111 résultats
1932041869London: George Harrap 1932. First Edition. Softcover. Very Good Condition. Arthur Rackham. Stiff wraps - light soiling to rear cover generally quite bright and attractive. First Illustrated Edition or first by this illustrator and in this format. Size: Octavo 8vo. Illustrator: Arthur Rackham. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Myths Legends & Folklore; Inventory No: 041869. <br/><br/> George Harrap paperback books
187029417London: By Hand Circa 1870. A one page undated handwritten note from Ruskin to his dentist signed "ever affectionately yours J Ruskin" on cream paper in black/brown ink. Presented with an engraved portrait of Ruskin with facsimile signature at bottom from the circa 1870 Elliot and Fry Ruskin photograph. Octavo the portrait roughly 4.5 by 3 inches presented together with the letter and matted under sage board glazed and in a fine gilt frame. A very fine letter perfectly preserved and handsomely presented. A SIGNED AUTOGRAPH NOTE FROM RUSKIN TO the dentist who cared for him from 1866 to 1883. Ruskin's diary reveals his view of the importance of a dentist in his life and is a reminder that to patients the retirement or death of a dentist can be a form of bereavement. When he lost his dentist Dr. Rogers of Sackville Street he quickly found a replacement in Alfred Woodhouse who was in practice at 1 Hanover Square.<br> In the letter Ruskin informs Dr. Woodhouse that his back tooth feels all right but that "the front one is very tender to pressure and hinders eating." He informs the doctor that he has remained in town and asks if he should come in the next day or wait.<br> Woodhouse made a name for himself as one of the foremost practitioners of his day. In 1880 he became President of the Odontological Society of Great Britain and he was a founder member of the British Dental Association of which he became vice-president.<br> Ruskin was one of the foremost thinkers and writers of his day. He was a renown social theorist art critic artist architect and gardener. From 1858 onward Ruskin was involved in a complex courtship of Rose La Touche a courtship initially very much disapproved of by her parents on various grounds. When Ruskin first proposed marriage Rose was 17 and he 50. It has been suggested that Ruskin chose Woodhouse because he was the dentist of the La Touche family but it is more convincing from their long association that he found in Woodhouse a sympathetic and expert practitioner.<br> Two letters from Ruskin to Woodhouse are preserved in the Ruskin archive in the Pierpont Morgan Library and Museum New York. By Hand unknown
189033358George Allen Orpington 1890. 8vo. with 21 plates a number tinted; all original tissue guards present signature on front free endpaper; original green cloth sides framed in blind gilt back cream endpapers a very good bright crisp copy. With the crest of Cheltenham School of Art blocked in gilt on upper board and prize bookplate on front paste-down. George Allen, Orpington, hardcover
mbb006067London: George Allen 1894. First Edition. Hardcover. Very Good/No Jacket. 190x130x25mm. RUSKIN JOHN. 190x130x25mm538g . . 500g Postage Incorrect see below for 1kg . . George Allen. London. 1894. First Edition. 2nd Printing. . Pp298 Six Lectures On Wood and Metal Engraving. Green cloth hard boards gilt lettering to spine no dust jacket. 17 full page plates some tissue guards missing diagram on page 48 has water stain. New address slip attached. Head and foot of spine rolled corners bumped spine and corner edges worn pages slightly foxed. Ex-Library with the usual stamps and attachments. . . Australia_Post_Zoned_International_Shipping_Rates_FOR_THIS_PARCEL . . AP-Zone1_NZ:_AU$30.00 . . AP-Zone3_Canada_USA:_AU$47.80 . . AP-Zone4_UK_Europe:_AU$54.80 . . Domestic_tracked_OR_registered_flat_rate_FOR_THIS_ITEM_Within_Australia:_AU$11.20 2nd Printing George Allen hardcover
189143851Kent: Allen 1891. In-8 p. tela editoriale pp. VI263 con oltre 10 tavole fuori testo e alcuni disegni nel testo. Ben conservato. Allen, hardcover
1871000053Kent: George Allen 1871. 4 Volumes 1871 1872 1873 1874. Grey bds title on label to spine. Corners bumped slight splits between spine / boards - Vol 1 2. Waterstains to top & bottom 1 cm on boards - vols 3 4. Top 2cm spine missing Vol 3. Interior V. good. . First Edition. Hard Cover. Good/No Jacket. 8vo - over 7¾" - 9¾" tall. George Allen hardcover
1855013827London: Smith Elder & Co 1855. 2nd Edition . Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Bumped corners name to ffep some foxing to plates in rear <br/> <br/> Smith Elder & Co hardcover
190649934Dent 1906. 5 vols. 8vo. First Edition thus with 84 plates; original series binding of terracotta ribbed cloth upper boards blocked in blind gilt backs dark tops pictorial endpapers a near fine copy. Includes local index index of painters and pictures and topical index. sEXTREMELY SCARCE IN THIS CONDITION. EL 208 209 210 211 212; Seymour 852.0 853.0 854.0 855.0 856.0. Dent, hardcover
18881302991888. RUSKIN John. Modern Painters. London: George Allen 1888. Six volumes. Quarto 20th-century three-quarter dark maroon morocco gilt raised bands marbled endpapers top edges gilt uncut and partly unopened. $3500.1888 edition profusely illustrated with over 90 full-page steel- and wood-engraved plates and numerous in-text illustrations after drawings by Ruskin Leonardo Raphael the Missal-Painters J.M.W. Turner R. Allen and others very handsomely bound.Ruskin writer critic and artist was a chief influence upon public taste in Victorian England. Modern Painters first published in 1843 presents ""a spiritual history of Europe with comments on every phase of morals and taste"" Magnusson 1275. ""Taken in the mass these volumes contain the most valuable contributions to art-literature the language can show they contain worlds of thought imagination and knowledge such as no other art-writer can educe It is impossible but that Art should be the better for them"" Allibone 1895. ""Clouds mountains landscapes towers churches trees flowers and herbs were drawn with wonderful precision minuteness of detail and delicacy of hand solely to recall some specific aspect of nature or art of which he wished to retain a record. In his gift for recording the most subtle characters of architectural carvings and details Ruskin has hardly been surpassed by the most distinguished painters"" Harrison 860. Fine condition. hardcover
189746061George Allen Orpington 1897. 6 vols. 8vo. First Edition thus with 3 engraved frontispieces original tissue guards present and 87 engraved plates some very light and inoffensive spotting; contemporary full vellum BY MACMILLAN & BOWES bevelled boards backstrips lettered in black all edges gilt marbled endpapers heightened with gilt gilt doublures a near fine set. The binding is signed on front free endpaper verso. A MOST ELEGANT SET AND VERY SCARCE INDEED IN THIS CONDITION. George Allen, Orpington, hardcover
188848653Kent: George Allen 1888. 6 volumes. Lightly rubbed and bumped some chipping to head and foot of spines the odd spot of foxing to pp else a clean and tidy set. Cloth. Very Good. 4to. George Allen Hardcover
190433356George Allen 1904. 8vo. Tenth Thousand signatures on front paste-down neat inscription on front free endpaper; original green cloth sides framed in blind gilt back gilt top uncut cream endpapers a very good bright crisp copy. George Allen, hardcover
19021546London / Edinburgh: George Allen / Ballantyne Press 1902. Fine. 8vo 8 x 5 3/4 inches 203 x 145 mm 4 99 1 pp. Printed on handmade Arnold paper with a flower and vine border on each page with red initials; publisher's device wood engraved on colophon; yapp edges. Full vellum over boards stamped in gilt on front cover and spine all four tan ribbon ties present and in good condition. Minor thumbing on cover pages clean and bright throughout with some offset from the printed frames binding tight vellum very slightly curled which is typical. A handsome production in the style of William Morris's Kelmscott Press with elaborate printed borders and dropcaps in red ink which mirrors Ruskin's interest in the principles of the Arts & Crafts movement.<br /> "Of King's Treasuries" was a lecture delivered by John Ruskin in 1864 in support of a library fund. It explores issues of reading practice literature books of the hour vs. books of all time cultural value and public education. This is a companion piece to his "Of Queens' Gardens" our inventory nos. 1544 and 1455.<br /> John Ruskin 1819 - 1900 was a writer philosopher art critic and polymath of the Victorian era who promoted reading and proper education for both men and women as the means to fulfill their ultimate purpose. George Allen / Ballantyne Press unknown
133021902 GEORGE ALLEN LONDON. BEAUTIFUL COPY IN VELUM BINDING. HAND-MADE PAPER WITH UNCUT PAGES. LIMITED TO 310 COPIES. TIES COMPLETE. 1902 GEORGE ALLEN, LONDON unknown
133011902 GEORGE ALLEN LONDON. BEAUTIFUL COPY IN VELUM BINDING. HANDMADE PAPER WITH UNCUT PAGES. LIMITED TO 310 COPIES.TIES COMPLETE. 1902 GEORGE ALLEN, LONDON unknown
1886014439Sunnyside Orpington: George Allen 1886. Books measure 9 1/2 x 6 1/4 inches. Collation vii 1 432pp 442pp viii182vi171pp with 3 plates including frontispieces. Volume1 published 1886 volume 2 published 1887 volume 3 published 1900 with Two Plates. Consists of the Four Chapters published by Mr. Ruskin in 1888-9 together with the two of "Dilecta" hitherto unpublished but set up in type and revised by Mr. Ruskin is now added together with a full index to all three volumes and the plate "The Castle of Annency" originally included only in the large paper edition. Bound in half calf calf corners marble boards raised bands gilt lines and lettering top gilt edges. At some time each volume has been rebacked in matching colour. Bindings lightly rubbed minor wear. All bindings in very good clean firm condition. Internally previous owners bookplate. Pages and plates in very good clean condition. A very nice set. Vellum. Very Good Plus. 8vo. George Allen Hardcover
1886096727Sunnyside Orpington: George Allen 1886. Books measure 9 1/2 x 6 1/4 inches. Collation vii 1 432pp 442pp viii182vi171pp with 3 plates including frontispieces. Volume1 published 1886 volume 2 published 1887 volume 3 published 1900 with Two Plates. Consists of the Four Chapters published by Mr. Ruskin in 1888-9 together with the two of "Dilecta" hitherto unpublished but set up in type and revised by Mr. Ruskin is now added together with a full index to all three volumes and the plate "The Castle of Annency" originally included only in the large paper edition. Uniformly bound in full vellum with leather title labels top gilt edges marble endpapers. Vellum dust maked labels rubbed with some minor loss very slight lean on spines very slightly bumped. All 3 bindings in very good clean firm condition. Internally previous owners bookplate. Pages in very good clean condition. A very nice set with the additional later volume. . Vellum. Very Good Plus. 8vo. George Allen Hardcover
1862003116LONDON: SMITH ELDER 1862. ASSUMED FIRST. . Hardcover. Near Fine/NoNE. 3/4 LEATHER BOUND BY A FINE BINDER END PAPERS MATCH THE FRONT AND BACK COVERS PORTRAIT OF RUSKIN WITH FACIMILE SIGNATURE TISSUE IN PLACE ROMAN NUMERALS M.DCCC.LX11 FIVE BANDS AND DECORATED SPINE TINY SCRAPE LOWER MIDDLE FRONT COVER <br/> <br/> SMITH ELDER hardcover
18511270471851. First Edition. RUSKIN John. The Stones of Venice. London: Smith Elder 1851-53. Three volumes. Royal octavo contemporary three-quarter tan calf raised bands brown and red morocco spine labels elaborately gilt-decorated spines. $3600.First edition of Ruskins famous survey of the Gothic architectural style illustrated with 53 full-page mezzotints and lithographs many hand-colored and numerous in-text wood-engraved diagrams and architectural details.""A strange unexpected and I believe most true and excellent sermon in Stonesas well as the best piece of schoolmastery in architectonics"" Carlyle. With its insistence upon a functional architecture Ruskin's survey of the Southern Gothic style solidified his position as one of the most influential aesthetes of the Victorian era. ""The Stones of Venice along with Ruskin's Seven Lamps of Architecture 1849 had immediate effects on the Gothic Revival of the High Victorian period and on the Arts and Crafts movement that followed in England. His influence during his lifetime is evident in contemporary buildings throughout Britain and beyond from India to the United States. His work later helped form the views of among others Henry van de Velde Frank Lloyd Wright and Walter Gropius"" and contains what is ""perhaps Ruskin's most potent writing his celebrated chapter on 'The Nature of Gothic' in which he praises the craftsman as designer"" Avery 265. Bound without publisher's advertisements. Grolier 100 English 92. Ray The Illustrator and the Book in England 31. Houfe 286. Small bookseller tickets. Bookplates. Old dealer descriptions tipped in.Interiors fine joints and extremities of handsome contemporary calf expertly repaired. hardcover
185741997Smith Elder 1857. 8vo. First Edition with 48 illustrations 3 full-page in the text; original dark-green pebble-grain cloth BY WESTLEYS boards elaborately blocked in blind gilt back primrose endpapers uncut small repair at headband else a very good bright crisp copy in HANDSOME CUSTOM-MADE DARK GREEN CRUSHED MOROCCO SOLANDER CASE WITH MARBLED LINERS. Complete with 16pp publisher's catalogue dated June 1857 bound in at end and Westleys' binder's ticket on rear paste-down. First edition of Ruskin's drawing lessons for children. Intended for those without recourse to a drawing-master it provides a series of eminently practical exercises supported by illustrations. Ruskin was always greatly interested in the teaching of art; perhaps his most famous pupil was Alice Liddell Carroll's 'Alice' to whom he taught drawing and painting as a result of which he appears in 'Alice in Wonderland' as the 'Drawing Master' an 'old Conger Eel' who attended 'once a week' and 'taught us Drawling Stretching and Fainting in Coils'. Ruskin's lifelong love of the English Lakes began when he sat by Coniston at the age of eighteen but it was not until his early fifties that he finally purchased Brantwood one of the most splendid houses in the Lake District. Although he had not seen the interior he reasoned that any house opposite Coniston 'must be beautiful' and in 1871 secured the freehold from William Linton for the sum of £1500. He moved in a year later and the house became not merely a blissfully happy home but a renowned centre of artistic and literary endeavour for Ruskin and his circle. Brantwood remains today a place of pilgrimage for admirers and scholars of one of the greatest Victorian polymaths. THIS COPY HAS A BOOKPLATE READING 'EX LIBRIS JOHN RUSKIN BRANTWOOD' ON FRONT PASTE-DOWN. THIS BOOKPLATE HAS BEEN SHOWN BY J.S. DEARDEN 'Facets of Ruskin 1970 TO BE FRAUDULENT. WHILST THIS COPY IN UNQUESTIONABLY A FIRST ISSUE OF THE WORK THERE IS NO EVIDENCE TO SHOW THAT ITS PROVENANCE INCLUDES EITHER RUSKIN OR BRANTWOOD. Smith, Elder, hardcover
189033357George Allen Orpington 1890. 8vo. Sixth Edition signature on front paste-down; original green cloth sides framed in blind gilt back uncut cream endpapers a very good bright crisp copy. With the trade tickets of John Banks of Cheltenham and J A H Smith of Tufnell Park on front paste-down. George Allen, Orpington, hardcover
1932041869London: George Harrap 1932. First Edition. Softcover. Very Good Condition. Arthur Rackham. Stiff wraps - light soiling to rear cover generally quite bright and attractive. First Illustrated Edition or first by this illustrator and in this format. Size: Octavo 8vo. Illustrator: Arthur Rackham. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Myths Legends & Folklore; Inventory No: 041869. <br/><br/> George Harrap paperback
1892013988London: Kelmscott Press Hammersmith 1892. Limited to 500 copies. Book measures 21x15.cm. iv11271pp With one elaborately decorated border two Kelmscott woodcut devices printed in two places at the end of the table of contents and on the colophon numerous woodcut initials and several architectural woodcut figures in-text. Bound in original publishers full vellum with gilt lettering and date. Vellum dust marked spot marking boards slightly sprung lacking ties. Binding in good firm conmdition. Internally previous owners bookplate. Pages in very good clean condition. A nice copy. . Limited Edition. Vellum. Near Very Good. 8vo. Kelmscott Press, Hammersmith Hardcover
37021Hachette - 7e édition In-16 x-104pp. illustr. 13 figures reliure demi-toile de l'éditeur coins frottés Nb-0239 unknown
188733534Reeves c.1887. 8vo. original printed wrappers wire-stitched as issued a near fine copy. A remarkably crisp clean copy. VERY SCARCE. Reeves, unknown