperback. New. 348 pages. 9.21x6.14x0.94 inches. Taylor & Francis paperback
Revaluation Books · Royaume-Uni97,58 £GB≈ 111,42 €
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194534159Paris: Editions Littéraires de France 1945. Limited first edition. Softcover. g. 1/950. Quarto. 141 7pp. Uncut and unopened copy. Original printed wrappers. Free front endpaper inscribed and signed by Louis Lafuma. Title page in red and black lettering. Illustrated head- and tailpieces. The Pensées literally "thoughts" represented a defense of the Christian religion by Blaise Pascal the renowned 17th century philosopher and mathematician. Pascal's religious conversion led him into a life of asceticism and the Pensées was in many ways his life's work. This work is one of the several attempts that have been made to arrange the notes systematically; other notable editions include those of Léon Brunschvicg and Jacques Chevalier. One of 950 copies printed on Vélin d'Arches Pur Fil of which this is No. 730. Upper front corner bumped thus slightly affecting pages throughout. Text in French. Wrappers in overall good interior in very good condition. Editions Littéraires de France unknown
2017x-1138074357Taylor & Francis 2017. Paperback. New. 348 pages. 9.21x6.14x0.94 inches. Taylor & Francis paperback
194859601948 Paris, Gallimard - NRF, 1948. Broché sous couverture repliée: 16.5 x 25 cm, 97-[2] p. Edition originale. Avec un frontispice en pleine page et 13 en-têtes gravés en noir. Un des 1530 exemplaires sur vélin marais Crèvecoeur (no. 1204), après 80 sur grand vélin. Infime coloration sur la couverture, intrieur à l'état de neuf.
191920604Paris, Edouard-Joseph, collection "Petites curiosités littéraires", 1919. In-12 de 271-[5] et 16 feuillets pour la suite, couverture imprimée en vert et rouge; avec témoins.
192455129Paris: Lucien Vogel éditeur 1924. Fine. Lucien Vogel éditeur Paris 1924-1925 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2015x-1316601951Cambridge Univ Pr 2015. Paperback. New. 302 pages. 8.75x6.00x0.75 inches. Cambridge Univ Pr paperback
14987Paris Editions Emile-Paul Frères 1942 in 8 1 volume broché, couverture rempliée illustrée, 272 pages [3]. Ouvrage illustré de vignettes par Demetrios Galanis. Exemplaire numéroté sur vélin vert de boucher. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
66155Impr. speciale du Frou-Frou - Paris 1902 In-4 29 cm 15pp. illustrations en couleurs de Galanis bon etat Ats15 unknown
18799Paris, à l'Astrolabe, 1945. In-4, 71 pp., maroquin noir janséniste, dos long, encadrement intérieur de même peau, couverture conservée, étui bordé de même peau (cuir de l'étui légèrement décoloré).
19217100paris Editions de la Nouvelle Revue Française 1921 in8, Broché couverture orangée rempliée.Tirage a 300 exemplaires, ici, L'un des 285 exemplaires numérotés sur pur fil Lafuma (n°44). 22 eaux-fortes originales et 23 bois gravés de Galanis. tirage à 300 exemplaire, rare
IL432Maastricht, A.A.M. Stols, collection "Les Belles Heures", 1929, in-12o broché, couverture rempliée illustrée par L. FLORES, 116 pp. Edition originale. Frontispice gravé par GALANIS. Un des 30 ex. sur Japon avec une double suite de la gravure sur Japon et sur Hollande.
51985La Séquanaise.11945.In-4 br.Bois original de Galanis.TBE.
1945125652A l'astrolabe Paris, A l'astrolabe, 1945. In-8 en feuillets, sous couverture rempliée et double étui. Non paginé. Illustré par Galanis de deux eaux-fortes burinées en double frontispice, neuf bois originaux et vingt dessins au trait. Tirage limité à 610 exemplaires, celui-ci n° 321 sur marais pur fil. Edition originale. L'emboitage est fendu par le bas. Le corps de l'ouvrage est en parfait état.
192910879STOLS 1929 1 Frontispice de GALANIS. Maastricht, chez A.A.M. Stols, collection "Les Belles Heures" recueillies par les soins d'Anna Marsan & d'A.A.M. Stols, 1929, in-12, broché, couverture rempliée illustrée par LLANO FLORES d'une Marque, 116 pp.
14983Paris Emile-Paul Frères, éditeurs 1939 in 8 1 volume broché, couverture rempliée illustrée, 146 pages [1]. Ouvrage illustré de vignettes de Demetrios Galanis. Exemplaire numéroté sur papier parcheminé teinté Lafuma. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1931ABE-176696791229124,5 CM X 31,2 CM-MANQUES ANGLES INF ET SUP DROITS DU PREMIER PLAT SINON ETAT PARFAIT-(DG1224)
51-3816Paris: Georges Crès & Nancy : Berger-Levrault : 1915-1916. 4to . Sheets loose as issued in original wraps. No. 11 with 8 of 9 lithograpphs lacking the Hansi. Vol. 13 with 8 lithographs.These issues not listed in OCLC and Gallica. Paris: Georges Crès, & Nancy : Berger-Levrault : [1915-1916] paperback
1801440824.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2014S8171<p><em><strong>Demetrios Galanis - The Illustrated Books</strong></em></p><p>Exhibition catalogue. In greek. Hard coverjacket 32 cm 400 pp. ill.: 881 images.</p><p>==============================================================</p><p><strong><i><b>IMPORTANT: The shipping cost estimated by the system covers books weighing up to 750 gr.; a surcharge depending on the actual weight and destination applies for heavier books. You can also choose an international transporter and pay the shipping cost at delivery in your country.</b></i></strong></p> MIET hardcover
13409Paris, Papeterie du Maris, 1944. In-4 en ff. libres, 31-(9) pp., sous couverture ornée à rabats, chemise et étui (rousseurs sur étui et chemise, étui un peu frotté ; sinon bel exemplaire).
19440711# AUTEUR: Claudel Paul # ILLUSTRATEUR: Galanis # ÉDITEUR: Horizons de France # ANNÉE ÉDITION: 1944 # ENVOI, BEAUX PAPIERS: Pur fil de Renage # COUVERTURE: Impr. illust. en couleur rempliée # DÉTAILS: Grand in 8° broché 35pp + 2ff. Frontispice tiré sur les presses à bras de l'atelier d'art Paul Haasen. N° 946 d'un tirage total non mis dans le commerce de 1000 exemplaires. Lettrines gravées de Galanis, édition originale réalisée pour l'association des paralysés de France. # PHOTOS visibles sur www.latourinfernal.com
192793171927 Paris: Gallimard, 1927. Grand in-8 (247 x 160 mm). 395 + [1] bl. + [1] page (achevé dimprimer le 15 décembre 1927) + [7] bl. + un frontispice et 64 eaux-fortes de Galanis en têtes de chapitre et culs-de-lampe. Tiré à 352 exemplaires; celui-ci est lun des 300 sur Vélin de Rive, numérotés de 1 à 300 (n° 222). Brochure illustrée de léditeur, en très bon état.
19433971Marseille, Robert Laffont, 1943. In-4 en feuilles de XLVIII pages, couverture blanche, sous chemise et étui carton sable. Belle condition.
45791Ocia.1944.In-4,couv.rempliée.Gravures de Galanis.107 p.Ex.49 sur simili-japon. BE.
190625762Paris LE RIRE F. Juven 1906 -in-4- demi-basane un fort volume, demi-reliure en basane marron-clair in-quarto (half binding sheepskin in-quarto), dos long (spine without raised bands), titre et date frappés "or", triple filet "or" en place des nerfs et en tête, roulette "or" en pied, entre-nerfs à fleuron "or", dos et mors légèrement épidermé, papier peigné, rouge, vert et crème aux plats (cover with painting paper), toutes tranches lisses (all smooth edges), pages de garde peignées (painting endpapers), abondamment illustré (plentifully illustrated) en noir et en couleurs de MEUNIER, MIRANDE, CARDONA, H. GERBAULT, BRAUN, SEM, LEANDRE, HERMANN PAUL, C. A. GUILLAUME, PAUL IRIBE, JEANNIOT, CARLEGLE, LEONCE BURRET, G. DELAW, JEAN VILLEMOT, GALANIS, AVELOT, ABEL FAIVRE, POULBOT, MIRANDE, GRANDJOUAN, MARCEL CAPY, BALLURIAU, LUCIEN METIVET, C. HUARD, PREJELAN, FERDINAND BAC, H.J. IBELS, CHARLES POURIOL, MARTIN, STEINLEN, DUMAS etc...etc., 16 pages par fascicule (16 pages by magazine), soit 52 numéros, 1906 à Paris : F. Juven Editeur,
