319 résultats
22373PARIS, éditions du Tambourinaire, 1955 - In-4 - Broché - E.O. numérotée sur papier Alfa cellunaf - Impression en deux couleurs - Bandeaux et culs-de-lampe de GALANIS - 128 pages - Très bon état
194422271Paris: Papeteries Du Marais. 1944. Softcover. Unbound signatures in wraps No. 65 of 400 copies on velin pur fil fine in fine wraps. Fine board chemise shows some foxing in near fine box. Issued by the Marais paper company to display the suitability of their papers for typography acquatints Draganes woodcuts Galanis and lithographs Moreau. This copy was printed for Monsieur Guido Colucci possibly the Tuscan artist and printmaker. #65 of 400. ; 4to 11" - 13" tall . Papeteries Du Marais paperback
194422271Paris: Papeteries Du Marais. 1944. Softcover. Unbound signatures in wraps No. 65 of 400 copies on velin pur fil fine in fine wraps. Fine board chemise shows some foxing in near fine box. Issued by the Marais paper company to display the suitability of their papers for typography acquatints Draganes woodcuts Galanis and lithographs Moreau. This copy was printed for Monsieur Guido Colucci possibly the Tuscan artist and printmaker. #65 of 400. ; 4to 11" - 13" tall . Papeteries Du Marais paperback books
13409Paris, Papeterie du Maris, 1944. In-4 en ff. libres, 31-(9) pp., sous couverture ornée à rabats, chemise et étui (rousseurs sur étui et chemise, étui un peu frotté ; sinon bel exemplaire).
c5141Paris, Papeterie du Marais ; 1 volume in-4° en feuilles sous couverture rempliée jaune imprimée en noir, chemise et étui cartonnés, dos de la chemise ocre avec titre à froid ; 31pp., 2ff.nch.Etui un peu poussiéreux, sinon très bon état.1 bois en couleurs en frontispice par Galanis, 1 aquatinte hors texte en noir par Daragnès, 1 lithographie hors texte de Luc-Albert Moreau ( tirée en noir par Anré Clot).
194388226Paris: Corrêa & Cie 1943. Fine. Corrêa & Cie Paris 1943 15.50 x 21.50 cm broché First edition one of 10 numbered copies on madagascar paper deluxe copy. Work illustrated with wood engravings by Démétrios Galanis. Very fine and rare full-margined copy. Corrêa & Cie unknown
192971600Paris: Nrf 1929. Fine. Nrf Paris 1929 11 x 17 cm broché First edition one of 527 numbered copies on vellum. Handsome copy. Work illustrated with 2 etchings by Démétrios Galanis. Nrf hardcover
192169467Paris: Nrf 1921. Fine. Nrf Paris 1921 15 x 22.50 cm broché New edition of the French translation illustrated with 22 original copperplate engravings and 23 wood-engraved vignettes by Démétrios Galanis one of 285 numbered copies on laid paper. Handsome copy. Nrf unknown
192455129Paris: Lucien Vogel éditeur 1924. Fine. Lucien Vogel éditeur Paris 1924-1925 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2014S8171<p><em><strong>Demetrios Galanis - The Illustrated Books</strong></em></p><p>Exhibition catalogue. In greek. Hard coverjacket 32 cm 400 pp. ill.: 881 images.</p><p>==============================================================</p><p><strong><i><b>IMPORTANT: The shipping cost estimated by the system covers books weighing up to 750 gr.; a surcharge depending on the actual weight and destination applies for heavier books. You can also choose an international transporter and pay the shipping cost at delivery in your country.</b></i></strong></p> MIET hardcover
1801440824.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1801440689.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1801440662.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1911ROD0050523Imprimerie spéciale de l'assiette au beurre. 25 février 1911. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages de gravures en noir et en couleurs par D. Galanis.. . . . Classification Dewey : 70.441-Journaux satiriques anciens
1911ROD0050529Imprimerie spéciale de l'assiette au beurre. 9 avril 1911. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages de gravures en noir et en couleurs par Galanis.. . . . Classification Dewey : 70.441-Journaux satiriques anciens
Une revue de format in 4° de 20 pp.; couverture comprise; entièrement illustrée par Galanis, Naudin, Camara.... Bel état; voir les photos.
66155Impr. speciale du Frou-Frou - Paris 1902 In-4 29 cm 15pp. illustrations en couleurs de Galanis bon etat Ats15 unknown
20521Schwarz. 1903. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Journal illustré de 33 dessins inédits couleurs de Hradecky, Galanis, Florane, D"Ostoya, Léon Georges, Lewis,Monnier, De Lempdes, Cartsten, Widhopff, Dédina, Camara, N° Exceptionnel, 15 aout 1903
20528Schwarz.Imprimerie spéciale de l'assiette au beurre. Broché. Bon état. Couv. convenable. 16 pages de gravures en noir et en couleurs par Galanis et texte de Barthelin.
18775LA SEQUANAISE-CAPITALISATION. 28 déc. 1945. In-4 Broché. Bon état. Couv. fraîche. Dos satisfaisant. Intérieur frais. 96 pages. Exemplaire n°1672 / 2500, tiré sur Vélin Blanc. Gravure sur bois de Galanis, en frontispice noir et vert. Couvertures imprimé empliées,exemplaire non coupé.
190388401903. Paris L'Assiette au Beurre 11 juillet 1903 - Agrafé 25 cm x 31 cm 16 pages (couv. comprise) - Ills pleine page noir & blanc et couleurs de Galanis et d'Ostoya - La couv. se détache sinon bon état
20524Schwarz.Imprimerie spéciale de l'assiette au beurre] 18 pages de gravures en noir et en couleurs par Galanis, Poulbot, Valéry-muller, Camara, Carlègle. In-4 Broché, Intérieur frais
20525Schwarz.Imprimerie spéciale de l"assiette au beurre. 30 mars 1907. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 14 pages de gravures en noir et en couleurs par Galanis.
14035paris A la Revue. 23 mars 1907. 1 Une revue de format in 4° de 20 pp.; couverture comprise; entièrement illustrée par Galanis, Naudin, Camara....
1915RES39L156Paris Berger Levrault / Crès 1915 La Grande Guerre par les artistes - Paris, Berger-Levrault / Georges Crés & Co., 1914/1915 - Fort in4 cartonnage éditeur toilé illustré aux plats (en voie de débrochage) - 4ff de préface par Gustave Geffroy puis 155 planches reliées à la suite - Il s'agit de la réunion des planches des 2 premières années de la revue éponyme qui paraissaient 2 fois par mois à partir de novembre 1914. Chaque numéro comptait 8 à 9 planches d'artistes qui étaient nombreux à avoir travaillé à cette parution, certains pour un fascicule entier, d'autres pour une ou deux planches. On trouve ainsi des ensembles de 8 ou 9 planches de Hermann-Paul, Victor Prouvé, Masereel, Huard, Vallotton, Raemaekers, Fouqueray et de 4 planches de Huygens et Steinlen. D'autres artistes ont travaillé régulièrement tout au long de la parution ou plus occasionnellement : Rabier, Job, Hansi, Ibels, Slom, Jou, Bouroux, Morin, Léandre, Depaquit, Willette, Galanis, Carlègle, Laforge et bien d'autres .... illustrations couleurs de Bénito, Nam, Hansi. Si la reliure est en voie de débrochage, les planches sont en très bon état. 350 ?
